Composed by John Ireland.
Band Music. Score and
parts. Duration 10:30.
Published by G & M Brand
Music Publishers
(CN.R10004).
A
slow introduction gives
way to the chirpy theme
which is developed,
inverted, and accents
displaced across the bar
line to give a 3/2 feel
against the written
meter. Restlessness leads
to a tranquillo presented
by the flute and
clarinet, weaving a
flowing counterpoint
around the melody until
the original slow
introduction returns. A
triumphant recapitulation
of the main theme brings
this wonderful piece to
an end.
Originally
composed for Brass Band
in 1934 Comedy Overture
is, despite its name, a
serious piece of writing.
The term Overture does
not imply that there is
anything else to follow;
it is used in the 19th
century sense of Concert
Overture (like
Mendelssohn's Fingal's
Cave - in other words, a
miniature Tone Poem). The
1930's was a period of
Ireland's mature writing
- yielding the Piano
Concerto (1930), the
Legend for piano and
orchestra (1933), and the
choral work These Things
Shall Be (1936-1937). We
are fortunate therefore
to have both Comedy
Overture and A Downland
Suite (1932) written for
band medium at this time.
As with Maritime Overture
(written in 1944 for
military band) Ireland
approaches his material
symphonically. The
opening three notes state
immediately the two
seminal intervals of a
semitone and a third.
These are brooding and
dark in Bb minor. It is
these intervals which
make up much of the
thematic content of
Comedy, sometimes
appearing in inverted
form, and sometimes in
major forms as well. The
concept that some musical
intervals are consonant ,
some dissonant, and some
perfect is perhaps useful
in understanding the
nature of the tension and
resolution of this work.
The third is inherently
unstable, and by bar 4,
the interval is expanded
to a fourth - with an
ascending sem-quaver
triplet - and then
expanded to a fifth. The
instability of the third
pushes it towards a
perfect resolution in the
fourth or the fifth. The
slow introduction is
built entirely around
these intervals in Bb
minor and leads through
an oboe cadenza, to an
Allegro moderato
brillante in Bb major.
Once again, the semi-tone
(inverted) and a third
(major) comprise the
main, chirpy,
theme-inspired by a
London bus-conductor's
cry of Piccadilly. (Much
of the material in Comedy
was re-conceived by
Ireland for orchestra and
published two years later
under the title A London
Overture.) The expansion
of the interval of a
third through a fourth,
fifth, sixth, and seventh
now takes place quickly
before our very ears at
the outset of this
quicker section.
Immediately the theme is
developed, inverted, and
accents displaced across
the bar line to give a
3/2 feel against the
written meter. But this
restlessness leads to a
tranquillo built around
an arpeggio figure and
presented by flute and
clarinet. Ireland weaves
his flowing counterpoint
around this melody until
the original slow
introduction returns
leading to a stretto
effect as the rising bass
motifs become more
urgent, requesting a
resolution of the tension
of that original semitone
and minor third. Yet
resolution is withheld at
this point as the music
becomes almost becalmed
in a further, unrelated
tranquillo section marked
pianissimo. It is almost
as if another side of
Ireland's nature is
briefly allowed to shine
through the stern
counterpoint and
disciplined structure.
This leads to virtually a
full recapitulation of
the chirpy brilliante,
with small additional
touches of counterpoint,
followed by the first
tranquillo section-this
time in the tonic of Bb
major. But the
instability of the third
re-asserts itself, this
time demanding a
resolution. And a
triumphant resolution it
receives, for it finally
becomes fully fledged and
reiterates the octave in
a closing vivace. The
opening tension has at
last resolved itself into
the most perfect interval
of all.
By Maurice Ravel (1875-1937). Arranged by David Marlatt. Concert Band. For Soloi...(+)
By Maurice Ravel
(1875-1937). Arranged by
David Marlatt. Concert
Band. For Soloist and
Concert Band. Concert
Band; Masterworks.
