Cello and Orchestra (Cello) SKU: HL.14010871 Composed by Manuel de Falla....(+)
Cello and Orchestra
(Cello)
SKU:
HL.14010871
Composed
by Manuel de Falla. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. 26 pages.
Chester Music #CH61115.
Published by Chester
Music (HL.14010871).
Score
Only. Composed by
Joseph Turrin.
Windependence Master
Level. Classical,
Contest, Festival.
Softcover. 24 pages.
Boosey & Hawkes
#M051662722. Published by
Boosey & Hawkes
(HL.48021144).
UPC:
884088597696. 9x12
inches.
Commissione
d by the University of
Wisconsin – River
Falls in 1997 and revised
for the Hartt School Wind
Symphony in 2007,
“Ritual” is
the first movement of a
three-movement work
titled Soundings.
However, this bold and
dramatic work stands
alone as an impressive
symphonic setting,
emphasizing the
percussion section
throughout along with a
strong rhythmic drive and
tension-building
sonorities. Duration:
3:20.
Ritual Orchestre d'harmonie - Intermédiaire Boosey and Hawkes
Concert Band (Score & Parts) - Grade 4 SKU: HL.48021143 Composed by Josep...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.48021143
Composed
by Joseph Turrin.
Windependence Master
Level. Classical,
Contest, Festival.
Softcover. Boosey &
Hawkes #M051662715.
Published by Boosey &
Hawkes (HL.48021143).
UPC: 884088597689.
9x12
inches.
Commissione
d by the University of
Wisconsin – River
Falls in 1997 and revised
for the Hartt School Wind
Symphony in 2007,
“Ritual” is
the first movement of a
three-movement work
titled Soundings.
This bold and dramatic
work stands alone as an
impressive symphonic
setting, emphasizing the
percussion section
throughout along with a
strong rhythmic drive and
tension-building
sonorities. Duration:
3:20.
Organ SKU: BR.EB-9025 Composed by Nicolaus A. Huber. Solo instruments; So...(+)
Organ
SKU:
BR.EB-9025
Composed
by Nicolaus A. Huber.
Solo instruments;
Softcover. Edition
Breitkopf.
World
premiere: Munich,
1968
Music post-1945.
Score. Composed 1965. 16
pages. Duration 9'.
Breitkopf and Haertel #EB
9025. Published by
Breitkopf and Haertel
(BR.EB-9025).
ISBN
9790004179086. 9 x 12
inches.
Dieses
Stuck habe ich ziemlich
am Anfang meines
Kompositionsstudiums bei
Gunter Bialas
geschrieben. Es hat noch
stark hervortretende
,,satztechnische
Elemente, handelt aber in
vier Satzen von
verschiedenen Ritualen
der Orgel beziehungsweise
des Orgelspiels. 1. Satz:
Das Ritual des
Registrierens, 2. Satz:
Das Ritual des Kanons in
einer komplizierten und
virtuosen Form, 3. Satz:
Das Ritual der Triosonate
beziehungsweise des
Trios, 4. Satz: Das
Ritual der aleatorischen
Improvisation und des
tiefen Pedaltones C.
(Nicolaus A. Huber,
1991)
For 5 Percussionists
and Orchestra.
Composed by Ellen Taaffe
Zwilich. Contemporary.
Large Score. With
Standard notation.
Composed 2003. 72 pages.
Duration 30 minutes.
Theodore Presser Company
#446-41192L. Published by
Theodore Presser Company
(PR.44641192L).
UPC:
680160610860. 11 x 14
inches.
One of my
greatest pleasures in
writing a concerto is
exploring the new world
that opens for me each
time I enter the
sometimes alien, but
always fascinating, world
of a solo instrument or
instruments. For me, the
challenge is to discover
the deepest nature of the
solo instrument (its
karma, if you will) and
to allow that essential
character to guide the
shape and form of the
work and the nature of
the interaction between
soloists and orchestra.
In recent years, many of
us have become more aware
of the musical world
outside the Western
tradition of musics that
follow different
procedures and spring
from other aesthetics.
And contemporary
percussionists have
opened many of these
worlds to us, as they
have ventured around the
globe, participating in
Brazilian Samba schools,
studying Gamelan and
African drumming with
local experts, collecting
instruments from Asia and
Africa and South America
and the South Pacific,
widening our horizons in
the process. I will never
forget our first meeting
in Toronto when Nexus
invited me into their
world of hundreds of
exciting percussion
instruments. The vast
array of instruments in
the collection of the
Nexus ensemble is truly
global in scope as well
as offering a thrilling
sound-universe. I was
inspired by the
incredible range of sound
and moved by the fact
that so many of these
instruments were musical
reflections of a
spiritual dimension.
