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Couverture
Concerto for Cello and Orchestra (Concertstück)
68.50
Concerto for Cello and Orchestra (Concertstück)
Violoncelle, Orchestre
[Partition]
Peters
Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered ...
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Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Orchestre
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Cello Concerto (BRYARS GAVIN)
38.80
Cello Concerto (BRYARS GAVIN)
Violoncelle, Orchestre
[Conducteur d'étude / Miniature]
Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...
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Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars/ Répertoire / Violoncelle et Orchestre
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Cello Dreaming (Score) (SCULTHORPE PETER)
16.30
Cello Dreaming (Score) (SCULTHORPE PETER)
Violoncelle, Orchestre
[Partition]
-
Facile
Faber Music Limited
Par SCULTHORPE PETER. Written in 1998, Peter Sculthorpe's calm work draws its in...
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Par SCULTHORPE PETER. Written in 1998, Peter Sculthorpe's calm work draws its inspiration from his own environmental concerns for Northern Australia's so-called 'Top End'. There, along the coastline, Aboriginal and Torres Strait Island cultures mingle with those of Melanesia and Indonesia. Cello Dreaming reflects this plurality. / Niveau : Assez Facile / Répertoire / Conducteur
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Cello Concerto (WALTON WILLIAM)
39.30
Cello Concerto (WALTON WILLIAM)
Violoncelle, Orchestre
[Partition]
-
Avancé
Oxford University Press
William Walton Edition. Par WALTON WILLIAM. This edition of Walton's Cello Conce...
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William Walton Edition. Par WALTON WILLIAM. This edition of Walton's Cello Concerto combines the scholarship of the Wiliam Walton Edition with the practical benefits of a study score, including an introduction by the editor. Written 1956, the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos. / Niveau : Très Avancé / Répertoire / Violoncelle et Orchestre
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Concerto For Cello (VINE CARL)
43.40
Concerto For Cello (VINE CARL)
Violoncelle, Orchestre
[Partition]
Faber Music Limited
Par VINE CARL. Composed for Steven Isserlis in 2004, Carl Vine's Cello Concerto ...
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Par VINE CARL. Composed for Steven Isserlis in 2004, Carl Vine's Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette. The Concerto begins arrestingly, with soloist pitted against orchestra, though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section, whilst relentless motor rhythms drive the work to its close./ Répertoire / Violoncelle et Orchestre
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Datura op. 57 (YE XIAOGANG)
41.20
Datura op. 57 (YE XIAOGANG)
Flute, Violin, Cello and Piano
[Conducteur et Parties séparées]
Schott
Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and w...
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Par YE XIAOGANG. 'Datura was commissioned by Accessible Contemporary Music and was written in a unique way. I composed the piece in installments over the summer of 2006 and emailed them to Seth Boustead who forwarded them on to the ensemble. In this unique way of working I was able to have time between each installment to think about what would come next and to get feedback from the performers about the music. This is a very new and different way for a composer to work. Usually I write the piece in solitude and then hand it to the performers but writing in installments allows more communications between the performers and the composer and allows the audience to hear the piece as its created. Datura is another series of pieces composer written about Asian plants and flowers. Datura is a very common houseplant in south China and very beautiful but it can also be used as a hallucinogen, usually with unpleasant results. In this piece the composer juxtaposed the other beauty of the plant with the intense inner would it can create by using alternately tranquil and intense musical passages.' (Xiaogang Ye)/ Répertoire / Flute, Violin, Cello and Piano
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Christmas Cello-Bration (S/O)
71.40
Christmas Cello-Bration (S/O)
Orchestre à Cordes
Alfred Publishing
Showcase your cellos! This piece, arranged by Bob Phillips, will make them sound...
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Showcase your cellos! This piece, arranged by Bob Phillips, will make them sound great! Featuring 'What Child Is This',' 'Oh Come, Oh Come Emmanuel,' and 'Angels We Have Heard on High.' A perfect training exercise for third and fourth positions for the cellos, this lovely medley also includes a bit of easy third position for the first violins. The melody for the cellos is mostly on the A-string. (3:20) / Orchestre A Cordes
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Trio (MARTINU BOHUSLAV)
63.50
Trio (MARTINU BOHUSLAV)
Trio à Cordes: violon, alto, violoncelle
Heugel
Par MARTINU BOHUSLAV. Bohuslav Martin (1890-1959) was a prolific Czech composer,...
