Aurora Dances Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-480-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-480-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2019. 40 pages.
Anglo Music Press #AMP
480-140. Published by
Anglo Music Press
(BT.AMP-480-140).
English-German-French-
Dutch.
Aurora
Dances was
commissioned by the Hong
Kong-based Winter Band
Festival, and consists of
three movements, to be
played without a break.
‘Aurora
Borealis’ opens
with florid woodwind
figures and highlights
different sections of the
band in turn. The second
movement ‘Aurora
Australis’ leads
to a sombre chorale,
which builds to a
full-band climax. The
finale ‘Aurora
Dances’ is
characterised by
rhythmic, dance-like
themes. A central section
features a contrasting
legato melody, but
this doesn’t
dispel the energetic feel
of the opening, which
returns to close the
work.
Aurora
Dances werd
geschreven in opdracht
van het Winter Band
Festival in Hongkong. Het
werk bestaat uit drie
delen die in elkaar
overlopen. ‘Aurora
Borealis’ opent
met sierlijke motieven in
het hout en bevat korte,
herhaalde frasen waarin
de verschillende secties
afwisselend in de
schijnwerpers worden
gezet. Het melancholieke
koraal van deel twee,
‘Aurora
Australis’,
ontvouwt zich tot een
climax in het hele
orkest. Het laatste deel,
‘Aurora
Dances’ wordt
gekenmerkt door
ritmische, dansachtige
thema’s. Een
middengedeelte bevat een
contrasterende
legato melodie,
maar die gaat niet ten
koste van het energieke
gevoel van de opening,
waarmee het werk
wordtafgesloten.
Aurora
Dances wurde vom
Winter Band Festival in
Hongkong in Auftrag
gegeben und wird ohne
Pause gespielt. Aurora
Borealis“ beginnt
mit
überschwänglichen
Holzbläserfiguren und
hebt abwechselnd
verschiedene Sektionen
des Blasorchesters
hervor. Der zweite Satz,
Aurora Australis“,
führt zu einem
düsteren Choral, der
sich zu einem
Höhepunkt des
kompletten Orchesters
aufbaut. Das Finale,
Aurora Dances“,
zeichnet sich durch
rhythmische und
tänzerische Themen
aus. Ein zentraler
Abschnitt ist durch eine
kontrastierende
Legato-Melodie
geprägt, die jedoch
die energiegeladene
Stimmung des Anfangs
nicht aufhebt, welche am
Ende des Werkes
wiederkehrt
Piano SKU: BT.EMBZ20084 Urtext (1932-1939). Composed by Bela Barto...(+)
Piano
SKU:
BT.EMBZ20084
Urtext
(1932-1939). Composed
by Bela Bartok. Arranged
by Yusuke Nakahara. EMB
Music of Bela Bartok.
Educational Tool. Book
Only. Composed 2021. 112
pages. Editio Musica
Budapest #EMBZ20084.
Published by Editio
Musica Budapest
(BT.EMBZ20084).
English-Hungarian.
Bartók's
Mikrokosmos has been one
of the milestones in
pedagogical piano
repertoire for 80 years -
and yet it is also far
more than a classical
piano primer. These 153
piano pieces, organized
in ascending order of
difficulty, engage not
only with technical
aspects of piano playing
but also with the
fundamentals of
composition - from
Imitation and Inversion,
Ostinato, and Free
Variations, concerning
compositional technique,
to mood pieces and pieces
with programmatic ideas
such as Notturno,
Boating, From the Diary
of a Fly, or the famous
Six Dances in Bulgarian
Rhythm. Mikrokosmos first
appeared in 1940 in six
volumes. Based on volume
40 of the Bartók
CompleteEdition published
in 2020(Z. 15040), the
present Urtext edition
offers the series
gathered in three
volumes. This edition
includes Bartók's
preface, exercises, and
notes written for the
first edition.
Furthermore, it also
features a preface and
comments by the editor,
which not only discuss
the genesis and the
compositional sources but
also provide performers,
teachers and pupils
alike, with authentic and
detailed information
about Bartók's
notation and the specific
performing problems of
Mikrokosmos.
