Keyboard SKU: GI.G-6723A Prevista de Un Himnario Multicultural para la...(+)
Keyboard
SKU:
GI.G-6723A
Prevista de Un
Himnario Multicultural
para las Comunidades
Anglo-Latinas / Preview
of a Multicultural Hymnal
for Latino/Anglo
Communities. Composed
by Various. This edition:
Accompaniment edition.
Sacred. Collection. 160
pages. GIA Publications
#6723A. Published by GIA
Publications
(GI.G-6723A).
ISBN
9781579995430.
Beyo
nd its beautiful cover,
the Oramos Cantando/We
Pray in Songsong book
contains 86 of the most
glorious hymns, psalms,
and songs translated from
Spanish to English and
English to Spanish.
Virtually everything has
been translated. The
Oramos Cantando/We Pray
in Song songbook provides
a satisfying sampling of
liturgical music,
including 17 bilingual
psalms and Donna
Peña’s
bilingual Lenten Mass,
intended to encompass the
repertoire demands of the
entire church year. This
affordable softcover
edition makes the perfect
supplement for
multicultural parishes
(Latino/Anglo) in need of
a bilingual resource to
complement their already
existing hymnals. It is a
tool that will help such
parishes explore the
richness in the music of
each other’s
culture and potentially
begin a trend of worship
where all present can
fully participate
together and celebrate
their diversity.
Falling Stars Chorale SATB SATB, Piano - Facile Walton Music
SATB choir, piano accompaniment - Early intermediate SKU: GI.WJMS1204 Com...(+)
SATB choir, piano
accompaniment - Early
intermediate
SKU:
GI.WJMS1204
Composed
by Padworski, Kevin T.
Jo-Michael Scheibe Choral
Series. Classical.
Octavo. 16 pages. Walton
Music #WJMS1204.
Published by Walton Music
(GI.WJMS1204).
UPC:
785147046462. English.
Text by Rainer Maria
Rilke.
Falling
Stars reflects on the
transient nature of
existence and the
importance of living in
the present moment.
Accessible vocal writing
supported by an energetic
and purposeful piano
accompaniment make this a
dynamic work especially
for high
school singers.
Violin 2 (2.2.2.2. - 2.2.3.0. - timp - str) SKU: BR.OB-5207-16 The Unf...(+)
Violin 2 (2.2.2.2. -
2.2.3.0. - timp - str)
SKU: BR.OB-5207-16
The Unfinished -
Urtext. Composed by
Franz Schubert. Edited by
Peter Gulke. Stapled.
Orchester-Bibliothek
(Orchestral Library).
This edition is extremely
thorough and explanatory
notes are clear making
this a good place to
start a study of the
work. (Sheet Music).
Symphony; Romantic. Part.
8 pages. Duration 22'.
Breitkopf and Haertel #OB
5207-16. Published by
Breitkopf and Haertel
(BR.OB-5207-16).
ISBN
9790004330647. 10 x 12.5
inches.
Franz
Schubert wrote the two
movements of the
Unfinished Symphony in
October 1822. The torso
has since been posing
riddles to posterity,
which first learned of
the existence of this
masterpiece in 1865
through the simultaneous
first edition and
world-premiere
performance. There seems
to have been no external
reason for its creation.
Did Schubert really
consider the piece only
as an experiment that did
not warrant any
continuation? It should
be noted, however, that
Schubert sketched the
Scherzo up to the
beginning of the Trio,
and even fully
orchestrated nine
measures of this
movement.
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-16. Published by
Breitkopf and Haertel
(BR.OB-3210-16).
ISBN
9790004300701. 10 x 12.5
inches.
Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time.
Trimbeka Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000917-140 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000917-140
Composed by Carl
Wittrock. Score Only. 22
pages. Gobelin Music
Publications #GOB
000917-140. Published by
Gobelin Music
Publications
(BT.GOB-000917-140).
Trimbeka
can be translated as
“three streams,” and
refers to the streams
that once flowed around a
market town in Holland
called Georredijk.
