Composed by Georg Philipp Telemann (1681-1767). Edited by Jochen Reutter. Fo...(+)
Composed by Georg Philipp
Telemann (1681-1767).
Edited
by Jochen Reutter. For 2
Flutes (Or Violins).
Study
score. Op.2. 58 pages.
Published by Wiener
Urtext/Vienna Urtext
From 44 Duos for Two Violins. Composed by Bela Bartok (1881-1945). Boosey and ...(+)
From 44 Duos for Two
Violins.
Composed by Bela Bartok
(1881-1945). Boosey and
Hawkes
Chamber Music. Classical.
Softcover. Boosey and
Hawkes
#UE38018. Published by
Boosey
and Hawkes
Mixed Trios. By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Flute or Oboe
or Violin. Trios. Music
for Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part 1. Published by Last
Resort Music Publishing.
(Wedding and Classical Favorites). Composed by Various. Arranged by Daniel Kelle...(+)
(Wedding and Classical
Favorites). Composed by
Various. Arranged by
Daniel Kelley. For
Flute/Oboe/Violin and
Cello/Bassoon. Duets.
Music for Two series. A
tremendous new collection
for any occasion
including the best of
Beethoven, Handel,
Mendelssohn, Mozart,
Borodin, Vivaldi, Corelli
and more! This versatile
series is designed to be
played by two different
instruments!. Wedding,
Classical.
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing
Dramma per musica in tre atti. By Georg Friedrich Handel. Edited by Jones, Andre...(+)
Dramma per musica in tre
atti. By Georg Friedrich
Handel. Edited by Jones,
Andrew V. Arranged by Rot
Michael. For Recorder 1,
Recorder 2, Flute, Oboe
1, Oboe 2, Horn 1, Horn
2, Violin 1, Violin 2,
Violin 3, Viola,
Violoncello, Contrabass,
Bassoon, Lute,
Harpsichord. Piano
Reduction/Vocal Score;
Urtext Edition
(paperbound). HWV 19.
Published by
Baerenreiter-Ausgaben
(German import).
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/12. Published by
Carus Verlag
(CA.3116412).
ISBN
9790007209032. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411).
ISBN
9790007209025. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
2 clarinets in Bb SKU: HL.49044553 9 Duets. Composed by Barbara He...(+)
2 clarinets in Bb
SKU:
HL.49044553
9
Duets. Composed by
Barbara Heller. Edited by
Irith Gabriely. This
edition: Saddle
stitching. Sheet music.
Woodwind Ensemble.
Softcover. Composed 2013.
44 pages. Schott Music
#KLB92. Published by
Schott Music
(HL.49044553).
ISBN
9790001197731.
The
clarinettist Irith
Gabriely was inspired by
her love of Barbara
Heller's Dialogues (for
violin and viola) to
arrange these duets for
two Bb clarinets. The
result is a set of varied
concertante dialogues
that present
clarinettists with a few
challenges, requiring
stamina, breath control,
intense and contrasting
dynamics, chromatic
passages, whole tone
passages, sensitive tone
production, leaps across
wide intervals, fast
playing, disciplined
rhythmic control and
listening to one another
closely. In this edition
all tempo indications and
dynamic markings are
intended for guidance:
these duets may equally
well be interpreted in
other ways. This edition
therefore also includes a
second section where all
the pieces are reproduced
without such markings,
ready for individual
interpretation. The
Dialogues lend themselves
very well to chamber
performances; they are
also short enough to
serve as brief
interludesat readings or
exhibitions. Their
expressive qualities,
brevity and range of
musical and technical
demands make them highly
suitable material for
youth music competitions.
A flute or oboe might
well be played with the
clarinet as alternative
instrumentation for these
duets (ED 22017).
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun.
Single Part, basso
continuo. Composed 1725.
BWV 164. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/14. Published by
Carus Verlag
(CA.3116414).
ISBN
9790007209056. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1725. BWV
164. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.164/13. Published by
Carus Verlag
(CA.3116413).
ISBN
9790007209049. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Double Concerto Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3551-01 Composed by Antonio Vivaldi. Arranged by Glov...(+)
Grade 3
SKU:
CL.012-3551-01
Composed by Antonio
Vivaldi. Arranged by
Glover. Concert Band.
