SKU: BR.BV-421

Complete Letters in 35 Volumes and Supplements. Composed by Richard Wagner. Edited by Andreas Mielke. Linen. Buchverlag Breitkopf & Hartel (Music Books).

Letters of the Siegfried year

Romantic period. Complete Works. 844 pages. Breitkopf and Haertel #BV 421. Published by Breitkopf and Haertel (BR.BV-421).

ISBN 9783765104213. 5.5 x 8.5 inches.

For Wagner, the year 1869 was another rather restless and enormously fruitful year, as far as the complete edition of his correspondence is concerned. The first half focuses above all on Siegfried the composer devotes much time to the score, which he had neglected for years. His son Siegfried is born in the midst of the work on Siegfried. In the fall, the world premiere of Rheingold dominates the correspondence, which also lays bare many quarrels, with Wagner demonstratively refusing to attend it. In 1869 Wagner also conducts a particularly intensive correspondence with Nietzsche, who pays several visits to Wagner. Finally, in late November, Wagner pointedly asks his patron King Ludwig II: Do you want my work as I want it or do you not want it so?1869 zeigt sich als ein Jahr der Umbruche, die in Cosimas Scheidung kulminieren. So bietet gerade dieser Band eine Schlusselphase in Wagners Entwicklung. Ein gelungener Meilenstein auf einer Strecke, deren Ende sich allmahlich abzeichnet. (Arno Mentzel-Reuters, Informationsmittel (IFB))

Letters of the Siegfried year.

Guitar solo - Advanced

SKU: DZ.DZ-4319

Composed by Paolo Rosini. Score. Les Productions d'OZ #DZ 4319. Published by Les Productions d'OZ (DZ.DZ-4319).

ISBN 9782898522369.

The Suite for guitar aims to blend tradition and modernity through the use of a language with a neobaroque imprint.
The canonical utilization of the fixed dances of the Suite (Allemande, Courante, Sarabande and Gigue preceded by an introductory Prelude) serves as a clear reference to the corresponding Baroque model characterized by alternation between slow and fast movements.
The style, on the other hand, appears to be moderately dissonant, yet still focused on a well-defined tonal framework. A personal use of both dissonances and modulations is intended to enhance the auditory experience while maintaining a strong connection to a specific tonal center (E), which serves as a stable reference point in the organization of the musical material.

La Suite pour guitare vise à mêler tradition et modernité à travers l’utilisation d’un langage à l’empreinte néobaroque.
L’ utilisation canonique des « danses fixes » de la Suite (Allemande, Courante, Sarabande et Gigue précédées d’un Prélude introductif) sert de référence claire au modèle baroque correspondant caractérisé par une alternance entre mouvements lents et rapides.
Le style, en revanche, semble modérément dissonant, tout en restant centré sur une structure tonale bien définie. Une utilisation personnelle des dissonances et des modulations vise à améliorer l’expérience auditive tout en maintenant une forte connexion à un centre tonal spécifique (E), qui sert de point de référence stable dans l’organisation du matériau musical.

Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Voice, Piano Accompaniment (Vocal Score). This edition: Urtext edition. Schott. Vocal score. 416 pages. Schott Music #ED20542. Published by Schott Music

Continuo realization (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-11

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 60 pages. Duration 60'. Breitkopf and Haertel #OB 5589-11. Published by Breitkopf and Haertel (BR.OB-5589-11).

ISBN 9790004344170. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violin 2 (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-16

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 36 pages. Duration 60'. Breitkopf and Haertel #OB 5589-16. Published by Breitkopf and Haertel (BR.OB-5589-16).

ISBN 9790004344200. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Double bass (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-27

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 28 pages. Duration 60'. Breitkopf and Haertel #OB 5589-27. Published by Breitkopf and Haertel (BR.OB-5589-27).

ISBN 9790004344231. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Drumset - Beginner

SKU: AP.20292US

Composed by Jost Nickel. Percussion - Drumset Personality Book. Book and Digital Download. 144 pages. Alfred Music #00-20292US. Published by Alfred Music (AP.20292US).

ISBN 9783947998289. UPC: 038081558240. English.

Jost Nickel'S BEGINNER BOOK is perfect if you want to start or restart playing the drums and like to work PRACTICALLY.
We've cut out long theory explanations and replaced them with helpful tips on HOW TO SET UP your drumset, and the techniques you need to play complete grooves right away.
Step by step, you'll learn the corresponding music notation and you can listen to all exercises thanks to the ONLINE audio examples recorded by Jost himself.
With gradually increasing levels of difficulty you will; practice FILLS in different note values; play DUETS with a friend, your teacher or the corresponding ONLINE AUDIO TRACKS; and internalize various important PLAYING TECHNIQUES, such as GHOST NOTES, CROSS STICK, and RIMSHOTS.
As you progress, you will naturally train your COORDINATION and TIMING, learn important standard patterns and develop an understanding of musical structures.
The BEGINNER BOOK is well rounded off with Jost's tips for effective practicing and several playlists with song examples for different playing techniques. I wrote this book for newcomers and those who want to start again.
I am confident that it is extremely suitable for use in lessons because of its practical approach and the playing technique needed to play the first rhythms is explained quickly and is intuitive for the most part. The challenge is rather to coordinate the different limbs, Jost states.

Composed by Richard Wagner (1813-1883). For Voice, Piano Accompaniment (Vocal Score). This edition: Urtext edition. Vocal Score. Vocal score. 478 pages. Schott Music #ED20550. Published by Schott Music

Double bass (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-27

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 24 pages. Duration 60'. Breitkopf and Haertel #OB 5578-27. Published by Breitkopf and Haertel (BR.OB-5578-27).

ISBN 9790004343524. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Continuo (figured) (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-12

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 36 pages. Duration 60'. Breitkopf and Haertel #OB 5589-12. Published by Breitkopf and Haertel (BR.OB-5589-12).

ISBN 9790004344187. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Modal Improvisation and Melodic Construction in the Flamenco Environment. Composed by Enrique Vargas. 387 pages. Published by Sher Music Company

Viola (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-19

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 28 pages. Duration 60'. Breitkopf and Haertel #OB 5578-19. Published by Breitkopf and Haertel (BR.OB-5578-19).

ISBN 9790004343500. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.EB-8052

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Arranged by Matthias (KA) Grunert. Choir; Softbound. Edition Breitkopf. The Missa Omnium Sanctorum is the last of the three transmitted Missae ultimae. The piano vocal score is based on the score published by Wolfgang Horn in volume 101 of the series Das Erbe deutscher Musik, now available as PB 5589. Mass; Baroque. Piano/Vocal Score. 100 pages. Duration 60'. Breitkopf and Haertel #EB 8052. Published by Breitkopf and Haertel (BR.EB-8052).

ISBN 9790004185148. 7.5 x 10.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt)

The Missa Omnium Sanctorum is the last of the three transmitted Missae ultimae. The piano vocal score is based on the score published by Wolfgang Horn in volume 101 of the series Das Erbe deutscher Musik, now available as PB 5589..