Brass Band - Grade 4 SKU: BT.DHP-1206265-130 Andantino. Composed b...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1206265-130
Andantino.
Composed by Sir Malcolm
Arnold. Arranged by Ray
Farr. Great Classics.
Classical. Score Only.
Composed 2020. 12 pages.
De Haske Publications
#DHP 1206265-130.
Published by De Haske
Publications
(BT.DHP-1206265-130).
English
Dances, Set I, opus
27, is a light
classic composition that
was written for orchestra
by the British composer
Malcolm Arnold in 1950.
The set contains four
dances that continue
without pause: the
individual movements are
indicated by the tempo
markings. The work came
about at the request of
Bernard de Nevers, at the
time the head of
publisher Alfred Lengnick
& Co., who asked Arnold
to write a suite of
dances as an English
counterpart to Dvo
ák’s Slavonic
Dances and
Bartók’s
Romanian Folk Dances. The
première took place in
the spring of 1951,
played by the London
Philharmonic Orchestra,
conducted by Sir Adrian
Boult. Following the
success of the first set,
DeNevers asked the
composer to write a
second one, which Arnold
completed the next year
(Op. 33). The
Andantino from the
first set has been
skilfully arranged and
orchestrated for brass
band by Ray Farr.
English
Dances, Set I, opus
27, is een licht
klassieke compositie die
in 1950 door de Britse
componist Malcolm Arnold
voor orkest geschreven
werd. De set bestaat uit
vier dansen die zonder
onderbreking in elkaar
overgaan: de
afzonderlijke delen
worden aangegeven met de
tempomarkering. Het werk
kwam tot stand op verzoek
van Bernard de Nevers,
destijds het hoofd van
uitgeverij Alfred
Lengnick & Co., die
Arnold vroeg om een reeks
dansen te schrijven als
een Engelse tegenhanger
voor de Slavische dansen
van Dvo ák en de
Roemeense volksdansen van
Bartók. De première
werd in het voorjaar van
1951 gebracht door het
London Philharmonic
Orchestra, onder leiding
van Sir Adrian Boult.Na
het succes van de eerste
set vroeg De Nevers om
een tweede, die Arnold
een jaar later voltooide
(opus 33). Het
Andantino uit de
eerste set is door Ray
Farr meesterlijk
gearrangeerd en ge
nstrumenteerd voor
brassband.
English
Dances, Set I, opus
27, ist eine leicht
Klassische Komposition,
die 1950 von dem
britischen Komponisten
Malcolm Arnold für
Orchester geschrieben
wurde. Die Reihe
enthält vier Tänze,
die ohne Unterbrechung
gespielt werden. Die
einzelnen Sätze sind
mit Tempoangaben
versehen. Das Werk
entstand auf Wunsch von
Bernard de Nevers, dem
damaligen Leiter des
Verlags Alfred Lengnick &
Co., der Arnold bat, eine
Reihe von Tänzen als
englisches Gegenstück
zu Dvo áks Slawischen
Tänzen“ und
Bartóks Rumänischen
Volkstänzen“ zu
schreiben. Die
Uraufführung fand im
Frühjahr 1951 mit dem
London Philharmonic
Orchestra unter der
Leitung von Sir Adrian
Boult statt. Nach
demErfolg der ersten
Reihe bat de Nevers den
Komponisten, eine zweite
Reihe zu schreiben, die
Arnold im darauffolgenden
Jahr fertigstellte (op.
33). Das Andantino
aus der ersten Reihe
wurde von Ray Farr
gekonnt für Brass Band
arrangiert und
orchestriert.
Composed by Claude Debussy (1862-1918). For piano. Format: piano solo book. With...(+)
Composed by Claude
Debussy (1862-1918). For
piano. Format: piano solo
book. With thematic
index. Impressionistic.
136 pages. 9x12 inches.
Published by Schirmer.
Majestic Prelude Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-0930481-030 Composed by Jacob De Haan. I...(+)
Brass Band - Grade 4
SKU:
BT.DHP-0930481-030
Composed by Jacob De
Haan. Inspiration Series.
Hymns & Chorals. Set
(Score & Parts). Composed
1993. De Haske
Publications #DHP
0930481-030. Published by
De Haske Publications
(BT.DHP-0930481-030).
