Cantata
for St. Michael's
Day. Composed by
Georg Philipp Telemann.
Edited by Brit Reipsch.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Siehe,
Es Hat Uberwunden Der
Lowe. Sacred vocal music,
Cantatas, Special days.
Single Part, Viola.
Composed 1722/23. TVWV
1:1328. 8 pages. Duration
15 minutes. Carus Verlag
#CV 39.136/13. Published
by Carus Verlag
(CA.3913613).
ISBN
9790007216054. Language:
German. Text: von Lingen,
Hermann Ulrich. Text:
Hermann Ulrich von
Lingen.
Thanks to
the false attribution to
Johann Sebastian Bach
(BWV 219) of the cantata
for St. Michael's Day
Siehe! es hat uberwunden
der Lowe TVWV 1:1328 by
Georg Philipp Telemann,
one of Telemann's works
experienced an unusually
early renaissance. In
1884 the cantata was
published in the
Bach-Gesamtausgabe
(Complete Edition) and
from then onwards enjoyed
some fame as an
apocryphal Bach cantata.
Alfred Durr was able to
identify the work as a
composition by Telemann
in the 1950s. Score and
part available separately
- see item
CA.3913600.
Saddle-stitched.
Technique. Book. Mel Bay
Publications, Inc #31154.
Published by Mel Bay
Publications, Inc
(MB.31154).
ISBN
9781513473888. 8.75X11.75
inches.
Practicing
scales is essential to
building and maintaining
strength, technique,
tone, and agility on the
viola, but it is easy to
slip into the habit of
playing scales
automatically, without
paying attention to
tonality or sound
production. The 29
single-page studies in
this book focus the
attention of violists on
the beauty of sound, with
a particular concern for
the way different keys
resonate on the viola.The
first 24 studies address
all minor and relative
major keys and proceed
through the circle of
fifths; the last 5 pieces
are individually
conceived, i.e., apart
from the circle of
fifths. No metronome
indications are given, so
the etudes can be played
at individually
comfortable tempos.The
names of the etudes refer
to various animals that
have scales, including
insects, fish, birds,
reptiles, and a few
species of mammals. The
author hopes that in
addition to experiencing
more enjoyable scale
practice, students will
be inspired to learn more
about these amazing
creatures and write scale
studies of their own.
By Rico Stover. For Guitar (Classical and Fingerpicking). Non-fiction. Classic. ...(+)
By Rico Stover. For
Guitar (Classical and
Fingerpicking).
Non-fiction. Classic.
Level: Multiple Levels.
Book. Size 8.5x11. 28
pages. Published by Mel
Bay Publications, Inc
Aus: Geistliche Chormusik. By Heinrich Schutz. Edited by Horn, Paul / Graulich, ...(+)
Aus: Geistliche
Chormusik. By Heinrich
Schutz. Edited by Horn,
Paul / Graulich, Gunter.
For Solo Tenor, 6 Instr,
[Choir TTBBBB,
Contrabass, Organ]. SWV
397 (op. 11 no. 29).
Motets; Stuttgart Urtext
editions; Occasions:
Peace and Justice; Use
during church year:
Trinity. Score. Language:
German/English. Composed
1648. 12 pages. Duration
5 min. Published by Carus
Verlag (German import).
Meet the Great Jazz Legends. (Short Sessions on the Lives, Times and Music of th...(+)
Meet the Great Jazz
Legends. (Short Sessions
on the Lives, Times and
Music of the Great Jazz
Legends). By Ronald C.
McCurdy.
Classroom/Pre-School;
General Music and
Classroom Publications;
Reproducible. Jazz. Book.
72 pages. Published by
Alfred Music Publishing
SATB choir SKU: ST.EM39 Composed by George Kirbye. Edited by Ian Payne. L...(+)
SATB choir
SKU:
ST.EM39
Composed by
George Kirbye. Edited by
Ian Payne. Library
Volumes. Edited Ian
Payne. Paperback.
Madrigals. Choral
collection. Stainer &
Bell Ltd. #EM39.
Published by Stainer &
Bell Ltd. (ST.EM39).
ISBN
9790220209895.
