Concert Band (Compact) (Flute 1, Flute 2/Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, F Horn 1, F Horn 2, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Trombone, Euphonium/Ba) - grade 1.5

SKU: CN.R10287

Composed by Franz Joseph Haydn. Arranged by Michael Brand. Score and parts. Duration 3:30. Published by G & M Brand Music Publishers (CN.R10287).

A wonderful arrangement of the original chorale for concert band that transitions into several lively variations. Brand's compact band series allows for flexibility in scoring for your ensemble.

Concert Band (Compact) (Flute 1, Flute 2/Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, F Horn 1, F Horn 2, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Trombone, Euphonium/Ba) - grade 1.5

SKU: CN.S11287

Composed by Franz Joseph Haydn. Arranged by Michael Brand. Score only. Duration 3:30. Published by G & M Brand Music Publishers (CN.S11287).

A wonderful arrangement of the original chorale for concert band that transitions into several lively variations. Brand's compact band series allows for flexibility in scoring for your ensemble.

Composed by Otto M. Schwarz. For Concert Band (Score and Parts). Mitropa Music Concert Band. Grade 3. De Haske Publications #201214010M. Published by De Haske Publications

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094670-140

Composed by Thierry Deleruyelle. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2009. 44 pages. De Haske Publications #DHP 1094670-140. Published by De Haske Publications (BT.DHP-1094670-140).

9x12 inches. English-German-French-Dut ch.

With Emperor, French composer Thierry Deleruyelle wanted to create a descriptive musical work depicting the life of Napoleon Bonaparte. The first movement represents the idiosyncrasies of this famous personality as well as his dramatic mood swings. The second movement is dedicated to his great love, Josephine Beauharnais. A contrasting third movement depicts Napoleon the fearless general and the countless battles he waged. A truly powerful work about one of histories truly powerful men.

Mit Emperor schuf der französische Komponist Thierry Deleruyelle ein deskriptives Werk nach dem Leben von Napoleon Bonaparte. Der erste Satz hebt die Charakterzüge des Kaisers von Frankreich hervor, wozu Heldenmut und Brillanz ebenso wie Schwermut gehören. Der zweite Satz ist seiner großen Liebe Josephine Beauharnais gewidmet und im Kontrast dazu der dritte Satz dem Feldherrn Napoleon und seinen zahlreichen Schlachten. Ein schillerndes Werk über eine große historische Figur!

Avec Emperor (L’Empereur), le compositeur français Thierry Deleruyelle signe une fresque musicale en trois tableaux, consacrée Napoléon Ier (1769-1821) qui fut Empereur des Français de 1804 1815. Le premier tableau, « l’Aigle », illustre deux facettes du caractère de l’Empereur : héro que et éblouissant lorsqu’il mène ses troupes la victoire, sombre et mélancolique dans la tourmente de l’histoire. Le deuxième mouvement est consacré Joséphine de Beauharnais, la grande et unique passion de Bonaparte, sa première épouse, son incomparable impératrice. La courbe mélodique est noble et élégante, l’orchestration riche en couleurs sonores. Le troisième et derniertableau - D’Austerlitz Waterloo - est un récit de batailles, de la grande victoire la chute définitive. Le climat musical est dominé par un esprit de conquête. Les rythmes soutenus de la caisse-claire symbolisent la chevauchée infernale de la cavalerie impériale. Nous suivons l’itinéraire militaire de l’un des hommes les plus célèbres et les plus controversés de l’histoire de France.

Con Emperor, Thierry Deleruyelle firma un affresco musicale dedicato a Napoleone. Seguiamo il destino militare e personale di Bonaparte. Il primo affresco, “l’Aigle< /I>”, illustra due aspetti del carattere dell’Imperatore: eroico quando conduce le sue truppe alla vittoria, malinconico nella tormenta della storia. Il secondo movimento è dedicato a Josephine di Beauharnais, la grande e unica passione di Napoleone. Il movimento finale - Da Austerlitz a Waterloo - è un racconto delle battaglie, delle grandi vittorie e della caduta definitiva.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094670-010

Composed by Thierry Deleruyelle. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094670-010. Published by De Haske Publications (BT.DHP-1094670-010).