After long consideration,
I decided that it would
not only be impossible,
but even undesirable for
this
Western-tradition-steeped
composer to attempt to
use these instruments in
a culturally authentic
way. My goal was an
existential kind of
authenticity: searching
instead for universal
ideas that would be true
to both myself and the
performers while
acknowledging the
traditional uses of the
instruments. Since many
percussion instruments
are associated with
various kinds of ritual,
I decided that I would
allow that concept to
shape my piece. Rituals
is in four movements,
each issuing from a
ritual associated with
percussion, but with the
orchestral interaction
providing an essential
element in the musical
form. I. Invocation
alludes to the traditions
of invoking the spirit of
the instruments, or the
gods, or the ancestors
before performing. II.
Ambulation moves from a
processional, through
march and dance to
fantasy based on all
three. III. Remembrances
alludes to traditions of
memorializing. IV.
Contests progresses from
friendly competition
games, contests to a
suggestion of a battle of
big band drummers, to
warlike exchanges. In the
2nd and 4th movements,
another percussion
tradition, improvisation,
is employed. Written into
these movements are a
number of seeds for
improvisation.
Indications in the score
call for the soloists to
improvise in three
different ways, marked A
for percussion alone;
marked B for percussion
with and in response to
the orchestra; and C
where the percussionists
are free to add and
embellish the written
parts. These
improvisations should
grow out of and embellish
previous motives and
gestures in the
movement.
Ritual Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band - Grade 5 SKU: HL.44004071 Score and Parts. Composed ...(+)
Concert Band - Grade 5
SKU: HL.44004071
Score and Parts.
Composed by Jan
Hadermann. De Haske
Concert Band. Concert.
Score Only. Composed
1994. Duration 575
seconds. De Haske
Publications #940604.
Published by De Haske
Publications
(HL.44004071).
UPC:
073999759709.
Ritua
l, a work for large
concert band, describes
the atmosphere during a
pagan ceremonial
offering. The tension of
the approaching ritual,
softly supported by a
mysterious percussion
accompaniment, slowly
builds and leads to an
enticing dance. This
precedes the height of
the ritual, the pagan
sacrifice. Following the
sacrifice the peace seems
to be restored until
suddenly a surprising
final turn ends
Ritual.
SKU: CA.2780200 Composed by Claudio Monteverdi. Edited by Uwe Wolf, Barba...(+)
SKU: CA.2780200
Composed by Claudio
Monteverdi. Edited by Uwe
Wolf, Barbara Neumeier.
This edition: urtext.
Stuttgart Urtext Edition.
Salmi I (Selva Morale E
Spirituale). Sacred vocal
music, Psalms, Latin.
Collection. 148 pages.
Carus Verlag #CV
27.802/00. Published by
Carus Verlag
(CA.2780200).
ISBN
9790007167783.
Toda
y Monteverdi's Selva
morale et spirituale
(1641) stands entirely in
the shadow of his famous
Vespers 1610. The
editions from 1610 and
1641 both include music
for the Mass and Vespers,
but each of these
collections was composed
under much different
circumstances during
Monteverdi's lifetime. If
the works of 1610 are a
bold combination of
traditional compositional
techniques and avant
garde music, which were
intended by this weary
Court Composer at Mantua
as an application
portfolio for a new job,
the 1641 collection is
the only church music by
the mature Monteverdi
which was published after
almost thirty years in
his position as Music
Director of St. Mark's
Cathedral: the latter, a
kind of best of
collection from his many
years of experience as a
church musician. In
Venice the composer had
not only a fabulous, but
a large ensemble at his
disposal (finally, about
35 singers, alone)! The
big effect in this music
is the combination of
soloistic and weighty
tutti sections, it makes
the music, with its
clearly defined sections
and, for the most part
homophonic choral
passages more easily
performable than the
Vespers for today's
choirs. The new edition,
comprised initially of
three volumes, also
includes those works from
the Selva Morale (a Mass
and two Magnificats)
which have already been
published by Carus, as
well as all further
liturgical compositions
for use in the church.
The present volume, Salmi
I, contains each of the
first of the multiple
settings of the psalms,
as well as the Credidi.
The edition is based on
the methods employed in
the much acclaimed Carus
edition of the Vespers: *
It contains a detailed
foreword with suggestions
for notation, scoring and
for the liturgical use of
individual compositions.
* For the present edition
four of the five
surviving printed copies,
as well as contemporary
manuscript were
consulted. Facsimiles
illustrate special
characteristics of the
edtion of 1641. A
Critical Report makes
clear all of the
editorial decisions made
in the edition. * All of
the pieces are printed
untransposed and using
the original note values.
* All of the pieces are
available in single
editions with complete
performance material. *
Vocal scores of all works
with obbligato
instruments facilitate
rehearsal. * Instrumental
parts for collaparte
accompaniment of
tutti-sections (including
text underlay).