Spotlight Series. Audio
recording available
separately (items
CL.WFR340 & CL.WFR354).
Extra full score.
Composed 2006. Duration 3
minutes, 6 seconds. Opus
III Wind Orchestra
Publications
#012-3551-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3551-01).
This famous
Allegro movement from a
Vivaldi concerto for two
trumpets is presented
here in an arrangement
loaded with flexibility
as to choice of soloists
and even the accompanying
ensemble. May be
performed as a solo or as
a duet, and it includes
solo/duet parts for Bb
instruments: Trumpets or
Clarinets; C Instruments:
Flutes, Oboes, or
Violins; Eb Instruments:
Alto Saxophones; F
Instruments: Horns; and
Bass Clef instruments:
Bassoons or Trombones.
The accompaniment is
cleverly scored so that
it is playable by a full,
traditional concert band;
or by a chamber wind
ensemble of woodwinds,
horns, and timpani (ideal
for accompanying upper
woodwind soloists.) A
great way to feature
outstanding soloists from
your band!
About C.L.
Barnhouse Spotlight
Series
The
Barnhouse Spotlight
series includes
publications for solo
instruments with concert
band accompaniment. These
publications are designed
to feature outstanding
members of your band as
soloist, and to provide
unique and entertaining
programming options. Solo
parts are graded more
difficult than the band
accompaniments
Santa's Little Helper for Bass (with CD) arranged by Denise Gendron. For bass. T...(+)
Santa's Little Helper for
Bass (with CD) arranged
by Denise Gendron. For
bass. This edition:
Paperback. Collection.
Christmas. Book with CD.
Text Language: English.
32 pages. Published by
Santorella Publications
By Geron Davis. Arranged by Mike Speck. For SATB choir with vocal solo and duet ...(+)
By Geron Davis. Arranged
by Mike Speck. For SATB
choir with vocal solo and
duet (flute, oboe, F horn
1and2/3, trumpet 1/2and3,
trombone 1and2/3and4,
percussion, rhythm, harp,
violin 1, violin 2,
viola, cello/bassoon,
string bass). Christmas.
Moderate. Orchestration
on CD-ROM. Published by
Lillenas Publishing
Company
Opera Odyssey Quatuor à cordes: 2 violons, alto, violoncelle [Set de Parties séparées] - Avancé Last Resort Music Publishing
(26 Arrangements of Opera Favorites). By Various. Arranged by Joel Lish. For Str...(+)
(26 Arrangements of Opera
Favorites). By Various.
Arranged by Joel Lish.
For String Quartet.
Quartets. Advanced. Set
of 4 parts. Published by
Middle Fiddle Music
Piano - intermediate/advanced SKU: JK.01976 Composed by Various. Arranged...(+)
Piano -
intermediate/advanced
SKU: JK.01976
Composed by Various.
Arranged by Sarah Brough
Blomquist. Christian,
Contemporary Christian,
Gospel, Inspirational.
Jackman Music Corporation
#01976. Published by
Jackman Music Corporation
(JK.01976).
UPC:
093285019768.
Intro
ducing Path to Serenity,
the advanced sacred
instrumental series for C
instruments. This series
of C instrument solo
books is the answer to
many inquiries for
advanced sacred solo
repertoire from a variety
of instrumentalists.
These elegant
arrangements were
composed to enfold the
souls of all listeners in
the messages of hope and
healing found in the
hymns. This series will
accommodate the oboe,
flute, violin, cello,
bassoon, and many other
instruments. Appropriate
settings include sacred
occasions such as
funerals, sacrament
meetings, and firesides,
as well as recitals and
concerts.
The
series includes three
books (SOLD
SEPARATELY): Piano
Accompaniment Book -
#01976 C Instrument -
Treble Clef - #01977 C
Instrument - Bass Clef -
#01978
Arr
angements found in this
book: Be Still, My
Soul Come, Thou Fount
of Every Blessing
(Treble/Bass Duet - use
all three books) Where
Can I Turn for
Peace? If You Could
Hie to Kolob I Need
Thee Every Hour More
Holiness Give
Me Jesus, the Very
Thought of
Thee Amazing
Grace Our Savior's
Love Composer:
Various Arranger:
Sarah Brough
Blomquist Difficulty:
Late-Intermediate/Advance
d.