Impressionistic;
Masterwork. Grade 3.
Conductor Score and
Parts. 132 pages.
Duration 2:10
Composed by Vittorio Monti (1868-1922). Arranged by Andrew Glover. For concert b...(+)
Composed by Vittorio
Monti (1868-1922).
Arranged by Andrew
Glover. For concert band.
Spotlight Series. Grade
3. Score and parts.
Duration 4 minutes, 19
seconds. Published by
C.L. Barnhouse
(Score and Parts). Composed by Modest Petrovich Mussorgsky (1839-1881). Arranged...(+)
(Score and Parts).
Composed by Modest
Petrovich Mussorgsky
(1839-1881). Arranged by
Paul Lavender and Maurice
Ravel. For Concert Band.
Boosey and Hawkes Concert
Band. Grade 5. Published
by Boosey and Hawkes
Vongole! Orchestre d'harmonie De Haske Publications
Baritone Saxophone; Piano Accompaniment (Baritone Sax) SKU: HL.44013270 <...(+)
Baritone Saxophone; Piano
Accompaniment (Baritone
Sax)
SKU:
HL.44013270
E-Flat
Baritone Saxophone and
Piano. Composed by
Satoshi Yagisawa. De
Haske Concert Band.
Classical. Softcover. 16
pages. Duration 495
seconds. De Haske
Publications #1165732401.
Published by De Haske
Publications
(HL.44013270).
This concerto
for baritone saxophone
was commissioned by
saxophonist Makoto Asari,
who is a close friend of
the composer. VONGOLE !
consists of three
movements Spumante
(Sparkling wine), Bianco
(White) and Rosso (Red).
It is a unique and
welcome addition to the
baritone saxophone
repertoire.
Suite. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 8:10. Published
by G & M Brand Music
Publishers (CN.R10220).
Wit, warmth,
charm, beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Each of the three
included movements is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite.
Jeuz
d'enfants was originally
written in 1871 as a
Suite of twelve pieces
for piano duet. Two years
later, Bizet scored five
of the pieces for
orchestra to create a
Petite Suite. Each
movement shows Bizet's
enormous skill as a
miniaturist, the music
exuding a concentration
of power and atmosphere.
Wit, warmth, charm,
beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Three of the movements
are included in this
arrangement. Each is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite. 1) Marche -
Trompette and Tambour
(Trumpet and Drum) 2) Duo
- Petit Mari, Petite
Femme (Little Husband,
Little Wife) 3) Galop -
Le Bal (The Ball).
Suite. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 8:10. Published
by G & M Brand Music
Publishers (CN.S11220).
Wit, warmth,
charm, beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Each of the three
included movements is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite.
Jeuz
d'enfants was originally
written in 1871 as a
Suite of twelve pieces
for piano duet. Two years
later, Bizet scored five
of the pieces for
orchestra to create a
Petite Suite. Each
movement shows Bizet's
enormous skill as a
miniaturist, the music
exuding a concentration
of power and atmosphere.
Wit, warmth, charm,
beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Three of the movements
are included in this
arrangement. Each is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite. 1) Marche -
Trompette and Tambour
(Trumpet and Drum) 2) Duo
- Petit Mari, Petite
Femme (Little Husband,
Little Wife) 3) Galop -
Le Bal (The Ball).
First Concert Folio Orchestre d'harmonie [Partition + CD] - Débutant Carl Fischer
Pieces for Grade 1 Bands - Full Score with Piano Reduction and CD. By Andrew Bal...(+)
Pieces for Grade 1 Bands
- Full Score with Piano
Reduction and CD. By
Andrew Balent, Johann
A.P. Schulz, James
Pierpont. Edited by
Andrew Balent, Joseph
Compello. Arranged by
Andrew Balent; Joseph
Compello. For Flute,
Oboe, Clarinet, Alto
Saxophone, Bass Clarinet,
Euphonium, Tenor
Saxophone, Trumpet, Horn,
Tenor, Bassoon, Tuba,
Percussion. Sounds
Spectacular. Score and
Audio CD. 76 pages.