Opening with the sinister
sounds of the moorland on
the edge of the town, we
then hear the hustle and
bustle of the market
itself. A slower middle
section is an ode to the
beautiful surrounding
scenery.
Trimbeka.
Dat is de historische
naam van de
Noord-Nederlandse plaats
Gorredijk. In het gebied
rondom Gorredijk
stroomden vroeger drie
beken, Trimbeets of wel
Trimbeka. Wittrock
verwoordt muzikaal de
levendigheid van het
dorp,de
onheilspellendheid van
het nabijgelegen moeras
en de vrolijkheid van de
jaarlijkse markt. Hij
schreef dit fascinerende
werk ter gelegenheid van
het jubileum van
muziekvereniging De
Vlecke in
Gorredijk.
Der
Titel Trimbeka
erinnert an den alten
Namen des heutigen Dorfes
Gorredijk in Holland, das
dieses Werk in Auftrag
gab. Trimbeka bedeutet so
viel wie drei Bäche“,
die einst rund um den Ort
flossen. Außerdem lag
der Ort an einer
wichtigen Wegkreuzung und
war damit Marktort. Nach
unheilvollen Klängen,
die von der
Moorlandschaft am Rande
des Dorfes zeugen, ist
die Geschäftigkeit des
Marktes zu hören. Der
langsame Mittelteil ist
eine Ode an die schöne
Landschaft.
Tri
mbeka est une
composition qui doit son
existence la date
anniversaire de
l’Orchestre
d’Harmonie de Vlecke
(Gorredijk - Pays-Bas).
Autrefois, Gorredijk
était une ville
florissante, un grand
village vivifiant, situé
au carrefour
d’importantes routes de
liaisons. Des sons
inquiétants font
allusions aux dangers des
tourbières et des
marécageux qui
parcourent la région,
tandis que résonne des
rires et cris de joies :
la foire annuelle ouvre
ses portes. Le mouvement
central lent est une ode
la beauté du paysage
entourant le
village.
Trimbe
ka è l’antico nome
della cittadina di
Gorredijk (Olanda), che
ha commissionato il
brano. Trimbeka significa
“tre ruscelli”, che
scorrevano nelle
vicinanze della localit .
La posizione di Gorredijk
erano molto strategica e
punto d’incontro dei
commerci. La musica è
all’inizio vivace, nel
segno delle attivit degli
abitanti cittadini. La
parte centrale,
caratterizzata da musica
più lenta, è un’ode
allo splendido paesaggio
di questa parte
dell’Olanda.
World Guitar Guitare notes et tablatures [Partition + CD] Hal Leonard
Guitarist's Guide to the Traditional Styles of Cultures Around the World. Guitar...(+)
Guitarist's Guide to the
Traditional Styles of
Cultures Around the
World. Guitar
Educational. Softcover.
Size 9x12 inches. 72
pages. Published by Hal
Leonard.
Slavia Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-0940575-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-0940575-020
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 1994. De Haske
Publications #DHP
0940575-020. Published by
De Haske Publications
(BT.DHP-0940575-020).
Jan Van der
Roost originally composed
each and every note of
‘Slavia’ (as
in case in
‘Puszta’,
‘Rikudim’
and ‘A Highland
Rhapsody’).
Consequently,
‘Slavia’
does not contain any
arrangement of existing
tunes, but is an original
composition ‘in the
style of…’.
The introduction has an
ABA structure and exposes
a broad melodic line.
Following a short
cadenza, there is a
second movement in a fast
and fiery tempo. The
tempi increase, gradually
culminating in an
exciting final climax,
making this
‘Slavonic
Rhapsody’ a
spell-binding experience
to the very last
note.
Harp, Flute, Clarinet, String Quartet SKU: HL.14023298 Composed by Per No...(+)
Harp, Flute, Clarinet,
String Quartet
SKU:
HL.14023298
Composed
by Per Norgard. Music
Sales America. Score.
Music Sales #KP01431.
Published by Music Sales
(HL.14023298).
ISBN
9788759871591.
English.
