Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fate in Greek-Roman mythology and sang on themes of curse and fate. The Parzenlied in Goethe?s verse drama ?Iphigenie auf Tauris? is concerned with these themes and became the model for Johannes Brahms?s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling eruptive sounds the fight to overcome the mythical curse through the purity of truthful noble actions and the power of hope.With a duration of around 12 minutes the work can be combined with Brahms?s ?German Requiem? in concert. / Date parution : 2023-03-11/ Répertoire / SAATBB et Orchestre

Clarinet and String Ensemble. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Quintette, Quatuor - Instrumentation :Clarinette et Quatuor à Cordes : 1 Clarinette 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 1 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann Sebastian BACH - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Clarinette et Quatuor à Cordes

Trumpet and String Quartet. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Quintette, Quatuor - Instrumentation :Trompette et Quatuor à Cordes : 1 Trompette 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 1 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann Sebastian BACH - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Trompette et Quatuor à Cordes

String Ensemble and Piano. Par PACHELBEL JOHANN. Formation : Musique de Chambre, Quatuor, Quintette - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle 1 Piano (optionnel) - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 1 mn 40 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann PACHELBEL - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Quatuor de Cordes

Oboe and String Ensemble. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Quintette, Quatuor - Instrumentation :Hautbois et Quatuor à Cordes : 1 Hautbois 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 3 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann Sebastian BACH - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Hautbois et Quatuor à Cordes

Trumpet and Clarinet Quartet. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Quintette, Quatuor - Instrumentation :Trompette et Quatuor de Clarinettes : 1 Trompette 3 Clarinettes Sib 1 Clarinette Basse - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 1 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann Sebastian BACH - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Trompette et Quatuor à Cordes

String Ensemble and Piano. Par PACHELBEL JOHANN. Formation : Musique de Chambre, Quatuor, Quintette - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle 1 Piano (optionnel) - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 4 mn 05 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann PACHELBEL - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Quatuor de Cordes

Trumpet and String Quartet. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Quintette, Quatuor - Instrumentation :Trompette et Quatuor à Cordes : 1 Trompette 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 3 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann Sebastian BACH - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Trompette et Quatuor à Cordes

Clarinet and String Ensemble. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Quintette, Quatuor - Instrumentation :Clarinette et Quatuor à Cordes : 1 Clarinette 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 3 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann Sebastian BACH - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / Clarinette et Quatuor à Cordes

for wind orchestra-No European Parts. Par DE MEIJ JOHAN. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band

for two Violins, Strings and Basso continuo. Par BACH JOHANN SEBASTIAN. In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition. The present expanded new publication goes a step further in that it offers not only the two solo Violin parts as presented in the New Bach Edition, but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze. Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held, fingerings, bowing, shifting, the use of open strings and much much more. Full score & parts (BA5188), 2 Violins and Pianoreduction (BA5188-90) and study score (TP284) available for sale./ Répertoire / 2 Violons, Instruments à Cordes et Basse Continue

Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach ’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “Violino concertato” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche

Orchester-Suite. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach ’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche

for Strings Score and Parts. Par BACH JOHANN SEBASTIAN. Sinfonia No. 15 by Johann Sebastian Bach, originally for piano solo, is now available for string orchestras because of Shirl Jae Atwell\'s musical arrangement. Sinfonia No. 15 arranged in the original key of B minor, with an altered time signature from 9/16 to 9/8, is much more friendly for student musicians. Bach\'s Sinfonia No. 15, arranged by Atwell, is a great addition to string orchestra programs through dance-like eighth notes and flashy sixteenth-note arpeggiated sections creating an exciting Baroque experience. Teachers will love exploring the key of B minor, arpeggios galore for all instruments, bow distribution with 1/16ths as well as sustained notes, and the overall Baroque style found in this string orchestra arrangement by Atwell. Sinfonia No. 15 treats orchestras and audiences to the allure of the Baroque Era. / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes

Tonalité : D-Moll - Horn, Paul (Arr.) -. Par NAUMANN JOHANN GOTTLIEB. Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish “national opera, ” Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,