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Par MARTINU BOHUSLAV. Bohuslav Martin (1890-1959) was a prolific Czech composer, writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. His String Trio was published in 1951. Martin himself was a violinist and many of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument and for the familiar strings. String Trio is made up of two movements; 1) Allegro and 2) Poco moderato. With a typical performance lasting about 15 and a half minutes, the String Trio for Violin, Viola and Celloprovides advanced string players with an exciting, challenging and inspiring ensemble work, addressing a variety of musical features. Martin 's String Trio is essential to aspiring string ensembles./ Répertoire / Violon, Alto et Violoncelle
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The Road To Chancellorsville (KIDD BRYAN)
13.10
The Road To Chancellorsville (KIDD BRYAN)
Orchestre d'harmonie
[Conducteur]
-
Facile
Curnow Music
Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol”...
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Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol” march, THE ROAD TO CHANCELLORSVILLE takes us back to that pivotal point in history, the American Civil War. The Battle of Chancellorsville is regarded as Confederate General Robert E. Lee’s most brilliant victory, but the cost was so high that the Secessionist forces never really recovered. They were forced to surrender less than two years later. Opening with light percussion and just two piccolos (substitute two flutes if necessary) this bright and easy march builds relentlessly from beginning to end. March into history with THE ROAD TO CHANCELLORSVILLE. / Niveau : 2 / Marche / Répertoire / Concert Band ou Harmonie
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The Road To Chancellorsville (KIDD BRYAN)
67.20
The Road To Chancellorsville (KIDD BRYAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Facile
Curnow Music
Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol”...
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Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol” march, THE ROAD TO CHANCELLORSVILLE takes us back to that pivotal point in history, the American Civil War. The Battle of Chancellorsville is regarded as Confederate General Robert E. Lee’s most brilliant victory, but the cost was so high that the Secessionist forces never really recovered. They were forced to surrender less than two years later. Opening with light percussion and just two piccolos (substitute two flutes if necessary) this bright and easy march builds relentlessly from beginning to end. March into history with THE ROAD TO CHANCELLORSVILLE. / Niveau : 2 / Marche de concert / Répertoire / Concert Band
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The Road To Chancellorsville (KIDD BRYAN)
97.60
The Road To Chancellorsville (KIDD BRYAN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Facile
Curnow Music
Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol”...
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Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol” march, THE ROAD TO CHANCELLORSVILLE takes us back to that pivotal point in history, the American Civil War. The Battle of Chancellorsville is regarded as Confederate General Robert E. Lee’s most brilliant victory, but the cost was so high that the Secessionist forces never really recovered. They were forced to surrender less than two years later. Opening with light percussion and just two piccolos (substitute two flutes if necessary) this bright and easy march builds relentlessly from beginning to end. March into history with THE ROAD TO CHANCELLORSVILLE. / Niveau : 2 / Marche / Répertoire / Concert Band ou Harmonie
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Laude Cortonese Vol. 3 (BRYARS GAVIN)
35.70
Laude Cortonese Vol. 3 (BRYARS GAVIN)
Voix et Instruments
[Conducteur]
Schott
for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotio...
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for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars’ first and second volume of laude, which singers around the world have added to their repertoire, this third volume for various combinations of soprano, tenor, viola, cello, double bass and bass clarinet provides new opportunities for performers and audiences to experience these devastatingly beautiful works./ Répertoire / Voix et Instruments
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Konzert Für Violoncello Und Orchester (ELGAR EDWARD)
25.20
Konzert Für Violoncello Und Orchester (ELGAR EDWARD)
Violoncelle, Orchestre
[Partition]
Barenreiter
Par ELGAR EDWARD. Edward Elgar’s concerto for violoncello, his last major work...
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Par ELGAR EDWARD. Edward Elgar’s concerto for violoncello, his last major work, is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar’s editorial skills show themselves in the exacting placement of dynamics, articulation and expression markings. The edition restores all Elgar’s solo cello fingerings and bowings and offers a facsimile of the original solo cello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar’s baton. This is the last word on this famous work, a referenceedition for every cellist! First ever critical edition All existing sources consulted First ever critical commentary Full score & parts (BA9040), cello & piano (BA9040-90) and study score format 22. 5 x 16. 5cm (TP398) available for sale/ Répertoire / Violoncelle et Orchestre
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Fanfares
27.50
Fanfares
Violoncelle, Orchestre
Barenreiter
This study score is based on the score and complete performance material of Dvor...
