Composed
by Heather Hammond. Funky
Flute. Tutor. School
Start. Book. Published by
Kevin Mayhew Publishers
(KV.3612398).
297mm x
210mm
inches.
Grade 1
- 2The bestselling
Funky Flute series shows
young flautists
everything they need to
know, from the very
basics of how to hold the
flute, getting a good
sound and how to read
music, up to around Grade
4 standard. Heather
Hammond's step-by-step
approach is clearly
presented and there are
listening games, puzzles
and quizzes to help keep
pupils motivated. And
naturally, it's packed
with funky, fun-to-play
pieces in Heather's
inimitable style. Each
pupil book comes with a
CD of backing tracks
which will enliven any
lesson and encourage
learning.
An Essential Study of Blues Drums for the Beginning to Advanced. Composed...(+)
An Essential Study of
Blues Drums for the
Beginning to
Advanced. Composed by
Kevin Coggins and David
Barrett. School of Blues.
Book and online audio. 56
pages. Published by Mel
Bay Publications, Inc
(MB.21066M).
Saxophone SKU: KV.3612370 Composed by Heather Hammond. This edition: pape...(+)
Saxophone
SKU:
KV.3612370
Composed
by Heather Hammond. This
edition: paperback. Super
Sax. Tutor. Book. 63
pages pages. Published by
Kevin Mayhew Publishers
(KV.3612370).
297mm x
210mm inches.
A
course for alto
saxophone, to guide the
young beginner from the
very first lesson to
around Grade 1 standard.
The step-by-step musical
and technical information
is clearly presented and
shows the pupil
everything they need to
know, including how to
hold the saxophone,
getting a good sound and
how to read music. There
are listening games,
puzzles and quizzes
which, along with the
accompanying teacher book
and great backing track
CD, create a recipe for
fun but effective
practice. This pack
contains ten student
books and one CD, which
makes it a cost-effective
option for schools and
teachers buying in
bulk.
Composed
by Heather Hammond. Funky
Flute. Tutor. School
Start. Book. Published by
Kevin Mayhew Publishers
(KV.3612265).
Grade
1
The
bestselling Funky Flute
series shows young
flautists everything they
need to know, from the
very basics of how to
hold the flute, getting a
good sound and how to
read music, up to around
Grade 4 standard. Heather
Hammond's step-by-step
approach is clearly
presented and there are
listening games, puzzles
and quizzes to help keep
pupils motivated. And
naturally, it's packed
with funky, fun-to-play
pieces in Heather's
inimitable style. Each
pupil book comes with a
CD of backing tracks
which will enliven any
lesson and encourage
learning.
Beneath Orchestre [Conducteur et Parties séparées]
For Orchestra and Prerecorded Soundscape. Composed by Alex Shapiro (1962-). Ac...(+)
For Orchestra and
Prerecorded
Soundscape. Composed by
Alex
Shapiro (1962-). Activist
Music. Concert.
Softcover.
Duration 630 seconds.
Published by Activist
Music
12 Jazz Duets 2 Trompettes (duo) [Partition + Accès audio] - Avancé De Haske Publications
Trumpet Duet - advanced SKU: BT.DHP-1125302-404 For the advanced trump...(+)
Trumpet Duet - advanced
SKU:
BT.DHP-1125302-404
For the advanced
trumpet player.
Composed by Erik
Veldkamp. Jazz. Book with
Online Audio. Composed
2021. 36 pages. De Haske
Publications #DHP
1125302-404. Published by
De Haske Publications
(BT.DHP-1125302-404).
ISBN 9789043163460.
English-German-French-Dut
ch.
12 Jazz
Duets is a volume of
wonderful pieces for two
players nice and jazzy,
just like the title
suggests. The pieces have
been written for the
advanced trumpet player
and are essentially
intended to be played
togetherwith a fellow
musician at the same
level. But you can also
use them on your own, as
the recordings available
online include demo
tracks, play-along tracks
and tracks with the added
first or second part.
Each duet is based on
thechord scheme of a jazz
standard, so you can also
improvise to the backing.
In short: a wealth of
possibilities for the
jazz lover!
