Par SIBELIUS JEAN. Five multi-movement trios for piano and two string instruments by Sibelius are known from the years 1883?1888. The ?large? trios, such as the Havträsk and Korpo Trio (JS 207, JS 209), were written for the classical piano trio scoring of violin, violoncello and piano. Apparently, Sibelius kept composing trios to play among his family and friends, having in mind to be one of the musicians himself. Chamber music was an essential part of social life. When listening to Sibelius? trios, one cannot help but notice that the repertoire included many works of Viennese Classicism. Although Sibelius's feelings towards his youthful works were not exactly uncomplicated, Sibelius biographer Otto Andersson later reported ?that the master, in later years, missed [the Korpo Trio] very much and would have been very pleased to see [it] preserved.? / Date parution : 2023-06-01/ Répertoire / Violon, Violoncelle et Piano

Le titre 'Sans faiblir, la nuit attend le soleil' est un vers de la poétesse Marina Tsvetaieva, et fait référence à la guerre, puis au foisonnement des Arts et de la littérature après-guerre. Les tempi hésitants et les changements de mesures du premier mouvement lui confèrent son caractère de 'pas perdus dans la nuit'. L'harmonie d'accords diminués et les fragments mélodiques qui se poursuivent après complétent le tableau nuité. Le deuxième mouvement est plus ouvert harmoniquement, mais l'on retrouve la chasse- poursuite, des motifs en forme de mini canons. Les cordes à vide du violon sont utilisées souvent dans les deux mouvements en tant que base harmonique et mélodique. Un son de petites clochettes dans l'aigu du piano apporte au deuxième mouvement son rayon de soleil. / Violon, Violoncelle Et Piano

Par VERLEUR HELEEN. The purpose of this book is to give beginning musicians the opportunity to play together. Elementary piano players have few opportunities of being part of an ensemble which is both inspirational and fun. It will help develop aural awareness and other ensemble playing skills which can, all too often, be found lacking in performers who most frequently play and practise solo. These trios are playable by any player with 2-3 years experience.   / Ensemble Music / Recueil / Piano, Violon et Violoncelle

Par WENNAKOSKI LOTTA. Lotta Wennäkoski tells about her 10 minute long work Päärme (Hem) for piano trio: 'We often speak in music of crafting in a figurative sense, and craftsmanship is, for the composer particularly, a traditional professional virtue. I personally have from time to time nevertheless been interested in the concrete images aroused by handicrafts, the way fabrics feel, and sewing. The pi-ano trio Päärme/Hem has a pulsative character, especially in the outer sections, and the idea of steady but erratically colourful stitching prompted the amusing and highly unusual word I chose for the title of the piece. The hemming in this trio is cheerfully brisk, though the result is not al-ways even intended to be over-neat or regular. For noise sounds are also an intrinsic feature of a hand-made texture. As is often the case with me, my source of inspiration in composing was the fact that the Sibelius Piano Trio would be giving the first performance. The slow, melodic material of the static middle section is to a great extent indebted to the knowledge of just how succulently such delicate, inten-sive lines can sound in the hands of ace players.' This product includes the score (=piano part) and parts for violin and violoncello, all in B4 size. / Date parution : 2022-05-31/ Répertoire / Trio avec Piano

Musica arcaica #1 ' est la première pièce dans une série de oeuvres de musique de chambre dans laquelle Schneider comme un compositeur examine la musique des autres cultures (chants, danses, entre autres). Le vieux chypriote Pastourelle Voskos inspiré le compositeur à appliquer les techniques de composition archaïque de drone, hétérophonie et ostinato. La chanson exprime différentes ambiances : la première moitié de la chanson est dominée par l'aspiration lament im Pferch eingesperrt bin ich geboren, im Pferch werde ich sterben'. Définit la seconde moitié du fantastique et perdu, mais aussi avec fierté subi une pensée de la mort ' Niemand von euch kennt den Tod, noch das Altern! ' à la musique. Schneider présente ces émotions de façon convaincante et passionnante au moyen d'instruments. / Violon, Violoncelle Et Piano