CONT
ENTS A wise man poor
(SAATB) As sudden
death (SSAATB) But
when himself (SSATB)
Farewell, false love
(SSAB (or T)) From
the Tarpeian Rock
(SSATB) Mourn now, my
Muse (SSAATB) My lady
wept (SSATB) My
mistress is a paragon
(SAATB) O help, alas
(SSAATB) O Jesu, look
(SSATB) O shall I die
(SSAATB) O When my
love (SSAATB) See,
what is life (SAATB)
Sleep aye, fond Hope
(SSATB) That man that
climbeth (SAATB) The
ivy green (SSATB) The
tyrant Love (SAATB)
Unkind, alas (SSAATB)
Use thyme whose tender
plant (SAATB).
Cantata
for St. Michael's
Day. Composed by
Georg Philipp Telemann.
Edited by Brit Reipsch.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Siehe,
Es Hat Uberwunden Der
Lowe. Sacred vocal music,
Cantatas, Special days.
Set of Orchestra Parts.
Composed 1722/23. TVWV
1:1328. Duration 15
minutes. Carus Verlag #CV
39.136/19. Published by
Carus Verlag
(CA.3913619).
ISBN
9790007144258. Language:
German. Text: von Lingen,
Hermann Ulrich. Text:
Hermann Ulrich von
Lingen.
Thanks to
the false attribution to
Johann Sebastian Bach
(BWV 219) of the cantata
for St. Michael's Day
Siehe! es hat uberwunden
der Lowe TVWV 1:1328 by
Georg Philipp Telemann,
one of Telemann's works
experienced an unusually
early renaissance. In
1884 the cantata was
published in the
Bach-Gesamtausgabe
(Complete Edition) and
from then onwards enjoyed
some fame as an
apocryphal Bach cantata.
Alfred Durr was able to
identify the work as a
composition by Telemann
in the 1950s. Score and
parts available
separately - see item
CA.3913600.
Composed
by Peter Terry. SWS. Carl
Fischer Young Performance
Series. Full score. With
Standard notation. 20
pages. Duration 3
minutes. Carl Fischer
Music #YPS187F. Published
by Carl Fischer Music
(CF.YPS187F).
ISBN
9781491148099. UPC:
680160905591. 9 x 12
inches.
In the
Odyssey, dreams come into
the world through one of
two gates. If they come
through the gates of
ivory they are false
dreams. However, if they
come into the world
through the gates of horn
they are true dreams that
tell the user of things
to be, or illuminate
truth. The Gates of Horn
is a dramatic piece for
band that alternates a
syncopated fanfare with a
bold, yet lyrical theme.
These contrasting ideas
chase each other
throughout the piece.
54 Songs, including 8 Cycles or Sets - Medium/Low Voice. By Gerald Finzi. This e...(+)
54 Songs, including 8
Cycles or Sets -
Medium/Low Voice. By
Gerald Finzi. This
edition: M051934010.
Boosey and Hawkes Voice.
Softcover. 224 pages.
Published by Boosey and
Hawkes.
Book/Online Audio. Vocal Collection. Vocal Standards, Classical and Play Along. ...(+)
Book/Online Audio. Vocal
Collection. Vocal
Standards, Classical and
Play Along. Softcover
Audio Online. With vocal
melody, lyrics, piano
accompaniment and
introductory text. 128
pages. Published by G.
Schirmer
Lyrics by W.S. Gilbert, music by Arthur Sullivan (1842-1900). For mixed choir (w...(+)
Lyrics by W.S. Gilbert,
music by Arthur Sullivan
(1842-1900). For mixed
choir (with solos) and
piano accompaniment. From
the Broadway musical "The
Pirates Of Penzance".
Format: vocal score. With
choral notation, piano
reduction, introductory
text and black and white
illustrations. Broadway.
Text language English.
213 pages. 7.5x11 inches.
Published by G. Schirmer.
String quartet (Violins
(2),
Viola, Violoncello) -
Level 2
Composed by Antonin
Dvorak
(1841-1904). Edited by
Michael
Kube. This edition:
urtext
edition. In a folder. Set
of
parts. Opus 96.
13/13/13/13
pages. Baerenreiter
Verlag
#BA11538_00. Published by
Baerenreiter Verlag
SATB double choir, a
cappella (SATB) -
Moderately Difficult
SKU:
OU.9780193413450
Composed by David
Bednall. Secular Choral -
Mixed Voices. New
Horizons. Vocal score. 16
pages. Duration 5'.
