Steampunk Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Highland/Etling
Composed by Richard Meyer. Orchestra. Part(s); Score; SmartMusic; String Orchest...(+)
Composed by Richard
Meyer. Orchestra.
Part(s); Score;
SmartMusic; String
Orchestra. Highland
String Orchestra. Grade
3.5. 132 pages. Published
by Highland/Etling
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
String Orchestra SKU: SU.91710100 For String Orchestra. Composed b...(+)
String Orchestra
SKU:
SU.91710100
For
String Orchestra.
Composed by Paul Moravec.
Strings, String Ensemble.
Study Score. Composed
2003. Duration 18'.
Subito Music Corporation
#91710100. Published by
Subito Music Corporation
(SU.91710100).
Strings
Duration: 18' Composed:
2003 Published by: Subito
Music Publishing Full
Score &, Parts:
available on rental:.
Composed by
George Gershwin. Arranged
by Carrie Lane Gruselle.
Series; String Orchestra.
FJH String Orchestra.
Great American Songbook;
Jazz; Masterwork
Arrangement. Score and
Part(s). The FJH Music
Company Inc #98-ST6545.
Published by The FJH
Music Company Inc
(FJ.ST6545).
English.
This
landmark arrangement
showcases Gershwin's
beloved piece that
validated the merging of
classical music and jazz
during the roaring 20s!
This setting for strings
presents a sampling of
the most memorable themes
in a dynamic and
well-constructed
arrangement. Ideal to
work on bow distribution,
weight, and speed; as
well as chromatics and
some basic position work
with ample fingerings
provided.
Exceptional!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Chorale, Scherzo, and Dance Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Kjos Music Company
Orchestra string orchestra - Grade 5.5 SKU: KJ.JSO189C Composed by Jack S...(+)
Orchestra string
orchestra - Grade 5.5
SKU: KJ.JSO189C
Composed by Jack Stamp.
String Tracks. Score and
parts. Neil A. Kjos Music
Company #JSO189C.
Published by Neil A. Kjos
Music Company
(KJ.JSO189C).
UPC:
8402700091.
Jack
Stamp, a highly regarded
composer of music for
concert band, has written
this spectacular
three-movement work for
advanced string
orchestra. Exploring the
use of dissonance, mixed
meters, and an array of
timbres, this composition
is impressive and
dramatic!
Eine Kleine Nachtmusik Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS10 Full Sco...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS10
Full
Score and Parts.
Composed by Wolfgang
Amadeus Mozart. Edited by
Amy Rosen. Arranged by
Roy Phillippe. FS-SWS.
Carl Fischer Concert
String Orchestra Series.
Score and Parts. With
Standard notation. K 525.
24+6+24+15+15+15+16
pages. Carl Fischer Music
#CAS10. Published by Carl
Fischer Music (CF.CAS10).
ISBN 9780825847615.
UPC: 798408047610. 8.5 X
11 inches. Key: G
major.
With this
arrangement, my goal is
to maintain the integrity
of the original work,
while making it
accessible to the younger
orchestra. An important
aspect of the successful
performance of this piece
is maintaining an
energetic tempo. The
repeated eighth notes in
the accompaniment should
be played cleanly and
crisply to maintain
momentum. There are many
places where abrupt
changes in dynamics
occur. For example, m. 1
begins with a string
unison forte,
which suddenly drops to
piano at m. 11.
Accents, staccatos, and
other articulations
should be carefully
observed. To be
effective, crescendos
should begin at a
reasonable volume, so
they have somewhere to go
dynamically. I hope you
and the orchestra enjoy
this arrangement. With
this arrangement, my goal
is to maintain the
integrity of the original
work, while making it
accessible to the younger
orchestra. An important
aspect of the successful
performance of this piece
is maintaining an
energetic tempo. The
repeated eighth notes in
the accompaniment should
be played cleanly and
crisply to maintain
momentum. There are many
places where abrupt
changes in dynamics
occur. For example, m. 1
begins with a string
unisonA forte,
which suddenly drops toA
piano at m. 11.
Accents, staccatos, and
other articulations
should be carefully
observed. To be
effective, crescendos
should begin at a
reasonable volume, so
they have somewhere to go
dynamically. I hope you
and the orchestra enjoy
this arrangement. With
this arrangement, my goal
is to maintain the
integrity of the original
work, while making it
accessible to the younger
orchestra. An important
aspect of the successful
performance of this piece
is maintaining an
energetic tempo. The
repeated eighth notes in
the accompaniment should
be played cleanly and
crisply to maintain
momentum. There are many
places where abrupt
changes in dynamics
occur. For example, m. 1
begins with a string
unison forte, which
suddenly drops to piano
at m. 11. Accents,
staccatos, and other
articulations should be
carefully observed. To be
effective, crescendos
should begin at a
reasonable volume, so
they have somewhere to go
dynamically. I hope you
and the orchestra enjoy
this arrangement. With
this arrangement, my goal
is to maintain the
integrity of the original
work, while making it
accessible to the younger
orchestra. An important
aspect of the successful
performance of this piece
is maintaining an
energetic tempo. The
repeated eighth notes in
the accompaniment should
be played cleanly and
crisply to maintain
momentum. There are many
places where abrupt
changes in dynamics
occur. For example, m. 1
begins with a string
unison forte, which
suddenly drops
to piano at m. 11.
