Liberty Fanfare Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Brass Band - Grade 5 SKU: BT.AMP-054-030 Written especially for the Re...(+)
Brass Band - Grade 5
SKU:
BT.AMP-054-030
Written especially for
the Red. of the Statue
of. Composed by John
Williams. Ceremonial
Series. Opening Pieces.
Set (Score & Parts).
Composed 2003. Anglo
Music Press #AMP 054-030.
Published by Anglo Music
Press (BT.AMP-054-030).
Liberty
Fanfare follows the
successful pattern that
John Williams has made
his own in a series of
ceremonial fanfares. The
grandeur and energy that
are heard in this
exciting short work form
a juxtaposition and
eventual combination of
lively fanfare figures
together with a broader
theme. It’s
concise form and simple
directness makes a bold
opening statement for any
concert.
Die
Freiheitsstatue im New
Yorker Hafen wurde am 28.
Oktober 1886 eingeweiht.
Liberty Fanfare entstand
zur Wiedereinweihung nach
der Restauration im Jahr
1986. Sie weist das
gleiche erfolgreiche
Muster auf, das Williams
sich in einer Reihe von
festlichen Fanfaren zu
eigen gemacht hat,
darunter Olympic Fanfare
and Theme, Olympic Spirit
und Summon the Heroes.
Ihre Größe und
Energie erwächst aus
der Nebeneinanderstellung
und letztendlichen
Kombination von lebhaften
Fanfarefiguren und einem
breiteren Thema. Diese
Formel wurde brillant
angewendet in Liberty
Fanfare, einer von
Williams kürzeren
Fanfaren, die dafür
aber von einer
prägnanten Form und
einfachen Direktheit
profitiert.
Liberty Fanfare Ensemble de cuivres [Conducteur] - Intermédiaire Anglo Music
Brass Band - Grade 5 SKU: BT.AMP-054-130 Written especially for the Re...(+)
Brass Band - Grade 5
SKU:
BT.AMP-054-130
Written especially for
the Red. of the Statue
of. Composed by John
Williams. Ceremonial
Series. Opening Pieces.
Score Only. Composed
2003. Anglo Music Press
#AMP 054-130. Published
by Anglo Music Press
(BT.AMP-054-130).
Liberty
Fanfare follows the
successful pattern that
John Williams has made
his own in a series of
ceremonial fanfares. The
grandeur and energy that
are heard in this
exciting short work form
a juxtaposition and
eventual combination of
lively fanfare figures
together with a broader
theme. It’s
concise form and simple
directness makes a bold
opening statement for any
concert.
Die
Freiheitsstatue im New
Yorker Hafen wurde am 28.
Oktober 1886 eingeweiht.
Liberty Fanfare entstand
zur Wiedereinweihung nach
der Restauration im Jahr
1986. Sie weist das
gleiche erfolgreiche
Muster auf, das Williams
sich in einer Reihe von
festlichen Fanfaren zu
eigen gemacht hat,
darunter Olympic Fanfare
and Theme, Olympic Spirit
und Summon the Heroes.
Ihre Größe und
Energie erwächst aus
der Nebeneinanderstellung
und letztendlichen
Kombination von lebhaften
Fanfarefiguren und einem
breiteren Thema. Diese
Formel wurde brillant
angewendet in Liberty
Fanfare, einer von
Williams kürzeren
Fanfaren, die dafür
aber von einer
prägnanten Form und
einfachen Direktheit
profitiert.
A Midwest Fanfare Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Brass Band - Grade 5 SKU: BT.AMP-473-030 Composed by Philip Sparke. Cerem...(+)
Brass Band - Grade 5
SKU:
BT.AMP-473-030
Composed by Philip
Sparke. Ceremonial
Series. Opening Pieces.
Set (Score & Parts).
Composed 2019. Anglo
Music Press #AMP 473-030.
Published by Anglo Music
Press (BT.AMP-473-030).