SKU: CA.2780300 Composed by Claudio Monteverdi. Edited by Uwe Wolf, Barba...(+)
SKU: CA.2780300
Composed by Claudio
Monteverdi. Edited by Uwe
Wolf, Barbara Neumeier.
Selva Morale E
Spirituale. Salmi. Sacred
vocal music, Mass
sections, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Collection.
172 pages. Carus Verlag
#CV 27.803/00. Published
by Carus Verlag
(CA.2780300).
ISBN
9790007171698.
Toda
y Monteverdi's Selva
morale et spirituale
(1641) stands entirely in
the shadow of his famous
Vespers 1610. The
editions from 1610 and
1641 both include music
for the Mass and Vespers,
but each of these
collections was composed
under much different
circumstances during
Monteverdi's lifetime. If
the works of 1610 are a
bold combination of
traditional compositional
techniques and avant
garde music, which were
intended by this weary
Court Composer at Mantua
as an application
portfolio for a new job,
the 1641 collection is
the only church music by
the mature Monteverdi
which was published after
almost thirty years in
his position as Music
Director of St. Mark's
Cathedral: the latter, a
kind of best of
collection from his many
years of experience as a
church musician. In
Venice the composer had
not only a fabulous, but
a large ensemble at his
disposal (finally, about
35 singers, alone)! The
big effect in this music
is the combination of
soloistic and weighty
tutti sections, it makes
the music, with its
clearly defined sections
and, for the most part
homophonic choral
passages more easily
performable than the
Vespers for today's
choirs. The new edition,
comprised initially of
three volumes, also
includes those works from
the Selva Morale (a Mass
and two Magnificats)
which have already been
published by Carus, as
well as all further
liturgical compositions
for use in the church.
Salmi II contains the
additional settings of
the multiple settings of
the psalms and also the
psalm Memento (each of
the first of the multiple
settings of the psalms
are to be found in the
Salmi I volume). The
edition is based on the
methods employed in the
much acclaimed Carus
edition of the Vespers: -
It contains a detailed
foreword with suggestions
for notation, scoring and
for the liturgical use of
individual compositions.
- For the present edition
four of the five
surviving printed copies,
as well as contemporary
manuscript were
consulted. Facsimiles
illustrate special
characteristics of the
edition of 1641. A
Critical Report makes
clear all of the
editorial decisions made
in the edition. - All of
the pieces are printed
untransposed and using
the original note values.
- All of the pieces are
available in single
editions with complete
performance material. -
Vocal scores of all works
with obbligato
instruments facilitate
rehearsal. - Instrumental
parts for collaparte
accompaniment of
tutti-sections (including
text underlay).
SKU: HL.49008319 5 Kongressbeitrage, 2 freie Beitrage und ein Seminarb...(+)
SKU: HL.49008319
5 Kongressbeitrage, 2
freie Beitrage und ein
Seminarbericht.
Edited by Barbara
Barthelmes and Helga de
la Motte-Haber. This
edition: Paperback/Soft
Cover. Book. Edition
Schott. Classical. 112
pages. Schott Music #ED
9149. Published by Schott
Music (HL.49008319).
ISBN 9783795717797.
German.
Rituale
sind meistens enger mit
Musik als mit anderen
Kunstformen verbunden.
Wie eine geheime Macht
scheint Musik emotionale
Raume zu offnen und
intuitive Erfahrung zu
ermoglichen. Musik hat
teil an zeremoniellen
Handlungen, und mit der
Herauslosung der Musik
aus funktionalen
Bindungen nahm der Umgang
mit ihr rituellen
Charakter an.
Composed by Manuel de Falla (1876-1946). Arranged by Ralph Sauer. Spanish 20th C...(+)
Composed by Manuel de
Falla (1876-1946).
Arranged by Ralph Sauer.
Spanish 20th Century.
Solo part and
accompaniment. Published
by Cherry Classics
(CY.CC2799).
Trombone and Piano - advanced SKU: CY.CC2724 Composed by Manuel de Falla....(+)
Trombone and Piano -
advanced
SKU:
CY.CC2724
Composed by
Manuel de Falla. Arranged
by Ralph Sauer. Spanish
20th Century. Solo part
and Piano accompaniment.
Published by Cherry
Classics (CY.CC2724).
The Ritual Fire
Dance by Manuel da Falla
is taken from the ballet
El amor brujo (The
Bewitched Love) written
in 1915. The work was
influenced by a
traditional dance used to
worship the fire-god
where the participants
involved would jump or
leap through
fire.
Candela, a
gypsy girl performs this
Ritual Fire Dance causing
a ghost to appear. She
begins to dance with the
ghost whirling faster and
faster until the ghost is
pulled into the fire,
causing it to
disappear.
This
brilliant arrangement of
about four and one half
minutes is written for
advanced performers.
