Vc./Bass Ad Lib. Aus ''Der Getreue Musikmeister 1728'' Git. Continuo: Karl Trötzmüller. Par TELEMANN GEORG PHILIPP. Der Continuo wurde gemäß Telemanns Anweisungen seiner 'Sing-, Spiel- und Generalbaß-Übungen' ausgesetzt. Obzwar für ein Tasteninstrument gedacht, dürfen diese Regeln umsomehr für die Gitarre in Anspruch genommen werden, soll dem Solisten eine geschmeidige . . . / Niveau : Assez Facile à Elémentaire / Répertoire / Guitare et Musique de Chambre

Par TELEMANN GEORG PHILIPP. This volume represents the only annual cycle of sacred music of the 18th century printed in score: it was completed in 1744. The textual basis stems from Erdmann Neumeister. In contrast to the usual practice of the Telemann Edition to edit segments of the church years, here the entire course of the church year is presented. The music to be performed at the beginning of each part of the church year and at special celebrations is included. Telemann used a variety of expressive polyphonic techniques to create the introductory dicta. These, like the chorales, are written in concentrated three-part harmony. The preface provides information on the printing history of the church year and its dissemination supplemented by comments on performance practice: the critical report analyses the rich source material. Editions of Telemann's preface (with his performance notes and an explanation of his figured bass system), the preface on the printing of the texts and the texts of the compositions contained in the volume flank the edition of the music. Facsimiles from the original print and from Hamburg performance materials are included./ Répertoire / Chant et Orchestre

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ Répertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ Répertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ Répertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ Répertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the 'Concerten-Jahrgang?, also known as 'Das Harmonische Zion? or 'Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire. - Urtext edition based on 'Georg Philipp Telemann, Musical Works?- Cantata for the first day of Whitsun- Ideal for church services and concerts- An attractive addition to the repertoire with a view to the 250th anniversary of Telemann's death (2017) / Violon I

Oratorio, edition of selected works, Urtext edition. Par TELEMANN GEORG PHILIPP. Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is one of Telemann ’s last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the Resurrection to the Ascension in seven sections. Alternating between recitative, da capo arias and festive choruses, Telemann succeeds in producing a vivid and effective musical interpretation of the libretto. Our edition of this oratorio is based on the Urtext from Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part. The work is ideal for performances in church and concert hallalike. Complete scholarly-critical edition based on Georg Philipp Telemann Musical Works An attractive addition to the repertoire with a view to the Telemann Year 2017 Bilingual Foreword (Ger/Eng) Idiomatic Piano reduction Full score (BA5851) and vocal score (BA5851-90) available for sale Performance material (BA5851-72) available for hire / Oratorio / Répertoire / Solistes, SATB et Orchestre

Telemann, Georg Philipp Gott der Hoffnung erfülle euch TVWV 1:634 Cantata for Whit Sunday In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch' for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the 'Concerten-Jahrgang', also known as 'Das Harmonische Zion' or 'Italienischer Jahrgang' where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire. ' Urtext edition based on 'Georg Philipp Telemann, Musical Works' ' Cantata for the first day of Whitsun ' Ideal for church services and concerts ' An attractive addition to the repertoire with a view to the 250th anniversary of Telemann's death (2017) Edition no.: BA 5898-90 ISMN: 9790006562688 Editor: Richter, Maik Language(s) of work: German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: VI, 21 S. - 27,0 x 19,0 cm

Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Cuivres : 1 Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 00 - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Philipp TELEMANN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba

Arrgt: Eric Vireton. Par TELEMANN GEORG PHILIPP. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Cuivres : 1 Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Georg Philipp TELEMANN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Trompette Sib 1 Cor en Fa 1 Trombone 1 Tuba

Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann's Sonata No. 73 in F for Violin, Viola Da Gamba and Bass Clarinet./ Répertoire / Violon ou Flûte Traversière/Hautbois, Viole de Gam

for Flute, Violin, Violoncello, Strings and Basso continuo. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et

Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition - Full score & parts (BA3533) available for sale/ Répertoire / 2 Flûtes Traversières, Instruments à Cordes et Bas

Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition - Full score & parts (BA3533) available for sale/ Répertoire / 2 Flûtes Traversières, Instruments à Cordes et Bas