English-German-French-
Dutch.
A Midwest
Fanfare was
commissioned by the Brass
Band of Battle Creek and
premiered by them during
their appearance at the
Midwest Clinic in Chicago
on 20th December 2017
where this fanfare was
the opening piece of the
entire event. This piece
is designed to be played
with the cornets split
into two teams either
side of the band. It
opens with the two groups
answering each other
antiphonally over a
repeated figure in the
lower band. A calmer
central section
introduces a euphonium
solo which is then taken
up by the whole ensemble.
This leads back to a
repeat of the opening
fanfares over a rhythmic
accompaniment and a short
coda which brings the
work to a
close.
A
Midwest Fanfare werd
geschreven in opdracht
van de Brass Band of
Battle Creek en op 20
december 2017 door dit
ensemble in première
gebracht als openingswerk
op de Midwest Clinic in
Chicago. Het werk is zo
gecomponeerd dat de
kornetten in twee teams
worden verdeeld, die aan
weerszijden van de band
komen te staan. Deze twee
groepen antwoorden elkaar
op antifonale wijze boven
een herhaald motief in de
lagere registers. Een
rustiger centraal
gedeelte introduceert een
eufoniumsolo, die
aansluitend wordt
overgenomen door de
complete band. Deze
passage mondt uit in een
herhaling van de
openingsfanfares boven
een ritmische
begeleiding, waarna het
werk met een korte coda
fraaiwordt afgesloten.
A Midwest
Fanfare wurde von der
Brass Band of Battle
Creek in Auftrag gegeben
und bei ihrem Auftritt
anlässlich der Midwest
Clinic in Chicago am 20.
Dezember 2017
uraufgeführt, wo diese
Fanfare den Auftakt
für die gesamte
Veranstaltung bildete.
Das Stück ist so
konzipiert, dass die
Kornette in zwei Gruppen
aufgeteilt sind und auf
beiden Seiten der Brass
Band platziert werden. Es
beginnt mit einem
Wechselgesang der beiden
Gruppen, der über
einer sich wiederholenden
Melodie in den tieferen
Stimmen der Brass Band
erklingt. Im ruhigeren
Mittelteil wird ein
Euphonium-Solo
vorgestellt, das dann vom
gesamten Ensemble
aufgenommen wird.
Schließlich kehren die
Eröffnungsfanfarenü
ber einer rhythmischen
Begleitung zurück und
eine kurze Coda bringt
das Werk zum Abschluss.
A Midwest Fanfare Ensemble de cuivres [Conducteur] - Intermédiaire Anglo Music
Brass Band - Grade 5 SKU: BT.AMP-473-130 Composed by Philip Sparke. Cerem...(+)
Brass Band - Grade 5
SKU:
BT.AMP-473-130
Composed by Philip
Sparke. Ceremonial
Series. Opening Pieces.
Score Only. Composed
2019. 12 pages. Anglo
Music Press #AMP 473-130.
Published by Anglo Music
Press (BT.AMP-473-130).
English-German-French-
Dutch.
A Midwest
Fanfare was
commissioned by the Brass
Band of Battle Creek and
premiered by them during
their appearance at the
Midwest Clinic in Chicago
on 20th December 2017
where this fanfare was
the opening piece of the
entire event. This piece
is designed to be played
with the cornets split
into two teams either
side of the band. It
opens with the two groups
answering each other
antiphonally over a
repeated figure in the
lower band. A calmer
central section
introduces a euphonium
solo which is then taken
up by the whole ensemble.
This leads back to a
repeat of the opening
fanfares over a rhythmic
accompaniment and a short
coda which brings the
work to a
close.
