Par SCHAARS PETER KLEINE. Né dans les années 1960, le funk est un style musical très rythmé. Le chanteur américain James Brown et un groupe de la Nouvelle-Orléans, The Meters, sont considérés comme les fondateurs de ce genre. Le funk se caractérise par une ligne de basse indépendante qui souligne le premier temps de la mesure, ainsi que par une combinaison rythmique de mélodies syncopées et d’accompagnements chargés d’adjonctions harmoniques. Adoptant pleinement ce style, la composition de Peter Kleine Shaars est l’heureuse fusion des ingrédients harmoniques, mais aussi des difficultés de la musique funk. D'une part, les cellules rythmiques 9, 10, 14, 15 et 16 font de New Orleans Funk un exercice pédagogique : d’autre part, cette pièce apportera une belle ambiance funky à vos répétitions et vos concerts !/ Répertoire / Concert Band/Harmonie/Fanfare

This arrangement is based on the hit song by the French duo Daft Punk and features Pharrell Williams. This disco/funk wonder is recognized worldwide and won the award for 'Record of the Year? at the 2014 Grammy Awards. Tom Wallace produces an easy and fun to play version with natural rhythmic energy. Scored for small bands with reduced instrumentation. / Marching Band

Un album de duos les plus utiles pour tout deux instruments de basse en laiton clef. Comprend: Jamaica Farewell, La donna è mobile (Verdi), Can-Can (Offenbach), Men of Harlech, American Patrol, Drunken Sailor, Yellow Bird, Le British Grenadier et plus encore. / 2 Instruments Cuivre / niveau : Elémentaire - Moyen / Partition

Arr. Thierry Muller. Par DAFT PUNK. 3'12 / Niveau : 3 / Orchestre / Recueil / Pop music

Par SPARKE PHILIP. The Unknown Journey fut commandé par le Kwansei Gakuin University Symphony Band, un orchestre d’harmonie établi en 1954 qui est désormais l’un des meilleurs orchestres universitaires du Japon. Le compositeur choisit ce titre puisque, pendantle développement du morceau, il semblait créer son propre élan, commençant lentement et accélérant continuellement. Vers la fin il devient progressivement semblable aux dernières mesures de La Valse de Ravel, un morceau qui caractériseparfaitement l’idée d’élan irrépressible. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par SPARKE PHILIP. The Unknown Journey fut commandé par le Kwansei Gakuin University Symphony Band, un orchestre d’harmonie établi en 1954 qui est désormais l’un des meilleurs orchestres universitaires du Japon. Le compositeur choisit ce titre puisque, pendantle développement du morceau, il semblait créer son propre élan, commençant lentement et accélérant continuellement. Vers la fin il devient progressivement semblable aux dernières mesures de La Valse de Ravel, un morceau qui caractériseparfaitement l’idée d’élan irrépressible. / Niveau : 6 / Répertoire / Concert Band ou Harmonie

Par WIDMANN JORG. Quintet du Widmann est un hommage délibéré au travail de Mozart pour l'instrumentation même (KV 452), qui peuvent être facilement combinés. Contrairement aux formes classiques de Mozart de mouvements, Widmann composée de 18 miniatures courts, dont certains portent des titres évocateurs tandis que d'autres ours titres musicaux-théorique (p. ex., 'Verwunschener Garten' (Enchanted Garden) ou 'Kontrapunktische Studie' (étude contrapuntiques)). Les techniques de jeu traditionnels et contemporains de rechange dans la texture musicale. Par conséquent, en conjonction avec le style pointu, cette pièce est également ADAPTEE pour des fins éducatives./ Répertoire / Hautbois, Clarinette en A, Basson, Cor et Piano

Recorded by Mark Ronson and featuring Bruno Mars, this sassy funk tune is on its way to becoming a modern day standard. Here's a hot version for vocal solo that captures all the excitement of the original. / Partitions classique / Ensemble et orchestre / Ensemble vents / HAL LEONARD

'Modern Pecknology'---it's the chicken-themed funk chart! A clever title, and it's certainly a clever chart. This Kris Berg composition opens with the sound of the barnyard and then it gets funky immediately with a very cool bass part. The tempo is around 110 BPM with the lead trumpet range to written B above the staff. A suggested written tenor solo is provided along with chord changes for trombone 1. A great groove that settles in and stays funky. (5:49) / Ensemble De Jazz

Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra

The unknown Heavens. Par RAUTAVAARA EINOJUHANI. The Unknown Heavens/ Répertoire / 2 Violons, Alto et 2 Violoncelles

Il ne se fait pas tout Funky que cela ! James Brown et l'un de ses mélodies de marques sont un match parfait pour Mark Taylor et cette version exceptionnelle pour l'ensemble de jazz. Fonctionnalités chaud par écrit pour le laiton et un sillon de la section rythmique funky. / Jazz Band

Solo for Eb Tuba and Brass Band. Par SCHJELDERUP FREDRICK. 'On the run' was commissioned in 2017 by the tuba soloist, Joseph Cook, for his second solo album, 'Debut 2'. His only criteria for the commission was: 'Write me something funky for tuba'. The piece is based on a halftone interval combined with funky rhythms (and a hint of bitonality). / Date parution : 2023-10-31/ Répertoire / Ensemble de Cuivres et Tuba en Eb

for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anniversary of China-U.S. diplomatic relations and in hope to support the promotion of Chinese culture abroad, Peng-Peng Gong's (b. 1992) Tenth Symphony, subtitled 'Peking Fantasy' (Op. 55) was co-commissioned by the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra in 2017. The world premiere of the 2018 original version was presented by the SPO in April of the same year in Shanghai, while the world premiere of the 2019 revised version was presented by the Philadelphia Orchestra in January at its home venue with the combined forces of both orchestras side-by-side. Inspired by the artistic power of Peking Opera ?the crowning heritage of Chinese traditional performing arts, the symphony strives to translate the emotional and philosophical experience of the art form for international audiences and to explore the Western orchestra's expressive abilities in capturing the Eastern spirit. The 2018 original version ran as long as 76 minutes, before the composer extensively revised the score down to 40 and presented it in a single movement without pause. The work is scored for a huge orchestra of over 100 players. Main materials that inspired the music are from the traditional Peking Opera repertory: The Drunken Beauty, Farewell My Concubine, In Pursuit of the General, and The Chancellor and the Advisor (lit. Cao Cao and Yang Xiu). 'Peking Fantasy' is in a sweet, direct musical language ...It's a work of highly original sounds presented in a series of vivid episodes.” -Peter Dobrin, The Philadelphia Inquirer Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-01-18/ Répertoire / Orchestre