By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal solo (flute 1and2, oboe, clarinet 1and2, bassoon, F horn 1/2and3, trumpet 1/2and3, trombone 1and2, trombone 3/tuba, percussion 1and2/3and4, rhythm, harp, violin 1and2, viola, cello, string bass)

(Non nobis Domine / Nicht unserm Namen, Herr). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli STBar, SSAATTBB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, Viola, Cello, Contrabass. This edition: Paperbound. Stuttgart Urtext editions. Score available separately - see item CA.4007100. Psalms, German, Psalms, Latin, Wedding, Psalms. Level 4. Vocal score. Language: German/Latin. Composed 1830. Opus 31. 40 pages. Duration 16 min. Published by Carus Verlag

(Kantate zum 13. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SATB, SATB Choir, Tromba (da tirarsi), 2 Oboes, Strings, Organ. BWV 77. Full score available separately - see item CA.3107700. Cantatas; Stuttgart Urtext editions; Use during church year: Trinity. Level 3. Part: Violin 2. Language: German/English. Composed 1723. 4 pages. Duration 17 min

(Kantate zum 13. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SATB, SATB Choir, Tromba (da tirarsi), 2 Oboes, Strings, Organ. BWV 77. Full score available separately - see item CA.3107700. Cantatas; Stuttgart Urtext editions; Use during church year: Trinity. Level 3. Part: Violoncello/Contrabass. Language: German/English. Composed 1723. 8 pages. Duration 17 min

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Graulich, Gunter. For Soli SATB, SATB Choir, [Organ]. Stuttgart Urtext editions; Occasions: Praise and thanks. Level 3. Score. Language: German/English. Composed 1832. 12 pages. Duration 7 min

(Kantate zum Johannistag). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, 2 Oboe d'Amore, 2 Violins solo, Strings, Organ. This edition: paperbound. BWV 7. Full score available separately - see item CA.3100700. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days. Level 3. Piano/Vocal score. Language: German/English. Composed 1724. 40 pages. Duration 26 min

(Kantate zum 13. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SATB, SATB Choir, Tromba (da tirarsi), 2 Oboes, Strings, Organ. BWV 77. Full score available separately - see item CA.3107700. Cantatas; Stuttgart Urtext editions; Use during church year: Trinity. Level 3. Part: Viola. Language: German/English. Composed 1723. 4 pages. Duration 17 min

(Kyrie-Gloria-Messe (Lutherische Messe)). By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. BWV 236. Full score available separately - see item CA.3123600. Masses, Latin, Incomplete Masses (also Kyrie and Gloria); Stuttgart Urtext editions. Level 3. Part: Viola. Language: Latin. Composed 1742 (terminus ante quem). 12 pages. Duration 30 min

(Kantate zum 11. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli STB, SATB Choir, 2 Oboes/2 Oboe d'Amore, Strings, Organ. This edition: paperbound. BWV 179. Full score available separately - see item CA.3117900. Cantatas; Stuttgart Urtext editions; Use during church year: Trinity. Level 3. Study score. Language: German/English. Composed 1723. 48 pages. Duration 19 min

By Wolfgang Amadeus Mozart (1756-1791). Edited by Janz, Bernhard. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. KV 275 (272b). Full score available separately - see item CA.4062900. Missa brevis, Latin; Stuttgart Urtext editions. Level 3. Part: Violin 2. Language: Latin. Composed 1777. 12 pages. Duration 24 min

(Kantate zum 26. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SATB, SATB Choir, Trumpet, Oboe, Strings, Organ. BWV 70. Full score available separately - see item CA.3107000. Cantatas; Stuttgart Urtext editions; Use during church year: End of the church year. Level 3. Part: Viola. Language: German/English. Composed 1723. 8 pages. Duration 26 min

By Wolfgang Amadeus Mozart (1756-1791). Edited by Janz, Bernhard. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. KV 275 (272b). Full score available separately - see item CA.4062900. Missa brevis, Latin; Stuttgart Urtext editions. Level 3. Part: Violin 1. Language: Latin. Composed 1777. 12 pages. Duration 24 min

(Kantate zum Reformationsfest (Rekonstruktion: Reinhold Kubik)). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn / Reinhold Kubik. For Soli SATB, SATB Choir, 2 Oboes, 2 Oboe d'Amore, Oboe d'Amore, Violin solo, Strings, Violone, Organ, [3 Trumpets, Timpani]. This edition: paperbound. BWV 80. Full score available separately - see item CA.3108000. Cantatas; Stuttgart Urtext editions; Use during church year: Special Days, Reformation day. Level 3. Piano/Vocal score. Language: German/English. 72 pages. Duration 30 min