9x12 inches. English-German-French-Dut ch.

With Emperor, French composer Thierry Deleruyelle wanted to create a descriptive musical work depicting the life of Napoleon Bonaparte. The first movement represents the idiosyncrasies of this famous personality as well as his dramatic mood swings. The second movement is dedicated to his great love, Josephine Beauharnais. A contrasting third movement depicts Napoleon the fearless general and the countless battles he waged. A truly powerful work about one of histories truly powerful men.

Mit Emperor schuf der französische Komponist Thierry Deleruyelle ein deskriptives Werk nach dem Leben von Napoleon Bonaparte. Der erste Satz hebt die Charakterzüge des Kaisers von Frankreich hervor, wozu Heldenmut und Brillanz ebenso wie Schwermut gehören. Der zweite Satz ist seiner großen Liebe Josephine Beauharnais gewidmet und im Kontrast dazu der dritte Satz dem Feldherrn Napoleon und seinen zahlreichen Schlachten. Ein schillerndes Werk über eine große historische Figur!

Avec Emperor (L’Empereur), le compositeur français Thierry Deleruyelle signe une fresque musicale en trois tableaux, consacrée Napoléon Ier (1769-1821) qui fut Empereur des Français de 1804 1815. Le premier tableau, « l’Aigle », illustre deux facettes du caractère de l’Empereur : héro que et éblouissant lorsqu’il mène ses troupes la victoire, sombre et mélancolique dans la tourmente de l’histoire. Le deuxième mouvement est consacré Joséphine de Beauharnais, la grande et unique passion de Bonaparte, sa première épouse, son incomparable impératrice. La courbe mélodique est noble et élégante, l’orchestration riche en couleurs sonores. Le troisième et derniertableau - D’Austerlitz Waterloo - est un récit de batailles, de la grande victoire la chute définitive. Le climat musical est dominé par un esprit de conquête. Les rythmes soutenus de la caisse-claire symbolisent la chevauchée infernale de la cavalerie impériale. Nous suivons l’itinéraire militaire de l’un des hommes les plus célèbres et les plus controversés de l’histoire de France.

Con Emperor, Thierry Deleruyelle firma un affresco musicale dedicato a Napoleone. Seguiamo il destino militare e personale di Bonaparte. Il primo affresco, “l’Aigle< /I>”, illustra due aspetti del carattere dell’Imperatore: eroico quando conduce le sue truppe alla vittoria, malinconico nella tormenta della storia. Il secondo movimento è dedicato a Josephine di Beauharnais, la grande e unica passione di Napoleone. Il movimento finale - Da Austerlitz a Waterloo - è un racconto delle battaglie, delle grandi vittorie e della caduta definitiva.

Band Concert Band - Grade 2

SKU: CF.YPS250

Concert March. Composed by Joseph Compello. Yps. Set of Score and Parts. 2+16+4+8+8+8+4+4+10+4+4+8 +8+8+4+4+6+6+6+4+6+1+1+4+ 1+24 pages. Duration 2 minutes, 43 seconds. Carl Fischer Music #YPS250. Published by Carl Fischer Music (CF.YPS250).

ISBN 9781491161333. UPC: 680160919925.