Oxford University Press
#9780193413450. Published
by Oxford University
Press (OU.9780193413450).
ISBN 9780193413450. 10
x 7 inches.
for
SATB double choir
unaccompanied A
setting of Shakespeare's
much-loved Sonnet 18,
Bednall's expressive work
highlights this timeless
text with sumptuous
harmony, including
pleasing tonal shifts and
topical false relations.
Various choral textures
are explored, from the
imitative lines of
'Sometime too hot', to
the warm richness of the
closing pages, where the
choir divides into eight
parts. This work is part
of the New Horizons
series and a piano
reduction is included for
rehearsal
purposes.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
Piano/Keyboard SKU: SU.12800062 For Piano/Keyboard. Composed by Jo...(+)
Piano/Keyboard
SKU:
SU.12800062
For
Piano/Keyboard.
Composed by Johann
Sebastian Bach. Keyboard,
Piano/Harpsichord. Score.
Subito Music Corporation
#12800062. Published by
Subito Music Corporation
(SU.12800062).
Goldberg
Variations, BWV 988
(3-page Preface, 63
pages, edited for piano,
no fingerings). This
attractive Urtext of
Bach’s popular
variation cycle is not
only extremely
user-friendly and
extra-legible, but in
addition, presents
groundbreaking
performance practice
research that explains
Bach’s
never-before-revealed
plan of tempo
relationships between
variations. This
discovery is highly
significant with regards
to the tempi chosen for
the 30 variations in a
complete performance. The
first edition from 1741,
engraved by Bach himself,
shows fermatas after
some, but not all,
variations. Most editors
assume this was an
oversight by Bach, and
thus, add fermatas where
they do not belong.
Virtually all editions of
our time add fermatas
where Bach did not
indicate them. Perhaps
the only edition that
correctly reproduces
Bach’s fermata
indications is Peters
(ed. Kurt Soldan, 1937).
Mapping out Bach’s
fermata plan for the
complete cycle reveals an
ingenious and fascinating
symmetrical arrangement
of pairs and groups of
variations unified by
direct tempo
relationships.
Bach’s tempo plan
has never yet been
honored by commercial
artists because they have
been steeped in false,
19th-century tempo
traditions, they have
been too influenced by
Glenn Gould, and they
have never been made
aware of Bach’s
use of fermatas due to
faulty editions.
Bach’s master plan
is beautifully laid out
and all the tempo
relationships are
explained in the
three-page Preface, which
also contains a tempo
hierarchy matrix relevant
to Bach performance as
well as Bach’s
well-known Table of
Ornaments. This edition
is ideal for pianists
from the
late-intermediate levels
and higher as well as
concert artists,
scholars, and teachers
who seek an informative
edition of the Goldberg
Variations for the
concert hall or teaching
studio. Piano/Keyboard
Published by:
BachScholar.
Chorus (with soloists) and piano (solos: Sp MezT2BarB - 2(picc).2(cor ang).2(Bkl...(+)
Chorus (with soloists)
and piano (solos: Sp
MezT2BarB - 2(picc).2(cor
ang).2(Bkl).2(dble bsn) -
3.2.3.0 - timp.perc.(2) -
Cel - str - stage music:
2trp.timp.perc)
SKU:
BR.EB-9433
A
Theatrical Caprice in One
Act. Composed by
Ferruccio Busoni. Choir;
Softbound. Edition
Breitkopf. Opera; Music
theatre; Early modern;
Late-romantic.
Piano/Vocal Score.
Duration 60'. Breitkopf
and Haertel #EB 9433.
Published by Breitkopf
and Haertel (BR.EB-9433).
ISBN 9790004189108. 9
x 12 inches.
German.
Text by the
composerTranslation:
engl. (E. J. Dent), ital.