A
Midwest Fanfare werd
geschreven in opdracht
van de Brass Band of
Battle Creek en op 20
december 2017 door dit
ensemble in première
gebracht als openingswerk
op de Midwest Clinic in
Chicago. Het werk is zo
gecomponeerd dat de
kornetten in twee teams
worden verdeeld, die aan
weerszijden van de band
komen te staan. Deze twee
groepen antwoorden elkaar
op antifonale wijze boven
een herhaald motief in de
lagere registers. Een
rustiger centraal
gedeelte introduceert een
eufoniumsolo, die
aansluitend wordt
overgenomen door de
complete band. Deze
passage mondt uit in een
herhaling van de
openingsfanfares boven
een ritmische
begeleiding, waarna het
werk met een korte coda
fraaiwordt afgesloten.
A Midwest
Fanfare wurde von der
Brass Band of Battle
Creek in Auftrag gegeben
und bei ihrem Auftritt
anlässlich der Midwest
Clinic in Chicago am 20.
Dezember 2017
uraufgeführt, wo diese
Fanfare den Auftakt
für die gesamte
Veranstaltung bildete.
Das Stück ist so
konzipiert, dass die
Kornette in zwei Gruppen
aufgeteilt sind und auf
beiden Seiten der Brass
Band platziert werden. Es
beginnt mit einem
Wechselgesang der beiden
Gruppen, der über
einer sich wiederholenden
Melodie in den tieferen
Stimmen der Brass Band
erklingt. Im ruhigeren
Mittelteil wird ein
Euphonium-Solo
vorgestellt, das dann vom
gesamten Ensemble
aufgenommen wird.
Schließlich kehren die
Eröffnungsfanfarenü
ber einer rhythmischen
Begleitung zurück und
eine kurze Coda bringt
das Werk zum Abschluss.
Five Festive Fanfares Fanfare [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-005-020 Composed by Philip Sparke. Cer...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-005-020
Composed by Philip
Sparke. Ceremonial
Series. Opening Pieces.
Set (Score & Parts).
Composed 2001. Anglo
Music Press #AMP 005-020.
Published by Anglo Music
Press (BT.AMP-005-020).
This collection
will provide fanfares for
any occasion: concert
opener, presentation
ceremony or celebrations
of all kinds. The variety
of styles and durations
(from ten seconds to two
minutes) will ensure you
will always find the
right fanfare for the
right moment.
Deze afwisselende
fanfares zijn geschikt
voor diverse feestelijke
gelegenheden. Door de
variatie in stijl en
speelduur hebt u met
Five Festive
Fanfares altijd de
passende fanfare voor het
juiste moment in
huis!
Mit diesen
fünf festlichen
Fanfaren sind Sie für
jede Gelegenheit
gerüstet, sei es
für eine
Konzerteröffnung,
für repräsentative
Anlässe oder für
Feiern jeder Art. Die
Variationsbreite der
Stile und der Dauer ist
so groß, dass Sie mit
Sicherheit die richtige
Fanfare für den
richtigen Moment
finden.
Fanfare Band - Grade 4 SKU: BT.AMP-005-120 Composed by Philip Sparke. Cer...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-005-120
Composed by Philip
Sparke. Ceremonial
Series. Opening Pieces.
Score Only. Composed
2001. Anglo Music Press
#AMP 005-120. Published
by Anglo Music Press
(BT.AMP-005-120).
This collection
will provide fanfares for
any occasion: concert
opener, presentation
ceremony or celebrations
of all kinds. The variety
of styles and durations
(from ten seconds to two
minutes) will ensure you
will always find the
right fanfare for the
right moment.
Mit
diesen fünf festlichen
Fanfaren sind Sie für
jede Gelegenheit
gerüstet, sei es
für eine
Konzerteröffnung,
für repräsentative
Anlässe oder für
Feiern jeder Art. Die
Variationsbreite der
Stile und der Dauer ist
so groß, dass Sie mit
Sicherheit die richtige
Fanfare für den
richtigen Moment
finden.
Ceremonial Entry Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000869-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000869-010
Composed by Jan Bosveld.
