Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Cello solo SKU: BR.EB-8817 Materialien fur die Unterstufe. Compose...(+)
Cello solo
SKU:
BR.EB-8817
Materialien fur die
Unterstufe. Composed
by Michael Dartsch and
Susanne Richter. Solo
instruments; Softbound.
Edition Breitkopf.
This large volume is
designed for the young
beginner cellist, and is
attractively presented
with large print and
enchanting colour
illustrations.
(Stringendo AUSTA)
Music pedagogy. Score.
124 pages. Breitkopf and
Haertel #EB 8817.
Published by Breitkopf
and Haertel (BR.EB-8817).
ISBN 9790004183830. 9
x 12 inches.
The
Cellokasten (Cello Case)
offers a wealth of varied
material for the
beginner. Like the
successful Geigenkasten,
it can be used in
teaching as a supplement
to any cello method. And
with its steadily
increasing level of
difficulty within each
chapter, it can also
serve as a kind of
instruction method as
well. The chapters are
devoted to the following
topics: - Games of
posture and movement -
Music on open strings and
fundamentals of bowing
technique - Playing with
close stops and
wide-stretch stops, high
and low - Combination of
close stop, wide-stretch
stop and chromaticism -
Playing, reading,
notating rhythms; reading
and notating tones as
well as improvisation in
the chapter Inventing
Music . Along with lyrics
for singing, there is
almost always a second
part, which lets two
cello lovers make music
together. The book offers
songs and cello pieces
for a variety of
occasions and for every
season. Interesting
information about the
instrument is also
scattered throughout the
book.
This large
volume is designed for
the young beginner
cellist, and is
attractively presented
with large print and
enchanting colour
illustrations.
(Stringendo AUSTA).
Cello solo SKU: BR.EB-9114 Composed by Isabel Mundry. Solo instruments; s...(+)
Cello solo
SKU:
BR.EB-9114
Composed
by Isabel Mundry. Solo
instruments; stapled.
Edition Breitkopf.
World premiere: Graz
(Steirischer Herbst),
October 4, 1997
Music
post-1945; New music
(post-2000). Score.
Composed 1997. 8 pages.
Duration 14'. Breitkopf
and Haertel #EB 9114.
Published by Breitkopf
and Haertel (BR.EB-9114).
ISBN 9790004181843. 9
x 12 inches.
Die
Form der Komposition ist
dem Weg eines Gedankens
vergleichbar, der
unvermittelt Neues ebenso
enthalten kann wie
Ruckbezuge und
Erinnerungen und dessen
zeitlicher Verlauf keiner
ausseren Logik folgt.
Dennoch gibt es ein Netz
von inneren Beziehungen
zwischen einer Vielzahl
von Elementen, die
permanent erscheinen,
verschwinden, sich
verwandeln und
verschmelzen; ein
Prozess, der sich in der
Vielschichtigkeit von
Klangereignissen des
Instruments
widerspiegelt.
Gleichzeitig tendiert die
Form der internen
Zersplitterung
gelegentlich zur
Selbstauflosung. Zwei
eingeschobene
Spiegelkanons lassen die
Klange zu Linien werden
und die Zeit zum
richtungslosen Raum. Doch
auch sie bleiben fluchtig
und werden gebunden an
die Form, die aus dem
Spiel von Gedanken
besteht, wie auch aus
ihrem Vergessen. (Isabel
Mundry) CDs: Michael
Moser CD Durian 007-2
Christina Meissner
(violoncello) CD HOROS
10902
World
premiere: Graz
(Steirischer Herbst),
October 4, 1997.
Cello solo SKU: BR.EB-9014 Composed by Nicolaus A. Huber. Solo instrument...(+)
Cello solo
SKU:
BR.EB-9014
Composed
by Nicolaus A. Huber.
Solo instruments;
Softcover. Edition
Breitkopf.
World
premiere: Stuttgart, May
16, 1985
Music
post-1945; New music
(post-2000). Score.
Composed 1984. 24 pages.
Duration 19'. Breitkopf
and Haertel #EB 9014.
Published by Breitkopf
and Haertel (BR.EB-9014).
ISBN 9790004178980. 9
x 12 inches.