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This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
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Concert N01 (SCHNITTKE ALFRED)
66.80
Concert N01 (SCHNITTKE ALFRED)
Violoncelle, Orchestre
[Partition]
Sikorski
für Violoncello und Orchester. Par SCHNITTKE ALFRED. Schnittke’s first cello ...
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für Violoncello und Orchester. Par SCHNITTKE ALFRED. Schnittke’s first cello concerto was written during a near fatal time in his life, after having suffered a severe stroke in 1985, during which his heart stopped three times. Upon recovery he completed the concerto, the music becoming more dissonant and discordant, with the melodies more contorted. The first cello concerto was a monumental endeavor for large orchestra, and approximately 40 minutes in duration. The work was written for Schnittke’s close friend, Russian cellist Natalia Gutman. The solo part is most feverish and virtuosic, exhausting the performer both technically and emotionally. The last, fourth, movement creates an unusual structuralprogression, ending in what feels like a celestial, hymn-like prayer. Schnittke himself said: Suddenly I was given this finale from somewhere, and I’ve just written it down. Available here is the study score for Schnittke’s emotionally and technically demanding Cello Concerto No. 1. This Sikorski edition study score is well presented, and provides an excellent resource for study or perusal use./ Répertoire / Violoncelle et Orchestre
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Schoenberg... Est Mort! (SCHAATHUN ASBJORN)
55.10
Schoenberg... Est Mort! (SCHAATHUN ASBJORN)
Trio à Cordes: violon, alto, violoncelle
Wilhelm Hansen
Par SCHAATHUN ASBJORN. In 2017, the Zebra Trio premiered Schönberg...est mort, ...
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Par SCHAATHUN ASBJORN. In 2017, the Zebra Trio premiered Schönberg...est mort, a trio for Violin, Viola and Cello by the Norwegian compoer Asbjørn Schaathun. The world premiere was at the Arnold Schönberg Institute in Vienna. Score available: WH32800 In 2017, the Zebra Trio premiered Schönberg...est mort, a trio for Violin, Viola and Cello by the Norwegian compoer Asbjørn Schaathun. The world premiere was at the Arnold Schönberg Institute in Vienna. Score available: WH32800 / Musique contemporaine / Répertoire / Violon, Alto et Violoncelle
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Mélodie Concertante Pour Violoncelle Et Orchestre (SAUGUET HENRI)
38.00
Mélodie Concertante Pour Violoncelle Et Orchestre (SAUGUET HENRI)
En Français
Violoncelle, Orchestre
[Conducteur]
Chant du Monde
Par SAUGUET HENRI. Henri Sauguet's Mélodie Concertante for Cello and Orchestra....
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Par SAUGUET HENRI. Henri Sauguet's Mélodie Concertante for Cello and Orchestra. Henri Sauguet's Mélodie Concertante for Cello and Orchestra. / Classique / Répertoire / Violoncelle et Orchestre
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Christmas Round The World. Stringsets Ps (HUWS JONES EDWARD)
16.30
Christmas Round The World. Stringsets Ps (HUWS JONES EDWARD)
Trio à Cordes: violon, alto, violoncelle
[Partition]
Faber Music Limited
Par HUWS JONES EDWARD. Christmas Round The World brings together carols from fiv...
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Par HUWS JONES EDWARD. Christmas Round The World brings together carols from five countries, in settings which explore the vivid national charateristics of each country through the ages.Ideal for both string orchestra and quartet use, the arrangements exploit all the techniques and colous of the school or amatuer ensemble. There is plently of melodic interest for the inner parts and cello, while jazz, latin-american and medieval music provide the inspiration for the up-beat accompaniments. The beginners' line (suitable for Violin, Viola and Cello) allows everyone to join in the fun of festive music making at Christmas./ Répertoire / Set de Cordes
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Mot Natten - Towards Night (HEINIO MIKKO)
30.80
Mot Natten - Towards Night (HEINIO MIKKO)
Violoncelle , Guitare (duo)
[Partition]