Set (Score & Parts). 80
pages. Gobelin Music
Publications #GOB
000869-010. Published by
Gobelin Music
Publications
(BT.GOB-000869-010).
Ceremonial
Entry is a
non-programmatic
introductory work in
which the timpani’s set
a slow movement supported
by a long pedal in the
basses. Interrupted by
signal like motifs the
dynamics gradually
increase resulting in a
heroic trumpet-call. The
motion becomes rounder
and is followed by a
section which brings to
mind the rhythmical
cadence of galley slaves
rowing. As the opening
slow movement returns a
climax follows similar to
the “Pini di Roma”
from the Italian composer
Ottorino Respighi.
Ceremonial Entry was
composed to celebrate the
25th Frysk Fanfare
Festival.
Ceremoni
al Entry is een
non-programmatisch
openingswerk waarin de
pauken een langzame,
stuwende beweging in gang
zetten ondersteund door
een lang orgelpunt in de
bassen. Onderbroken door
signaal-achtige motieven
wordt de dynamieklangzaam
opgevoerd en mondt uit in
een hero?sch
trompetsignaal. De
beweging wordt ronder en
er volgt een gedeelte dat
het beeld zou kunnen
oproepen van galeislaven
die in een ritmische
cadans aan de riemen
trekken. Als de
langzamebeweging van het
begin weer in gang wordt
gezet volgt er een climax
die doet denken aan Pini
di Roma van de Italiaanse
componist Ottorino
Respighi. Ceremonial
Entry is geschreven ter
gelegenheid van het 25ste
Frysk Fanfare
Festival.
Ceremonial Entry Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000869-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000869-140
Composed by Jan Bosveld.
Score Only. 10 pages.
Gobelin Music
Publications #GOB
000869-140. Published by
Gobelin Music
Publications
(BT.GOB-000869-140).
Ceremonial
Entry is a
non-programmatic
introductory work in
which the timpani’s set
a slow movement supported
by a long pedal in the
basses. Interrupted by
signal like motifs the
dynamics gradually
increase resulting in a
heroic trumpet-call. The
motion becomes rounder
and is followed by a
section which brings to
mind the rhythmical
cadence of galley slaves
rowing. As the opening
slow movement returns a
climax follows similar to
the “Pini di Roma”
from the Italian composer
Ottorino Respighi.
Ceremonial Entry was
composed to celebrate the
25th Frysk Fanfare
Festival.
Ceremoni
al Entry is een
non-programmatisch
openingswerk waarin de
pauken een langzame,
stuwende beweging in gang
zetten ondersteund door
een lang orgelpunt in de
bassen. Onderbroken door
signaal-achtige motieven
wordt de dynamieklangzaam
opgevoerd en mondt uit in
een hero?sch
trompetsignaal. De
beweging wordt ronder en
er volgt een gedeelte dat
het beeld zou kunnen
oproepen van galeislaven
die in een ritmische
cadans aan de riemen
trekken. Als de
langzamebeweging van het
begin weer in gang wordt
gezet volgt er een climax
die doet denken aan Pini
di Roma van de Italiaanse
componist Ottorino
Respighi. Ceremonial
Entry is geschreven ter
gelegenheid van het 25ste
Frysk Fanfare
Festival.
Juvavum Fanfare Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.4008947 (+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.4008947
Concert
Band, Grade 4 2:37 Score
and Parts. Composed
by Andreas Ziegelbä
and ck. Symphonic
Dimensions. Concert,
Concert Band. Softcover.
Duration 157 seconds. Hal
Leonard #SDP205-24-02.
Published by Hal Leonard
(HL.4008947).
UPC:
196288281764.
