Elegy for Cello and Orchestra. (Cello with Piano Reduction). By John Williams. F...(+)
Elegy for Cello and
Orchestra. (Cello with
Piano Reduction). By John
Williams. For Cello,
Piano Accompaniment. John
Williams Signature
Edition - Strings. 8
pages. Published by Hal
Leonard
For
Narrator, Oboe, Trombone,
Percussion, Cello, and
Piano. Composed by
Daniel Dorff. Premiered
by members of the
Philadelphia Orchestra,
Charlotte Blake Alston,
narrator; Philadelphia,
PA. Traditional. Set of
Score and Parts. With
Standard notation.
Composed 13-Mar.
16+2+2+2+2 pages.
Duration 6 minutes.
Theodore Presser Company
#111-40244. Published by
Theodore Presser Company
(PR.111402440).
ISBN
9781491101308. UPC:
680160616053. 9.5 x 13
inches. Old MacDonald Had
A
Farm.
Commissioned
by the Philadelphia
Orchestra Association,
Dorff uses the familiar
Old MacDonald to
introduce children to
various instruments
within an orchestra,
calling upon each in turn
for examples of their
sounds, and then merging
all of the soloists into
an original variation on
the theme. An effective
showcase for children's
concerts. Duration:
6'.
For
Narrator, Oboe, Trombone,
Percussion, Cello, and
Piano. Composed by
Daniel Dorff. Premiered
by members of the
Philadelphia Orchestra,
Charlotte Blake Alston,
narrator; Philadelphia,
PA. Traditional.
Performance score. With
Standard notation.
Composed 13-Mar. 16
pages. Duration 6
minutes. Theodore Presser
Company #111-40244S.
Published by Theodore
Presser Company
(PR.11140244S).
UPC:
680160616077. 9.5 x 13
inches. Old MacDonald Had
A
Farm.
Commissioned
by the Philadelphia
Orchestra Association,
Dorff uses the familiar
Old MacDonald to
introduce children to
various instruments
within an orchestra,
calling upon each in turn
for examples of their
sounds, and then merging
all of the soloists into
an original variation on
the theme. An effective
showcase for children's
concerts. Duration:
6'.
Cello and piano SKU: FG.55011-609-2 Variaatioita sellolle ja orkesteri...(+)
Cello and piano
SKU:
FG.55011-609-2
Variaatioita sellolle
ja orkesterille op 5.
Composed by Aulis
Sallinen. Fennica Gehrman
#55011-609-2. Published
by Fennica Gehrman
(FG.55011-609-2).
ISBN
9790550116092.
Auli
s Sallinen (b. 1935) is
one of the most famous
Finnish contemporary
composers. In his early
instrumental works,
Sallinen was still
seeking to establish a
style of his own. He had
studied at the Sibelius
Academy in the late
1950s, first with Aarre
Merikanto - a composer
representing a national
brand of Neoclassicism -
and then with Joonas
Kokkonen, at that time
just transitioning from
Neoclassicism to
dodecaphony. Twelve-tone
music had won fairly
widespread acceptance in
contemporary Finn-ish
music, and Sallinen was
influenced, too. The
Variations are Sallinen's
first real work for the
cello - an instrument
that would later be one
of his favourites, its
warm, deep voice
corres-ponding to his
music's often dark
undercurrent.
The Variations for Cello
and Orchestra, Op. 5 were
composed in 1961-1962 and
premiered in October
1962. The basic motif
consists of a set of
three descending
intervals stated by the
cello at the beginning:
D-D flat-F, C-B-G and B
flat-A-F sharp. Their use
as basic material is a
ref-lection of the
composer's
dodecaphony-oriented
period, and variation of
this material provides
the framework for the
piece.
Variations for Cello and
Orchestra are now
published for the first
time. Available are a
reduction for cello and
piano, study score and
complete performance
material with
orchestra.
Violoncello, piano SKU: FG.55011-903-1 Composed by Victoria Yagling. Arra...(+)
Violoncello, piano
SKU:
FG.55011-903-1
Composed by Victoria
Yagling. Arranged by
Yuriy Leonovich.
Classical, contemporary.
Score and part. Fennica
Gehrman #55011-903-1.
Published by Fennica
Gehrman (FG.55011-903-1).
ISBN
9790550119031.
Vict
oria Yagling's Suite for
Cello and String
Orchestra (1967) is one
of her first successes as
a composer. The movement
layout of the Suite is
fast-slow-fast-slow. The
first movement, Toccata,
is a perpetual motion
with a brisk tempo of 100
per dotted half. The Aria
is reminiscent of
Rachmaninov's Vocalise
melody and Prokofiev's
tonal language. This
movement is the
centerpiece of the Suite.