Mount Vernon Square derives its title from the location of the Peabody Conservatory of Music in Baltimore, Maryland. It was here that the composer Joseph Compello took his first classes in Music Theory from Professor Haven Hensler, to whom this march is dedicated. After hearing this march performed on piano as part of final exam requirements in a Music Theory course, Professor Hensler encouraged further exploration of music composition, leading Compello into a prolific career writing pieces like this theme, now years later arranged for full band as a concert march. Performance Notes The form of the march is a standard A-BB-Trio-C-A. Melodically, much of the march is based on the figure contained in mm. 8 and 9. Tempo, articulation, and dynamics in a standard march style are essential to a successful interpretation. Pay particular attention to dynamics in the second strain at m. 41. Strive for a legato diminuendo at the transition in mm. 63-65. The melody in the Trio (m. 70) will also require smooth articulation from low brass and woodwinds. The Euphonium counter-melody will be played only during the repeat of the Trio. The Breakup Strain (m. 87) is, of course, powerfully marcato as is the reprise of the first theme at m. 109.
Mount Vernon Square derives its title from the location of the Peabody Conservatory of Music in Baltimore, Maryland. It was here that the composer Joseph Compello took his first classes in Music Theory from Professor Haven Hensler, to whom this march is dedicated. After hearing this march performed on piano as part of final exam requirements in a Music Theory course, Professor Hensler encouraged further exploration of music composition, leading Compello into a prolific career writing pieces like this theme, now years later arranged for full band as a concert march.Performance NotesThe form of the march is a standard A-BB-Trio-C-A. Melodically, much of the march is based on the figure contained in mm. 8 and 9. Tempo, articulation, and dynamics in a standard march style are essential to a successful interpretation. Pay particular attention to dynamics in the second strain at m. 41. Strive for a legato diminuendo at the transition in mm. 63-65. The melody in the Trio (m. 70) will also require smooth articulation from low brass and woodwinds. The Euphonium counter-melody will be played only during the repeat of the Trio. The Breakup Strain (m. 87) is, of course, powerfully marcato as is the reprise of the first theme at m. 109.

Band Concert Band - Grade 2

SKU: CF.YPS250F

Concert March. Composed by Joseph Compello. Yps. Full score. 24 pages. Duration 2 minutes, 43 seconds. Carl Fischer Music #YPS250F. Published by Carl Fischer Music (CF.YPS250F).

ISBN 9781491161890. UPC: 680160920570.

Mount Vernon Square derives its title from the location of the Peabody Conservatory of Music in Baltimore, Maryland. It was here that the composer Joseph Compello took his first classes in Music Theory from Professor Haven Hensler, to whom this march is dedicated. After hearing this march performed on piano as part of final exam requirements in a Music Theory course, Professor Hensler encouraged further exploration of music composition, leading Compello into a prolific career writing pieces like this theme, now years later arranged for full band as a concert march. Performance Notes The form of the march is a standard A-BB-Trio-C-A. Melodically, much of the march is based on the figure contained in mm. 8 and 9. Tempo, articulation, and dynamics in a standard march style are essential to a successful interpretation. Pay particular attention to dynamics in the second strain at m. 41. Strive for a legato diminuendo at the transition in mm. 63-65. The melody in the Trio (m. 70) will also require smooth articulation from low brass and woodwinds. The Euphonium counter-melody will be played only during the repeat of the Trio. The Breakup Strain (m. 87) is, of course, powerfully marcato as is the reprise of the first theme at m. 109.
Mount Vernon Square derives its title from the location of the Peabody Conservatory of Music in Baltimore, Maryland. It was here that the composer Joseph Compello took his first classes in Music Theory from Professor Haven Hensler, to whom this march is dedicated. After hearing this march performed on piano as part of final exam requirements in a Music Theory course, Professor Hensler encouraged further exploration of music composition, leading Compello into a prolific career writing pieces like this theme, now years later arranged for full band as a concert march.Performance NotesThe form of the march is a standard A-BB-Trio-C-A. Melodically, much of the march is based on the figure contained in mm. 8 and 9. Tempo, articulation, and dynamics in a standard march style are essential to a successful interpretation. Pay particular attention to dynamics in the second strain at m. 41. Strive for a legato diminuendo at the transition in mm. 63-65. The melody in the Trio (m. 70) will also require smooth articulation from low brass and woodwinds. The Euphonium counter-melody will be played only during the repeat of the Trio. The Breakup Strain (m. 87) is, of course, powerfully marcato as is the reprise of the first theme at m. 109.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1084500-015

Composed by Jean-Joseph Mouret. Arranged by Lorenzo Bocci. Flexible 5 Series. Classical. Set (Score & Parts). Composed 2008. De Haske Publications #DHP 1084500-015. Published by De Haske Publications (BT.DHP-1084500-015).

9x12 inches. English-German-French-Dut ch.