The
Juvavum Fanfare was
composed for the closing
concert of the first
part-time University
course in Wind Orchestra
Conducting at the
renowned Mozarteum
University Salzburg,
which took place from
2019 to 2021 for the
first time. This
celebratory opening
composition is dedicated
to the esteemed course
instructor and conductor,
Martin Fuchsberger, as
well as to all the
graduates who
successfully completed
this program. The name of
the fanfare,
“Juvavum,” derives
from the ancient Roman
name for Salzburg. This
connection to Salzburg is
not only evident in the
premiere of the piece at
the Mozarteum Salzburg
but also in its musical
depth. Thematically, the
initial fanfare and
subsequent lyrical
section draw from the
melody of Salzburg's
regional anthem, “Land
uns'rer Väter.” The
majestic fanfare echoes
the opening intervals of
this anthem. From bar 27
onward, a direct citation
of the melodic theme can
be heard. Both the
fanfare motifs and the
vocal lines of this
anthem are eventually
brought together in an
exhilarating final
ection. The Juvavum
Fanfare is ideally suited
to ceremonially open
concerts and provides an
engaging experience for
both listeners and
musicians alike due to
its appropriate
length.
Concert
Band, Grade 4 2:37
Score. Composed by
Andreas Ziegelbä and
ck. Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 157
seconds. Hal Leonard
#SDP205-24-01. Published
by Hal Leonard
(HL.4008948).
UPC:
196288281771.
The
Juvavum Fanfare was
composed for the closing
concert of the first
part-time University
course in Wind Orchestra
Conducting at the
renowned Mozarteum
University Salzburg,
which took place from
2019 to 2021 for the
first time. This
celebratory opening
composition is dedicated
to the esteemed course
instructor and conductor,
Martin Fuchsberger, as
well as to all the
graduates who
successfully completed
this program. The name of
the fanfare,
“Juvavum,” derives
from the ancient Roman
name for Salzburg. This
connection to Salzburg is
not only evident in the
premiere of the piece at
the Mozarteum Salzburg
but also in its musical
depth. Thematically, the
initial fanfare and
subsequent lyrical
section draw from the
melody of Salzburg's
regional anthem, “Land
uns'rer Väter.” The
majestic fanfare echoes
the opening intervals of
this anthem. From bar 27
onward, a direct citation
of the melodic theme can
be heard. Both the
fanfare motifs and the
vocal lines of this
anthem are eventually
brought together in an
exhilarating final
ection. The Juvavum
Fanfare is ideally suited
to ceremonially open
concerts and provides an
engaging experience for
both listeners and
musicians alike due to
its appropriate
length.
Hora Est Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1196115-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1196115-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2019. De Haske
Publications #DHP
1196115-020. Published by
De Haske Publications
(BT.DHP-1196115-020).
English-German-French-
Dutch.
Hora
Est! (Latin for
‘it is
time!’) was
composed to bid adieu to
Sjoerd de Boer’s
following forty years as
conductor of the Chr.
Fanfare Band, based in
the town of Wjelsryp in
the Netherlands. In the
Netherlands, this small
phrase, hora est, is
traditionally said upon
awarding a university
doctorate at graduation
ceremonies. The
composition was written
with Sjoerd de Boer
firmly in mind, mirroring
various aspects of his
life. The main motif of
the work consists of
three notes, forming his
initials: S (Eb) D B. At
a certain point, the
music is interrupted by a
thunderstorm and heavy
rain (forever a bad omen:
the debut for this work
took place a day after
such a deluge, but
fortunately their
open-air concert was met
with clear blue skies.)
The fanfare then plays an
Italianesque march, with
the motif of de
Boer’s initials
interwoven throughout.
The work re-uses this
motif twice towards the
end of the piece as one
might expect, by the
saxophones to create a
festive, driven and
virtuosic atmosphere.
Finally, the work comes
to an end with the
initials motif played
across the ensemble in
complete unison. The
powerful closing chords
symbolise a fond farewell
to de Boer: a driven and
extremely capable
conductor whose musical
mark on Concordia will be
felt for years to come.
Hora Est! is
suitable as a contest
piece and would be a
definite highlight for
any upcoming
concert.