Per
Norgard 's Gennem Torne /
Through Thorns (2003)
Harp Concerto No. 2 -
Passage for Harp Solo
with Flute, Clarinet and
String Quartet. Premiered
by Tine Rehling (Harp)
and the Esbjerg Ensemble,
conducted by Kaisa Roose
at the Concert Hall of
the Western Jutland
Academy of Music,
Esbjerg, 28th January
2004. Programme Note
THROUGH THORNS has a
duration of about 20
minutes, in one
continuous movement, thus
the subtitle passage. The
work is scored for harp
solo, flute, clarinet and
string quartet. The title
is borrowed from the
lines from an old Virgin
Mary Hymn: Mary wanders
through thorns, a hymn
which ends with the
following line: then
roses grew forth amongst
thethorns. I only came
across the poem after
finishing the
composition, the passage
of which is a journey of
sometimes dramatic
events, concluding with a
rose-blooming, as does
the hymn. For
THROUGH THORNS to borrow
its title from a Virgin
Mary Hymn has to do with
the musical material and
current of the piece,
which brings motives from
an earlier choral piece
of mine, FLOS UT ROSA
(Latin for a flower like
a rose), and the rose in
question is of course the
one which grew forth when
the Virgin Mary gave
birth to the Infant Jesus
in a hitherto unheard-of
fashion, a NOVA GENITURA
(new birth), which is the
title of another work of
mine that also derives
its material from my
original rose-melody from
1975. THROUGH
THORNS is dedicated to
Tine Rehling, and
together with her I have
tried to expand the
sonorities of the harp,
by exploring existing
techniques and their more
remote regions, in order
to gain access to new
territory and new
soundscaoes, as realised
by the constantly
experimentally-minded and
virtuoso player.
Per Norgard, 2004.
 .
SSATB chorus, piano - Grade 3 SKU: CA.928200 Composed by Henri Duparc. Ar...(+)
SSATB chorus, piano -
Grade 3
SKU:
CA.928200
Composed by
Henri Duparc. Arranged by
Denis Rouger. Carus
digital: Notenausgabe als
PDF. Full Score. Composed
1880. Duration 5 minutes.
Carus Verlag #928200.
Published by Carus Verlag
(CA.928200).
ISBN
9790007300869. Key: C
minor / c major. French.
Text: Baudelaire,
Charles.
Sounds,
colors and scents can
conjure up places of
longing. During the
Romantic period, the
desire to travel and see
other places was seen as
an expression of some
inner state of mind. In
L'invitation au voyage,
the boundaries between
what is real and
imaginary seem to
dissolve in the lyrical
perception of a journey
to the inner self: There
we find nothing but order
and beauty, splendor,
peace, and
delightâ€. This is
unattainable perfection
as a place of longing,
where we are freed from
all earthly cares. A
never-ending
sixteenth-note figure in
the piano accompaniment
flickers like a
shimmering veil over
these words, which in
their poetry seem to
remove us far from our
earthly existence.
“The world falls
asleep in a warm
light!
This art
song was originally
composed not for chamber
choir, but for solo voice
and piano. Denis Rouger
has carefully adapted it
to suit the requirements
and expressive
possibilities offered by
a larger ensemble,
without losing any of the
qualities of the
original. Each part in
the choir has a melodic
line drawn from the
harmonic and rhythmic
framework. In the
process, the variety and
refinement of the choral
language combines with an
enormous flexibility in
form and expression, as
French melodies or German
art songs demand from a
soloist and
pianist.
The songs
have been recorded by the
figure humaine chamber
choir on the CD ... wo
die Zitronen blühn
(Carus 83.514).
By Edmund Shay. For Organ. Christian: Worship. 3-hole punched heavy stock paper....(+)
By Edmund Shay. For
Organ. Christian:
Worship. 3-hole punched
heavy stock paper.
Published by MorningStar
Music Publishers.
(10-611)
Level: Moderately Easy .
Soprano and Chamber Orchestra SKU: BT.EMBZ12021 Composed by Gyorgy Kurtag...(+)
Soprano and Chamber
Orchestra
SKU:
BT.EMBZ12021
Composed
by Gyorgy Kurtag. Score
Only. Composed 1982. 144
pages. Editio Musica
Budapest #EMBZ12021.
