Flute Solo with Piano. Composed by Paul Taffanel (1844-1908). Arranged by James Galway. Southern Music. Softcover. 24 pages. Lauren Keiser Music Publishing #SU795. Published by Lauren Keiser Music Publishing

Flute

SKU: HL.48183014

Composed by Paul Taffanel. Leduc. Classical. Softcover. 110 pages. Alphonse Leduc #AL24889. Published by Alphonse Leduc (HL.48183014).

UPC: 888680905132. 9.0x12.0x0.315 inches.

“From two of the most prolific flautists of all time, Claude-Paul Taffanel and Philippe Gaubert's Méthode Complète de Flûte provides an essential and well-informed aid to Flute studies. With notes in French, English, German and Spanish, this volume is highly accessible and versatile. The first volume of Méthode Complète de Flûte addresses a huge number of musical elements, including tone, articulation, syncopation, key signatures, scales, breath control, ornaments and tonguing, among many other aspects. Having been outstanding performers on the Flute, as well as providing significant contributions to teaching of the instrument, the pair saw the need for their detailed Méthode Complète de Flûte, compiling it with their combined, invaluable expertise. Considering that two great names are associated, and that the compilation is packed full of technical exercises, this study book makes for an irresistable purchase for aspiring flautists.”.

(Flute and Piano). Composed by Paul Taffanel (1844-1908). Edited by Stefan Albrecht. For Flute, Piano Accompaniment. Schott. Softcover. 20 pages. Schott Music #FTR218. Published by Schott Music

By Paul Taffanel, Carl Maria Von Weber. Edited by Emmanuel Pahud. Arranged by Yoel Gamzou. For flute, piano. The Flute Collection - Emmanuel Pahud Presents. Duration 12 minutes. Published by Universal Edition

By Paul Taffanel. For Flute, Oboe, Clarinet, Horn and Bassoon. Woodwind - Mixed Woodwind Quintet. Masterwork. 60 pages. Published by Alfred Publishing.

By Paul Taffanel (1844-1908). For Flute. Masterworks; Solo; Woodwind - Flute Solo. Kalmus Edition. Masterwork; Romantic. Part(s). 16 pages. Published by Alfred Music Publishing

Composed by Paul Taffanel (1844-1908). Leduc. Classical. Softcover. 126 pages. Alphonse Leduc #AL24890. Published by Alphonse Leduc

(Flute). By Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941). Edited by Stefan Albrecht. For Flute. Schott. Softcover. 36 pages. Schott Music #ED21079. Published by Schott Music

[17 Big Daily Finger Exercises for the Flute]. Composed by Paul Taffanel; Philippe Gaubert. Leduc. Etude, Spanish Edition, German Edition, Instruction, French Edition. Softcover. 64 pages. Alphonse Leduc #AL17204. Published by Alphonse Leduc

The complete 17 Grands Exercices Journaliers with Practice Strategies and Expanded Exercises. Composed by Philippe Gaubert Paul Taffanel. Edited by Jasmine Choi. Theodore Presser Company #414-41239. Published by Theodore Presser Company

Pour Flute Et Piano. Composed by Paul Taffanel (1844-1908). Edited by Philippe Bernold. The French Flutists Propose (collection Philippe Bernold). Score and part(s). With Standard notation. Opus 24. 4 2 pages. Duration 3 minutes. Gerard Billaudot Editeur #524-07545. Published by Gerard Billaudot Editeur (PR.524075450).

Flute

SKU: HL.48180197

[Complete Flute Method]. Composed by Paul Taffanel and Philippe Gaubert. Leduc. Classical. Softcover. 242 pages. Alphonse Leduc #AL16588. Published by Alphonse Leduc (HL.48180197).

UPC: 888680906016. 9.5x12.0x0.9 inches.

Considered as the practical guide for flute, Complete Flute Method was co-written by Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941). Published in 1923, this method is strongly progressive: helping the beginner from the very start, it should develop and help them to master the necessary theory, technique and tone of this instrument. The 227 pages all contain descriptions and comments written in French, English, German and Spanish, which stand out by their precision and detail. Recognised worldwide thanks to Marcel Moyse, Emmanuel Pahud and Pierre-Yves Arthaud among others, Complete Flute Method demonstrates and confirms the quality and professionalism of these French flautists and their methods. Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941) are both professional flautists who collaborated on different projects together, including this method and the 17 Grands Exercices Journaliers de Mécanisme.

