Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11305. Published by
Baerenreiter Verlag
(BA.BA11305).
ISBN
9790006567027. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Stahl,
Christina M.
Psalm
137 Super flumina
Babylonis also known as
By the rivers of Babylon
was an inspiration for
many composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-Sa
«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Advent, Christmas. Single
Part, Organ. Composed
1731. BWV 36. 20 pages.
Duration 31 minutes.
Carus Verlag #CV
31.036/49. Published by
Carus Verlag
(CA.3103649).
ISBN
9790007205690. Language:
German/English.
Translation: Henry
Drinker.
Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score and part
available separately -
see item CA.3103600.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext. 1x
39.127/21 oboe 1, 1x
39.127/22 oboe 2.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Set of Orchestra Parts.
TVWV 7:16. Duration 12
minutes. Carus Verlag #CV
39.127/09. Published by
Carus Verlag
(CA.3912709).
ISBN
9790007215774. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and parts
available separately -
see item CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Full score. TVWV 7:16. 36
pages. Duration 12
minutes. Carus Verlag #CV
39.127/00. Published by
Carus Verlag
(CA.3912700).
ISBN
9790007164416. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep).
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Vocal score.
Composed 1731. BWV 36. 44
pages. Duration 31
minutes. Carus Verlag #CV
31.036/03. Published by
Carus Verlag
(CA.3103603).
ISBN
9790007171605. Language:
German/English.
Translation: Henry
Drinker.
Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, basso
continuo. TVWV 7:16. 8
pages. Duration 12
minutes. Carus Verlag #CV
39.127/14. Published by
Carus Verlag
(CA.3912714).
ISBN
9790007215811. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Study score.
Composed 1731. BWV 36. 52
pages. Duration 31
minutes. Carus Verlag #CV
31.036/07. Published by
Carus Verlag
(CA.3103607).
ISBN
9790007244910. Language:
German/English.
Bac
h's well-known church
cantata Schwingt freudig
euch empor BWV 36 (Up
joyous raise your song),
first heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Vocal score. TVWV 7:16.
24 pages. Duration 12
minutes. Carus Verlag #CV
39.127/03. Published by
Carus Verlag
(CA.3912703).
ISBN
9790007164423. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score available
separately - see item
CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Violin 2.
TVWV 7:16. 8 pages.
Duration 12 minutes.
Carus Verlag #CV
39.127/12. Published by
Carus Verlag
(CA.3912712).
ISBN
9790007215798. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Advent, Christmas. Set of
Orchestra Parts. Composed
1731. BWV 36. Duration 31
minutes. Carus Verlag #CV
31.036/19. Published by
Carus Verlag
(CA.3103619).
ISBN
9790007172237. Language:
German/English.
Translation: Henry
Drinker.
Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score and parts
available separately -
see item CA.3103600.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Viola. TVWV
7:16. 8 pages. Duration
12 minutes. Carus Verlag
#CV 39.127/13. Published
by Carus Verlag
(CA.3912713).
ISBN
9790007215804. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
SATB vocal soli, SATB choir SKU: CA.3103605 Cantata for the 1st Sunday...(+)
SATB vocal soli, SATB
choir
SKU:
CA.3103605
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Choral Score.
Composed 1731. BWV 36. 8
pages. Duration 31
minutes. Carus Verlag #CV
31.036/05. Published by
Carus Verlag
(CA.3103605).
ISBN
9790007172275. Language:
German/English.
Translation: Henry
Drinker.
Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Violin 1.
TVWV 7:16. 8 pages.
Duration 12 minutes.
Carus Verlag #CV
39.127/11. Published by
Carus Verlag
(CA.3912711).
ISBN
9790007215781. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Single Part, Organ. TVWV
7:16. 12 pages. Duration
12 minutes. Carus Verlag
#CV 39.127/49. Published
by Carus Verlag
(CA.3912749).
ISBN
9790007164492. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and part
available separately -
see item CA.3912700.
Psalm
121. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Ich Hebe
Meine Augen Auf (Psalm
121). Sacred vocal music,
Psalms, German, Psalms.
Set of Orchestra Parts.
TVWV 7:16. Duration 12
minutes. Carus Verlag #CV
39.127/19. Published by
Carus Verlag
(CA.3912719).
ISBN
9790007164508. Language:
German.
Telemann's
setting of Psalm 121 I
lift up mine eyes to the
hills reveals him to be
an admirer of French
music. Constructed on the
example of a grand motet,
each of the movements is
patterned after the
French model: the model
of an overture for the
first movement, the
echoes of a chaconne in
the second, the dotted
gigue rhythms of the
Canarie in the third. In
addition there is the
lively exchange between
choir and solo ensemble,
and much more. The music
is full of poetic
imagery, whenever the
occasion arises, as at
the very beginning with
the words Ich hebe meine
Augen auf, or in a later
passage with the text
Siehe, der Hüter
Israel schläft noch
schlummert nicht (Behold,
he that keepeth Israel
shall neither slumber nor
sleep). Score and parts
available separately -
see item CA.3912700.
Semele, HWV 58 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA04025-01
Composed by George
Frideric Handel. Edited
by
Georg-Friedrich-Händel
-Gesellschaft e. V.
Risinger and Mark. This
edition: Complete
edition. Linen. Complete
edition, Score. HWV 58.
Baerenreiter Verlag
#BA04025-01. Published by
Baerenreiter Verlag
(BA.BA04025-01).
ISBN
9790006443222. 33 x 26 cm
inches. Text Language:
English.
Handelâ??
s â??Semeleâ?, which
premiered in February
1744, is based on an
adapted version of
William Congreveâ??s
opera libretto titled
â??The Story of
Semeleâ?, originally
published in 1706.
However, neither Handel
nor his librettist
referred to
â??Semeleâ? as an
opera or an oratorio,
which, according to the
understanding at the
time, would have required
a biblical and/or
Christian subject matter.
Contemporary audiences
also disagreed on the
genre. The problematic
classification as an
oratorio has persisted
into the present day,
likely due to the edition
labeled as such by
Chrysander. The â??Halle
Handel Editionâ? (HHA)
distances itself from
this classification and,
considering the available
sources, refrains from
assigning a genre
label.
Congreve
deviates from the
mythological source
multiple times in order
to create tensions among
the characters. The
desired marriage between
Semele and Athamas, whom
she does not love, is an
addition by Congreve to
provoke the envy of her
sister Ino, who desires
Athamas herself.
Therefore, Ino sees her
own advantage in
Semeleâ??s abduction by
Jupiter. While
Jupiterâ??s wife Juno
decides to destroy Semele
out of jealousy for his
relationship with her,
Jupiter brings Ino to his
palace to console Semele.
The vengeful Juno takes
advantage of Inoâ??s
presence and transforms
into her likeness,
persuading Semele to
carry out a plan that
later proves fatal. In
the end, Ino emerges as
the winner, as she is
able to convince their
father, Cadmus, to marry
her to Athamas. The
appearance of Apollo in
the final scene to
announce that Semeleâ??s
immortal son Bacchus was
saved from her ashes
provides little
consolation. However,
this twist allows the
drama to conclude with
exuberant joy and a
magnificent final chorus
after the tragic scenes
in the third act,
culminating in the death
of the
protagonist.
Hande
lâ??s autograph score
shows significant
deviations from and
numerous revisions of the
original version
premiered. All surviving
early versions, the
musical movements deleted
before the premiere, and
the version of the
December 1744, are given
in the appendix to the
HHA.
Missa Divi Xaverii ZWV 12 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Avancé Barenreiter
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed ch...(+)
Solo soprano voice, solo
alto voice, solo tenor
voice, solo bass voice,
Mixed choir-SATB,
orchestra (Soprano solo,
Alto solo, Tenor solo,
Bass solo, Mixed choir
(SATB), Orchestra) -
Level 5
SKU:
BA.BA09594
Composed
by Jan Dismas Zelenka.
Edited by Václav Luks.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. ZWV 12.
Baerenreiter Verlag
#BA09594_00. Published by
Baerenreiter Verlag
(BA.BA09594).
ISBN
9790260107526. 31 x 24.3
cm inches. Text language:
Czech, English, German.
Preface: Stockigt, Janice
B. / Luks,
Václav.
The
â??Missa Divi
Xaveriiâ? ZWV 12, an
expansive and unusually
richly scored work, marks
a highlight in the uvre
of Jan Dismas Zelenka
(1679-1745). It was
composed in 1729 while he
was working at the
Dresden court.
The
principal source of this
first edition is the
damaged autograph score
which had long been kept
under lock and key.