Hora
Est! is gecomponeerd
ter gelegenheid van het
afscheid van Sjoerd de
Boer als dirigent van
Chr. Fanfarekorps
Concordia uit Wjelsryp
(Friesland), na maar
liefst veertig jaar.
Hora Est! is
Latijn voor ‘Het is
tijd!’. Het
zinnetje wordt
traditioneel uitgesproken
bij een promotie tot
doctor op de
universiteit, op het
moment dat de
vastgestelde tijd voor
verdediging van het
proefschrift om is. De
pedel komt dan binnen en
stampt met zijn staf op
de grond terwijl hij deze
woorden roept. In dat
opzicht verwijst de titel
naar de voormalige
universiteitsstad
Franeker, de woonplaats
van Sjoerd en de stad
waar hij jaren lang
leraar muziek was aan de
christelijke
scholengemeenschap.
Anderzijds verwijst de
titel naar zijn afscheid
van Concordia: ‘Het
is tijd!’.
Hora Est Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1196115-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1196115-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2019. 40 pages. De Haske
Publications #DHP
1196115-120. Published by
De Haske Publications
(BT.DHP-1196115-120).
English-German-French-
Dutch.
Hora
Est! (Latin for
‘it is
time!’) was
composed to bid adieu to
Sjoerd de Boer’s
following forty years as
conductor of the Chr.
Fanfare Band, based in
the town of Wjelsryp in
the Netherlands. In the
Netherlands, this small
phrase, hora est, is
traditionally said upon
awarding a university
doctorate at graduation
ceremonies. The
composition was written
with Sjoerd de Boer
firmly in mind, mirroring
various aspects of his
life. The main motif of
the work consists of
three notes, forming his
initials: S (Eb) D B. At
a certain point, the
music is interrupted by a
thunderstorm and heavy
rain (forever a bad omen:
the debut for this work
took place a day after
such a deluge, but
fortunately their
open-air concert was met
with clear blue skies.)
The fanfare then plays an
Italianesque march, with
the motif of de
Boer’s initials
interwoven throughout.
The work re-uses this
motif twice towards the
end of the piece as one
might expect, by the
saxophones to create a
festive, driven and
virtuosic atmosphere.
Finally, the work comes
to an end with the
initials motif played
across the ensemble in
complete unison. The
powerful closing chords
symbolise a fond farewell
to de Boer: a driven and
extremely capable
conductor whose musical
mark on Concordia will be
felt for years to come.
Hora Est! is
suitable as a contest
piece and would be a
definite highlight for
any upcoming
concert.
Hora
Est! is gecomponeerd
ter gelegenheid van het
afscheid van Sjoerd de
Boer als dirigent van
Chr. Fanfarekorps
Concordia uit Wjelsryp
(Friesland), na maar
liefst veertig jaar.
Hora Est! is
Latijn voor ‘Het is
tijd!’. Het
zinnetje wordt
traditioneel uitgesproken
bij een promotie tot
doctor op de
universiteit, op het
moment dat de
vastgestelde tijd voor
verdediging van het
proefschrift om is. De
pedel komt dan binnen en
stampt met zijn staf op
de grond terwijl hij deze
woorden roept. In dat
opzicht verwijst de titel
naar de voormalige
universiteitsstad
Franeker, de woonplaats
van Sjoerd en de stad
waar hij jaren lang
leraar muziek was aan de
christelijke
scholengemeenschap.
Anderzijds verwijst de
titel naar zijn afscheid
van Concordia: ‘Het
is tijd!’.
Grade 1 SKU: CL.024-4687-00 Composed by Robert W. Smith. Young Concert Ba...(+)
Grade 1
SKU:
CL.024-4687-00
Composed by Robert W.
Smith. Young Concert
Band. Rising Band Series
for Developing Bands!
Audio recording available
separately (item
CL.WFR396). Score and set
of parts. Composed 2018.