The Humoresque is closely
connected in style and
motives to the March and
Aria movements from Boris
Tchaikovsky's Suite for
Cello Solo. Mostly
homophonic Finale plays
with bitonality and
contains several
circle-of-fifth
sequences.
This
product is is the
reduction for violoncello
and piano by prof. Yuriy
Leonovich. Orchestral
material available on
hire from the publisher.
Stydy score with solo
part is available for
sale (ISMN
9790550116436).
Vi
ctoria Yagling
(1946?2011) was born in
Russia and lived in
Finland since 1990. Her
long career as a cellist
served as an excellent
accompaniment to the
composition she began at
an early age. For 11
years she was a cello
student of Mstislav
Rostropovich at the
Moscow Conservatory and
Dmitry Kabalevsky and
Tikhon Khrennikov taught
her
composition.
Yagli
ng won the first prize in
the Gaspar Cassadò
Cello Competition and the
following year the second
prize in the Moscow
Tchaikovsky Competition.
Her solo engagements took
her to countless
countries. She has also
taught at several
international music
courses and master
classes and was often a
jury member for
international cello
competitions.
Yagl
ing left a profilic
oeuvre, and the three
cello concertos are her
main works. Her other
orchestral works include
Finnish Notebook, Lyrical
Preludes and the Suite
for Cello and String
Orchestra. She has also
composed solo works (e.g.
the Suite for Cello Solo
No. 1 chosen as an
obligatory piece for the
7th Tchaikovsky
Competition in Moscow in
1982), chamber works,
including two string
quartets, and vocal
music. Her expressive,
romantically orientated
style is Russian in
spirit and has grown out
of the soil provided by
Prokofiev and
Shostakovich.
Violoncelle, Piano [Partition + CD] - Intermédiaire Dowani
By G. Goltermann (1824-1898). For Cello. DOWANI Urtext 3 Tempi Play Along - Ce...(+)
By G. Goltermann
(1824-1898). For Cello.
DOWANI Urtext 3 Tempi
Play Along - Cello.
Artist: Konstantin
Krimets - Conductor;
Russian Philharmonic
Orchestra - Orchestra
accompaniment; Sergey
Sudzilovsky - Cello;
Vitaly Junitsky - Piano.
Level: Intermediate.
Sheet Music with CD (3
Tempi Play Along).
Published by Dowani
International.
Fantasy On Little Russian Songs For Violoncello And Orchestra (cello/piano reduc...(+)
Fantasy On Little Russian
Songs For Violoncello And
Orchestra (cello/piano
reduction). (Cello and
Piano Reduction). By
David Popper (1843-1913).
Cello-Bibliothek (Cello
Library). Piano reduction
with solo part. 38 pages.
Schott Music #CB194.
Published by Schott Music
For Violoncello and Orchestra - Piano Reduction (with Comments in English). By J...(+)
For Violoncello and
Orchestra - Piano
Reduction (with Comments
in English). By Johann
Nepomuk Hummel. Edited by
N. Gertsch,Steiner. This
edition: HN839.
Violoncello and Piano.
Henle Music Folios.
Pages: Score = * Vc Part
=. Urtext edition
(Paper-bound). 53 pages.
Published by G. Henle.
Cello and Piano SKU: HL.14010997 Composed by Herbert Howells. Music Sales...(+)
Cello and Piano
SKU:
HL.14010997
Composed
by Herbert Howells. Music
Sales America. Classical.
Book [Softcover]. 44
pages. Music Sales
#NOV120604. Published by
Music Sales
(HL.14010997).
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
cello and orchestra. This
edition: Urtext. Solo
part and piano reduction.
Opus 104. Published by
Baerenreiter Verlag
Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Lloyd Webber. F...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Edited by Julian Lloyd
Webber. For solo cello
and orchestra. Level A-B
(very easy to easy).
Cello part and piano
reduction. 36 pages.
Duration 15 minutes.
Published by Oxford
University Press
Chamber Music Cello and Piano SKU: CF.O4963 Composed by Peter Mennin. Thi...(+)
Chamber Music Cello and
Piano
SKU:
CF.O4963
Composed by
Peter Mennin. This
edition: Piano Reduction.
Set of Score and Parts.
With Standard notation.
64+20 pages. Carl Fischer
Music #O4963. Published
by Carl Fischer Music
(CF.O4963).
ISBN
9780825894374. UPC:
798408094379. 9 x 12
inches.
