Par MARSH LIN. Série de Songscape du lin Marsh est devenu l'un des ressources disponibles, chanter plus largement utilisé inculquer la confiance et à la jouissance en chantant dans la salle de classe et la salle de concert. Dans ' Noël Songscape ' il y a 18 chants classiques et chansons saisonniers, sacré et profane, idéal pour les primaires supérieures ou et le chant de l'école secondaire. Toutes les chansons ont été soigneusement organisées en fonction des gammes vocales pour 2/3, étape clé voix (Scottish P3-P7 +). Beaucoup de chansons ont facultatif vocaux supplémentaires fournissant la portée pour part-singing et les pièces de clavier sont bien à la portée des pianistes de capacité modérée. Les CD qui l'accompagne sont améliorés et comprennent les pistes audio de haute qualité avec des spectacles complets pour aider les enfants à apprendre les chansons, sauvegarde des pistes pour les répétitions et performance ainsi que les parties vocales en format pdf pour l'impression facile et de projection. Ecoutez soundclips : autour de l'arbre de Noël à bascule/ Répertoire / Matériel D'Orchestre

The latest hit by the American rock group Fall Out Boy! With over 2,000,000 digital downloads and known by all, this alternative rock hit provides intense contrast and rich musical material that translates seamlessly to the marching band idiom. / Marching Band (score parties)

Arr. Wil Van Der Beek. Par NESSLER VICTOR E.. Farewell Song has been taken from Der Trompetervon Säckingen by Victor E. Nessler (1841-1890). Thisopera tells the sentimental story of a plain musicianwho is eventually allowed to marry the daughter ofa baron. From the first performance in 1884, thisopera was well liked - not so much because of thestory but because of its musical features. Impressivetrumpet solos, drinking songs and dance scenes werethe ingredients that enthralled audiences throughoutEurope. Today, only the farewell song called JungWerner’s Abschied, also known as Behüt’ dich Gott, has remained an absolute winner. Wil van der Beekhas written a fine arrangement of this entitledFarewell Song. He felt itwas appropriate to entrustthe melody of this song, originally written for tenorvoice, to the baritone or euphonium. / Niveau : 2.5 / Répertoire / Baryton ou Tuba et Fanfare

Arr. Wil Van Der Beek. Par NESSLER VICTOR E.. Farewell Song has been taken from Der Trompetervon Säckingen by Victor E. Nessler (1841-1890). Thisopera tells the sentimental story of a plain musicianwho is eventually allowed to marry the daughter ofa baron. From the first performance in 1884, thisopera was well liked - not so much because of thestory but because of its musical features. Impressivetrumpet solos, drinking songs and dance scenes werethe ingredients that enthralled audiences throughoutEurope. Today, only the farewell song called JungWerner’s Abschied, also known as Behüt’ dich Gott, has remained an absolute winner. Wil van der Beekhas written a fine arrangement of this entitledFarewell Song. He felt itwas appropriate to entrustthe melody of this song, originally written for tenorvoice, to the baritone or euphonium. / Niveau : 2.5 / Répertoire / Baryton ou Tuba et Fanfare

10 Intermediate-Level Arrangements. Par DIVERS AUTEURS (ARR.BROOKER DAVID). Since graduating from the Guildhall School of Music and Drama, David Brooker has been a performer on the viola and a music educator with a special interest in using ensemble music in instrumental teaching. His first two books, 'Stringplay” and 'Stringplay Around the World” reflected this, providing resources for elementary string orchestra and now 'String Trios from Around the World” takes the idea to the smaller ensemble of violin, viola and cello. This book of folk music from four continents, with an emphasis on love songs, keeps to the spirit of the original pieces while making the music idiomatic and fun to play. The parts are equal in difficulty (easy to intermediate) - in fact, David says that, as a violist himself, he has made sure that the violinist doesn't get all the tunes! The arrangements include a few unusual techniques but David promises they are not as hard as they look or sound./ Recueil / Trio à Cordes

Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion

Quelle est cette odeur agreable. ‘Whence is that Goodly Fragrance Flowing?’ is the first line of an old French Christmas song that originated in the 17th century. In 1728 John Gay used this joyous and markedly festive melody that honours Jesus Christ and His miraculous birth in his Beggar’s Opera. Philip Sparke has given this melody a new lease of life with his charming and imaginative arrangement for the Christmas season. / Niveau : 3 / Pièce de concert / Répertoire / Fanfare

Quelle Est Cette Odeur Agreable. Whence is that Goodly Fragrance Flowing?' is the first line of an old French Christmas song that originated in the 17th century. In 1728 John Gay used this joyous and markedly festive melody that honours Jesus Christ and His miraculous birth in his Beggar's Opera. Philip Sparke has given this melody a new lease of life with his charming and imaginative arrangement for the Christmas season. / Niveau : 3 / Pièce de concert / Répertoire / Brass Band

Quelle est cette odeur agreable. ‘Whence is that Goodly Fragrance Flowing?’ is the first line of an old French Christmas song that originated in the 17th century. In 1728 John Gay used this joyous and markedly festive melody that honours Jesus Christ and His miraculous birth in his Beggar’s Opera. Philip Sparke has given this melody a new lease of life with his charming and imaginative arrangement for the Christmas season. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par BERG ALBAN. Composed by a young Berg, while studying with Schoenberg, these Seven Early Songs would be revisited and reworked ten years later, and then again ten years after that. Perhaps influenced by Mahler, Berg created orchestral settings of these songs, in addition to the voice and piano versions./ Répertoire / Voix Haute et Orchestre

for Band. Par ANDERSON LEROY. Imagine strolling along the trail through a bucolic countryside on a sunny spring day, whistling all the way. The Penny Whistle Song conjures that very mood, featuring a trio of flutes on the melody with a bouncy two-step accompaniment. This exclusive Southern band edition by Mark Rogers reintroduces Anderson's enchanting work to new generations of audiences. / Date parution : 2022-11-29/ Répertoire / Concert Band

Par COURT DOUGLAS. The unmistakable sound of Spain! You can almost taste the red dust in the air! Douglas Court’s SONG OF THE MATADOR will add a wonderful exotic touch to your next performance. Great melodic exposure for the Trombones, Tubas and other low Brass and Woodwinds, as well as lots of wonderful dynamic and articulation considerations, make this a terrific teaching tool as well!The fiery nature of this music is naturally contained in a moderate tempo so that the piece remains accessible to young bands. / Niveau : 2.5 / Répertoire / Concert Band ou Harmonie

Intermediate-level arrangements of well-known Classical and Romantic works. Par AUTEURS DIVERS / BROOKER DAVID (Arr.). In his preface to 'Piano Trios on Stage”, the arranger, David Brooker, reminds us that, just as the string quartet, the piano trio has always been one of the pillars of chamber music. In the 19th and early 20th century, it was almost like the later invention of the gramophone record, allowing larger works, in arrangement, as well as lighter pieces to be presented to small audiences, often as background music. David comments that string players have plenty of easy material to introduce them to the pleasure of making music with other instrumentalists but when it comes to piano parts these are usually written or arranged with a teacher or more advanced student in mind. David sets out to rectify that imbalance and his arrangements aim to put all three players on an equal footing. Of easy to intermediate standard, they are ideal for violinists, cellists and pianists who are now ready to try their hand at proper chamber music. The music is fun and instantly recognizable, drawing on Grieg's 'Peer Gynt”, Tchaikovsky's 'Nutcracker” and Leopold Mozart's 'Musical Sleigh Ride”./ Recueil / Violon Ou Flûte, Violoncelle Et Piano

This small gem---originally for choir and piano---features delightful counterpoint that is great fun to play. (6:05) / Orchestre A Cordes

Par VAN DER ROOST JAN. In this moderately easy suite, Jan Van der Roost uses four authentic folk tunes from the Swedish-speaking part of Finland. These are from Nagu, Oravais, Lappfjärd and Karlebynejden, and have been joined together without pauses to form a continuous suite. The work begins with noble, almost meditative melodies. Gradually the tempo becomes faster, resulting in a brilliant and cheerful folk dance. The melody regularly goes from one band section to another ensuring that the timbre remains varied and there is no question of monotony. This is an attractive suite which is within the range of the majority of concert bands. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie