St. Mark Passion. Par DE HAAN JACOB. Contrairement à la plupart des passions avec choeur, solistes et orchestre, cette version de la Passion selon Saint-Marc a été conçue pour orchestre, narrateur, mezzo soprano et baryton (ou alto). Les paroles de l’Evangile selon Marc ont été entièrement utilisées, ce qui rend cette passion si unique. Si vous le souhaitez, les paroles de l’évangéliste peuvent être récitées dans toutes les langues afin de rendre l’oeuvre plus accessible au public. Les parties chantées doivent toujours être interprétées en allemand en raison de la rythmique. Cette oeuvre est très particulière dans tous les sens du terme et est une expérience extraordinaire pour votre public ! / Niveau : 3 / Musique religieuse / Date parution : 1905-07-10/ Répertoire / Concert Band ou Harmonie et Récitant, Mezzo-Sopran

Par GERSHWIN GEORGE / TAYLOR MARK (Arr.). This clever tune by George Gershwin has long been a favorite with jazz musicians. Mark\'s upbeat swing setting is a true showcase for the entire ensemble, with inventive tutti ensemble passages interspersed with brief solos for trumpet, tenor sax, trombone, and alto sax. The Little Big Band Series features arrangements that are: Scored for 6 horns (3 saxes, 2 trumpets, trombone) plus rhythm section; Include additional optional parts for alto, tenor and trombone; Perfect for smaller programs, or additional ensemble opportunities./ Répertoire / Big Band

Par TURNAGE MARK-ANTHONY. This work was composed in 2017–18 and first performed on 20 September 2019 at Milton Court, Barbican, London, by Allan Clayton (tenor) with the Britten Sinfonia, conducted by Andrew Gourlay. This 22 minute work comprises of five movements and contains texts by Emily Dickinson, Benjamin Zephaniah, W.H. Auden, and Brian Bilston. It was commissioned by Britten Sinfonia and supported by the generosity and vision of donors to Britten Sinfonia’s Musically Gifted campaign. This orchestral song cycle is set to four poems, displaying elements of jazz, soul and gospel. Suitable for advanced standard performers. / Date parution : 2022-10-12/ Répertoire / Ténor et Orchestre de Chambre

Recorded by many artists (including James Taylor) Mark's version for vocal soloist is written in a medium swing style with a moderate vocal range, and features well-written background figures.
/ Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in italiano e inglese). Par GABRIELI ANDREA. Vol. 10 of the Complete Works, articulated in two parts, contains the music found exclusively in manuscript and printed anthologies compiled prior to the great sixteenth-century Venetian composer?s death in 1585. Broadly speaking, Gabrieli?s contributions to collective anthologies fall into the following categories: 1) celebratory compositions, in several cases conceived as individual contributions to madrigal cycles by various composers in honour of more or less prominent Venetian or other personalities; 2) compositions originating in social and cultural circles close to Gabrieli; products of the composer?s habitual interaction with patrons, poets and musicians in mid sixteenth-century Venice, these compositions are published in anthologies containing similar works by other composers in Gabrieli?s milieu; 3) individual madrigals inserted in generic multi-author anthologies. Vol. 10/I features eight compositions on texts in Latin, Italian and ?stradioto? dialect (a linguistic concoction in which words of Greek origin appear against a background of simulated Venetian dialect). These include Gabrieli?s contribution to a Corona of nine sonnets by various composers on the death of Annibale Caro, the celebrated man-of-letters whose production comprises a highly successful Italian translation of Virgil?s Aeneid. The entire Corona is edited in the Complete Works. Gabrieli?s presence in multi-author anthologies follows a predictable pattern. The young composer?s earliest madrigals appear in editions of music by well-established authors (Vincenzo Ruffo, Cipriano de Rore) or collective anthologies edited by enterprising local musicians or other cultural figures (Giulio Bonagiunta, a singer at St Mark?s; the Venetian poet, actor and musician Antonio Molino). These give way to anthologies of music by highly celebrated composers, to which Gabrieli, his reputation now secure, accedes by invitation; and, beginning in 1583, non-Italian publications (increasingly common in the years following the composer?s death). / Date parution : 2022-04-26/ Recueil / Orchestre

Arr. Paul Murtha. Par JAMES MARK. / TV, Film, Comédie musicale / Répertoire / Jazz Ensemble

Hawkes Pocket Scores HPS 1384. Par TURNAGE MARK-ANTHONY. Détails de la formation instrumentale: Cor Anglais, Clarinet in Bb, Horn in F, Piano, Harp, Violin, Violoncello, Double Bass - Durée: 10' - Format: ETP small/ Répertoire / Alto et Ensemble Instrumental

Hawkes Pocket Scores HPS 1434. Par TURNAGE MARK-ANTHONY. Détails de la formation instrumentale: 2 Flutes, 2 Cors Anglais, 2 Bass Clarinets, 2 Tenor Trombones, Percussion, Harp, Harpsichord, Strings (min. 8·8·6·6·4) - Durée: 10' - Format: New Edition portrait/ Répertoire / Saxophone et Orchestre de Chambre

Hawkes Pocket Scores HPS 1398. Par TURNAGE MARK-ANTHONY. Détails de la formation instrumentale: 1.0.2.ssax.2b Clarinette o - 1.1.1.0 - perc.: dr - Pianot - b Guitare - Durée: 10' - Format: 18,5 x 26/ Répertoire / 11 Acteurs

Arr. Naohiro Iwai_Klaas Van Der Woude. Par ANDERSON LEROY. Selon le journaliste Mark Azzara, nombreux sont ceux qui considèrent Leroy Anderson (1908-1975) comme « l’un des quatre meilleurs compositeurs de musique instrumentale du XXe siècle avec George Gershwin, Aaron Copland et Charles Ives ». Les nombreuses mélodies nostalgiques qu’il a composées ( Sleigh Ride, Blue Tango, etc. ) sont solidement ancrées dans les traditions de la culture musicale américaine. En 1949, Leroy Anderson compose le très aérien Trumpeter’s Lullaby (“Berceuse pour un trompettiste”) à la demande de Roger Voisin qui fut alors trompette solo du Boston Pops Orchestra. / Niveau : 5 / Musique légère originale / Répertoire / 3 Cornets et Brass Band

from The Wild Swans Suite. Par KATS-CHERNIN ELENA. Eliza’s Aria is a classical aria from the ballet Wild Swans, composed by Uzbekistan composer Elena Kats-Chernin. The piece was first recorded by soprano Jane Sheldon and the Tasmanian Symphony Orchestra, and released on the ABC Classics label. This recording was subsequently used in the 2007 Lloyds TSB “For the Journey” television and cinema advertisements and also received extensive radio airplay in December 2007. It was also used as the basis for “The Journey Continues” a dance track by DJ Mark Brown, featuring Sarah Cracknell of Saint Etienne, which was released in February 2008. / Niveau : 3 / Pièce de concert / Date parution : 1905-07-01/ Répertoire / Concert Band ou Harmonie

(The Trumpet Voluntary). Par CLARKE JEREMIAH. Jeremiah Clarke (vers 1674-1707) fait partie de la génération de compositeurs anglais succédant à celle d’Henry Purcell. On sait très peu de choses sur ses débuts musicaux. En 1685, il entre en tant que choriste à la chapelle royale d’Angleterre, un ensemble de musiciens liturgiques au service de la cour. À partir de 1692, il est organiste à Winchester College avant de retourner à Londres où il est nommé chef des choeurs de la Cathédrale Saint-Paul. The Prince of Denmark’s March (“La Marche du Prince du Danemark”) est sans aucun doute la plus connue des oeuvres de Clarke. Composée à l’origine pour clavecin, elle est incluse plus tard par Clarke dans unrecueil de pièces pour instruments à vent. / Niveau : 1.5 / Répertoire / Concert Band ou Harmonie