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The New Covenant (CURNOW JAMES)
84.60
The New Covenant (CURNOW JAMES)
Ensemble de cuivres
[Conducteur et Parties séparées]
-
Intermédiaire
De Haske Publications
Par CURNOW JAMES. Throughout The New Covenant the composer seeks to portray thro...
(+)
Par CURNOW JAMES. Throughout The New Covenant the composer seeks to portray through programmatic music the sensitivity, love and understanding of a compassionate Christ and the strength and wisdom of the Son of God who gave Himself to become the new covenant between God and man. This descriptive work creates a word painting by use of fragments from John Newton's beautiful hymn 'How Sweet The Name of Jesus'. An ideal work for any concert but especially for those taking place in Churches or Cathedrals. / Niveau : 3 / Musique pour célébration / Répertoire / Brass Band
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Glorious Hill (BRYARS GAVIN)
9.10
Glorious Hill (BRYARS GAVIN)
4 Voix d'Hommes [Attbar], 2 Altos, Violoncelle et
[Conducteur]
Schott
for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male...
(+)
for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices. The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace. / Répertoire / 4 Voix d'Hommes [Attbar], 2 Altos, Violoncelle et
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Siegfried - Full Score (WAGNER RICHARD)
53.81
Siegfried - Full Score (WAGNER RICHARD)
Opéra Full Score
[Partition]
Dover Publications
in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as wel...
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in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as well as his earnings, into constructing the perfect festival theater in the Bavarian town of Bayreuth where his masterpiece, the four-opera cycle Der Ring des Nibelungen, could be performed in a manner which would conform to his vision of how the drama should unfold. Wagner's own perception was that the unique and revolutionary character of his monumental tetralogy necessitated a special theater — one where the difficulties of staging an expansive drama could be surmounted, where changes of scene could be effected without halting the performance for vast lengths of time. Der Ring des Nibelungen, which is based on a medieval German epic, the Nibelungenlied, and Norse mythology, enlarged the expressive powers of German Romantic opera; today it also gives testimony to Wagner's willingness to venture into new areas for inspirational material. The third opera of the cycle, Siegfried, reproduced here in full score, presents the story of a youthful Germanic hero of legendary proportions, a young man without experience of fear, who slays the reptilian hoarder of ill-gotten, powerful golden treasures and rescues a banished goddess from fiery captivity. Performed during the heyday of Bismarck's Realpolitik, following decades of revolutionary and anarchic fervor, Siegfried is reputed to have social and political implications. In The Perfect Wagnerite, George Bernard Shaw discusses the opera in allegorical terms, and describes the heroic Siegfried as 'a born anarchist, the ideal of Bakoonin, an anticipation of the 'overman' of Nietzsche. ' Whether or not the political import of Richard Wagner's alleged revolutionary thought is of concern to the music lover of modern times, the influence and power of the operas of Der Ring des Nibelungen are indisputable. The crowning achievement of German music of the Romantic era, the Ring forged a new synthesis of music and drama on the largest scale, drawing on rich literary and philosophical resources to expand the dramatic possibilities of the opera as a musical form. Reproduced from the first edition (1876), which received Wagner's final approval, this full-size full score brings Siegfried, an important opera in the Ring and one of the most performed, recorded, studied, and admired operas of the Romantic era, to Wagner enthusiasts, opera lovers, and musicians at a moderate, affordable price. Reproduced from first 1876 edition. The third Ring opera, 'Siegfried' is here carefully reproduced from the authoritative edition of 1876 which Wagner himself approved. / Opéra-opérette / Répertoire / Opéra Full Score
53.81 EUR - vendu par LMI-partitions
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O For A Thousand Tongues (COURT DOUGLAS)
20.60
O For A Thousand Tongues (COURT DOUGLAS)
Orchestre d'harmonie
[Conducteur]
-
Facile
Curnow Music
Par COURT DOUGLAS. Charles Wesley has given the church some of its most popular ...
(+)
Par COURT DOUGLAS. Charles Wesley has given the church some of its most popular and eloquent hymns that have shown the ability to stand the test of time. ‘O for a Thousand Tongues Sing’ was written to celebrate what Wesley referred to as his ‘second birth’. Wesley marked this day as the day he responded to the love and grave of God. / Niveau : 2 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie
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O For A Thousand Tongues (COURT DOUGLAS)
97.60
O For A Thousand Tongues (COURT DOUGLAS)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Facile
Curnow Music
Par COURT DOUGLAS. Charles Wesley has given the church some of its most popular ...
(+)
Par COURT DOUGLAS. Charles Wesley has given the church some of its most popular and eloquent hymns that have shown the ability to stand the test of time. ‘O for a Thousand Tongues Sing’ was written to celebrate what Wesley referred to as his ‘second birth’. Wesley marked this day as the day he responded to the love and grave of God. / Niveau : 2 / Répertoire / Concert Band ou Harmonie
97.60 EUR - vendu par LMI-partitions
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Acis And Galatea Hwv 49B
597.30
Acis And Galatea Hwv 49B
Orchestre
Barenreiter
/ Orchestre
597.30 EUR - vendu par LMI-partitions
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