pour sextuor mixte. Par ZINSSTAG GERARD. / Date parution : 2022-04-12/ Répertoire / Sextette Mixte

Sextett. Par STRAUSS RICHARD. Durée: 10',/ Répertoire / 2 Violons, 2 Altos et 2 Violoncelles

Sextett Prelude. Par STRAUSS RICHARD. Aus 'Capriccio'/ Répertoire / 2 Violons, 2 Altos et 2 Violoncelles

Compositeur : Bach, Johann Christian Instrumentation : gem.Sextett Nombre de pages : 48

a 6 et a 8. Par MOZART WOLFGANG AMADEUS. The Serenade in E-flat, K. 375, exists in two versions, one for two clarinets, two horns and two bassoons, and another for the same forces plus two oboes, forming an octet. From Mozart himself we know a fair amount about the occasion that led to the first, six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl, it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October, the name-day of St. Theresa. The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics, he also altered the work's melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre, thereby enabling him, for example, to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave. - Urtext of the New Mozart Edition - Parts sextet version (BA5333), octet version (BA5334) and study score both versions format 22. 5 x 16. 5cm (TP315) available for sale/ Répertoire / Partition de Poche

for Strings and Clarinet Quintet. Par BRAHMS JOHANNES. Two sextets (Opp. 18, 36) two quintets (Opp. 88, 111, 116) and two quartets (Opp. 61, 67). Two sextets (Opp. 18, 36) two quintets (Opp. 88, 111, 116) and two quartets (Opp. 61, 67)./ Répertoire / Musique de Chambre

DORFMUSIKANTEN-SEXTETT EDITION : STUDY SCORE INSTRUMENTATION : 2 HORNS AND STRING QUARTET CATALOGUE OF WORKS : KV 522 DATE OF COMPOSITION: 1787 DURATION : 22' NUMBER OF PAGES : 40 ARRANGER : REDLICH, HANS FERDINAND SERIES : EULENBURG MINIATURE SCORES

Par BEETHOVEN LUDWIG VAN. A master of music in all forms, Beethoven brought his genius to works as mighty as the great 'Choral' Symphony and as intimate as the charming 'Spring' Sonata. Less well known, but no less ingenious, are his delightful works scored for small Wind Ensembles. Intimate, melodious, and full of rhythmic life, this charming music brings a breath of fresh air to the world of fine chamber music. Scored for various combinations of Winds (three works also include solo Strings), the music in this compilation includes the Three Duos, WoO 27 - the Trio, Op. 87 - two Sextets, Opp. 71 and 81b - the Septet, Op. 20 - and the Octet, Op. 103. Beethoven's Serenade, Op. 25, and Rondino, WoO 25, round out this collection of the master's complete music for Wind ensembles. Reproduced from authoritative early scores, Ludwig Van Beethoven: Complete Music For Wind Ensembles offers an inexpensive yet comprehensive volume to all lovers of chamber music. / Niveau : Intermédiaire à Avancé / Répertoire / Instruments à Vent

Par TOMASI HENRI. Printemps by Henri Tomssi is a wind sextet for Flute, Oboe, Bb Clarinet, Alto Saxophone, Horn and Bassoon. This book includes the score for each instrument and the conductor's score. Lasting 9 and a half minutes, this melodious piece is divided into three main parts and finishes on a Scherzando section. These three pieces musically describe the flirting process of birds in Spring. 1. Reveil des oiseaux / Birds wake up 2. Chant d'amour / Love song 3. Danse des oiseaux / Dance of the birds This piece is very difficult to play for all instruments involved, but simultaneously reallynice and challenging. Henri Tomasi also composed a variety of concerti for Alto Saxophone and for Trombone, as well as some ballades./ Répertoire / Sextuor à Vent

Worship Hymns for Organ and Brass is a new series with remarkable versatility. The arrangements are for organ with solo trumpet or brass ensemble and percussion. All parts are upper intermediate level with optional high notes for trumpets and horn. While the parts are not demanding, they have a level of artistry that is compelling to all of the performers involved. Instrumental options with organ include: Solo Trumpet - Brass Trio (2 Trumpets and 1st Trombone) - Brass Quartet (2 Trumpets and 2 Trombones OR 1st Trombone and Tuba) - Brass Quintet (All but Horn, 2nd Trombone or Tuba) - and Brass Sextet. Versatile and jubilant, perfect for the most joyful season of the year. / Ensemble De Cuivres Et Orgue

Mozart wrote the five Divertimenti for Wind Sextet between the years 1775 and 1777 when he was living in Salzburg. The Italian title is reminiscent of simple 'light? music, but the pieces' melodic ingenuity and colourful writing for winds show it to be chamber music of the highest quality. / 2 Hautbois, 2 Cors Et 2 Bassons

Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris?, a scoring found nowhere else in his oeuvre.For the first time, this scholarly-critical edition of 'Les Fêtes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.- Milestone of French Baroque opera in performance practice orientated vocal score- With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition / Orchestre

Par MOZART WOLFGANG AMADEUS. Mozart composed his two “Lodron Serenades” for open-air performances on the name day of Countess Antonia Lodron in June 1776 and 1777. Their bright “al fresco” character is immediately recognisable. Alfred Einstein considered these two divertimentos to be “among the purest, gayest, most satisfying, and most perfect that ever assumed musical form”. For both works Mozart chose an ensemble of two horns, two violins, viola and bass instruments. However, the second Lodron Serenade, the Divertimento in B-flat major K. 287, stands out from this sextet format by assigning a remarkably virtuosic solo role to the first violin, from the richly diverse opening movement to the finale with its almost ironic recitative and an exhilarating passage on the folk song “D’Bäurin hat d’Katz verlorn”. Mozart himself played first violin in the 1777 performance. Later he wrote, “They all opened their eyes! I played as though I were the finest fiddler in all Europe”./ Répertoire / 2 Cors, 2 Violons, Alto et Contrebasse