Fennica Gehrman
3 Nocturnes and 2 Interludes For Cello and Guitar. Par HEINIO MIKKO. Mikko Heini...
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3 Nocturnes and 2 Interludes For Cello and Guitar. Par HEINIO MIKKO. Mikko Heiniö's Mot natten (Towards night), three nocturnes and two interludes for cello and guitar was composed in 2018. This suite found its inspiration and name in Finnish poet Bo Carpelan's (1926-2011) posthumous poetry collection Mot natten (2013), though the movements are not tied to specific poems. The first nocturne, Obscuro (‘twilight'), dominated by pizzicatos, is followed by a more dynamic interlude, Spasimo (‘spasm'). The fragile second nocturne, Sospiro (‘sigh'), is coloured by delicate micro-interval chords plucked on the guitar between the left hand and the nut. The interlude Passi (‘steps') leads with taps on the sound box straight into the third nocturne, Battito (‘beat'), the way having been paved by the heartbeat of strong guitar pizzicatos. The duration is c. 11'30''. The product includes one full score and separate parts for guitar and violoncello./ Répertoire / Violoncelle et Guitare
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Miniature Trio, Op. 81. Violin, Cello And Piano (GURLITT CORNELIUS)
12.30
Miniature Trio, Op. 81. Violin, Cello And Piano (GURLITT CORNELIUS)
Trio avec Piano
[Partition]
Stainer and Bell
Par GURLITT CORNELIUS. For Violin, Cello and Piano. For Violin, Cello and Piano....
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Par GURLITT CORNELIUS. For Violin, Cello and Piano. For Violin, Cello and Piano./ Répertoire / Trio avec Piano
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Concerto Pour Violoncelle Et Orchestre #1 (SCHNITTKE ALFRED)
104.10
Concerto Pour Violoncelle Et Orchestre #1 (SCHNITTKE ALFRED)
En Français
Violoncelle, Orchestre
[Partition]
Chant du Monde
Par SCHNITTKE ALFRED. Alfred Schnittke's Concerto No. 1 for Solo Cello and Orche...
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Par SCHNITTKE ALFRED. Alfred Schnittke's Concerto No. 1 for Solo Cello and Orchestra. Alfred Schnittke's Concerto No. 1 for Solo Cello and Orchestra./ Répertoire / Violoncelle et Orchestre
104.10 EUR - vendu par LMI-partitions
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Going Up? For Flute, Viola And Cello (ROKEACH MARTIN)
26.00
Going Up? For Flute, Viola And Cello (ROKEACH MARTIN)
Flûte Traversière, Alto et Violoncelle
[Conducteur et Parties séparées]
Alry Publications
Par ROKEACH MARTIN. Going Up? was commissioned in 2007 by the New York trio Eigh...
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Par ROKEACH MARTIN. Going Up? was commissioned in 2007 by the New York trio Eight Strings and a Whistle and completed in 2008. The material and energy of the piece continually pulls the listener upward, hence the title. There are three themes, all ascending, introduced in the first moments respectively by the flute as the piece opens, the pizzicato cello in measure 4, and the pizzicato cello again in measure 8./ Répertoire / Flûte Traversière, Alto et Violoncelle
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Miniature Trios For Violin, Cello And Piano. Carriage And Pair (CARSE ADAM)
12.30
Miniature Trios For Violin, Cello And Piano. Carriage And Pair (CARSE ADAM)
Trio avec Piano
[Partition]
Stainer and Bell
Par CARSE ADAM. For Violin, Cello and Piano. For Violin, Cello and Piano./ Répe...
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Par CARSE ADAM. For Violin, Cello and Piano. For Violin, Cello and Piano./ Répertoire / Trio avec Piano
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Great Romantic Cello Full Scor (SCHUMANN / SAINT-SAENS / DVORAK)
26.90
Great Romantic Cello Full Scor (SCHUMANN / SAINT-SAENS / DVORAK)
Orchestre
[Partition]
Dover Publications
Schumann, Saint-Saens, Dvorak . Par SCHUMANN / SAINT-SAENS / DVORAK. Complete sc...
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Schumann, Saint-Saens, Dvorak . Par SCHUMANN / SAINT-SAENS / DVORAK. Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination and individual interpretation of the concerto form. Complete and unabridged edition. Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination and individual interpretation of the concerto form. Complete and unabridged edition./ Répertoire / Orchestre
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Drollerie-Polka Op. 231 (STRAUSS JOHANN (FILS))
22.80
Drollerie-Polka Op. 231 (STRAUSS JOHANN (FILS))
Orchestre de chambre
Doblinger
Polka Schnell F. Klar., 2 Vl., Vla., Vc.. Par STRAUSS JOHANN (FILS). Weil kultiv...