By Wolfgang Amadeus Mozart (1756-1791). Edited by Janz, Bernhard. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. KV 275 (272b). Full score available separately - see item CA.4062900. Missa brevis, Latin; Stuttgart Urtext editions. Level 3. Part: Violoncello/Contrabass. Language: Latin. Composed 1777. 12 pages. Duration 24 min

(Kantate zum 13. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SATB, SATB Choir, Tromba (da tirarsi), 2 Oboes, Strings, Organ. BWV 77. Full score available separately - see item CA.3107700. Cantatas; Stuttgart Urtext editions; Use during church year: Trinity. Level 3. Part: Violin 1. Language: German/English. Composed 1723. 4 pages. Duration 17 min

(Kantate zum 26. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SATB, SATB Choir, Trumpet, Oboe, Strings, Organ. BWV 70. Full score available separately - see item CA.3107000. Cantatas; Stuttgart Urtext editions; Use during church year: End of the church year. Level 3. Part: Violin 1. Language: German/English. Composed 1723. 8 pages. Duration 26 min

(Kantate zum Reformationsfest). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SAB, SATB Choir, [2 Flutes], 2 Oboes, 2 Horns, Timpani, Strings, Organ. This edition: paperbound. BWV 79. Full score available separately - see item CA.3107900. Cantatas, Psalms, German; Stuttgart Urtext editions; Occasions: Praise and thanks; Use during chuch year: Special Days, Reformation day. Level 3. Piano/Vocal score. Language: German/English. Composed 1725 (?). 32 pages. Duration 17 min

Soprano and baritone soli, SATB choir, flute, violin, drum, and piano - Intermediate

SKU: MN.70-500

Composed by Karen Marrolli. Advent, Christmas, Christmas-Sacred, Lessons and Carols. MorningStar Music Publishers #70-500. Published by MorningStar Music Publishers (MN.70-500).

UPC: 688670705007. English.

Contents:

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.4068703

Composed by Robert Schumann. Edited by Hansjörg Ewert. Vocal score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068703. Published by Carus Verlag (CA.4068703).

ISBN 9790007239718. Key: C minor. Latin.

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumann’s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be “fashioned with great love”. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumann’s partial autograph score. Carus has also produced an arrangement of the work for choir & organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).

Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Grade 3

SKU: CA.1025000

Composed by Henry Purcell. Edited by Julia Rosemeyer. Carus digital: Extra digital products. Full Score. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025000. Published by Carus Verlag (CA.1025000).

ISBN 9790007251826. Key: D major. English.

�??Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!�?� �?? this exclamation opens the final chorus of Henry Purcell�??s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time. A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Cecilia�??s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexander�??s Feast, HWV 75 (Carus 55.075), and his Ode for St. Cecilia�??s Day, HWV 76 (Carus 55.076).Purcell�? ?s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the �??Orpheus Britannicus�?�, as Purcell was admiringly called by contemporaries.- Festive, rousing ode to music- Highlight of the choral ode genre in the 17th century

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.4068700

Composed by Robert Schumann. Edited by Hansjörg Ewert. Carus digital: Extra digital products. Full Score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068700. Published by Carus Verlag (CA.4068700).

ISBN 9790007239701. Key: C minor. Latin.

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences �?? after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumann�??s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be �??fashioned with great love�?�. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumann�??s partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).

Soprano voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0049

Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Duration 9 minutes, 13 seconds. MorningStar Music Publishers #56-0049. Published by MorningStar Music Publishers (MN.56-0049).

UPC: 688670220524. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. The “Kyrie” uses Francis Quarles’ “Close now thine eyes and rest secure” as the opposing English text. After the choir begins the requiem text in Latin (“Requiem aeternam” through the “Kyrie eleison,”) the soprano soloist has a 27-measure solo in which the English text appears. Then the solo is repeated over choir accompaniment and the opening Latin text reappears to close the movement. Duration 9:13.

Soprano voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0055

Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Duration 4 minutes, 4 seconds. MorningStar Music Publishers #56-0055. Published by MorningStar Music Publishers (MN.56-0055).

UPC: 688670220586. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. For soprano solo and SATB choir, this movement begins with the choir on the English text by Phineas Fletcher (1633). A 32-measure soprano solo follows, which covers the majority of the English text. The soloist then begins the “Recordare,” a calm, descending melodic line with the choir singing the opening “Drop, drop” motif as accompaniment. The choir then concludes with the slow, descending lines “Jesu pie, Jesu pie.” Duration 4:04.