A composition
of much contrast based on
a well-known psalm
melody. As its title
announces, it starts with
a majestic introduction
in which parts of the
psalm melody can be
heard. Next we hear the
complete psalm melody in
the trombones,
interrupted by passages
full of dance in the
discant. This is
continued in a lively
Allegro Molto, in which
the psalm melody emerges
in the trumpets and
cornets, again
interrupted by
rhythmically pulsing
quaver movements. The
work ends with a flashing
passage in a presto
tempo. Majestic Prelude
typically is a
composition for the start
of a concert.
High Voice and Orchestra SKU: HL.14020965 Composed by Sir Peter Maxwell D...(+)
High Voice and Orchestra
SKU: HL.14020965
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score. Composed
1999. 92 pages. Chester
Music #CH60950. Published
by Chester Music
(HL.14020965).
ISBN
9780711936959.
The
story centres on the
English princess Caroline
Mathilde (1751-1775),
sister of George III, who
at the age of 15 was sent
to Denmark to marry the
17-year-old eccentric and
schizophrenic Danish
King, Christian VII. The
ballet portrays her
unhappy marriage, the
King's growing madness
and her fatal love-affair
with Struensee, the
King's influential
physician, which leads to
their arrest, his
execution and her exile,
at the age of 20,
separated from her two
young children. This
suite begins with the
act's opening number: a
boisterous, stamping
dance to which the people
rudely mock Queen
Caroline Mathilde and her
lover Struensee. After
this comes a dark Adagio,
The Conspiracy, in which
the theme passes like
persuasion from mouth to
mouth, its variations
suggesting the different
attitudes of the
conspirators, firmly
controlled by the
brass-driven gestures of
the Queen Dowager. The
conspiracy then works
itself out at a court
masked ball, from which
the suite includes two
dances: a gavotte, and a
slow, lubricious
passacaglia that is a pas
de deux for Caroline
Mathilde and Struensee.
The Arrest comes with a
gathering rush of music
that envelops the King,
the Queen and Struensee,
leading to a vociferous
climax in which they are
held apart. In The
Execution, slow white
music for wordless female
voices, harp and low
strings is interrupted by
pathetic, alienated
outbursts from the King.
The suite ends, as does
the ballet, with a quiet
adagio lament for
clarinets and alto flute
as the Queen goes into
exile. Score. Duration c.
33mins.
Chamber Music Piano, soprano Saxophone SKU: PR.164002950 Fantasy after...(+)
Chamber Music Piano,
soprano Saxophone
SKU:
PR.164002950
Fantasy after
Mendelssohn. Composed
by Dan Welcher. Sws. Set
of Score and Parts. 20+8
pages. Duration 10
minutes. Theodore Presser
Company #164-00295.
Published by Theodore
Presser Company
(PR.164002950).
ISBN
9781491114568. UPC:
680160633449. 9 x 12
inches.
Dan
Welcher’s
fascinating work for
soprano sax is both a
refraction of
Mendelssohn’s
music for A Midsummer
Night’s Dream, and
his own incidental music
to Shakespeare’s
comedy. The work’s
title, AS LIGHT AS BIRD
FROM BRIER, quotes from
Oberon (King of the
Fairies) invoking revelry
at the play’s
climactic wedding scene.
Welcher’s fantasy
skips among the most
beloved themes of
Mendelssohn’s
Midsummer – giving
the saxophonist quite a
workout, and the listener
a midsummer
delight. AS LIGHT AS
BIRD FROM BRIER is
loosely based on
Shakespeare’s play
A Midsummer
Night’s Dream,
which has haunted me
since I was nine years
old. My parents
subscribed me to The
Children’s Record
Guild, and every month a
new 78rpm vinyl record
would arrive in the mail.
They were mostly fairy
tales and “kids
lit,†but in this
case it was a very
condensed performance of
the actual play, with
Mendelssohn’s
music. I loved it
immediately, and still do
– I saw a
performance in 2014 at
the Stratford Festival
that literally stalks my
dreams.When I was
commissioned by
saxophonist Stephen Page
to compose a work for
soprano saxophone and
piano two years later, I
channeled Mendelssohn as
an inspiration:
specifically, the
Overture, the Scherzo,
the Intermezzo, the
fairy’s song
“You spotted snakes
with double
tongue,†and the
Rustics’ Dance.