De Fransman Jean-Joseph Mouret (1682-1738) was een van de belangrijkste barokcomponisten van zijn land. Hij schreef veel opera’s en balletten als gunsteling van Anne-Louise Bénédicte de Bourbon-Condé, de hertogin van Maine. Verderschreef hij airs, motetten en instrumentale werken. De meeste hiervan zijn in vergetelheid geraakt, maar het fanfare-rondeau uit de eerste van zijn twee Suites de Symphonies(1729) is nog altijd populair. In de VS is het bekendals herkenningstune van het beroemde televisieprogramma Masterpiece Theatre, dat Britse dramaseries uitzendt. Dit vijfstemmige arrangement is een aanrader.

Der Komponist, Sänger und Dirigent Jean-Joseph Mouret gilt zwar als einer der wichtigsten Vertreter des französischen Barock, von seinem Werk ist jedoch vieles in Vergessenheit geraten. Nicht so Rondeau aus der ersten seiner beiden Suites de Symphonies von 1729. Dieses Stück ist heute noch weltweit bekannt, in den USA wird es sogar als Erkennungsmelodie einer beliebten Fernsehsendung verwendet. In der vielseitig einsetzbaren Ausgabe für fünfstimmig variable Besetzung von Lorenzo Bocci sehr zu empfehlen!

Jean-Jo seph Mouret (1682-1738), surnommé le « musicien des gr ces », évoque, par ses opéras-ballets et ses divertissements, le type même du compositeur Régence : ses œuvres sont élégantes, charmantes et surtout légères. Ses deux Suites de symphonies (1729) laissent pressentir la symphonie française telle qu’elle s’est développée au cours de la seconde moitié du XVIIIe siècle. Le célèbre Fanfare-Rondeau est extrait de la première suite. Lorenzo Bocci en a réalisé un charmant arrangement cinq voix pour instrumentation variable.

Band concert band - Grade 1

SKU: CF.BPS135

March. Composed by Joseph Compello. Folio. Bps. Set of Score and Parts. 8+2+8+2+5+2+2+8+3+6+2+3+1 +1+2+1+12 pages. Duration 1 minute, 56 seconds. Carl Fischer Music #BPS135. Published by Carl Fischer Music (CF.BPS135).

ISBN 9781491158074. UPC: 680160916672. 9 x 12 inches.

Cuckoo for Quarter Notes is intended for first-year band students. The pun on the familiar phrase Cuckoo for Cocoa Puffs will convey the lighthearted nature of the music. The familiar cuckoo bird call consisting of a descending third is the basis for the melodies. The percussion interludes are intended to give young wind players an opportunity to rest. These interludes may be omitted or repeated as the director sees fit. Additionally, directors may wish to add eighth notes to the percussion interludes. Eighth notes have not been included in order to keep the meaning of the title intact. At m. 47 students will have an excellent opportunity to begin the study of dynamics. Thank you for choosing this composition. Joseph Compello.
Cuckoo for Quarter Notes is intended for first-year band students. The pun on the familiar phrase Cuckoo for Cocoa Puffs will convey the lighthearted nature of the music. The familiar cuckoo bird call consisting  of a descending third is the basis for the melodies. The percussion interludes are intended to give young wind players an opportunity to rest. These interludes may be omitted or repeated as the director sees fit. Additionally, directors may wish to add eighth notes to the percussion interludes. Eighth notes have not been included in order to keep the meaning of the title intact. At m. 47 students will have an excellent opportunity to begin the study of dynamics.Thank you for choosing this composition.Joseph Compello.

Band concert band - Grade 1

SKU: CF.BPS135F

March. Composed by Joseph Compello. Sws. Bps. Full score. 12 pages. Carl Fischer Music #BPS135F. Published by Carl Fischer Music (CF.BPS135F).

ISBN 9781491158067. UPC: 680160916665. 9 x 12 inches.

