Composed by Richard
Summers. SWS. Carl
Fischer Premiere
Performance Series. Full
score. With Standard
notation. 12 pages.
Duration 2 minutes, 2
seconds. Carl Fischer
Music #PPS43F. Published
by Carl Fischer Music
(CF.PPS43F).
ISBN
9781491147764. UPC:
680160905263. 9 x 12
inches.
False Start
features fun melodies
that young students will
love to play. The piece
uses rests effectively to
enhance these melodies
for beginning bands.
Using only the first 6
notes of the Bb scale and
basic rhythms, this piece
offers a wide range of
teachable music
performance techniques,
including counting, tempo
consistency, dynamics,
articulations, blend,
balance, and style.
Piano (Piano) - intermediate SKU: HL.49007250 20 short Pieces. Com...(+)
Piano (Piano) -
intermediate
SKU:
HL.49007250
20
short Pieces.
Composed by Petr Eben.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1985.
22 pages. Duration 10'.
Schott Music #ED 7445.
Published by Schott Music
(HL.49007250).
ISBN
9790001077934.
9.0x12.0x0.096
inches.
The pavers
* march * Musical box *
Out of Tune * In Indian
File * Mazur * Nightly
Chimes * The fencers * a
legend * The false
Trumpet * Pingpong * From
the far east * By the
brooklet * When mother
caresses * At the
shooting-range * Don't
you go mad? * The white
sailing ship * Czardas *
Bird on the window-sill *
Lullaby.
Choral (SSATB choir) SKU: HL.251483 Composed by Thomas Morley. Arranged b...(+)
Choral (SSATB choir)
SKU: HL.251483
Composed by Thomas
Morley. Arranged by John
Leavitt. Treasury Choral.
Concert, Contest,
Festival. Octavo. 12
pages. Published by Hal
Leonard (HL.251483).
UPC: 888680715960.
6.75x10.5
inches.
Fashioned
after the 16th century
Ballettos of Italy
which featured the
popular “fal, la,
la” refrains. This
is a worthy addition to
the Choral Treasury
series that John Leavitt
has been curating and
countless directors of
serious music have been
seeking.
Sketches of Canada Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Belwin
I. The False Young Man, II. The Maid on the Shore, III. Bold Wolfe. Arran...(+)
I. The False Young
Man, II. The Maid on the
Shore, III. Bold
Wolfe. Arranged by
Michael Story. Concert
Band; Part(s); Score.
Belwin Young Band. Folk.
246 pages. Published by
Belwin Music (AP.43111).
Composed by Richard
Summers. SWS FS. Carl
Fischer Premiere
Performance Series. Set
of Score and Parts. With
Standard notation.
8+2+8+2+5+2+2+8+2+3+2+6+2
+3+1+1+2+1+1+12 pages.
Duration 2 minutes, 2
seconds. Carl Fischer
Music #PPS43. Published
by Carl Fischer Music
(CF.PPS43).
ISBN
9781491147061. UPC:
680160904563. 9 x 12
inches.
False Start
features fun melodies
that young students will
love to play. The piece
uses rests effectively to
enhance these melodies
for beginning bands.
Using only the first 6
notes of the Bb scale and
basic rhythms, this piece
offers a wide range of
teachable music
performance techniques,
including counting, tempo
consistency, dynamics,
articulations, blend,
balance, and style.
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano,
flute
SKU:
CF.CM9583
Composed by
Christopher Gabel. Sws.
Performance Score. 20
pages. Duration 4
minutes, 9 seconds. Carl
Fischer Music #CM9583.
Published by Carl Fischer
Music (CF.CM9583).
ISBN 9781491154052.
UPC: 680160912551. 6.875
x 10.5 inches. Key: Eb
major. English. Thomas
Moore
(1779-1852).
Thomas
Moore (17791852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Filld with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when pleasures
dream is gone, Its memory
lives in Musics breath.