Der
Ausrufer, neutral
Verkundender und
Einladender, der
offentlich Sprechende,
doch aus sich heraus
nichts Sagende, steigt
ins Subjekt-Innere, blaht
sich auf, lasst dessen
Privatheit und
Abgeschlossenheit
zerplatzen, verwandelt
die Mittel seines
Metiers: Ruf, Rhythmus,
Tempo vom
Neutral-Allgemeinen ins
Subjekthaft-Besondere,
steigt empor: nun
ausrufendes Ich voller
innerer Intensitat. Die
materielle
Darstellungsebene sind 4
Saiten + Bogen / 4 Finger
+ Daumen (4+1 = 5). Die
feststehenden Masse sind
gleichzeitig die
Aussengrenzen fur
Moglichkeiten im Inneren:
Streckendurchmessungen
(bis zur
Achtelton-Teilstrecke und
einem Achtel Bogenlange),
Spaltung in
Teilschwingungen,
vorgeschriebene
Bogengeschwindigkeit und
anderes. Tempo, Dauer,
Rhythmus bewegen sich,
gegeneinander verschoben
kombiniert, auf einem
Achsensystem, dessen
Proportionen divisive
Zeitfalten im Inneren der
Hulldauern (1, 1 / 2, 1 /
3 usw.) sowie additive
Zeitentfaltungen nach
aussen (1, 2, 3 usw.)
bilden und sowohl die
Tempoverhaltnisse wie
auch die Hulldauern
selbst erfassen (MM = 7,5
12 20 30 60 usw.). Der
Punkt des Emporsteigens
gegen Ende ist ein
funfzeiliges gereimtes
Stufen-Tongedicht.
(Nicolaus A. Huber, 1984)
CD: Michael Bach
(violoncello) CD Telos
Music TLS 018
Bibliography: Huber ,
Nicolaus A.: THIRTY ARE
BETTER THAN ONE (A.
Warhol), in: Neue Musik
und andere Kunste, hrsg.
von Jorn Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 50),
Mainz u.a.: Schott 2010,
pp. 220-235.
Cello solo SKU: BR.EB-8985 23 Song Settings for Young String Players(+)
Cello solo
SKU:
BR.EB-8985
23 Song
Settings for Young String
Players. Composed by
Esther Klein and Michael
Dartsch. Solo
instruments. Edition
Breitkopf. Music
pedagogy. Sheet Music.
Breitkopf and Haertel #EB
8985. Published by
Breitkopf and Haertel
(BR.EB-8985).
ISBN
9790004187142. 0 x 0
inches.
German.
Songs are
part of the childhood.
This collection aims to
offer a variety of songs
for string ensembles,
such as young string
orchestras or string
classes. Included are
older and newer songs,
songs of various origins,
and songs for different
occasions and with themes
ranging from animals to
seasons and times of day
to tongue-in-cheek scary
subjects.Taking up the
motif of diversity in
their own way, the
six-part arrangements are
not confined to the usual
cadence harmonies and
accompaniment forms,
There is something
special to discover in
each of the songs. Small
vignettes with lyrics to
them are found in the
parts, and can be taken
up in rehearsals and
lessons.The songs begin
with fingering positions
and bowing techniques
that are usually learned
at the beginning of
lessons, then gradually
increase in difficulty,
though the booklet as a
whole is set at the
elementary level.
Suggestions for
improvisation and pieces
for practicing certain
requirements round out
the booklet. Special
emphasis is placed on
playing together - true
to the title: Together on
Strings!
Cello solo SKU: BR.EB-9135 Composed by Nicolaus A. Huber. Solo instrument...(+)
Cello solo
SKU:
BR.EB-9135
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf. World
premiere: Furth, November
8, 1998. Music post-1945;
New music (post-2000).
Score. Composed 1998. 12
pages. Duration 10'.
Breitkopf and Haertel #EB
9135. Published by
Breitkopf and Haertel
(BR.EB-9135).
ISBN
9790004182550. 12 x 9
inches.
Immer
wieder stelle ich beim
Horen und beim Beobachten
von Horhaltungen in
Proben und Konzerten
fest, dass wir uns im
Zeitalter der Medien so
an das Horen uber
Lautsprecher
(Schallplatte, CD, Video,
Radio, Fernsehen etc.)
gewohnt haben, dass durch
die Alltaglichkeit
solcher Klangbilder das
Empfinden fur die
Qualitat RAUM fast
verkummert ist.