Published by Carl
Fischer.
Concert band - Grade 5 SKU: RM.CALM02261-BA Composed by Roger Calmel. Har...(+)
Concert band - Grade 5
SKU:
RM.CALM02261-BA
Composed by Roger Calmel.
Harmonie avec soliste(s).
Orchestra. Full set.
Duration 13 minutes, 20
seconds. Editions Robert
Martin #CALM02261-BA.
Published by Editions
Robert Martin
(RM.CALM02261-BA).
ISBN
9790231022612.
CD
Chorals - Carillon
(5'58), Legende (3'55),
Finale (3'19).
Concert band - Grade 5 SKU: RM.CALM02261-CO Composed by Roger Calmel. Har...(+)
Concert band - Grade 5
SKU:
RM.CALM02261-CO
Composed by Roger Calmel.
Harmonie avec soliste(s).
Orchestra. Conductor's
score. Editions Robert
Martin #CALM02261-CO.
Published by Editions
Robert Martin
(RM.CALM02261-CO).
For Wind Symphony and
Piano. Composed by
Carter Pann. Sws score.
Wind Band Select.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2009.
4+4+4+4+4+4+4+4+4+4+4+4+4
+4+4+4+4+4+4+4+4+4+4+4+4+
4+4+4+4+4+4+12+4+4+4+4+4+
42 pages. Duration 10
minutes. Theodore Presser
Company #115-40205.
Published by Theodore
Presser Company
(PR.115402050).
ISBN
9781491102152. UPC:
680160594252. 9 x 12
inches. Key: Bb
mixolydian.
Composed by Derek
Bourgeois. Band Music.
Score and parts. Duration
17:40. Published by G & M
Brand Music Publishers
(CN.R10193).
With
inspiration taken from
composers Maurice Ravel,
Arthur Benjamin and
Charles Ives, Bourgeois
take s a tongue-in-cheek
approach to this
challenging 3-movement
work. While the work is
infused with humor
throughout, it still
showcases his mastery of
the wind band
idiom.
In 1972, I
wrote a Sonata for Two
Pianos for two friends
who were piano teachers
at Wellington College.
When in 1995 I was asked
to write a work for wind
band, I returned to this
Sonata and have
re-arranged and in the
new version renamed it
Fantasy Triptych. There
are three movements: 1.
Le Tombeau d'Arthur
Benjamin Ravel wrote 'Le
Tombeau de Couperin,'
Arthur Benjamin wrote 'Le
Tombeau de Ravel' and so
the temptation to write
'Le Tombeau d'Arthur
Benjamin' was
overwhelming. At the end
of the movement there is
an oblique reference to
Benjamin's own 'Jamaican
Rumba' which accompanies
a quote from an old
Spanish folk song 'Loro,
enciende el hervidor de
agua.' 2. Mr. Bolt goes
for a ride in his motor
car, and Monsieur Ravel
turns in his grave. The
movement is dedicated to
an old friend, Geoffrey
Bolt, who adores the
music of Ravel. but at
the time of writing was
learning to drive. He
always described his
vehicle as a motor car.
To describe him as an
impatient motorist would
be a gross
understatement. The
refined suavity of
Ravel's music was in
complete contrast to
these early
manifestations of road
rage, hence the central
angry outburst. 3. The
War March of the
Ostriches The music of
Charles Ives was
fascinating me at the
time of writing this
movement and some of the
influence has rubbed off
in this rondo-like march.
At the end there is a
quote from the very
beginning of the first
movement. The title was
inspired by the amusing
antics of a group of
ostriches during a visit
to Bristol Zoo.
Composed by Derek
Bourgeois. Band Music.
Score only. Duration
17:40. Published by G & M
Brand Music Publishers
(CN.S11193).
