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Siegfried - Full Score (WAGNER RICHARD)
53.81
Siegfried - Full Score (WAGNER RICHARD)
Opéra Full Score
[Partition]
Dover Publications
in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as wel...
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in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as well as his earnings, into constructing the perfect festival theater in the Bavarian town of Bayreuth where his masterpiece, the four-opera cycle Der Ring des Nibelungen, could be performed in a manner which would conform to his vision of how the drama should unfold. Wagner's own perception was that the unique and revolutionary character of his monumental tetralogy necessitated a special theater — one where the difficulties of staging an expansive drama could be surmounted, where changes of scene could be effected without halting the performance for vast lengths of time. Der Ring des Nibelungen, which is based on a medieval German epic, the Nibelungenlied, and Norse mythology, enlarged the expressive powers of German Romantic opera; today it also gives testimony to Wagner's willingness to venture into new areas for inspirational material. The third opera of the cycle, Siegfried, reproduced here in full score, presents the story of a youthful Germanic hero of legendary proportions, a young man without experience of fear, who slays the reptilian hoarder of ill-gotten, powerful golden treasures and rescues a banished goddess from fiery captivity. Performed during the heyday of Bismarck's Realpolitik, following decades of revolutionary and anarchic fervor, Siegfried is reputed to have social and political implications. In The Perfect Wagnerite, George Bernard Shaw discusses the opera in allegorical terms, and describes the heroic Siegfried as 'a born anarchist, the ideal of Bakoonin, an anticipation of the 'overman' of Nietzsche. ' Whether or not the political import of Richard Wagner's alleged revolutionary thought is of concern to the music lover of modern times, the influence and power of the operas of Der Ring des Nibelungen are indisputable. The crowning achievement of German music of the Romantic era, the Ring forged a new synthesis of music and drama on the largest scale, drawing on rich literary and philosophical resources to expand the dramatic possibilities of the opera as a musical form. Reproduced from the first edition (1876), which received Wagner's final approval, this full-size full score brings Siegfried, an important opera in the Ring and one of the most performed, recorded, studied, and admired operas of the Romantic era, to Wagner enthusiasts, opera lovers, and musicians at a moderate, affordable price. Reproduced from first 1876 edition. The third Ring opera, 'Siegfried' is here carefully reproduced from the authoritative edition of 1876 which Wagner himself approved. / Opéra-opérette / Répertoire / Opéra Full Score
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Rota (ORFF CARL)
35.10
Rota (ORFF CARL)
Chœur Mixte [Stbar] et Ensemble Instrumental
[Conducteur]
Schott
Sumer is icumen in. Par ORFF CARL. The first known canon of European art music, ...
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Sumer is icumen in. Par ORFF CARL. The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called 'summer canon', whose verses greet the advent of summer. An accompanying note elucidates the artistic layer-like construction of the sound structure: a two-voice foundation of bell-like, swinging pendulum tones supports an upper structure of four voices which enter at equal time intervals. The note terms the canon 'rota' - round -, which makes reference to the turning, circling movement of the constantly pulsating sound. The circular figure originates in a vital, ages-old moving force in music-making, and it demands a dance-like execution. But the canon is also, through the interaction of the strictly ordered voice entries, convivially bound musical form. Carl Orff was able to choose no better fitting musical form for the 'Greetings to Youth' at the Olympic Games 1972 in Munich than the medieval rota. In the connexion of the singing voices with the Orff instruments, today in world-wide use, a testimony of European tradition sounds in a living present. / Date parution : 1976-11-20/ Répertoire / Chœur Mixte [Stbar] et Ensemble Instrumental
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