For SATB soli, SATB chorus and orchestra, with English words adapted by William Bell.Vocal score with piano accompaniment. Latin and English text. / Chant Et Piano / 96 pages / Partition

Handel Coronation Anthems in Urtext editions for the first time'Zadok the Priest?(BA 10258) and 'The King shall rejoice?(BA 10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king's anointment, HWV 260 his actual coronation.Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra, it comes as no surprise that motifs from 'Zadok the Priest? have found their way into the official hymn of the UEFA Champions League.The present editions by the authoritative Handel scholar Stephan Blaut are the first to offer these two anthems based on the Urtext from the 'Halle Handel Edition?.- Bilingual Forewords (Ger/Eng)- Idiomatic piano reductions- Based on the Halle Handel Edition / Conducteur

Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Haverkam Piano, Ulrich/ Répertoire / Soliste, Choeur Mixte et Orchestre

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Full Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süssmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the “Requiem” fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozart’s musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus” - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Chœur Mixte SATB et Orchestre

Missa Dei Patris in C major ZWV 19 Breitkopf Urtext edited by Paul Horn and Reinhold Kubik [solos,mix ch,orch] 70' solos: SATB ' choir: SATB ' 0.2.0.1. ' 0.0.0.0. ' str ' bc The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae. The musical text of the present conductors score is based on that of Volume 93 of the Denkmäler edition Das Erbe deutscher Musik. The new piano-vocal score has been edited by the reputable expert Andreas Köhs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting' I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt)

Par BACH JOHANN SEBASTIAN. Piano score for mixed choir, solo voice and piano. Soli: SATB & Choir: SATB / Hymnes et chorals / Répertoire / Soliste, Choeur Mixte et Orchestre

Par HAYDN JOHANN MICHAEL. Piano scores for mixed choir, solo voice and piano. Soli: SATB & Choir: SATB / Hymnes et chorals / Répertoire / Soliste, Choeur Mixte et Orchestre

Par BACH JOHANN SEBASTIAN. Piano score for mixed choir, solo voice and piano. Soli: SATB & Choir: SATB / Hymnes et chorals / Répertoire / Soliste, Choeur Mixte et Orchestre

Par BACH JOHANN SEBASTIAN. Piano scores for mixed choir, solo voice and piano. Soli: SAB & Choir: SATB / Hymnes et chorals / Répertoire / Soliste, Choeur Mixte et Orchestre

Par BACH JOHANN SEBASTIAN. Piano score for mixed choir, solo voice and piano. Soli: STB & Choir: SATB / Hymnes et chorals / Répertoire / Soliste, Choeur Mixte et Orchestre

Par BACH JOHANN SEBASTIAN. Piano score for mixed choir, solo voice and piano. Soli: ATB & Choir: SATB / Hymnes et chorals / Répertoire / Soliste, Choeur Mixte et Orchestre

Par BACH JOHANN SEBASTIAN. Piano score for mixed choir, solo voice and piano. Soli: SAB and Choir: SATB / Hymnes et chorals / Répertoire / Soliste, Choeur Mixte et Orchestre