Published by Editio
Musica Budapest
(BT.EMBZ12021).
Oratorio. Composed
by Felix Bartholdy
Mendelssohn. Edited by
Douglass Seaton. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Choral score.
Opus 70. 119 pages.
Baerenreiter Verlag
#BA09070_91. Published by
Baerenreiter Verlag
(BA.BA09070-91).
ISBN
9790006567591. 27 x 19 cm
inches. Text Language:
German,
English.
The choral
score of Felix
Mendelssohn Bartholdy's
oratorioElijahis based on
the scholarly-critical
edition edited by
Mendelssohn specialist
Douglass Seaton. In its
1847 version, this
musical setting of the
story of the Biblical
prophet from the 1st Book
of Kings has remained
popular to the present
day. The choral score is
fully compatible with the
existing performance
material. It does not
however contain the
appendices found in the
full score and vocal
score (with numbers from
the first
version).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB choir, 2 trombones [2 violas], organ SKU: CA.2770500 Composed by Leo...(+)
SATB choir, 2 trombones
[2 violas], organ
SKU:
CA.2770500
Composed
by Leopold Hofmann.
Edited by Guido Erdmann.
This edition: paperback.
Music from Vienna. Sacred
vocal music, Mourning,
death. Full score.
Composed nach 1790. 12
pages. Duration 4
minutes. Carus Verlag #CV
27.705/00. Published by
Carus Verlag
(CA.2770500).
ISBN
9790007166588. Language:
Latin.
Man that is
born of woman hath but a
short time to live is one
of the central biblical
texts dealing with the
transitoriness of human
existence. Leopold
Hofmann, Kapellmeister at
St. Stephen's Cathedral
in Vienna from 1772 to
1793, where W. A. Mozart
was his church music
assistant, also set this
strongly expressive text.
Hofmann's setting, in C
minor, offers an austere
harmony, characterized by
suspensions in a
homophonic,
through-composed
four-part vocal setting
(soloists or SATB choir),
reinforced only by two
trombones and organ
continuo. Four concise
instrumental transitional
passages between the
individual verses relieve
the pathos laden Viennese
church style of this
composition. With its
tragic air, in some
passages it closely
resembles Mozart's
Requiem K. 626. For this
first edition, the two
trombone parts are
available both in the
original clef and in alto
clef. The figured bass
has been realized so that
the piece can also be
performed without
trombones, with only
organ accompaniment. For
a performance this piece
could easily be combined
with the Salve Regina by
Pietro Cassati (Carus
27.703) from the Vienna
series.
Featuring: We Dance /
Waiting for Life / Rain /
Forever Yours / Mama Will
Provide / The Human
Heart. Composed by
Stephen Flaherty.
Arranged by Andy Beck.
This edition: SoundPax.
Choral Octavo;
Performance Music
Ensemble; Single Titles.
Form: Medley. Broadway;
Secular. Part(s). 104
pages. Alfred Music
#00-32875. Published by
Alfred Music (AP.32875).
UPC: 038081357836.
English. Lynn
Ahrens.
The
captivating music of Lynn
Ahrens and Stephen
Flaherty is vibrantly
arranged for concert and
show choirs in this
12-minute medley by Andy
Beck. Enjoy singing (and
dancing) the emotional
story of a young island
girl, destined for great
things. Existing fans of
the musical will
recognize the authentic
theatrical character of
the work, while new fans
will delight in the
rhythmic brilliance and
buoyant choral writing
throughout.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
The Road to the West Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000808-120 Composed by Carl Wittrock. ...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000808-120
Composed by Carl
Wittrock. Score Only. 16
pages. Gobelin Music
Publications #GOB
000808-120. Published by
Gobelin Music
Publications
(BT.GOB-000808-120).