With
inspiration taken from
composers Maurice Ravel,
Arthur Benjamin and
Charles Ives, Bourgeois
take s a tongue-in-cheek
approach to this
challenging 3-movement
work. While the work is
infused with humor
throughout, it still
showcases his mastery of
the wind band
idiom.
In 1972, I
wrote a Sonata for Two
Pianos for two friends
who were piano teachers
at Wellington College.
When in 1995 I was asked
to write a work for wind
band, I returned to this
Sonata and have
re-arranged and in the
new version renamed it
Fantasy Triptych. There
are three movements: 1.
Le Tombeau d'Arthur
Benjamin Ravel wrote 'Le
Tombeau de Couperin,'
Arthur Benjamin wrote 'Le
Tombeau de Ravel' and so
the temptation to write
'Le Tombeau d'Arthur
Benjamin' was
overwhelming. At the end
of the movement there is
an oblique reference to
Benjamin's own 'Jamaican
Rumba' which accompanies
a quote from an old
Spanish folk song 'Loro,
enciende el hervidor de
agua.' 2. Mr. Bolt goes
for a ride in his motor
car, and Monsieur Ravel
turns in his grave. The
movement is dedicated to
an old friend, Geoffrey
Bolt, who adores the
music of Ravel. but at
the time of writing was
learning to drive. He
always described his
vehicle as a motor car.
To describe him as an
impatient motorist would
be a gross
understatement. The
refined suavity of
Ravel's music was in
complete contrast to
these early
manifestations of road
rage, hence the central
angry outburst. 3. The
War March of the
Ostriches The music of
Charles Ives was
fascinating me at the
time of writing this
movement and some of the
influence has rubbed off
in this rondo-like march.
At the end there is a
quote from the very
beginning of the first
movement. The title was
inspired by the amusing
antics of a group of
ostriches during a visit
to Bristol Zoo.
Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 5:25. Published
by G & M Brand Music
Publishers (CN.S11251).
Originally
written for piano, Grieg
later scored his Holberg
Suite for orchestra.
Geoffrey Brand has done a
masterful job of setting
two movements of the
suite - the Sarabande and
Gavotte - for wind band.
Give your students the
opportunity to perform
first-rate classical
music they wouldn't
otherwise have access
to.
Born in
Bergen, Norway, into a
family of Scottish
descent, Edvard Grieg
showed a talent for music
early and at the age of
10 had piano lessons from
his mother. In 1849 he
went to study at Leipzig
Conservatoire before
moving to Copenhagen
where he met Riokaard
Nordaak, a young
Norwegian composer who
was immersed in Norwegian
nationalism and greatly
influence Grieg who felt
his future was as a
musician dedicated to
romantic nationalism.
Holberg Suite, originally
for piano, was written in
1884 in response to a
commission to mark the
bicentenary of the birth
of Ludvig Holberg, a
Norwegian dramatist and
satirist. A year later,
Grieg arranged 5
movements for string
orchestra. Sarabande and
Gavotte are intended to
be played segue but can,
if desired, be performed
separately. The music
expresses Grieg and his
native Norway in a manner
which justifies his
declaration I am not an
exponent of Scandinavian
music but of
Norwegian..
Dance of Uzume Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1053826-010 For Alto Saxop...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1053826-010
For Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
Solo Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. 72
pages. De Haske
Publications #DHP
1053826-010. Published by
De Haske Publications
(BT.DHP-1053826-010).
English-German-French-
Dutch.
Dance of
Uzume is a concertino
that is based on a
Japanese myth: out of
anger toward her brother
Susanowa, the storm god,
the sun goddess Amaterasu
hides in a cave. The
goddess of joy, Uzume,
succeeds in luring the
sun goddess out of the
cave by dancing wildly.