Passages missing because
of its damaged condition
have been supplemented
using secondary sources
or reconstructed by
Václav Luks, clearly
marked as such in the
musical text.
The
first performance to use
the present new edition
took place in the summer
of 2014, when it was
performed at the Utrecht
Early Music Festival. A
CD recording by Collegium
1704, conducted by
Václav Luks, has been
released by the label
Accent (ACC
24301).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Requiem. Composed
by Franz von Suppe. 1x
40.085/21 flute 1, 1x
40.085/22 flute 2, 1x
40.085/23 oboe 1, 1x
40.085/24 oboe 2, 1x
40.085/25 clarinet 1, 1x
40.085/26 clarinet 2, 1x
40.085/27 bassoon 1, 1x
40.085/28 bassoon 2, 1x
40.085/31 horn 1, 1x
40.085/32 horn 2, 1x
40.085/33 horn 3, 1x
40.08. Missa Pro
Defunctis (Requiem).
Sacred vocal music,
Requiem. Set of Orchestra
Parts. Composed 1855. 206
pages. Duration 70
minutes. Carus Verlag #CV
40.085/09. Published by
Carus Verlag
(CA.4008509).
ISBN
9790007217396. Language:
Latin.
Franz Suppe
wrote his Requiem not as
a humanistic or
pantheistic lament for
the dead, but as a work
created on the basis of
firm Christian and
Catholic faith. The fact
that Suppe succeeded in
writing a Requiem which
remains within the
theological-liturgical
bounds without
sacrificing the values of
an autonomous work of art
is perhaps the greatest -
although hitherto
unrecognized- achievement
of this work. Score and
parts available
separately - see item
CA.4008500.
Requiem. Composed
by Franz von Suppe. Missa
Pro Defunctis (Requiem).
Sacred vocal music,
Requiem. Set of Orchestra
Parts. Composed 1855.
Duration 70 minutes.
Carus Verlag #CV
40.085/19. Published by
Carus Verlag
(CA.4008519).
ISBN
9790007134501. Language:
Latin.
Franz Suppe
wrote his Requiem not as
a humanistic or
pantheistic lament for
the dead, but as a work
created on the basis of
firm Christian and
Catholic faith. The fact
that Suppe succeeded in
writing a Requiem which
remains within the
theological-liturgical
bounds without
sacrificing the values of
an autonomous work of art
is perhaps the greatest -
although hitherto
unrecognized- achievement
of this work. Score and
parts available
separately - see item
CA.4008500.
Requiem in C Major Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Carus Verlag
(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (18...(+)
(Arrangement for soli,
choir and organ).
Composed by Charles
Francois Gounod
(1818-1893). Edited by
Barbara Grolmann.
Arranged by Zsigmond
Szathmary. For SATB vocal
soli, SATB choir, organ.
This edition: Paperbound.
C-Dur (C major). Choir
and Organ. German title:
Requiem. End of the
church year, Mourning,
death. Full score.
Language: Latin. Posth..
48 pages. Duration 35
minutes. Published by
Carus Verlag
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Paperbound, Complete
edition. Gottfried August
Homilius - Selected
Works. Passionskantate I
Ein Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide.
Single Part, Organ. HoWV
I.2. 60 pages. Duration
95 minutes. Carus Verlag
#CV 37.104/49. Published
by Carus Verlag
(CA.3710449).
ISBN
9790007091347. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Score and part available
separately - see item
CA.3710400.
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Paperbound, Complete
edition. Gottfried August
Homilius - Selected
Works. German title:
Passionskantate I Ein
Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide.
Full score (complete
edition / selected
edition). HoWV I.2.
Duration 95 minutes.
Carus Verlag #CV
37.104/00. Published by
Carus Verlag
(CA.3710400).
ISBN
9790007090821. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition. 1x
37.104/21 flute 1, 1x
37.104/22 flute 2, 1x
37.104/23 oboe 1, 1x
37.104/24 oboe 2, 2x
37.104/25 2 bassoons.
Gottfried August Homilius
- Selected Works.
Passionskantate I Ein
Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide. Set
of Orchestra Parts. HoWV
I.2. 96 pages. Duration
95 minutes. Carus Verlag
#CV 37.104/09. Published
by Carus Verlag
(CA.3710409).
ISBN
9790007214289. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Score and parts available
separately - see item
CA.3710400.