But it’s not a
pastiche – most of
the music is completely
my own, though attentive
listeners will detect
snatches of
Mendelssohn’s
haunting score
throughout.This piece
joins MILL SONGS and
FLORESTAN’S FALCON
among works honoring my
favorite 19th-century
composers (in those
cases, Schubert and
Schumann) without ripping
them off. As Stravinsky
did in his ballet
Pulcinella, I have
borrowed fragments of
melody from a much-loved
composer, and made a
fabric of harmonies and
scales that are
genetically related to
Mendelssohn, but
unmistakably Welcher.In
this work, the
saxophonist is Puck
– skittish,
dazzlingly fast, and
brilliant in the outer
parts, and a mischievous
Cupid in the long,
central Love Song.
(Remember how Puck
anoints Titania’s
eyes with the juice from
a magic flower, which
causes her to fall in
love with Bottom the
weaver, who has been
bewitched and wears a
donkey’s head?)
The music traces
Puck’s magic
flight, the finding of
the flower,
Titania’s
love-scene with Bottom
and her fairies, and the
rustic players –
whose rehearsal of the
funniest
play-within-the-play in
literature is interrupted
by Puck’s dirty
tricks.I greatly enjoyed
the process of writing
this piece, and often
found myself quite moved
even as I was writing
it... which rarely
happens. Stephen Page,
who commissioned the
work, is a consummate
artist (and a bit of a
Puck himself). The title
comes from
Oberon’s final
speech in the
play:Through the house,
give glimmering light,By
the dead and drowsy
fire.Every elf and fairy
spriteHop as light as
bird from brier,And this
ditty, after me,Sing, and
dance it trippingly.
Composed by
Michael J. Miller.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+2+4+2+8+16+16+4+4+4+4+4
+4+8+8+8+4+4+6+6+6+8+6+2+
2+4+10+36+4 pages.
Duration 3 minutes, 3
seconds. Carl Fischer
Music #CPS216. Published
by Carl Fischer Music
(CF.CPS216).
ISBN
9781491152423. UPC:
680160909926.
Cosmi
c Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. This
fanfare composition would
be perfect for opening a
concert. It has bold
brass fanfare figures
over textural woodwinds
to start and
then takes the
listener on a sonic
journey through a
variation of harmonic
colors, tambural and
textural
shifts. Cosmic
Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. The first, a
rather celebratory and
triumphant fanfare in Bb
major begins with the
upper woodwinds and
percussion creating a
sound-screen, that is a
busy texture consisting
of a flurry of repeated
notes over which the
horns and alto saxophones
present the opening
theme. The sound-screen
should be carefully
balanced and give way to
the melody at m. 5, which
should be played
extremely marcato. The
timpani solo beginning in
m. 11 must not be
understated. A brief
percussion interlude
separates a restatement
of the opening theme,
this time with the
addition of the trumpet,
tenor saxophone, and
euphonium, and a counter
melody by the low winds.
The percussion interlude
is playful, light, but
full of vigor and energy.
An Ab in the low winds
pulls the harmony towards
G minor in m. 40 to start
the second section, a
more serious fanfare.
Here, the marimba repeats
an ostinato that is
complemented by the bass
drum and woodblock. The
upper woodwinds with the
xylophone and snare drum
dance over the stern
secondary fanfare. A
longing call lead by the
trombones, interrupted by
a subtle snare drum
beckons to the clarinets
and horn who begin the
third section of the
piece at m. 68. This
haunting melody in C
minor is legato, and
starkly contrasts all
which came before it. A
relentless concert
tom-tom played with hard
mallets keeps the
momentum persistent, and
a heartbeat-like pulse is
felt from the tuba and
baritone saxophone. The
melody rises towards m.