Accents, staccatos, and
other articulations
should be carefully
observed. To be
effective, crescendos
should begin at a
reasonable volume, so
they have somewhere to go
dynamically. I hope you
and the orchestra enjoy
this arrangement.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C...(+)
By Matt Turner. For
string orchestra (violin
I, violin II, violin III
(viola T.C.), viola,
cello, bass, drums,
piano). Score and parts.
Duration 3 minutes, 06
seconds. Published by
Carl Fischer
Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
With a Yo Heave Ho. Arranged by Sandra Dackow. Performance Music Ensemble...(+)
With a Yo Heave
Ho. Arranged by
Sandra Dackow.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk. Score. 12 pages.
Duration 2:25. Alfred
Music #00-44789S.
Published by Alfred Music
(AP.44789S).
String Orchestra (Full Score) SKU: HL.51483300 For String Orchestra Fu...(+)
String Orchestra (Full
Score)
SKU:
HL.51483300
For
String Orchestra Full
Score. Composed by
Antonin Dvorak. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 70 pages. G.
Henle #HN3300. Published
by G. Henle
(HL.51483300).
UPC:
196288206965.
10.0x12.75x0.235
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Orchestra (Study Score) SKU: HL.51487003 For String Orchestra S...(+)
String Orchestra (Study
Score)
SKU:
HL.51487003
For
String Orchestra Study
Score. Composed by
Antonin Dvorá, Antonin
Dvorak, and k. Edited by
Peter Jost. Henle Study
Scores. Classical. 82
pages. G. Henle #HN7003.
Published by G. Henle
(HL.51487003).
UPC:
196288207245.
6.75x9.5x0.224
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among DvorákÂs
most popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
HenleÂs Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
The Sailor's Hornpipe Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
With a Yo Heave Ho. Arranged by Sandra Dackow. Part(s); Score; String Orc...(+)
With a Yo Heave
Ho. Arranged by
Sandra Dackow. Part(s);
Score; String Orchestra.
Orchestra Expressions.
Folk. 148 pages.
Published by Alfred Music
(AP.44789).
Set of String Parts String Orchestra (Parts) SKU: HL.51483302 For Stri...(+)
Set of String Parts
String Orchestra (Parts)
SKU: HL.51483302
For String Orchestra
String Parts.
Composed by Antonin
Dvorá, Antonin Dvorak,
and k. Edited by Peter
Jost. Henle Music Folios.
Classical. Softcover. 170
pages. G. Henle #HN3302.
Published by G. Henle
(HL.51483302).
UPC:
196288206804.
9.0x12.0x0.835
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Celtic Impressions Orchestre à Cordes [Conducteur] - Facile Excelcia Music Publishing
String Orchestra - Grade 3 SKU: XC.RSO2003FS Composed by Steven L. Rosenh...(+)
String Orchestra - Grade
3
SKU:
XC.RSO2003FS
Composed
by Steven L. Rosenhaus.
Rhapsody String Orchestra
Series. Concert and
Contest. Concert and
contest. Score. Excelcia
Music Publishing
#RSO2003FS. Published by
Excelcia Music Publishing
(XC.RSO2003FS).
UPC:
812598034547. 9 x 12
inches.
This short
suite is a wonderfully
fresh addition to the
folk song repertoire. All
original folk-like
melodies provide ample
opportunity to explore
not only the form of a
suite but the idiomatic
style of Celtic music.
Steven Rosenhaus has
crafted a delightful new
three-movement work for
your next concert.
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Lynne Latham.
Performance Music
Ensemble; String
Orchestra. Ludwig
Masters. Masterwork
Arrangement. Score and
Part(s). Latham Music
Enterprises #36-50250138.
Published by Latham Music
Enterprises
(AP.36-50250138).
ISBN
9781682966662. UPC:
746241212535.
English.
Here is
the perfect alternative
for Pomp and
Circumstance. It is much
easier on the orchestra
and everyone plays the
melody. All parts shift
and use chromatic
fingerings, and there is
great opportunity to work
on dotted rhythms and
hooked bowings. The
optional timpani part and
ample number of repeats
allows for incredible
flexibility.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Kelvin Grove Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Excelcia Music Publishing
String Orchestra - beginner SKU: XC.DSO2103 Composed by Scottish Folk Son...(+)
String Orchestra -
beginner
SKU:
XC.DSO2103
Composed
by Scottish Folk Song.