(V. Levi), port. (G. de
Medeiros)Place and time:
Bergamo, around the 18th
century.Characters: Ser
Matteo del Sarto, master
tailor (baritone) -
Abbate Cospicuo
(baritone) - Dottore
Bombasto (bass) -
Leandro, Cavaliere
(tenor) - Arlecchino
(speaking part) -
Colombina, Arlecchino's
wife (mezzo-soprano) -
Annunziata, Matteo's wife
- Zwei Sbirren - Ein
Karrner - a Donkey -
People at the windows
(silent parts)The idea
behind this work was to
combine a major speaking
role with a part for a
female singer and
orchestra in the spirit
of the opera buffa. The
overall tone is
pacifistic and
anti-bourgeois. Busoni's
inspiration was that of
an opera-play in the
style of Italian
improvised comedy; he
wanted types and
characters on stage whose
varying typology would
provide the source of
conflict ... The title
hero absconds with the
young wife of the
Dante-reading tailor
Matteo. He returns as a
false barbarian
commander, as a husband
who engages in a duel
with the suitor Count
Leandro, and as a
conqueror who announces
the moral of the story in
the epilogue: how to be
able to bow in rags and
still retain one's
dignity and rights. The
piece takes a turn for
the absurd when the
Abbate, at the sight of
Leandro, who is presumed
dead, begins to sing a
chorale-like song of
praise to the donkey of
Providence who comes
trotting in at that
moment. This introduces
the most musically
refined number in the
piece, the quartet, in
which Leandro's love aria
and his duet with
Columbina satirize the
attitudes prevalent in
Italian opera from
Scarlatti to Verdi.
Musically, Busoni uses
throughout the entire
work an idiom of
dance-like, blissfully
transparent comedy and
hides harmonic audacities
behind touches of
lightness. The orchestral
sound radiates an
incomparable brightness
and buoyant elegance.
(Hans Heinz
Stuckenschmidt,
1967)
In the
appendix, EB 9433
contains the later
composed aria Wer siegt?
Wer fallt?..
Cantata
for St. Michael's
Day. Composed by
Georg Philipp Telemann.
Edited by Brit Reipsch.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Siehe,
Es Hat Uberwunden Der
Lowe. Sacred vocal music,
Cantatas, Special days.
Vocal score. Composed
1722/23. TVWV 1:1328. 16
pages. Duration 15
minutes. Carus Verlag #CV
39.136/03. Published by
Carus Verlag
(CA.3913603).
ISBN
9790007074173. Language:
German. Text: von Lingen,
Hermann Ulrich. Text:
Hermann Ulrich von
Lingen.
Thanks to
the false attribution to
Johann Sebastian Bach
(BWV 219) of the cantata
for St. Michael's Day
Siehe! es hat uberwunden
der Lowe TVWV 1:1328 by
Georg Philipp Telemann,
one of Telemann's works
experienced an unusually
early renaissance. In
1884 the cantata was
published in the
Bach-Gesamtausgabe
(Complete Edition) and
from then onwards enjoyed
some fame as an
apocryphal Bach cantata.
Alfred Durr was able to
identify the work as a
composition by Telemann
in the 1950s. Score
available separately -
see item CA.3913600.
Concert Band - Grade 1.5 SKU: AP.49098S Composed by Amy Webb. Concert Ban...(+)
Concert Band - Grade 1.5
SKU: AP.49098S
Composed by Amy Webb.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble. Alfred Debut
Series. Score. 24 pages.
Duration 2:40. Alfred
Music #00-49098S.
Published by Alfred Music
(AP.49098S).
ISBN
9781470646073. UPC:
038081564456.
English.
Cataclysm
of the Cosmos by Amy Webb
depicts the powerful
crash of meteors upon the
Earth, decimating the
dinosaurs! Propel your
ensemble right into the
spectacular fray with
pounding eighth-note
strikes, each tearing
into the Earth's crust. A
brief interlude in the
middle gives your
audience the false sense
of calm before the
meteors begin striking
the earth again with a
measured intensity that
will be a treat for
students to play! A
terrific opener! (2:40)
This title available in
MakeMusic Cloud.
(A Collection Motets,
Madrigals, Chansons,
Carols, Ayres, Ballets,
etc.) Edited by Henry
Clough-leighter.
Collection for mixed
choir (A Cappella). With
introductory text and
piano rehearsal part.
Series: Secular. 171
pages. Published by E.C.
Schirmer Publishing.
By Benjamin Britten (1913-1976). For Harp (High voice (Medium-High)). Book; Mast...(+)
By Benjamin Britten
(1913-1976). For Harp
(High voice
(Medium-High)). Book;
Masterworks; Vocal
Collection. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music