Chant and Ritual Dance Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Joseph Compello. For concert band (flute, oboe (opt. flute 2), clari...(+)
Composed by Joseph
Compello. For concert
band (flute, oboe (opt.
flute 2), clarinet 1 in
Bb, clarinet 2 in Bb,
bass clarinet in Bb, alto
saxophone in Eb, tenor
saxophone in Bb, baritone
saxophone in Eb, trumpet
1 in Bb, trumpet 2 in Bb,
horn in F, trombone,
euphonium b.c., bassoon,
euphonium t.c. in B).
First Plus Performance
Series. Score and parts.
Duration 2 minutes, 50
seconds. Published by
Carl Fischer
Ritual Fire Dance.
Composed by Manuel de
Falla. Arranged by
Douglas E. Wagner.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Multicultural. Score. 28
pages. Duration 4:35.
Belwin Music #00-48053S.
Published by Belwin Music
(AP.48053S).
UPC:
038081555225.
English.
Danza
Ritual del Fuego arranged
by Douglas E. Wagner, is
from Manuel de Falla's
ballet, El amor brujo.
This stunning showpiece
is a fully realized,
unabridged string
orchestra with piano
arrangement that reflects
all of the tonal color
and Spanish flair of the
composer's original.
Characteristic rhythms
and harmonic progressions
combine with a variety of
string techniques,
providing players with
the makings of a
sure-fire concert or
contest success. (4:35)
This title available in
MakeMusic Cloud.
Composed by Manuel de Falla (1876-1946). Arranged by Ralph Sauer. Spanish 20th C...(+)
Composed by Manuel de
Falla (1876-1946).
Arranged by Ralph Sauer.
Spanish 20th Century.
Solo part and Piano
accompaniment. Published
by Cherry Classics
(CY.CC2854).
Ritual Fire Dance.
Composed by Manuel de
Falla. Arranged by
Douglas E. Wagner.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Multicultural. Score and
Part(s). 132 pages.
Duration 4:35. Belwin
Music #00-48053.
Published by Belwin Music
(AP.48053).
UPC:
038081555218.
English.
Danza
Ritual del Fuego arranged
by Douglas E. Wagner is
from Manuel de Falla's
ballet, El amor brujo.
This stunning showpiece
is a fully realized,
unabridged string
orchestra with piano
arrangement that reflects
all of the tonal color
and Spanish flair of the
composer's original.
Characteristic rhythms
and harmonic progressions
combine with a variety of
string techniques,
providing players with
the makings of a
sure-fire concert or
contest success. (4:35)
This title is available
in MakeMusic Cloud.
SATB choir, [organ] SKU: CA.4067100 Aus: Selva morale et spirituale(+)
SATB choir, [organ]
SKU: CA.4067100
Aus: Selva morale et
spirituale. Composed
by Claudio Monteverdi.
Edited by Jeffrey
Kurtzman. This edition:
Paperbound. German title:
Missa in F. Sacred vocal
music, Masses, Latin.
Full score. Composed
1641. 64 pages. Duration
13 minutes. Carus Verlag
#CV 40.671/00. Published
by Carus Verlag
(CA.4067100).
Clarinet solo SKU: P2.30145 Composed by Grant Jahn. Published by Potenza ...(+)
Clarinet solo
SKU:
P2.30145
Composed by
Grant Jahn. Published by
Potenza Music (P2.30145).
Ritual depicts
a type of ancient dance
performed in a desolate,
desert-like place to
bring rain to the Earth.
Using quarter-tone runs
and multiphonics,
primitive sounds are used
to summon a storm, which
starts with light rain
depicted by key clicks,
and becomes more chaotic
as the motive continues
to change.
(Piano Sextet (Piano and String Quintet)). By Manuel de Falla (1876-1946). For S...(+)
(Piano Sextet (Piano and
String Quintet)). By
Manuel de Falla
(1876-1946). For String
Quintet (String Parts).
Music Sales America.
Post-1900. Softcover.
Chester Music #CH61240.
Published by Chester
Music
Ritual Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.33847S Composed by Chris M. Bernotas. Co...(+)
Concert Band - Grade 2.5
SKU: AP.33847S
Composed by Chris M.
Bernotas. Concert Band;
Performance Music
Ensemble; Single Titles.
Young Symphonic.
Programmatic. Score. 20
pages. Alfred Music
#00-33847S. Published by
Alfred Music (AP.33847S).
UPC: 038081385709.
English.
The dark
sound of the timpani and
the ominous flute melody
create the mysterious
atmosphere for this
powerful piece. The
intense drone and strong
thematic material
eventually give way to
the excitement of a
rhythmic groove which
takes us on an adventure.
We revisit the mystery of
Ritual through a lyrical
section that contains
ample solo opportunities
to feature your students.
After a restatement of
the original theme, we
escape and run to the
end. The performers and
audience will use their
imaginations to create
their own thrilling
storyline to accompany
this dramatic piece!