The joy and laughter of
the other gods as they
watch Uzume arouses
Amaterasu’s
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino für
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Ärger über
ihren Bruder Susanowa,
den Gott des Sturms,
versteckt sich die
Sonnengöttin Amaterasu
in einer Höhle und
kann erst durch den Tanz
von Uzume, der Göttin
der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zurück. Piet
Swerts’
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ähnliche Motive
sowie östliche
Anklänge sind eine
lohnende Herausforderung
für Saxophonisten und
bieten vielAbwechslung
für das gesamte
Blasorchester.
Dance of
Uzume è un dialogo
virtuoso e lirico tra il
solista e
l’accompagnamento.
La trama si sviluppa su
un tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando più
l’oscurit , gli
altri Dei si riuniscono
davanti
all’entrata della
caverna per trovare un
mezzo per farla uscire.
Uzume, la Dea della
gioia, inizia una danza
frenetica. Intrigata,
Amaterasu appare
all’entrata e il
mondo ritrova la luce del
sole.
Dance of Uzume Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1053826-140 For Alto Saxop...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1053826-140
For Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
Solo Spectrum. Solo &
Concerto. Score Only.
Composed 2005. 72 pages.
De Haske Publications
#DHP 1053826-140.
Published by De Haske
Publications
(BT.DHP-1053826-140).
English-German-French-
Dutch.
Dance of
Uzume is a concertino
that is based on a
Japanese myth: out of
anger toward her brother
Susanowa, the storm god,
the sun goddess Amaterasu
hides in a cave. The
goddess of joy, Uzume,
succeeds in luring the
sun goddess out of the
cave by dancing wildly.
The joy and laughter of
the other gods as they
watch Uzume arouses
Amaterasu’s
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino für
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Ärger über
ihren Bruder Susanowa,
den Gott des Sturms,
versteckt sich die
Sonnengöttin Amaterasu
in einer Höhle und
kann erst durch den Tanz
von Uzume, der Göttin
der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zurück. Piet
Swerts’
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ähnliche Motive
sowie östliche
Anklänge sind eine
lohnende Herausforderung
für Saxophonisten und
bieten vielAbwechslung
für das gesamte
Blasorchester.
Dance of
Uzume è un dialogo
virtuoso e lirico tra il
solista e
l’accompagnamento.
La trama si sviluppa su
un tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando più
l’oscurit , gli
altri Dei si riuniscono
davanti
all’entrata della
caverna per trovare un
mezzo per farla uscire.
Uzume, la Dea della
gioia, inizia una danza
frenetica. Intrigata,
Amaterasu appare
all’entrata e il
mondo ritrova la luce del
sole.
For
Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
De Haske Concert Band.
Solo & Concerto. Score
Only. Composed 2005. De
Haske Publications
#1053826. Published by De
Haske Publications
(HL.44005579).
UPC:
884088058272.
English-German-French-Dut
ch.
Dance of Uzume
is a concertino that is
based on a Japanese myth:
out of anger toward her
brother Susanowa, the
storm god, the sun
goddess Amaterasu hides
in a cave. The goddess of
joy, Uzume, succeeds in
luring the sun goddess
out of the cave by
dancing wildly. The joy
and laughter of the other
gods as they watch Uzume
arouses Amaterasu's
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino fur
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Arger uber ihren
Bruder Susanowa, den Gott
des Sturms, versteckt
sich die Sonnengottin
Amaterasu in einer Hohle
und kann erst durch den
Tanz von Uzume, der
Gottin der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zuruck. Piet Swerts'
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ahnliche Motive
sowie ostliche Anklange
sind eine lohnende
Herausforderung fur
Saxophonisten und bieten
vielAbwechslung fur das
gesamte Blasorchester.
Dance of Uzume
(La danse d'Uzume) est un
dialogue virtuose et
lyrique entre le soliste
et l'accompagnement. La
trame se developpe sur un
tempo unique et rapide.
Ce concertino raconte un
episode de la mythologie
japonaise. Ulceree par
les mefaits de son frere
Susanowo, dieu du vent et
des tempetes, Amaterasu,
deesse du Soleil, se
confine dans une caverne,
privant le monde de sa
lumiere. Ne supportant
plus l'obscurite, les
autres dieux se
reunissent devant
l'entree de la caverne
pour trouver un moyen de
la faire sortir. Uzume,
la deesse de la gaiete,
se met alors a danser
frenetiquement.