84 when the brass harken
back to the fanfare style
before fading back into
another lush woodwind
strain.A recapitulation
of the low winds’
call is heard at m. 100
which in this occasion
intensifies into an
emphatic statement by the
battery percussion
instruments. Now in Eb
major, the opening
fanfare theme is heard
again once more before
fading into the beginning
of the piece’s
conclusion.To end, the
counter melody from the
opening section duels
with chromatic tension
above before swelling to
an arrival in the
original key of Bb major.
The full ensemble
celebrates the
piece’s
resolution, and after a
few crunchy power chords
the journey is
completed.
Piano SKU: ST.Y288 Composed by Rhian Samuel. Piano & keyboard music. Scor...(+)
Piano
SKU: ST.Y288
Composed by Rhian Samuel.
Piano & keyboard music.
Score. Stainer & Bell
Ltd. #Y288. Published by
Stainer & Bell Ltd.
(ST.Y288).
ISBN
9790220223204.
1.
Mechanical Study I 2.
In the Air 3.
Mechanical Study II
4. Falling Star 5.
Mechanical Study III
The three
'mechanical' studies of
this set of five all
employ a clear structural
technique based on
regularity. The first
presents a stream of fast
semiquavers in duple
metre which constantly
interplays with short
motivic figures; the
second offers a 14-bar
ostinato (melody) that
begins at the top of the
keyboard and gradually
descends to the bottom;
around this ostinato a
sustained counter-melody
weaves. The third
presents a igorous,
stomping 9/8 dance rhythm
which interacts with
lengthening patterns in
the second voice. The two
'fantastical' studies
which intersperse the
'mechanical' contrast
greatly with them: much
freer in expression,
tempo and rhythm, they
evoke the outdoors and
the calming presence of
nature. The first moves
like wafts of the breeze;
the second, more complex,
is the heart of the work.
Its deep contemplations
are several times
interrupted by a modest
refrain, drawing it back
in the 'real world' -
that of the three
'mechanical' studies
which surround it. This
refrain is also a
mediator, its last
appearance as gentle as
the breeze evoked in the
second study.
Orchestral Score. Composed by Alan Menken. This edition: Paperback/Softcover...(+)
Orchestral Score.
Composed by
Alan Menken. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
2010. Omni Music
Publishing
#OMNI 50796. Published by
Omni
Music Publishing
Trumpet & Organ SKU: SU.80101343 For Trumpet & Organ. Composed by ...(+)
Trumpet & Organ
SKU:
SU.80101343
For
Trumpet & Organ.
Composed by Carson
Cooman. Brass, Trumpet,
Keyboard, Organ. Score &
Parts. Zimbel Press
#80101343. Published by
Zimbel Press
(SU.80101343).
Solstice Sonata
(2013) for trumpet and
organ was commissioned by
the American Guild of
Organists for its 2014
Biennial National
Convention in Boston,
Massachusetts. It was
premiered on June 24,
2014 at the Memorial
Church, Harvard
University, by trumpeter
Chris Gekker and organist
Christian Lane. At the
solstice (summer in the
Northern Hemisphere and
winter in the Southern),
the sun is directly
aligned with the tropical
latitude lines, and the
longest day of the year
occurs (marking the start
of summer). This sonata
is music of celebration
and contemplation, taking
the inspiration of the
longest day as a starting
place for both meditation
both thoughtful and
joyous. Take Flight soars
and leaps with
vigor-perhaps the image
of a hang-glider's
journey over a dramatic
landscape under the late
evening sun. The Dream of
Peace is lyrical and
passionate; it is perhaps
night music of reflection
and intensity.
Glittering, Aglow begins
with quiet, mystical
music: a gradual
awakening. A vibrant,
syncopated dance breaks
out, is interrupted by
the quiet music again,
and returns to push
forward to a vibrant
conclusion. The new
season has
begun.Instrumentation:
Trumpet and Organ.
Composed: 2013 Published
by: Zimbel Press.
Sleigh Ride 2 Pianos, 4 mains - Avancé Alfred Publishing
(A Holiday Excursion for Two Pianos). Composed by Leroy Anderson (1908-1975). Ar...(+)
(A Holiday Excursion for
Two Pianos). Composed by
Leroy Anderson
(1908-1975). Arranged by
Greg Anderson. For Piano.