Cuckoo for Quarter Notes is intended for first-year band students. The pun on the familiar phrase Cuckoo for Cocoa Puffs will convey the lighthearted nature of the music. The familiar cuckoo bird call consisting of a descending third is the basis for the melodies. The percussion interludes are intended to give young wind players an opportunity to rest. These interludes may be omitted or repeated as the director sees fit. Additionally, directors may wish to add eighth notes to the percussion interludes. Eighth notes have not been included in order to keep the meaning of the title intact. At m. 47 students will have an excellent opportunity to begin the study of dynamics. Thank you for choosing this composition. Joseph Compello.
Cuckoo for Quarter Notes is intended for first-year band students. The pun on the familiar phrase Cuckoo for Cocoa Puffs will convey the lighthearted nature of the music. The familiar cuckoo bird call consisting  of a descending third is the basis for the melodies. The percussion interludes are intended to give young wind players an opportunity to rest. These interludes may be omitted or repeated as the director sees fit. Additionally, directors may wish to add eighth notes to the percussion interludes. Eighth notes have not been included in order to keep the meaning of the title intact. At m. 47 students will have an excellent opportunity to begin the study of dynamics.Thank you for choosing this composition.Joseph Compello.

Band Concert Band - Grade 1.5

SKU: CF.FPS154F

Composed by Joseph Compello. First Plus Band (FPS). Full score. With Standard notation. 24 pages. Carl Fischer Music #FPS154F. Published by Carl Fischer Music (CF.FPS154F).

ISBN 9781491152829. UPC: 680160910328.

Aztec Gold is an excellent concert opener for a developing band. Co mposer Joseph Compello, drawing on his many years of experience as a teacher, is known for writing very intriguing music for younger students. This piece would be a great opportunity for cross-curricular instruction with a school's history department. Aztec Gold is also a perfect selection to highlight a band's strengths in contest or festival performance.
Aztec Gold is an excellent concert opener for a moderately advanced band. Measures 1–73 are to be performed in a marcato style with an underlying feel of rhythmic unrest. Beginning at m. 19, the triangle player must be able to execute a damping effect on the second eighth note of beat 2. Young players will require instruction in this technique. The accented sixteenth notes in the timpani part, which first appear in mm. 17-18, should be prominent. They also appear at mm. 89 and 91, and mm. 124 and 126. The contrasting middle section at m. 73 should have the same unsettled rhythmic feel beneath the more flowing lines in the woodwinds. The syncopated accents which appear beginning m. 121 will easily fall into place once young players understand that the accents occur three eighth notes apart.

Band Concert Band - Grade 1.5

SKU: CF.FPS154

Composed by Joseph Compello. First Plus Band (FPS). Set of Score and Parts. With Standard notation. 16+4+8+8+4+10+4+4+8+8+8+1 2+6+2+1+4+8+24+4 pages. Duration 2:30. Carl Fischer Music #FPS154. Published by Carl Fischer Music (CF.FPS154).

ISBN 9781491152140. UPC: 680160909643.

Aztec Gold is an excellent concert opener for a developing band. Co mposer Joseph Compello, drawing on his many years of experience as a teacher, is known for writing very intriguing music for younger students. This piece would be a great opportunity for cross-curricular instruction with a school's history department. Aztec Gold is also a perfect selection to highlight a band's strengths in contest or festival performance.
Aztec Gold is an excellent concert opener for a moderately advanced band. Measures 1–73 are to be performed in a marcato style with an underlying feel of rhythmic unrest. Beginning at m. 19, the triangle player must be able to execute a damping effect on the second eighth note of beat 2. Young players will require instruction in this technique. The accented sixteenth notes in the timpani part, which first appear in mm. 17-18, should be prominent. They also appear at mm. 89 and 91, and mm. 124 and 126. The contrasting middle section at m. 73 should have the same unsettled rhythmic feel beneath the more flowing lines in the woodwinds. The syncopated accents which appear beginning m. 121 will easily fall into place once young players understand that the accents occur three eighth notes apart.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Trombone and more. - Grade 2

SKU: CF.YPS196F

Composed by Joseph Compello. Young Band (YPS). Full score. With Standard notation. 20 pages. Carl Fischer Music #YPS196F. Published by Carl Fischer Music (CF.YPS196F).

ISBN 9781491152843. UPC: 680160910342.

