Choral (SATB) SKU: HL.294333 By Stevie Nicks. Arranged by Paul Langford. ...(+)
Choral (SATB)
SKU:
HL.294333
By Stevie
Nicks. Arranged by Paul
Langford. Shawnee Press.
Pop. Octavo. Published by
Shawnee Press
(HL.294333).
ISBN
9781540053091. UPC:
888680941376.
6.75x10.5x0.036
inches.
Stevie
Nicks released this
single in 1982 from her
debut solo album Bella
Donna. This arrangement
captures the distinctive
chugging 16th-note
pattern and simple chord
structures with moody
vocals full of wonderful
harmonies and rhythm that
reflect the original
recording.
By
Stevie Nicks. Shawnee
Press. Pop. CD. Published
by Shawnee Press
(HL.294338).
ISBN
9781540053138. UPC:
888680941420.
5.0x5.0x0.185
inches.
Stevie
Nicks released this
single in 1982 from her
debut solo album Bella
Donna. This arrangement
captures the distinctive
chugging 16th-note
pattern and simple chord
structures with moody
vocals full of wonderful
harmonies and rhythm that
reflect the original
recording.
Choral (SAB Choir) SKU: HL.294334 By Stevie Nicks. Arranged by Paul Langf...(+)
Choral (SAB Choir)
SKU: HL.294334
By
Stevie Nicks. Arranged by
Paul Langford. Shawnee
Press. Pop. Octavo. 12
pages. Published by
Shawnee Press
(HL.294334).
ISBN
9781540053107. UPC:
888680941383. 6.75x10.5
inches.
Stevie
Nicks released this
single in 1982 from her
debut solo album Bella
Donna. This arrangement
captures the distinctive
chugging 16th-note
pattern and simple chord
structures with moody
vocals full of wonderful
harmonies and rhythm that
reflect the original
recording.
Performed by Stevie Nicks. Piano/Vocal/Chords Songbook (Arrangements for piano a...(+)
Performed by Stevie
Nicks. Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. 104 pages.
Published by Hal Leonard.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
For
Orchestra (2013) Music of
Our Time Series.
Composed by Ryan
Wigglesworth. Arranged by
Ryan Wigglesworth. This
edition: Saddle
stitching. Sheet music.
Study Score. Classical.
Softcover. Composed 2013.
60 pages. Duration 1020
seconds. Schott Music
#ED13930. Published by
Schott Music
(HL.49045520).
ISBN
9790220137198. UPC:
841886028876.
8.25x11.75x0.2
inches.
Locke's
Theatre, an orchestral
work in three short
movements, takes as its
departure point
incidental music written
for Shakespeare's The
Tempest by the
seventeenth-century
English composer Matthew
Locke. Aspects of Locke's
idiosyncratic and
daringly advanced
harmonic and rhythmic
language were to be
adopted (some might say
perfected) by his younger
friend and protege Henry
Purcell. But it is the
very rawness and
directness of Locke's
theatre music that I
wished to acknowledge and
emulate. In each of my
work's three movements -
entitled respectively
'The First Music',
'Rustic Music', and
'Curtain Music (with
Storm)' - the baroque
originals, though very
often submerged, remain a
constant, shadowy
presence. Locke's Theatre
was commissioned by the
Aldeburgh Festival to
mark the centenary of
Benjamin Britten's birth.
-Ryan Wigglesworth.
Voice and piano (Solo: S - 3(picc/A-fl).2.cor ang.2.B-clar.2.dble bsn - 4.3.3.1 ...(+)
Voice and piano (Solo: S
- 3(picc/A-fl).2.cor
ang.2.B-clar.2.dble bsn -
4.3.3.1 - timp.perc(3) -
hp - pno - cel - str:
12.10.8.6.4)
SKU:
BR.EB-9465
The
Fury of Our Concepts.
Composed by Johannes
Maria Staud. Voice;
stapled. Edition
Breitkopf. New music
(post-2000). Sheet Music.
Composed 2021/22. 48
pages. Duration 19'.
Breitkopf and Haertel #EB
9465. Published by
Breitkopf and Haertel
(BR.EB-9465).
ISBN
9790004189436. 9 x 12
inches.
English.
Wahrend
der vielen
Corona-bedingten
Lockdowns seit Fruhjahr
2020 habe ich mich, warum
auch immer, tief in die
vielgestaltige wie
aufregende amerikanische
Lyrik des 20. und 21.
Jahrhunderts verloren -
auch, aber nicht nur auf
der Suche nach
spannenden, vertonbaren
Texten.Bei William Carlos
Williams (1883-1963)
schliesslich, der trotz
seiner eminenten
Bedeutung gar nicht so
viel vertont wurde, hat
mein Suchradar
schliesslich
angeschlagen.Fernab der
protzerischen
Bildungsburgerei eines
T.S. Eliot, Lichtjahre
entfernt von der
gefahrlichen
Faschismus-Nahe eines
Ezra Pound, gehort WCW,
wie er gerne liebevoll
genannt wird, mit
Elizabeth Bishop und
Robert Lowell wohl zu den
Fixsternen der
amerikanischen Moderne.
Diese feine, reduzierte,
vermeintlich
unscheinbar-verspielte,
auf den zweiten Blick
aber so subversive und
messerscharf-bedeutungsre
iche Lyrik hat mich
seitdem vollends in ihren
Bann gezogen.Auf
Gedichten aus drei Banden
basierend, ,,Sour
Grapes(1921), ,,An Early
Martyr and Other Poems
(1935) und ,,The Wedge
(1944), habe ich
schliesslich einen sechs
Orchesterlieder
umfassenden Zyklus
komponiert. Mit diesem
wollte ich WCWs Gedichte
nicht etwa verdoppeln
oder nachzeichnen,
sondern ganz bewusst
meine personliche Sicht
auf diese fragilen
Meisterwerke werfen.
Dieses Auftragswerk der
Wiener Symphoniker und
des Wiener Konzerthauses
wurde vom fein
modellierten Klang und
Facettenreichtum dieses
wunderbaren Orchesters
inspiriert. Es ist meinen
Eltern gewidmet.
(Johannes Maria Staud,
3.2.2022)
World
premiere of the piano
version: Bad Kissingen
(Kissinger Sommer), July
3, 2022 Commissioned by
Kissinger Sommer funded
by the Anton and
Katharina Schick
Foundation.