Duration 2 minutes, 24
seconds. C.L. Barnhouse
#024-4687-00. Published
by C.L. Barnhouse
(CL.024-4687-00).
This regal
musical statement begins
with a powerful fanfare
that will make your band
sound very mature. The
piece develops with a
contrasting and majestic
melodic line leading to a
return of the fanfare and
a powerful conclusion.
Appropriate for
concert/festival use, you
will also find this an
excellent choice for
ceremonial events in your
school and community. Our
highest
recommendation!
Grade 1 SKU: CL.024-4687-01 Composed by Robert W. Smith. Young Concert Ba...(+)
Grade 1
SKU:
CL.024-4687-01
Composed by Robert W.
Smith. Young Concert
Band. Rising Band Series
for Developing Bands!
Audio recording available
separately (item
CL.WFR396). Extra full
score. Composed 2018.
Duration 2 minutes, 24
seconds. C.L. Barnhouse
#024-4687-01. Published
by C.L. Barnhouse
(CL.024-4687-01).
This regal
musical statement begins
with a powerful fanfare
that will make your band
sound very mature. The
piece develops with a
contrasting and majestic
melodic line leading to a
return of the fanfare and
a powerful conclusion.
Appropriate for
concert/festival use, you
will also find this an
excellent choice for
ceremonial events in your
school and community. Our
highest
recommendation!
The Conqueror Fanfare [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-226-020 Contest March. Composed...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-226-020
Contest March.
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Set (Score & Parts).
Composed 2009. Anglo
Music Press #AMP 226-020.
Published by Anglo Music
Press (BT.AMP-226-020).
9x12 inches.
English-German-French-Dut
ch.
Philip Sparke
wrote this march for the
famous brass band contest
held ever year on Whit
Friday in Oldham and
Saddleworth. Given the
competition’s long
history (over 120 years),
he consciously composed
this piece in a very
traditional march form.
The title, The Conqueror,
refers to Alexander the
Great’s nickname
as well as being
something every band
aspires to be!
Philip Sparke
schrieb diesen Marsch
für die Teilnahme am
berühmten
Pfingstfreitag-Marschwett
bewerb in England. So
weist The
Conqueror auch
weitgehend die Form eines
Wettbewerbsmarsches auf.
Ganz im Sinne des
passenden Titels Der
Eroberer“ sollte es
für jedes
Blasorchester ein
Leichtes sein, Juroren
und/oder Publikum mit
dieser Musik zu
überzeugen!
Durante la
stagione musicale delle
brass band inglesi,
c’è un
appuntamento al quale gli
appassionati non possono
mancare: il celebre Whit
Friday March Contest, un
concorso
all’aperto che ha
luogo il venerdì dopo
l’Ascensione. Si
tratta di un evento cui
partecipano anche
formazioni straniere, tra
cui la Brass Band
Alexander di Stavanger in
Norvegia, per la quale
Philip Sparke ha composto
questa marcia. The
Conqueror fa parte
delle marce da concerto
tradizionali. Il titolo
si riallaccia ad
Alessandro Magno.
The Conqueror Fanfare [Conducteur] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-226-120 Contest March. Composed...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-226-120
Contest March.
Composed by Philip
Sparke. Ceremonial
Series. Concert March.
Score Only. Composed
2009. 28 pages. Anglo
Music Press #AMP 226-120.
Published by Anglo Music
Press (BT.AMP-226-120).
9x12 inches.
English-German-French-Dut
ch.
Philip Sparke
wrote this march for the
famous brass band contest
held ever year on Whit
Friday in Oldham and
Saddleworth. Given the
competition’s long
history (over 120 years),
he consciously composed
this piece in a very
traditional march form.
The title, The Conqueror,
refers to Alexander the
Great’s nickname
as well as being
something every band
aspires to be!