Intriguee, Amaterasu
parait enfin et le monde
retrouve la lumiere du
soleil.
Dance of
Uzume e un dialogo
virtuoso e lirico tra il
solista e
l'accompagnamento. La
trama si sviluppa su un
tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando piu
l'oscurita, gli altri Dei
si riuniscono davanti
all'entrata della caverna
per trovare un mezzo per
farla uscire. Uzume, la
Dea della gioia, inizia
una danza frenetica.
Intrigata, Amaterasu
appare all'entrata e il
mondo ritrova la luce del
sole.
Dance of Uzume Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 5 SKU: BT.DHP-1053826-040 For Alto Saxophone and ...(+)
Concert Band - Grade 5
SKU:
BT.DHP-1053826-040
For Alto Saxophone and
Concert Band.
Composed by Piet Swerts.
Solo Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2005. 72
pages. De Haske
Publications #DHP
1053826-040. Published by
De Haske Publications
(BT.DHP-1053826-040).
English-German-French-
Dutch.
Dance of
Uzume is a concertino
that is based on a
Japanese myth: out of
anger toward her brother
Susanowa, the storm god,
the sun goddess Amaterasu
hides in a cave. The
goddess of joy, Uzume,
succeeds in luring the
sun goddess out of the
cave by dancing wildly.
The joy and laughter of
the other gods as they
watch Uzume arouses
Amaterasu’s
curiosity and with her
appearance, the light on
earth returns. This
fantastic new original
work will make a much
needed addition to the
advanced repertoire for
saxophone and concert
band. A version for
saxophone and piano is
also
available.
Piet
Swerts componeerde
Dance of Uzume op
verzoek van de Japanse
topsaxofonist Nobuya
Sugawa. Het werk is
gebaseerd op een Japanse
mythe: uit woede op haar
broer Susanowa, de god
van de storm, verschuilt
de zonnegodin
Amaterasuzich in een
grot. De vreugdegodin
Uzume weet de godin van
de zon echter met een
wilde dans uit de grot te
lokken. Het gelach van de
andere goden wekt
namelijk de
nieuwsgierigheid van
Amaterasu en met haar
verschijning komt
hetlicht terug op aarde.
Dit verhaal wordt in de
muziek meesterlijk
weerspiegeld.
Dies
es Concertino für
Altsaxophon und
Blasorchester basiert auf
einer japanischen Sage:
Aus Ärger über
ihren Bruder Susanowa,
den Gott des Sturms,
versteckt sich die
Sonnengöttin Amaterasu
in einer Höhle und
kann erst durch den Tanz
von Uzume, der Göttin
der Freude, wieder
hervorgelockt werden. Mit
ihr kehrt auch das Licht
wieder auf die Erde
zurück. Piet
Swerts’
anspruchsvolles und
abwechslungsreiches Werk
besteht aus einem
konzertanten Dialog
zwischen dem Solisten und
dem Orchester. Lebhafte
und lyrische Themen, ein
sehr melodischer
Mittelteil, Blues und
Marsch ähnliche Motive
sowie östliche
Anklänge sind eine
lohnende Herausforderung
für Saxophonisten und
bieten vielAbwechslung
für das gesamte
Blasorchester.
Dance of
Uzume è un dialogo
virtuoso e lirico tra il
solista e
l’accompagnamento.
La trama si sviluppa su
un tempo unico e rapido.
Questo concertino narra
un episodio della
mitologia giapponese.
Devastata dai misfatti di
suo fratello Susanowo,
Dio del vento e delle
tempeste, Amaterasu, Dea
del Sole, si rifugia in
una caverna, privando il
mondo della luce. Non
sopportando più
l’oscurit , gli
altri Dei si riuniscono
davanti
all’entrata della
caverna per trovare un
mezzo per farla uscire.