Music, oh, how faint, how
weak, Language fades
before thy spell! Why
should Feeling ever
speak, When thou canst
breathe her soul so well?
Friendships balmy words
may feign, Loves are even
more false than they; Oh!
tis only musics strain
Can sweetly soothe, and
not betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779a1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music a
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fillad with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasureas dream is gone,
Its memory lives in
Musicas breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendshipas balmy
words may feign, Loveas
are even more false than
they; Oh! atis only
musicas strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779–1852)
was an Irish poet,
singer, songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song.We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life?On Music
– Thomas MooreWhen
through life unblest we
rove,Losing all that made
life dear,Should some
notes we used to love,In
days of boyhood, meet our
ear,Oh! how welcome
breathes the
strain!Wakening thoughts
that long have
slept,Kindling former
smiles againIn faded eyes
that long have wept.Like
the gale, that sighs
alongBeds of oriental
flowers,Is the grateful
breath of song,That once
was heard in happier
hours.Fill’d with
balm the gale sighs
on,Though the flowers
have sunk in death;So,
when pleasure’s
dream is gone,Its memory
lives in Music’s
breath.Music, oh, how
faint, how weak,Language
fades before thy
spell!Why should Feeling
ever speak,When thou
canst breathe her soul so
well?Friendship’s
balmy words may
feign,Love’s are
even more false than
they;Oh! ’tis only
music’s strainCan
sweetly soothe, and not
betray.Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece.
Saxophone (NOTEN+CD) - intermediate SKU: HL.49041962 Grundlagen und Sp...(+)
Saxophone (NOTEN+CD) -
intermediate
SKU:
HL.49041962
Grundlagen und
Spezialeffekte fur alle
Saxophone. Composed
by Juchem. This edition:
Paperback/Soft Cover.
Sheet music with CD.
Schott Pro Line.
Saxophon-Sound ist durch
die lockere Vermittlung
von Grundlagenwissen eine
sinnvolle Bereicherung
fur den
Anfangsunterricht, und
auch der erfahrene
Saxophonist wird in den
fortgeschrittenen
Techniken, wie False
Fingerings oder High
Notes, professionelles.
Edition with CD. 122
pages. Schott Music #SPL
1015. Published by Schott
Music (HL.49041962).
ISBN 9783795751067.
8.25x11.75x0.39 inches.
German.
This book
is about the perfect
saxophone sound. In an
easygoing, yet accurate
manner, Dirko Juchem
explains all effects that
a saxophonist should be
able to master on his
instrument: Professional
breathing, embouchure,
intonation, vibrato,
growl, subtone, false
fingerings, high notes,
glissando, jazz and rock
phrasing are all dealt
with in detail and
demonstrated on the
accompanying CD.
Additional session tracks
provide the possibility
to put the acquired
knowledge into practice
immediately 'with a
band'.Due to the
easygoing way of
imparting fundamental
knowledge,
'Saxophon-Sound' is a
valuable addition to
instrumental lessons, and
even the experienced
saxophonist will find the
advanced techniques, such
as false fingerings or
high notes, to be
professional practising
material.'Saxophon-Sound'
is ideal for saxophone
lessons and can be used
as motivating
accompanying material in
addition to any customary
method.New edition
2005.
Book with Online Material Saxophone SKU: HL.49047358 Grundlagen und Sp...(+)
Book with Online Material
Saxophone
SKU:
HL.49047358
Grundlagen und
Spezialeffekte für
alle Saxophone Book with
Online. Woodwind
Method. Education,
Instruction, Technique.
Softcover Media Online.
112 pages. Schott Music
#SPL1015D. Published by
Schott Music
(HL.49047358).
ISBN
9783795730635. UPC:
196288207498.