Philip Sparke
schrieb diesen Marsch
für die Teilnahme am
berühmten
Pfingstfreitag-Marschwett
bewerb in England. So
weist The
Conqueror auch
weitgehend die Form eines
Wettbewerbsmarsches auf.
Ganz im Sinne des
passenden Titels Der
Eroberer“ sollte es
für jedes
Blasorchester ein
Leichtes sein, Juroren
und/oder Publikum mit
dieser Musik zu
überzeugen!
Durante la
stagione musicale delle
brass band inglesi,
c’è un
appuntamento al quale gli
appassionati non possono
mancare: il celebre Whit
Friday March Contest, un
concorso
all’aperto che ha
luogo il venerdì dopo
l’Ascensione. Si
tratta di un evento cui
partecipano anche
formazioni straniere, tra
cui la Brass Band
Alexander di Stavanger in
Norvegia, per la quale
Philip Sparke ha composto
questa marcia. The
Conqueror fa parte
delle marce da concerto
tradizionali. Il titolo
si riallaccia ad
Alessandro Magno.
Marchissimo Fanfare [Conducteur et Parties séparées] - Facile Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-062-020 Composed by Philip Sparke. Cer...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-062-020
Composed by Philip
Sparke. Ceremonial
Series. Opening Pieces.
Set (Score & Parts).
Composed 2003. Anglo
Music Press #AMP 062-020.
Published by Anglo Music
Press (BT.AMP-062-020).
English-German-French-
Dutch.
Marchissimo
will make a fantastic
opening piece for any
concert. It does however
come with a twist! It can
be played simply as
written, but is really
designed to be
‘staged’
with players coming on
the concert platform one
by one as they begin to
play. The piece actually
consists of three marches
in one, each of which
highlights a section of
the band. The piece
culminates in a final
climax where all three
march themes are played
simultaneously.
Marchi
ssimo wurde als
Eröffnung eines
Konzerts geschrieben, da
es einem Spieler nach dem
Anderen Gelegenheit gibt,
auf die Bühne zu
treten. Im ersten Satz
treten erst die
Schlaginstrumente,
zusammen mit
Pikkoloflöte,
Bassklarinette, Euphonium
und Tuba auf. Im zweiten
Satz kommen Posaune,
Flöte, Klarinette und
schließlich Saxophon
hinzu. Im dritten Satz
komplettieren die
Hörner das
Blasorchester, welches im
fulminanten Schluss die
Themen aller drei
Sätze noch einmal
aufnimmt. Mit
Marchissimo ist
ein wirkungsvoller
Auftritt
garantiert!
Helios Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1033434-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1033434-020
Composed by Jan Van der
Roost. Brilliant Marches.
March. Set (Score &
Parts). Composed 2003. De
Haske Publications #DHP
1033434-020. Published by
De Haske Publications
(BT.DHP-1033434-020).
Following in
the footsteps of
Ceremonial March,
Mercury, Arsenal and
Minerva, Helios is a
concert march in the
tradition of grand
English marches. In the
first passage several
connected themes are
developed in a
combination of
contrasting nuances. The
melodic line of the trio
is long and expressive; a
characteristic found in
all Jan Van der
Roost’s marches.
Helios represents the
ideal combination of rich
thematic material with a
traditional harmonic
structure.
Helios
ist ein traditioneller
Konzertmarsch mit einem
gewissen britischen Flair
aus der Feder von Jan Van
der Roost. Zu Beginn wird
eine Reihe eingängiger
Themen in einer
gelungenen Verbindung von
Festlichkeit und Dynamik
präsentiert. Die
darauf folgende lange,
ausgedehnte Triomelodie
ist ausgesprochen
melodisch. Dies ist ein
typisches Merkmal der
vorangegangenen
Märsche von Jan Van
der Roost. Thematischer
Reichtum, verbunden mit
einer traditionellen,
aber aussagekräftigen
Harmonie, sind die
musikalischen Zutaten von
Helios.