Composed by Jules Massenet (1842-1912). Leduc. Classical. Softcover. 8 pages. Heugel and Cie #HE9626. Published by Heugel and Cie

Flute

SKU: HL.48180856

Composed by Wolfgang Amadeus Mozart. Leduc. Classical. Softcover. 6 pages. Alphonse Leduc #AL19492. Published by Alphonse Leduc (HL.48180856).

UPC: 888680907662. 9.0x12.0 inches.

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in G was written by the composer in 1778. The concerto remains widely studied and performed on the flute, making it one of the most important concerti in the instrument's repertoire. Paul Taffanel and Philippe Gaubert's composed cadenzas for the work are essential to all performers of the concerto. Concerto in G is in three movements; 1. Allegro maestoso, 2. Adagio ma non troppo, and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key, whilst the second movement is in the subdominant key of D major. All three movements contain a cadenza which initially would have been left for the performer to improvise. However, cadenzas have since been written, including those of Taffanel and Gaubert. Both were prominent flautists of their time and their understanding of the flute concerto repertoire is second to none, making their cadenzas well-informed and essential to performers of the concerto.

Saxophone

SKU: HL.48184874

Composed by Taffanel P. Philippe. Leduc. Classical. Softcover. 52 pages. Alphonse Leduc #AL28193. Published by Alphonse Leduc (HL.48184874).

UPC: 888680796938. 9x12.25 inches.

“Init ially composed by Paul Taffanel and Philippe Gaubert, this edition of Big Daily Finger Exercises was adapted for the Saxophone and transcribed by Frederic Juranville. It includes fourteen different exercises: 1. Scales 2. Scales by the chromatic order and according to the cycle of fifths 3. Intervals 4. Chromatic scales 5. Whole 'tones scales 6. Arpeggios 7. Broken arpeggios 8. Arpeggios 9. Broken arpeggios 10. Diminished fifth chords ' Arpeggios and broken arpeggios 11. Diminished seventh chords ' Arpeggios and broken arpeggios 12. IV-V-I progressions 13. IV-V-I progressions with different rhythmic combinations 14. II-V-I progressions Frédéric Juranville is a French musician born in 1957 who won the First Prize of the Paris Conservatoire for Chamber music and Saxophone. He is now a Saxophone professor in France and works on the composition of new pedagogic methods.&rdquo.

(Opera D'ambroise Thomas). By Paul Taffanel (1844-1908). Edited by Philippe Bernold. Solo instrument with accompaniment. For Flute, Piano. The French Flutists Propose Collection Philippe Bernold. INTERMEDIATE. Standard notation. 19 + pages. Duration 8 minutes. Published by Gerard Billaudot Editeur

Flute

SKU: HL.48180658

Adapted for the Flute. Composed by Marcel Mose. Leduc. Classical. Softcover. 24 pages. Alphonse Leduc #AL18479. Published by Alphonse Leduc (HL.48180658).

UPC: 888680829407. 9x12 inches.

Moyse provides the perfect study book for advanced flautists. With directions in French, English, German and Japanese, Ten Studies Aafter Wieniawsky for the Flute cannot be missed. French flautist, Marcel Moyse (1889-1984) studied with virtuosos Philippe Gaubet, Adolphe Hennebains and Paul Taffanel at the Paris Conservatoire. Moyse went on to become principal flute of various orchestras and also became known for his trademark tone; a clear, flexible and penetrating tone, controlled by a fast vibrato. As well as performing, Moyse taught the flute and published a substantial amount of study books for the instrument. Ten Studies, based on studies by Wieniawsky, focuses on advanced elements of phrasing, tempo, breath control, articulation, intervals, ornamentation, fingering and evenness, amongst other aspects. Being a prominent flute player himself, Moyse's Ten Studies After Wieniawsky is well-informed and essential to aspiring, advanced flautists.

Composed by Paul Taffanel (1844-1908). For flute and piano. Chamber Music. Classical. Published by Little Piper

By Benjamin Godard (1849-1895). Arranged by Egbert van Groningen. For flute and concert band. Baton Music Instrumental Series. From the Suite de Trois Morceaux. Grade 4. Full score and parts. Duration 4:00. Published by Baton Music

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philip pe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.