As he did
before in the often
played and commonly
appreciated ‘Lord
Tullamore’, in which he
poetically depicted the
landscape and the
cultural elements of a
small Irish village, in
his composition ‘The
Road to the West’ Carl
Wittrock has sketched
pioneer existence in
America in a cinematic
manner. In ‘The Road
to the West’ the
composer has tried to
capture images of pioneer
life during the period
dating from 1850 to 1890,
the days of the so-called
Wild West. In those
days, the Wild West used
to be the territory west
of civilization, the
domain of cowboys,
trappers, and other
fortune hunters. In
short, ample ingredients
for a captivating
story.
In the
firstscene a lonely
adventurer struggles
against nature and the
elements. After an
exciting adventure he
passes through ‘the
Plains’, where majestic
views alternated by
colossal mountain ranges
display an almost
unimaginable
beauty. After weeks of
isolation civilization is
reached again. ‘The
Saloon’ is the perfect
meeting place here news
is exchanged and
hilarious scenes
regularly take place.
In navolging van
het veel gespeelde en
alom gewaardeerde ‘Lord
Tullamore’, waarin Carl
Wittrock op poëtische
wijze landschap en
culturele elementen van
een Iers dorpje
verklankt, wordt in
‘The Road to the
West’ op filmische
wijzehet pioniersbestaan
in Amerika
geschetst. De
componist betreedt in
‘The Road to the
West’ het pionierspad
in de periode tussen 1850
en 1890, de tijd van het
Wilde Westen. Het
Wilde Westen was het
gebied ten westen van de
beschaving,het domein van
cowboys, pelsjagers en
andere
gelukzoekers. Genoeg
ingrediënten voor een
boeiend
verhaal.
In de
eerste scene gaat een
avonturier, eenzaam en
alleen, de strijd aan met
de natuur en de
elementen. Na een
spannend avontuur trekt
hij door ‘the
Plains’, waar de weidse
vergezichten, afgewisseld
door kolossale
bergformaties een bijna
niet onder woorden te
brengen schoonheid
tentoonspreiden. Na
weken van eenzaamheid
komttenslotte de bewoonde
wereld weer in beeld.
‘The Saloon’ is de
ontmoetingsplek bij
uitstek. Hier worden
ervaringen uitgewisseld
en spelen zich vaak
hilarische taferelen
af.
The Road to the West Ensemble de cuivres [Conducteur] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000836-130 Composed by Carl Wittrock. Sc...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000836-130
Composed by Carl
Wittrock. Score Only. 20
pages. Gobelin Music
Publications #GOB
000836-130. Published by
Gobelin Music
Publications
(BT.GOB-000836-130).
As he did
before in the often
played and commonly
appreciated ‘Lord
Tullamore’, in which he
poetically depicted the
landscape and the
cultural elements of a
small Irish village, in
his composition ‘The
Road to the West’ Carl
Wittrock has sketched
pioneer existence in
America in a cinematic
manner. In ‘The Road
to the West’ the
composer has tried to
capture images of pioneer
life during the period
dating from 1850 to 1890,
the days of the so-called
Wild West. In those
days, the Wild West used
to be the territory west
of civilization, the
domain of cowboys,
trappers, and other
fortune hunters. In
short, ample ingredients
for a captivating
story.
In the
firstscene a lonely
adventurer struggles
against nature and the
elements. After an
exciting adventure he
passes through ‘the
Plains’, where majestic
views alternated by
colossal mountain ranges
display an almost
unimaginable
beauty. After weeks of
isolation civilization is
reached again. ‘The
Saloon’ is the perfect
meeting place here news
is exchanged and
hilarious scenes
regularly take place.
In navolging van
het veel gespeelde en
alom gewaardeerde ‘Lord
Tullamore’, waarin Carl
Wittrock op poëtische
wijze landschap en
culturele elementen van
een Iers dorpje
verklankt, wordt in
‘The Road to the
West’ op filmische
wijzehet pioniersbestaan
in Amerika
geschetst. De
componist betreedt in
‘The Road to the
West’ het pionierspad
in de periode tussen 1850
en 1890, de tijd van het
Wilde Westen. Het
Wilde Westen was het
gebied ten westen van de
beschaving,het domein van
cowboys, pelsjagers en
andere
gelukzoekers. Genoeg
ingrediënten voor een
boeiend
verhaal.