This
book is about the perfect
saxophone sound. In an
easygoing, yet accurate
manner, Dirko Juchem
explains all effects that
a saxophonist should be
able to master on his
instrument: Professional
breathing, embouchure,
intonation, vibrato,
growl, subtone, false
fingerings, high notes,
glissando, jazz and rock
phrasing are all dealt
with in detail and
demonstrated on the
accompanying audio
tracks. Additional
session tracks provide
the possibility to put
the acquired knowledge
into practice immediately
'with a band'. Due to the
easygoing way of
imparting fundamental
knowledge,
'Saxophon-Sound' is a
valuable addition to
instrumental lessons, and
even the experienced
saxophonist will find the
advanced techniques, such
as false fingerings or
high notes, to be
professional practising
material.
'Saxophon-Sound' is ideal
for saxophone lessons and
can be used as motivating
accompanying material in
addition to any customary
method.
Five Philanders Chorale SATB SATB divisi, A Cappella Oxford University Press
SATB choir, a cappella (SATB) - Moderately Difficult SKU: OU.9780193380042(+)
SATB choir, a cappella
(SATB) - Moderately
Difficult
SKU:
OU.9780193380042
Composed by John Gardner.
Choral Works (inc.
Oratorios). Vocal score.
32 pages. Duration 12'.
Oxford University Press
#9780193380042. Published
by Oxford University
Press (OU.9780193380042).
ISBN 9780193380042. 12
x 8 inches.
For
unaccompanied mixed
chorus This five-movement
suite takes a
light-hearted journey
through different themes
of love: Rejection,
Parting, Falsehood,
Contentment, Fulfilment.
With contrasting vocal
textures and a range of
texts, the result is a
varied and exuberant
work.
Boosey &
Hawkes Voice. Softcover.
118 pages. Hal Leonard
#M060034480. Published by
Hal Leonard
(HL.48009941).
UPC:
073999994353.
8.5x11.75x0.317
inches.
Contents: A
Pretty Pretty Ducke
(Bartlet) * Away With
These Self-Loving Lads
(Dowland) * Beauty is but
a Painted Hell (Campion)
* Breake Now My Heart and
Die (Campion) * Come Away
(Dowland) * Come You
Pretty False-Eyed Wanton
(Campion) * Downe-a-Downe
(Pilkington) * Ev'ry Dame
Affects Good Fame
(Campion) * Farewell
Unkind Farewell (Dowland)
* Flora Without Torment
Me (Morley) * Her Rosie
Cheekes (Campion) * I
Heard of Late (Bartlet) *
If There be Any One
(Bartlet) * Now O Now I
Needs Must Part (Dowland)
* O Deare That I With
Thee Might Live (Campion)
* Oft Have I Sighed for
Him (Campion) * Shall a
Smile or a Guileful
Glance? (Corkine) * Shall
I Sue Shall I Seek For
Grace? (Dowland) * Sorrow
Sorrow Stay (Dowland) *
Stay Time Awhile thy
Flying (Dowland) * Sweet
Was the Song (Attey) *
The Peaceful Westerne
Winde (Corkine) * Thrice
Tosse These Oaken Ashes
in the Air (Corkine) *
Weep No More Sad
Fountaines (Dowland) *
What if I Never Speede
(Dowland) * What Thing Is
Love? (Bartlet) * When
From My Love I Lookte
(Bartlet) * Whither
Runeth My Sweetheart
(Bartlet) * Who Doth
Behold My Mistress' Face
(Bartlet).
Composed by Edward Elgar.
Set Type: D. Set of
parts. Published by Lucks
Music Library
(TM.07668SET).
1. The Dance
(Sonnenbicht), 2. False
Love (Wamberg), 3.
Lullaby (In Hammersbach),
4. Aspiration (By Sanct
Anton), 5. On the Alm
(Hoch Alp), 6. The
Marksmen (By Murnau).
Score only contains
movements 2, 4, and 5.
Can use the score to
#01953 for movements 1,
3, and 6, but there are
some differences between
that score and these
parts. #01953 score does
not contain vocals.