This edition: 2 copies
required. Book; Duet or
Duo; Piano Duo (2 Pianos,
4 Hands). Anderson and
Roe Duos and Duets.
Christmas; Holiday Pops;
Light Concert; Recital;
Secular; Standard;
Winter. Advanced. 16
pages. Published by
Alfred Music
November Evening by Christopher Norton. Marimba Solo - Unaccompanied. For marimb...(+)
November Evening by
Christopher Norton.
Marimba Solo -
Unaccompanied. For
marimba solo (marimba
(low F)). Level 5. Book.
Duration 8 minutes, 15
seconds. Published by
Innovative Percussion
Danse Macabre Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
(Symphonic Poem). By Camille Saint-Saens (1835-1921). Arranged by Gerhart Drijve...(+)
(Symphonic Poem). By
Camille Saint-Saens
(1835-1921). Arranged by
Gerhart Drijvers. For
Concert Band and optional
solo Violin. Grade 5.
Score. Duration 7:00.
Published by Baton Music
SATB Choir and congregation with organ - Medium/Difficult SKU: PL.PPMO-1914M<...(+)
SATB Choir and
congregation with organ -
Medium/Difficult
SKU:
PL.PPMO-1914M
Composed by Bruce
Neswick. Paraclete Press
#PPMO 1914M. Published by
Paraclete Press
(PL.PPMO-1914M).
This expanded
setting of the famous
canticle features a
majestic theme (sung by
congregation) which
develops into a gracious
dance. The opening theme
then returns, briefly
interrupted by chant
before an exciting
conclusion.
Composed
by Michael J. Miller.
Concert Band (CPS). Full
score. With Standard
notation. 36 pages. Carl
Fischer Music #CPS216F.
Published by Carl Fischer
Music (CF.CPS216F).
ISBN 9781491153109.
UPC:
680160910601.
Cosmi
c Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. This
fanfare composition would
be perfect for opening a
concert. It has bold
brass fanfare figures
over textural woodwinds
to start and
then takes the
listener on a sonic
journey through a
variation of harmonic
colors, tambural and
textural
shifts. Cosmic
Expedition takes
performers on a musical
journey far across the
galaxy via three main
sections. The first, a
rather celebratory and
triumphant fanfare in Bb
major begins with the
upper woodwinds and
percussion creating a
sound-screen, that is a
busy texture consisting
of a flurry of repeated
notes over which the
horns and alto saxophones
present the opening
theme. The sound-screen
should be carefully
balanced and give way to
the melody at m. 5, which
should be played
extremely marcato. The
timpani solo beginning in
m. 11 must not be
understated. A brief
percussion interlude
separates a restatement
of the opening theme,
this time with the
addition of the trumpet,
tenor saxophone, and
euphonium, and a counter
melody by the low winds.
The percussion interlude
is playful, light, but
full of vigor and energy.
An Ab in the low winds
pulls the harmony towards
G minor in m. 40 to start
the second section, a
more serious fanfare.
Here, the marimba repeats
an ostinato that is
complemented by the bass
drum and woodblock. The
upper woodwinds with the
xylophone and snare drum
dance over the stern
secondary fanfare. A
longing call lead by the
trombones, interrupted by
a subtle snare drum
beckons to the clarinets
and horn who begin the
third section of the
piece at m. 68. This
haunting melody in C
minor is legato, and
starkly contrasts all
which came before it. A
relentless concert
tom-tom played with hard
mallets keeps the
momentum persistent, and
a heartbeat-like pulse is
felt from the tuba and
baritone saxophone. The
melody rises towards m.
84 when the brass harken
back to the fanfare style
before fading back into
another lush woodwind
strain.A recapitulation
of the low winds’
call is heard at m. 100
which in this occasion
intensifies into an
emphatic statement by the
battery percussion
instruments. Now in Eb
major, the opening
fanfare theme is heard
again once more before
fading into the beginning
of the piece’s
conclusion.To end, the
counter melody from the
opening section duels
with chromatic tension
above before swelling to
an arrival in the
original key of Bb major.
The full ensemble
celebrates the
piece’s
resolution, and after a
few crunchy power chords
the journey is
completed.