Lautsprecher simulieren
RAUM bereits in ihrer
Sende-Information. Ihre
Fahigkeit, Raumlichkeit
aus dem realen RAUM, in
den sie ihren Klang
abstrahlen, zu gewinnen,
ist dagegen ausserst
gering. Umgekehrt scheint
es in der Natur des
Instrumentalklangs zu
liegen, vollkommen im
RAUM aufgehen zu konnen,
gerade in ihm das Neue,
Einmalige seines Klingens
zu finden und mit ihm
erst das Klangleben
aufbauen zu mussen. Im
Prozess des ,,..... in
die Stille-Gehens hat der
Cellist Tone und Klange
zu realisieren, die bis
zum siebenfachen Piano
reichen. Dies sollen
jedoch keine Lautstarken
sein, die eine blosse
Erweiterung der
Lautstarkenskala ins
Unhorbare sind, sondern
eher die Realisierung
einer besonderen Form von
RAUM-KLANG. Die Wirkung
des Instruments als Ort
der Abstrahlung
verringert sich dadurch
zugunsten eines Klangs,
der sozusagen nur noch im
RAUM alleine, wie
,,insistierend, vorhanden
zu sein scheint. Es ist
die schwebende Prasenz
einer
Beinahe-Lautlosigkeit wie
etwa im Goethe-Vers ,,In
allen Wipfeln spurest
du/kaum einen Hauch. Je
lautloser, desto
prasenter! (Nicolaus A.
Huber, 27. Juli 1998)
Bibliography : ,,Es gibt
Dinge, die sind richtig,
aber sie ruhen. Nicolaus
A. Huber im Gesprach mit
Michael Struck-Schloen ,
in: MusikTexte, Heft 154
(August 2017), S.
31-37.
Cello SKU: CA.4053753 Composed by Michael Haydn. Edited by Charles H. She...(+)
Cello
SKU:
CA.4053753
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
Deutscher
Musikeditionspreis Best
Edition. German title:
Divertimento 5. Single
Part, Cello. 4 pages.
Carus Verlag #CV
40.537/53. Published by
Carus Verlag
(CA.4053753).
ISBN
9790007218980.
Scor
e available separately -
see item CA.4053700.
Cello SKU: CA.4053772 Composed by Michael Haydn. Edited by Charles H. She...(+)
Cello
SKU:
CA.4053772
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
Deutscher
Musikeditionspreis Best
Edition. German title:
Divertimento 7. Single
Part, Cello. 4 pages.
Carus Verlag #CV
40.537/72. Published by
Carus Verlag
(CA.4053772).
ISBN
9790007219031.
Scor
e available separately -
see item CA.4053700.
Cello SKU: CA.4053743 Composed by Michael Haydn. Edited by Charles H. She...(+)
Cello
SKU:
CA.4053743
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
Deutscher
Musikeditionspreis Best
Edition. German title:
Divertimento 4. Single
Part, Cello. 4 pages.
Carus Verlag #CV
40.537/43. Published by
Carus Verlag
(CA.4053743).
ISBN
9790007218959.
Scor
e available separately -
see item CA.4053700.
Cello SKU: CA.4053763 Composed by Michael Haydn. Edited by Charles H. She...(+)
Cello
SKU:
CA.4053763
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
Deutscher
Musikeditionspreis Best
Edition. German title:
Divertimento 6. Single
Part, Cello. 4 pages.
Carus Verlag #CV
40.537/63. Published by
Carus Verlag
(CA.4053763).
ISBN
9790007219017.
Scor
e available separately -
see item CA.4053700.
Cello SKU: CA.4053733 Composed by Michael Haydn. Edited by Charles H. She...(+)
Cello
SKU:
CA.4053733
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
Deutscher
Musikeditionspreis Best
Edition. German title:
Divertimento 3. Single
Part, Cello. 4 pages.
Carus Verlag #CV
40.537/33. Published by
Carus Verlag
(CA.4053733).
Cello SKU: CA.4053713 Composed by Michael Haydn. Edited by Charles H. She...(+)
Cello
SKU:
CA.4053713
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
Deutscher
Musikeditionspreis Best
Edition. German title:
Divertimento 1. Single
Part, Cello. 4 pages.
Carus Verlag #CV
40.537/13. Published by
Carus Verlag
(CA.4053713).
ISBN
9790007218928.
Scor
e available separately -
see item CA.4053700.
Cello SKU: CA.4053723 Composed by Michael Haydn. Edited by Charles H. She...(+)
Cello
SKU:
CA.4053723
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
Deutscher
Musikeditionspreis Best
Edition. German title:
Divertimento 2. Single
Part, Cello. 4 pages.
Carus Verlag #CV
40.537/23. Published by
Carus Verlag
(CA.4053723).