By Thomas Morley. Arranged by David Sabourin. Brass Quintet. For 2 Trumpets, Hor...(+)
By Thomas Morley.
Arranged by David
Sabourin. Brass Quintet.
For 2 Trumpets, Horn in
F, Trombone, Tuba.
Baroque English. Level:
intermediate. Full score
and parts. Published by
Cherry Classics.
Meet the Great Jazz Legends. (Short Sessions on the Lives, Times and Music of th...(+)
Meet the Great Jazz
Legends. (Short Sessions
on the Lives, Times and
Music of the Great Jazz
Legends). By Ronald C.
McCurdy.
Classroom/Pre-School;
General Music and
Classroom Publications;
Reproducible. Jazz. Book.
72 pages. Published by
Alfred Music Publishing
Alto Saxophone - intermediate-adv SKU: HL.44006608 De Haske Play-Along Bo...(+)
Alto Saxophone -
intermediate-adv
SKU:
HL.44006608
De Haske
Play-Along Book. Tuition.
Book and CD. Composed
2004. De Haske
Publications #1043659.
Published by De Haske
Publications
(HL.44006608).
ISBN
9789043120210. UPC:
884088130633.
English-German-French-Dut
ch.
Saxophone study
material that is aimed at
musical expression and
sound, instead of
virtuosity is always in
short supply. Most
existing study books
offer too little
opportunity to apply the
learned technique for its
actual purpose - making
music. These New Concert
Studies meet the demand
for teaching the art of
making music. The book
contains fifteen studies
that put emphasis on
interpretation and
performance. The pieces
have been written by a
number of leading
composers and their
various approaches make
practising these studies
a good way to widen your
musical horizons. The
books comes with a demo
CD featuring Nobuya
Sugawa showing exactly
how it should be
done.
Steeds weer
blijkt de behoefte aan
studiemateriaal voor
saxofoon dat zich richt
op muzikale expressie en
klank in plaats van
virtuositeit. New
Concert Studies
voorziet in deze behoefte
met vijftien etudes
waarin de nadruk ligtop
interpretatie en
voordracht. Ze zijn
gemaakt door
topcomponisten. Hun
diverse invalshoeken
maken het studeren van
deze etudes tot een
uitstekende manier om je
muzikale horizon te
verbreden. Op de
bijgevoegde cd staat van
elkeetude steeds een
interpretatie - van
topsaxofonist Nobuya
Sugawa.
Der
Schwerpunkt dieser Etuden
liegt nicht auf
Virtuositat, sondern auf
dem eigentlichen Zweck
des Musizierens:
musikalischem Ausdruck
und Klang. Alle funfzehn
in diesem Band
versammelten Etuden
stammen aus der Feder von
ausgezeichneten
Komponisten und erweitern
in ihrer Vielfalt den
musikalischen Horizont
des Saxophonisten. Die
beiliegende CD wurde vom
japanischen
Saxophonvirtuosen Nobuya
Sugawa eingespielt.
New Concert
Studies contient
quinze etudes de concert
axees sur l'expression et
l'interpretation. La
grande diversite des
pieces est ideale pour
elargir son horizon
musical.
Voix Soprano, Piano [Partition + Accès audio] - Facile Schirmer
With companion recorded piano accompaniments. Vocal Collection. Vocal Standards,...(+)
With companion recorded
piano accompaniments.
Vocal Collection. Vocal
Standards, Classical and
Play Along. Softcover
Audio Online. With vocal
melody, lyrics and piano
accompaniment. 64 pages.
Published by G. Schirmer
(Fantasy Opera in One Act). Composed by Oliver Knussen (1952-). For Voice. Maste...(+)
(Fantasy Opera in One
Act). Composed by Oliver
Knussen (1952-). For
Voice. Masterworks;
Score; Vocal (Opera)
Score. Faber Edition.
20th Century; Masterwork.
Published by Faber Music