Uzume, la Dea della
gioia, inizia una danza
frenetica. Intrigata,
Amaterasu appare
all’entrata e il
mondo ritrova la luce del
sole.
Fandangos Orchestre d'harmonie [Conducteur d'étude / Miniature] Subito Music
Composed by Roberto Sierra. For Concert Band (2(1).2(2) English horn, Eb.4(Bb, b...(+)
Composed by Roberto
Sierra. For Concert Band
(2(1).2(2) English horn,
Eb.4(Bb, bass
clarinet).2(contrabassoon
) - saxophone, alto
saxophone, tenor
saxophone, baritone
saxophone; 4.3.3.1 -
timpani; 3 percussion,
piano, harp; strings).
Study Score. Composed
2001. Duration 12'.
Published by Subito Music
Corporation
Composed by Geoffrey
Brand. Arranged by
Geoffrey Brand. Band
Music. Score and parts.
Duration 3:30. Published
by G & M Brand Music
Publishers (CN.R10240).
Joyeuse Marche
(originally called Marche
Francaise) was written in
1888. It exudes
Chabrier's rhythmical
exuberance, spontaneity
and wit, bringing
pleasure and joy to
performers and listeners
alike. Truly a march
which lives up to its
title.
In spite of
displaying remarkable
musical gifts Chabrier
(1841-1894) was sent by
his father to study law
and in due course, having
taken a law degree, went
to work in his native
French Ministry of the
Interior, stay there for
eighteen years. During
the whole of this time he
was developing his real
interests in music and
painting, including
composing operettas and
music for the piano.
Following a holiday in
Spain in 1883, Chabrier
wrote a rhapsody for
orchestra based on
Spanish tunes he had
heard. This became
Espana; it achieved
immediate acclaim and is
still his most performed
work. Joyeuse Marche
(originally called Marche
Francaise) was written in
1888. It exudes
Chabrier's rhythmical
exuberance, spontaneity
and wit, bringing
pleasure and joy to
performers and listeners
alike. Truly a march
which lives up to its
title.
Composed by Geoffrey
Brand. Arranged by
Geoffrey Brand. Band
Music. Score only.
Duration 3:30. Published
by G & M Brand Music
Publishers (CN.S11240).
Joyeuse Marche
(originally called Marche
Francaise) was written in
1888. It exudes
Chabrier's rhythmical
exuberance, spontaneity
and wit, bringing
pleasure and joy to
performers and listeners
alike. Truly a march
which lives up to its
title.
In spite of
displaying remarkable
musical gifts Chabrier
(1841-1894) was sent by
his father to study law
and in due course, having
taken a law degree, went
to work in his native
French Ministry of the
Interior, stay there for
eighteen years. During
the whole of this time he
was developing his real
interests in music and
painting, including
composing operettas and
music for the piano.
Following a holiday in
Spain in 1883, Chabrier
wrote a rhapsody for
orchestra based on
Spanish tunes he had
heard. This became
Espana; it achieved
immediate acclaim and is
still his most performed
work. Joyeuse Marche
(originally called Marche
Francaise) was written in
1888. It exudes
Chabrier's rhythmical
exuberance, spontaneity
and wit, bringing
pleasure and joy to
performers and listeners
alike. Truly a march
which lives up to its
title.
The Wrangler Orchestre d'harmonie [Conducteur et Parties séparées] Theodore Presser Co.
Cowboy Dances For Wind Ensemble. Composed by Carter Pann (1972-). Premier...(+)
Cowboy Dances For Wind
Ensemble. Composed by
Carter Pann (1972-).
Premiered in Carnegie
Hall, New York City.
Contemporary. Score and
part(s). With Standard
notation. Composed 2006.
260 pages. Duration 8
minutes. Theodore Presser
Company #115-40226.
Published by Theodore
Presser Company
(PR.115402260).