12 Jazz Duets ist
ein Buch voller
wunderbarer Stücke
für zwei
fortgeschrittene
Trompeter reizvoll und
natürlich jazzig, wie
der Titel verspricht. Die
Stücke sind für das
Zusammenspiel mit einem
Trompeter gleichen
Niveausgedacht, können
aber auch alleine zu den
online verfügbaren
Audiotracks gespielt
werden. Diese umfassen
Demo- und
Mitspielversionen und
dazu noch Aufnahmen von
jeweils der ersten oder
zweiten Stimme mit
Begleitung. Jedes
Duettbasiert auf dem
Akkordschema eines
Jazzstandards, daher kann
auch zu den
Begleitakkorden
improvisiert werden. Kurz
gesagt: Eine Fülle von
Möglichkeiten für
den
Jazzliebhaber!
12 Jazz
Duets propone una
raccolta di piacevoli
brani in stile jazz per
due trombettisti di
livello avanzato. Le due
parti sono dello stesso
livello di difficolt ,
quindi interscambiabili o
eseguibili separatamente
conl'ausilio degli
registrazioni disponibili
online che, oltre ad
incisioni complete di
tutti i brani e tracce di
accompagnamento,
contengono anche
un'incisione di una sola
tromba.
The Spirit of Winnipeg Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Score and Parts Concert Band (Score & Parts) - Grade 5 SKU: HL.4008961 (+)
Score and Parts Concert
Band (Score & Parts) -
Grade 5
SKU:
HL.4008961
Concert
Band, Grade 5 14:15 Score
and Parts. Composed
by Georges Sadeler.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 855
seconds. Hal Leonard
#SDP258-24-02. Published
by Hal Leonard
(HL.4008961).
UPC:
196288282105.
Durin
g the last ice age,
Glacial Lake Agassiz was
the largest lake in the
world, spanning vast
areas of Canada and the
USA, with numerous lakes
forming in its basin,
including Lake Winnipeg.
The beginning of this
composition illustrates
how the ice of the
prehistoric glacier
slowly melts, drop by
drop, signaling the end
of the ice age.
Vegetation in Canada
begins to flourish once
again, and the first rays
of a new era illuminate
the majestic Lake
Winnipeg. Life reawakens
as Canada's indigenous
people sing their sun
dance, traverse the
prairie on horseback, and
engage in hunting. The
conclusion of the
composition pays tribute
to this splendid,
shimmering Lake Winnipeg
and its indigenous
inhabitants.
Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon,...(+)
Band Bass Clarinet, Bass
Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Euphonium, Flute,
Horn, Keyboard, Oboe,
Percussion, Piccolo,
Timpani, Trumpet, Tuba,
alto Saxophone, baritone
Saxophone, soprano
Saxophone, tenor
Saxophone and more.
SKU: PR.11540425L
Composed by Carter Pann.
Large Score. 92 pages.
Duration 26 minutes.
Theodore Presser Company
#115-40425L. Published by
Theodore Presser Company
(PR.11540425L).
UPC:
680160688159.
MyÂ
work Labyrinth for
Ithaca College could have
easily been titled as my
Third Symphony. The work
is larger in scope than
every other work of mine
for winds, save perhaps
my first symphony. The
piece is cast in two main
parts, each consisting of
two movements. As it
happened I wrote the
movements backwards
(fitting for something
called Labyrinth). The
size of the band is on
par with that of Karel
Husa’s Music for
Prague 1968 with one
exception, there is an
electric keyboard part
which lends certain
moments in the piece an
other-worldly ambience...
sounds that are
altogether different from
anything possible from
acoustic instruments. At
the risk of sounding
obvious or mundane, I had
two words floating around
my brain during the
composing of this work
— HUGE and
melodic. My
predisposition to create
inherently melodic music
is inescapable at this
point in my composing
career. This is the kind
of music I have
gravitated towards since
beginning at the piano so
long ago. I don’t
write ambient or spectral
music, nor do I write
music replete with
extended techniques. The
crafting of melodies with
gravitas has always made
my process of composing
the most satisfying. The
very last movement of
Labyrinth is a gargantuan
crescendo the likes of
the last movement of
Respighi’s The
Pines of Rome or
Ravel’s Bolero and
should leave the audience
and players sonically
drenched by the end.
I’m so honored to
have this opportunity to
compose for Ithaca
College’s 50th
Anniversary of that
seminal work of Karel
Husa’s. I have
known Music for Prague
1968 as long as
I’ve known serious
music for winds. It is my
aim that every moment of
Labyrinth offers the
players as much to bite
their teeth on as it
leaves the audience in
its throng from start to
finish. -CP.