Aeolu s is the Greek mythological god of the winds. The title of this piece was chosen, in part, because of the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves are purely Aeolian. The compositional form bookends a broad and dramatic middle section with two sections in regal march style. Aeolus is sure to be a great teaching tool for young bands!.
Aeolus is the god of the winds in Greek mythology. The title was chosen to indicate the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves a purely Aeolian. The opening section of the music should be performed in a march-like manner at a brisk tempo deemed appropriate by the director for the ensemble. The countermelody first heard at m. 31 should soar above the ensemble. The transition to the middle section at m. 49 should be played broadly and dramatically with careful attention to the ritardando dimuendo, both of which should be performed smoothly and gradually. Do not rush the fermata in m. 51. A sudden shift in tempo and dynamics in the transition will detract from the entrance of the contrasting theme played soli by the clarinet section at m. 52. The counter lines found in the contrasting middle section beginning at m. 53 will require careful attention to balance. The second transition section beginning at m. 79 requires a flexible tempo and a smooth blending of the horn line into the clarinet line. An effective,  unrushed rallentando at m. 81 will make the sudden forte entrance of the brass fanfare at m. 83 all the more dramatic. At m. 109, the tempo may begin to quicken at the discretion of the director.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Trombone and more. - Grade 2

SKU: CF.YPS196

Composed by Joseph Compello. Young Band (YPS). Set of Score and Parts. With Standard notation. 16+4+8+8+4+4+10+4+4+8+8+8 +12+6+6+2+2+4+2+20+4 pages. Duration 3 minutes, 39 seconds. Carl Fischer Music #YPS196. Published by Carl Fischer Music (CF.YPS196).

ISBN 9781491152164. UPC: 680160909667. Key: C minor.

Aeolus is the Greek mythological god of the winds. The title of this piece was chosen, in part, because of the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves are purely Aeolian. The compositional form bookends a broad and dramatic middle section with two sections in regal march style. Aeolus is sure to be a great teaching tool for young bands!.
Aeolus is the god of the winds in Greek mythology. The title was chosen to indicate the Aeolian quality of the music. Although not strictly harmonized in the Aeolian mode, the themes themselves a purely Aeolian. The opening section of the music should be performed in a march-like manner at a brisk tempo deemed appropriate by the director for the ensemble. The countermelody first heard at m. 31 should soar above the ensemble. The transition to the middle section at m. 49 should be played broadly and dramatically with careful attention to the ritardando dimuendo, both of which should be performed smoothly and gradually. Do not rush the fermata in m. 51. A sudden shift in tempo and dynamics in the transition will detract from the entrance of the contrasting theme played soli by the clarinet section at m. 52. The counter lines found in the contrasting middle section beginning at m. 53 will require careful attention to balance. The second transition section beginning at m. 79 requires a flexible tempo and a smooth blending of the horn line into the clarinet line. An effective,  unrushed rallentando at m. 81 will make the sudden forte entrance of the brass fanfare at m. 83 all the more dramatic. At m. 109, the tempo may begin to quicken at the discretion of the director.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ratchet, Slap Stick, Snare Drum, Timpani, Tom-tom, Trombone, Trumpet, Tuba and more. - Grade 0.5

SKU: CF.PPS52F

A Fantasy for Band. Composed by Joseph Compello. Primer Band (PPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #PPS52F. Published by Carl Fischer Music (CF.PPS52F).

ISBN 9781491152645. UPC: 680160910144.

