Par GRUNDMAN JORGE. 'Why'' was selected in 2014 for the development of the European Memory of Dance within the international programme European Video Dance Heritage with which it has toured museums such as the Museo Nacional Centro de Arte Reina Sofía (Madrid ? Spain), the Biennale de la Danse de Lyon (France), in September 2014, the Body/Mind Contemporary Dance Festival in Warsaw (Poland), the Prague Festival (Czech Republic), in October 2014 the InShadow Festival in Lisbon (Portugal), in November 2014 and, finally the Porto Festival (Portugal), in April 2015. / Date parution : 2022-04-01/ Répertoire / Violon et Piano

Christmas fiddlers can draw on a rich and varied repertoire. This collection spans seven centuries, from the boisterous medieval Song of the Ass to contemporary tunes like Sleigh ride, taking in such traditional carols as Away in a manger and O little town of Bethlehem along the way. There is music in The Christmas Fiddler from England, Wales, France, Germany and North America.Of course Christmas time is not only a religious festival. Much of the music here - the Welsh carol Deck the hall, the 'fireside' movement from The Four Seaons, the modern classic Chestnuts roasting on an open fire - is as much a celebration of the ancient secular festival of the Winter Solstice.The arrangements in this collection can be performed as solos or duets, or by larger ensembles. The keyboard accompaniments are there for a multitude of purposes, from concert performances to playing at home- and the violin accompaniments will be invaluable for those Christmas busking sessions.The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club, Sarajevo street-café or Gypsy gathering. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chord)- or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance. And to help recreate the spirit of the music, every book in the series is beautifully illustrated. / Violon Et Guitare

Par PART ARVO. Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Daniel Hope, internationally acclaimed violin soloist, says about the piece: 'Fratres opened up my ears in a completely new way. Recently when I recorded it, I was extremely pleased about the edition by Universal Edition. A masterpiece needs an illustration that clearly depicts the composer's wishes, as it was done with this piece. ' Composed in Pärt's very own 'Tintinnabuli'-style, this piece allows many different settings because it is not bound to aspecific klangfarbe (tone color)./ Répertoire / Violon et Piano

Sheet Music Edition. Par DAVIES PETER MAXWELL. Sir Peter Maxwell Davies is universally acknowledged as one of the foremost composers of our time and as he reaches his 75th birthday in 2009 he remains prolific. The sonata for violin and piano was written for the virtuoso violinist, Ilya Gringolts and first performed at the St Magnus Festival in Orkney in 2008. The work is principally concerned with Italian architecture and the music takes both performers and audience across an imaginary walkway over Rome as proposed by the architect Giuseppe Rebecchini. Starting at the 17th Century Chiesa Nuova the exceptional journey passes Renaissance churches, exhibition spaces, the river Tiber, glass façades, sculptures and even a prison where a Lazio folk tune can be heard echoing from behind the walls. The journey ends 15 minutes later at Gianicolo, an area where one can take in breathtaking views over the whole city./ Répertoire / Violon et Piano

Né en 1953 à Perpignan, Daniel Tosi est aujourd'hui compositeur et chef d'orchestre. Il obtient six premiers Prix au CNSM de Paris. Parallèlement, il accomplit des études à la Sorbonne où, après avoir réussi l'agrégation, il obtient un doctorat es lettres du Troisième cycle (mention Très Bien). Titulaire également de deux Certificats d'Aptitude (Analyse et Direction des Conservatoires Nationaux de Région), il occupe un poste d'inspecteur à la Direction de la Musique et entreprend un travail pédagogique selon sa triple activité de composition, recherche et direction d'orchestre. En 1983, Daniel Tosi obtient le Prix de Rome. Pensionnaire de la Villa Medicis jusqu'en 1985, il reçoit cette même année le prix Georges Enesco décerné par la Sacem. En 1986, il reçoit le Prix de la Villa Medicis Hors les Murs lui permettant de réaliser une oeuvre à l'étranger (Barcelone). En 1999 Daniel Tosi obtient la distinction d'Officier de l'Ordre des Arts et des Lettres et, plus récemment, reçoit le prix Claude Arrieu (décerné par la Sacem) Ses oeuvres sont régulièrement jouées dans de nombreux festivals de musique contemporaine (Paris, Rome, Strasbourg, Turin, Milan, La Rochelle, Bourges, Perpignan, Caen, etc) par des formations diverses ainsi que par des solistes renommés (Ensemble de l'Itinéraire, les Percussions de Strasbourg, le Nouvel Orchestre Philharmonique de Radio France, l'ensemble Solars Vortices, TM +, Jean Lennert, Jean Geoffroy, etc) Outre ses activités de compositeur et chef d'orchestre, Daniel Tosi dirige le Conservatoire Perpignan Méditerranée depuis 1989. Cette partition Tosi Daniel : Phonic Design 1. Violon et piano de Tosi Daniel a été éditée par les éditions Dhalmann. La référence de cette partition est FD0200. Cette oeuvre d'une durée de 10 - 15 mn est idéale pour les musiciens qui ont un niveau Difficile/Très Difficile et pour qui l'instrument pratiqué est Violon. Après quelques heures de pratique, cette ouvrage n'aura plus de secret pour vous. / Violon Et Piano

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Par DIVERS AUTEURS (ARR.MARTIN TOURISH). Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in four formats, each with complete recordings and backing tracks on CD: as solo versions for violin, flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Violon et Piano