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Polka Schnell F. Klar., 2 Vl., Vla., Vc.. Par STRAUSS JOHANN (FILS). Weil kultivierte Geselligkeit ohne Musik kaum denkbar ist, konnte das traditionsreiche Verlagshaus Doblinger kaum einen besseren Titel als 'Wiener Melange' für seine Reihe mit Alt-Wiener Tanzmusik wählen, in der effektvolle und gut spielbare Bearbeitungen populärer Kompositionen von Johann Strauß Sohn u. a. erschienen sind. Die Besetzung orientiert sich an den Gepflogenheiten bürgerlicher Haus- und Salonmusik - was dem ungarischen Fürsten die eigene Hofkapelle im Ballsaal seiner Wiener Residenz, war dem Geheimen Rat das Streichquartett im großbürgerlichen Salon (oft übernahm dabei der klangstärkere Kontrabass die Stelle des Cellos)./ Répertoire / Musique de Chambre
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Schubert Franz - String Quintet C Major Op.163 D 956 - 2 Violins, Viola, 2 Cellos
15.80
Schubert Franz - String Quintet C Major Op.163 D 956 - 2 Violins, Viola, 2 Cellos
Conducteur de poche, d'étude
[Conducteur d'étude / Miniature]
Eulenburg
EDITION : STUDY SCORE INSTRUMENTATION : 2 VIOLINS, VIOLA, 2 CELLOS CATALOGUE OF ...
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EDITION : STUDY SCORE INSTRUMENTATION : 2 VIOLINS, VIOLA, 2 CELLOS CATALOGUE OF WORKS : D 956 NUMBER OF PAGES : 78 ARRANGER : HOCHKOFLER, MAX SERIES : EULENBURG MINIATURE SCORES
15.80 EUR - vendu par Woodbrass
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Dvorak Antonin - String Sextet A Major Op.48 B 80 - 2 Violins, 2 Violas And 2 Cellos
15.30
Dvorak Antonin - String Sextet A Major Op.48 B 80 - 2 Violins, 2 Violas And 2 Cellos
Conducteur de poche, d'étude
[Conducteur d'étude / Miniature]
Eulenburg
EDITION : STUDY SCORE INSTRUMENTATION : 2 VIOLINS, 2 VIOLAS AND 2 CELLOS CATALOG...
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EDITION : STUDY SCORE INSTRUMENTATION : 2 VIOLINS, 2 VIOLAS AND 2 CELLOS CATALOGUE OF WORKS : B 80 NUMBER OF PAGES : 68 SERIES : EULENBURG MINIATURE SCORES
15.30 EUR - vendu par Woodbrass
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Trio In E Flat Op. 52 (DOTZAUER JUSTUS JOHANN FRIEDRICH)
47.40
Trio In E Flat Op. 52 (DOTZAUER JUSTUS JOHANN FRIEDRICH)
Trio à Cordes: violon, alto, violoncelle
Amadeus Verlag
For Violin, Viola And Cello. Par DOTZAUER JUSTUS JOHANN FRIEDRICH. / Répertoire...
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For Violin, Viola And Cello. Par DOTZAUER JUSTUS JOHANN FRIEDRICH. / Répertoire / Violon, Alto et Violoncelle
47.40 EUR - vendu par LMI-partitions
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Snapshots For Flûte, Clarinet, Violin, Cello And Piano (HAYES MORGAN)
28.30
Snapshots For Flûte, Clarinet, Violin, Cello And Piano (HAYES MORGAN)
Flûte Traversière Clarinette, Violon, Violoncelle
[Partition]
Stainer and Bell
For Flute, Clarinet, Violin, Cello and Piano. Par HAYES MORGAN. Wind and Brass/ ...
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For Flute, Clarinet, Violin, Cello and Piano. Par HAYES MORGAN. Wind and Brass/ Répertoire / Flûte Traversière Clarinette, Violon, Violoncelle
28.30 EUR - vendu par LMI-partitions
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Diamond Dust - Piano Concerto No. 2 (FUJIKURA DAI)
84.60
Diamond Dust - Piano Concerto No. 2 (FUJIKURA DAI)
Orchestre de chambre
-
Intermédiaire/avancé
Ricordi
Piano, flute, oboe, clarinet, horn, trumpet, trombone, percussion, 2 violins, vi...
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Piano, flute, oboe, clarinet, horn, trumpet, trombone, percussion, 2 violins, viola, cello, dbass. Par FUJIKURA DAI. English / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-08/ Répertoire / Ensemble de Chambre
84.60 EUR - vendu par LMI-partitions
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