A director
of Peabody Conservatory
and long-time president
of the Juilliard School
of Music, the very busy
Mennin found time to
compose a number of major
works in the post-World
War II American music
scene, up until his
untimely death at age 60.
His Cello Concerto was
commissioned by the
Juilliard Music
Foundation in 1955, one
of many commissions from
prestigious
organizations. Enjoy a
YouTube performance from
Albany Records' American
Archives, as performed by
Janos Starker and the
Louisville Orchestra
(Jorge Mester,
cond.).
(Cello and Piano Reduction). By Richard Danielpour (1956-). Edited by Erik Niels...(+)
(Cello and Piano
Reduction). By Richard
Danielpour (1956-).
Edited by Erik Nielsen.
String Solo. Softcover.
56 pages. Associated
Music Publishers, Inc
#AMP8240. Published by
Associated Music
Publishers, Inc
By Jan Krtitel Vanhal. For cello and piano. Cello. Czech title: Koncert A dur pr...(+)
By Jan Krtitel Vanhal.
For cello and piano.
Cello. Czech title:
Koncert A dur pro
violoncello a orchestr.
Classical. Piano
reduction. Publication
language: Czech.
Published by Editio
Baerenreiter Praha
Cello (cello part and piano score) SKU: HL.48180993 For Cello and Pian...(+)
Cello (cello part and
piano score)
SKU:
HL.48180993
For
Cello and Piano.
Composed by Marin Marais.
Leduc. Classical.
Softcover. 7 pages.
Alphonse Leduc #AL19956.
Published by Alphonse
Leduc (HL.48180993).
UPC: 888680878559.
9.0x12.0x0.035
inches.
Composed by
Marin Marais, La Folia is
a piece for cello and
orchestra. Arranged by
Paul Bazelaire, this
edition presents the
scores for cello and
piano and can be played
by advanced players. This
melodious composition is
based on?“The
folies of Spain†in
terms of theme and
rhythms, and the
arrangement was created
for the Paris
Conservatoire contest.
While the beginning of
the piece is quite slow,
it has some faster parts
that are more cheerful.
Marin Marais (1656-1728)
was a French composer and
master of the viol. He
wrote many pieces for the
viol, some trio pieces
and some orchestras.
Cello and Piano SKU: IS.VCP6187EM Composed by Dirk Brosse. Strings - Cell...(+)
Cello and Piano
SKU:
IS.VCP6187EM
Composed
by Dirk Brosse. Strings -
Cello. The Dirk Brosse
Collection. Metropolis
Music Publishers
#VCP6187EM. Published by
Metropolis Music
Publishers
(IS.VCP6187EM).
Flute, horn, viola, cello and piano (P/ST) - difficult SKU: HL.49033137 C...(+)
Flute, horn, viola, cello
and piano (P/ST) -
difficult
SKU:
HL.49033137
Composed
by Leon Kirchner. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Score and
parts. Composed 2001. 36
pages. Duration 6'.
Schott Music #ED 9511.
Published by Schott Music
(HL.49033137).
ISBN
9790001133272.
Volk
er David Kirchner's works
encompass every genre; in
addition to numerous
compositions for musical
theatre and for
orchestra, this viola
player who formerly
played in orchestras and
chamber ensembles still
shows a preference for
composing chamber music.
Yet even in this field of
'pure, absolute' music,
Kirchner's work has a
theatrical quality which
shows itself very clearly
in his choice of titles
(e.g. Mysterion, Il canto
della notte, Lamento
d'Orfeo, Exil).In this
Quintet Kirchner manages
to use the various
possible combinations of
the different instruments
to create highly
expressive music.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Pour Violoncelle Et Orchestre (for cello and orchestra). Composed by Guil...(+)
Pour Violoncelle Et
Orchestre (for cello and
orchestra). Composed
by Guillaume Connesson.
This edition: reduction
for cello and piano.
Premiered at the Maison
de Radio France-Paris
(France), during Les
Paris de la Musique
festival, by Jerome
Pernoo (cello) and the
Orchestre de l'Opera de
Rouen, dir. Jeremie
Rhorer. Solo part with
piano reduction. 60 + 16
pages. Duration 27
minutes. Gerard Billaudot
Editeur #GB8943.
Published by Gerard
Billaudot Editeur
(PR.514054090).
Sinfonische Werke (SYMPHONIC WO) SKU: HL.50487934 Five pieces for orch...(+)
Sinfonische Werke
(SYMPHONIC WO)
SKU:
HL.50487934
Five
pieces for orchestra.
Composed by Ernst Von
Dohnanyi. 20th Century.
EMB. Book Only. Op. 32/b.
Editio Musica Budapest
#Z2794. Published by
Editio Musica Budapest
(HL.50487934).
ISBN
9790080027943. A/4
inches.
Ruralia
Hungarica was originally
a five movements cycle of
piano pieces (Op. 32/a)
composed in 1923 on
Hungarian folk songs,
dedicated to Dohnanyi-s
mother. In 1924, five
movements of the piano
cycle was orchestrated
(Op. 32/b), the
orchestral version was
premiered under the baton
of the composer on 14
September 1924, in Pecs
(South Hungary). Ruralia
Hungarica was one of
Dohnanyi-s favorite
works. He often performed
both the version for
piano and the one for
orchestra, and he
composed other versions,
too: three movements for
violin and piano (Op.
32/c) and one movement
for violoncello and piano
(Op. 32/d).
Cello; Piano - difficult SKU: HL.49008410 Piano Reduction with Solo Pa...(+)
Cello; Piano - difficult
SKU: HL.49008410
Piano Reduction with
Solo Part. Composed
by Rodion Shchedrin. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Piano
Reduction with Solo Part.
Composed 2001. 35 pages.
Duration 15'. Schott
Music #ED9407. Published
by Schott Music
(HL.49008410).
ISBN
9790001131384. UPC:
073999352238.
8.25x11.75x0.125
inches.
Shchedrin's
oeuvre spans nearly every
musical genre, and it is
hardly surprising that an
output of such
versatility contains some
rather remarkable
instrumental
combinations, for example
Music from afar for 2
bass recorders, or
Balalaika for a solo
violin playing pizzicato
throughout. This
predilection for the
unusual leads the
composer in Parabola
concertante with its
basically subdued and
contemplative mood to add
a charcteristic
counterpoint by
contrasting the
accompanying string
orchestra with timpani.
The piece was composed
for master virtuoso
Mstislav Rostropovitch,
who played the solo part
in the first performance
at the International
Cello Festival in
Kronberg. Cello, string
orchestra, and timpani.
Piano reduction with solo
part.
Cello and piano (solo: vc - 2.2.2.2 - 2.0.0.0 - str) SKU: BR.CB-215 Or...(+)
Cello and piano (solo: vc
- 2.2.2.2 - 2.0.0.0 -
str)
SKU:
BR.CB-215
Original
Version. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Thomas Kohlhase. Solo
instruments; Softcover.
Variations; Solo
concerto; Romantic. Piano
reduction. 48 pages.
Duration 18'. Breitkopf
and Haertel #CB 215.
Published by Breitkopf
and Haertel (BR.CB-215).
ISBN 9790001157223. 9
x 12 inches.
The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s.
(Cello Part And Piano Score) SKU: HL.50606953 For Cello and Piano Redu...(+)
(Cello Part And Piano
Score)
SKU:
HL.50606953
For
Cello and Piano
Reduction. Composed
by Kaija Saariaho.
String. Softcover. 76
pages. Duration 1680
seconds. Chester Music
#CH73579-01. Published by
Chester Music
(HL.50606953).
ISBN
9798350127188. UPC:
196288212942.
Piano
Reduction. Kaija
Saariaho's Notes on
Light. was commissioned
by the Boston Symphony
Orchestra, Musical
Director James Levine,
and given its first
performance on 22nd
February 2007 at Symphony
Hall, Boston, USA, by the
cellist Anssi
Karttunen,with the Boston
Symphony Orchestra,
conducted by Jukka-Pekka
Sarastre.
For Cello and Piano Reduction. Composed by Richard Strauss (1864-1949). Edite...(+)
For Cello and Piano
Reduction. Composed by
Richard Strauss
(1864-1949).
Edited by Peter Jost.
Henle
Music Folios. Softcover.
G.
Henle #HN1468. Published
by
G. Henle
Cello, piano - Level 4 SKU: KU.GM-1948 Arranged for Cello and Piano(+)
Cello, piano - Level 4
SKU: KU.GM-1948
Arranged for Cello and
Piano. Composed by
Gustav Mahler. Edited by
Bruno Borralhinho.
Arranged by Bruno
Borralhinho. Bach format
(230 x 302). Staple
Bound. Piano score, part.
24 pages. Duration 17
minutes. Edition
Kunzelmann #GM-1948.
Published by Edition
Kunzelmann (KU.GM-1948).
ISBN 9790206207143. 9
x 12 inches.
The
version of Gustav
Mahler‘s Songs of a
Wayfarer for voice and
orchestra, premiered in
1896, is certainly the
best known. Nevertheless,
this arrangement for
cello and piano by Bruno
Borralhinho is inspired
by the very original
version for voice and
piano composed between
1884 and 1885.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.