Balle t of the Dinosaur Hatchlings is an imaginative and fun selection for a beginning band with less than one year of instruction. Wind parts use only five pitches and only the percussion parts use eighth notes. Two sound effects are required in the piece. First, the hatching eggs are portrayed by a ratchet, and second, the snapping dinosaurs jaws are represented by  a slapstick. Ballet of the Dinosaur Hatchlings is an intriguing piece that beginning students are sure to love.
Ballet of the Dinosaur Hatchlings is a descriptive novelty selection for a beginning band with less than one year of instruction. Wind parts use only five pitches. Only percussion parts use eighth notes. Two sound effects are required. First, the hatching eggs are portrayed by the ratchet beginning at m. 2, and second, the snapping dinosaurs jaws, which are first heard at m. 14, are represented by an accented note augmented by a slapstick. Directors are encouraged to use more elaborate sound effects if they are inclined to do so. The story described by the music is as follows:• Dinosaur eggs begin to hatch (the ratchet, mm. 1-8).• The parent dinosaurs guard the nest (Low Brass and Woodwinds mm. 9-12).• The hatchlings begin walking (m. 13).• The hatchlings snap their jaws as they learn to eat (m. 14, Xylophone and Slapstick).• Thunder (Timpani, m. 29).• The parent dinosaurs seek shelter for all (m. 33, Low Brass and Woodwinds).• The hatchlings follow while they continue snapping their jaws (m. 41).• More thunder (mm. 53-54).• All the dinosaurs roar loudly at the clouds (m. 55) as the thunder becomes louder.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ratchet, Slap Stick, Snare Drum, Timpani, Tom-tom, Trombone, Trumpet, Tuba and more. - Grade 0.5

SKU: CF.PPS52

A Fantasy for Band. Composed by Joseph Compello. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3 +1+1+4+4+16+2 pages. Duration 2 minutes, 46 seconds. Carl Fischer Music #PPS52. Published by Carl Fischer Music (CF.PPS52).

ISBN 9781491151969. UPC: 680160909469.

Balle t of the Dinosaur Hatchlings is an imaginative and fun selection for a beginning band with less than one year of instruction. Wind parts use only five pitches and only the percussion parts use eighth notes. Two sound effects are required in the piece. First, the hatching eggs are portrayed by a ratchet, and second, the snapping dinosaurs jaws are represented by  a slapstick. Ballet of the Dinosaur Hatchlings is an intriguing piece that beginning students are sure to love.
Ballet of the Dinosaur Hatchlings is a descriptive novelty selection for a beginning band with less than one year of instruction. Wind parts use only five pitches. Only percussion parts use eighth notes. Two sound effects are required. First, the hatching eggs are portrayed by the ratchet beginning at m. 2, and second, the snapping dinosaurs jaws, which are first heard at m. 14, are represented by an accented note augmented by a slapstick. Directors are encouraged to use more elaborate sound effects if they are inclined to do so. The story described by the music is as follows:• Dinosaur eggs begin to hatch (the ratchet, mm. 1-8).• The parent dinosaurs guard the nest (Low Brass and Woodwinds mm. 9-12).• The hatchlings begin walking (m. 13).• The hatchlings snap their jaws as they learn to eat (m. 14, Xylophone and Slapstick).• Thunder (Timpani, m. 29).• The parent dinosaurs seek shelter for all (m. 33, Low Brass and Woodwinds).• The hatchlings follow while they continue snapping their jaws (m. 41).• More thunder (mm. 53-54).• All the dinosaurs roar loudly at the clouds (m. 55) as the thunder becomes louder.

Band concert band - Grade 1

SKU: CF.BPS112F

March. Composed by Joseph Compello. Beginning Band (BPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #BPS112F. Published by Carl Fischer Music (CF.BPS112F).

ISBN 9781491152669. UPC: 680160910168.

Josep h Compello's Best Friends Forever derives its title from the phrase popularized in social media and frequently texted with the acronym BFF. This is a strong and tuneful march in standard form for beginning bands. The composer draws on his many years of teaching to provide a well-written march that will make students sound great!.
Best Friends Forever derives its title from the phrase popularized in social media and frequently texted with the acronym BFF. As it pertains to this piece, Best Friends Forever refers to the two melodies first heard simultaneously at m. 5 after the repeat. Notice that Flutes, Clarinets and Bells play only the second time through at m. 5. Stylistically the entire piece should have the feel of a little march with an easy gait. In addition to gaining experience in independent part playing, young players will also learn the importance of balance by listening to what other sections of the band are playing.

Band concert band - Grade 1

SKU: CF.BPS112

March. Composed by Joseph Compello. Beginning Band (BPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+3+1+1 +2+1+12+2 pages. Duration 2 minutes, 6 seconds. Carl Fischer Music #BPS112. Published by Carl Fischer Music (CF.BPS112).