Arranged by Larry Clark.
Excelcia Music Publishing
String Orchestra. Concert
and Contest. Concert &
Contest. Score and set of
parts. Excelcia Music
Publishing #DSO2103.
Published by Excelcia
Music Publishing
(XC.DSO2103).
UPC:
812598037470. 9 x 12
inches.
This
wonderful folk song has
been beautifully arranged
for string orchestra. On
top of a melody that you
won't be able to get out
of your head, there are
ample opportunities to
work on lyrical playing
and phrasing. Every
concert needs something
musically expressive, and
this arrangement is sure
to impress musicians and
audiences alike.
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Lynne Latham.
Performance Music
Ensemble; String
Orchestra. Ludwig
Masters. Score. Latham
Music Enterprises
#36-50255138. Published
by Latham Music
Enterprises
(AP.36-50255138).
ISBN
9781682966679. UPC:
660355128240.
English.
Here is
the perfect alternative
for Pomp and
Circumstance. It is much
easier on the orchestra
and everyone plays the
melody. All parts shift
and use chromatic
fingerings, and there is
great opportunity to work
on dotted rhythms and
hooked bowings. The
optional timpani part and
ample number of repeats
allows for incredible
flexibility.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Peripheral Visions Orchestre à Cordes SATB A Cappella - Facile Excelcia Music Publishing
String Orchestra Orchestra - Grade 2.5 SKU: XC.ISO2006 Composed by Alan L...(+)
String Orchestra
Orchestra - Grade 2.5
SKU: XC.ISO2006
Composed by Alan Lee
Silva. Intermezzo String
Orchestra Series. Concert
and Contest. Concert and
contest. Set of parts.
Excelcia Music Publishing
#ISO2006. Published by
Excelcia Music Publishing
(XC.ISO2006).
UPC:
812598034752. 9 x 12
inches.
This new
work for string orchestra
is exciting and lush!
Alan Lee Silva makes an
orchestra sound good, and
Peripheral Visions is no
exception. Soaring
melodic lines and ample
opportunity to work on
light articulation abound
in this wonderful new
addition to the string
repertoire.
Cha Cha Christmas Orchestre à Cordes SATB A Cappella - Débutant Excelcia Music Publishing
String Orchestra Orchestra - Grade 0.5 SKU: XC.PSO2001 Composed by Larry ...(+)
String Orchestra
Orchestra - Grade 0.5
SKU: XC.PSO2001
Composed by Larry Clark.
Prelude String Orchestra
Series. Christmas and
Holiday. Set of parts.
Excelcia Music Publishing
#PSO2001. Published by
Excelcia Music Publishing
(XC.PSO2001).
UPC:
812598034110. 9 x 12
inches.
Perfect for
the first holiday
concert, this new work,
in the style of a Cha
cha, has ample teaching
opportunities. Using only
the first 6 notes of the
D-major scale, Cha Cha
Christmas is perfect for
your first concert!
Peripheral Visions Orchestre à Cordes [Conducteur] - Facile Excelcia Music Publishing
String Orchestra - Grade 2.5 SKU: XC.ISO2006FS Composed by Alan Lee Silva...(+)
String Orchestra - Grade
2.5
SKU:
XC.ISO2006FS
Composed
by Alan Lee Silva.
Intermezzo String
Orchestra Series. Concert
and Contest. Concert and
contest. Score. Excelcia
Music Publishing
#ISO2006FS. Published by
Excelcia Music Publishing
(XC.ISO2006FS).
UPC:
812598034783. 9 x 12
inches.
This new
work for string orchestra
is exciting and lush!
Alan Lee Silva makes an
orchestra sound good, and
Peripheral Visions is no
exception. Soaring
melodic lines and ample
opportunity to work on
light articulation abound
in this wonderful new
addition to the string
repertoire.
Celtic Impressions Orchestre à Cordes SATB A Cappella - Facile Excelcia Music Publishing
String Orchestra Orchestra - Grade 3 SKU: XC.RSO2003 Composed by Steven L...(+)
String Orchestra
Orchestra - Grade 3
SKU: XC.RSO2003
Composed by Steven L.
Rosenhaus. Rhapsody
String Orchestra Series.
Concert and Contest.
Concert and contest. Set
of parts. Excelcia Music
Publishing #RSO2003.
Published by Excelcia
Music Publishing
(XC.RSO2003).
UPC:
812598034530. 9 x 12
inches.
This short
suite is a wonderfully
fresh addition to the
folk song repertoire. All
original folk-like
melodies provide ample
opportunity to explore
not only the form of a
suite but the idiomatic
style of Celtic music.
Steven Rosenhaus has
crafted a delightful new
three-movement work for
your next concert.
![Focus [Complete Set]](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw83b782ee/images/3748/19783748_cover-large_file.png)