In de
eerste scene gaat een
avonturier, eenzaam en
alleen, de strijd aan met
de natuur en de
elementen. Na een
spannend avontuur trekt
hij door ‘the
Plains’, waar de weidse
vergezichten, afgewisseld
door kolossale
bergformaties een bijna
niet onder woorden te
brengen schoonheid
tentoonspreiden. Na
weken van eenzaamheid
komttenslotte de bewoonde
wereld weer in beeld.
‘The Saloon’ is de
ontmoetingsplek bij
uitstek. Hier worden
ervaringen uitgewisseld
en spelen zich vaak
hilarische taferelen
af.
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christoph
Hellmundt. This edition:
violin 1 part. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Piano reduction from the
Complete EditionPrinted
in score form; two copies
are needed for
performance. Solo
concerto; Romantic. Part.
8 pages. Duration 25'.
Breitkopf and Haertel #OB
5507-15. Published by
Breitkopf and Haertel
(BR.OB-5507-15).
ISBN
9790004338285. 10 x 12.5
inches.
The music
text is based on the
volume of the Leipzig
Mendelssohn Complete
Edition, in which
Christoph Hellmundt
rightly pointed to the
existence of a secondary
version for piano and
string orchestra as well
as an arrangement for
piano solo made by the
composer. Nevertheless,
Mendelssohn's op. 40
remains foremost a
Concerto for piano and
orchestra - a fact that
is unequivocally
underscored by the
practical new
edition.
Composed by
Carol Browning.
Eastertide, Lent 5 A.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#5568. Published by GIA
Publications (GI.G-5568).
Text by Martin J.
Willett.
Carol
Browning has set a
thought-provoking text by
Martin Willett with a
simple accompaniment and
effective violin
obbligato. The words
speak of the existence of
pain and suffering in the
world and its relation to
Christ’s triumph
over death.
Straightforward choral
writing (two-part, then
four-part) allows the
assembly to truly
appreciate the message of
the piece. .
Red Giant Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.47283S Composed by Jorge L. Vargas. Concer...(+)
Concert Band - Grade 2
SKU: AP.47283S
Composed by Jorge L.
Vargas. Concert Band;
Performance Music
Ensemble; Single Titles.
Young Symphonic. Score.
20 pages. Duration 2:45.
Alfred Music #00-47283S.
Published by Alfred Music
(AP.47283S).
ISBN
9781470654757. UPC:
038081545509.
English.
This work
depicts a dying star in
its final stages of
existence, when it
expands and engulfs
everything in its path.
With accidentals,
dissonances, and unique
chord structures, this is
a fast-paced musical ride
that is perfect for
developing bands!
Cello SKU: HL.48025250 For Solo Cello. Composed by Detlev Glanert....(+)
Cello
SKU:
HL.48025250
For
Solo Cello. Composed
by Detlev Glanert. Boosey
& Hawkes Chamber Music.
Classical. Softcover.
Duration 300 seconds.
Bote & Bock #M202537169.
Published by Bote & Bock
(HL.48025250).
UPC:
196288142942.
The
composer and conductor
Oliver Knussen (1952 -
2018) was loved by many
companions for his
generosity and musical
intellect. To Detlev
Glanert, whose works he
loved to perform, he was
a friend and one of his
'personal heroes'. By his
own admission, he learned
attention to detail from
'Olly', with whom he
worked at Tanglewood as
early as 1986. If
Glanert's Trumpet
Concerto, composed in
2018, is the large-scale
symphonic homage to his
role model, the solo
“Little Letter to
Olly†does the same
in a small format. Two
elegiac adagio sections
frame a boisterous presto
with all kinds of
virtuoso tricks. The
'Letter without Words'
owes its existence to a
suggestion by the cellist
Anssi Karttunen, who
asked for commemorative
pieces for Knussen's 70th
birthday from a number of
composers and premiered
them at the Aldeburgh
Festival 2022.