ISBN 9781491151983. UPC: 680160909483.

Josep h Compello's Best Friends Forever derives its title from the phrase popularized in social media and frequently texted with the acronym BFF. This is a strong and tuneful march in standard form for beginning bands. The composer draws on his many years of teaching to provide a well-written march that will make students sound great!.
Best Friends Forever derives its title from the phrase popularized in social media and frequently texted with the acronym BFF. As it pertains to this piece, Best Friends Forever refers to the two melodies first heard simultaneously at m. 5 after the repeat. Notice that Flutes, Clarinets and Bells play only the second time through at m. 5. Stylistically the entire piece should have the feel of a little march with an easy gait. In addition to gaining experience in independent part playing, young players will also learn the importance of balance by listening to what other sections of the band are playing.

Band concert band - Grade 1

SKU: CF.BPS140

Composed by Joseph Compello. Set of Score and Parts. 12+8+2+8+2+5+2+2+8+3+6+2+ 3+1+1+2+1 pages. Duration 2 minutes, 21 seconds. Carl Fischer Music #BPS140. Published by Carl Fischer Music (CF.BPS140).

ISBN 9781491159750. UPC: 680160918348.

6-Not e Parade is intended for bands currently in the first year of lessons. It should be performed in a traditional march style and played at a tempo deemed suitable by the director. All wind instruments and bells have a passage containing the six-note melody. Measure 45 will introduce young students to independent part playing as the upper winds play a countermelody above the main melody played by the lower wind instruments. A percussion section solo occurs at m. 41. Thank you for choosing this composition.
6-Note Parade  is intended for bands currently in the first year of lessons. It should be performed in a traditional march style and played at a tempo deemed suitable by the director. All wind instruments and bells have a passage containing the six-note melody. Measure 45 will introduce young students to independent part playing as the upper winds play a countermelody above the main melody played by the lower wind instruments.  A percussion section solo occurs at m. 41.Thank you for choosing this composition. .

Band concert band - Grade 1

SKU: CF.BPS140F

Composed by Joseph Compello. Full score. 10 pages. Carl Fischer Music #BPS140F. Published by Carl Fischer Music (CF.BPS140F).

ISBN 9781491159767. UPC: 680160918355.

6-Not e Parade is intended for bands currently in the first year of lessons. It should be performed in a traditional march style and played at a tempo deemed suitable by the director. All wind instruments and bells have a passage containing the six-note melody. Measure 45 will introduce young students to independent part playing as the upper winds play a countermelody above the main melody played by the lower wind instruments. A percussion section solo occurs at m. 41. Thank you for choosing this composition.
6-Note Parade  is intended for bands currently in the first year of lessons. It should be performed in a traditional march style and played at a tempo deemed suitable by the director. All wind instruments and bells have a passage containing the six-note melody. Measure 45 will introduce young students to independent part playing as the upper winds play a countermelody above the main melody played by the lower wind instruments.  A percussion section solo occurs at m. 41.Thank you for choosing this composition. .

Concert Band (Score) - Grade 3

SKU: HL.44012233

Composed by Otto M. Schwarz. Mitropa Music Concert Band. Festival. Set (Score & Parts). Composed 2014. 34 pages. De Haske Publications #201214010M. Published by De Haske Publications (HL.44012233).

UPC: 888680057251. 9x12 inches. English-German-French-Dut ch.

What do the American Joseph Kittinger and the Austrian Felix Baumgartner have in common? They both jumped from over 30 km high with a parachute! While Kittinger's attempt in 1960 was from a height of 31,333 meters, Felix Baumgartner broke this record in 2012 with a breathtaking 38,969 meters. Stratosphere describes the adventure, from ascending the heights with the help of a balloon, to the short pause in the stratosphere, and the jump, the turbulence during the free-fall descent, and finally the opening of the parachute and the safe landing. Duration: 6:05.

For Trombone Solo (or Alto Sax) and Wind Orchestra. Composed by Claude Debussy (1862-1918). Edited by Johan De Meij. Amstel Music. Classical. Amstel Music #AM161-010. Published by Amstel Music