X-mas for Three Ensemble de cuivres [Conducteur et Parties séparées] Gobelin Music Publications
Brass Band - easy SKU: BT.GOB-000561-030 Composed by David Well. Set (Sco...(+)
Brass Band - easy
SKU:
BT.GOB-000561-030
Composed by David Well.
Set (Score & Parts). 20
pages. Gobelin Music
Publications #GOB
000561-030. Published by
Gobelin Music
Publications
(BT.GOB-000561-030).
David Well
composed ‘X-mas for
Three’ for three young
pupils of his, who wished
to give a Christmas
concert. He arranged
six well-known Christmas
songs for them, and their
first performance was a
great success. This was
reason for the composer
to adapt the piece for
‘orchestra’ by adding
percussion. The title
has stayed the same, and
the work can still be
played by as few as three
musicians, but as the
saying goes: “The more,
the merrier”!
‘X-mas for Three’
consists of the following
parts : 1. Oh du
fröhliche 2. Kling,
Glöckchen, kling 3.
Gloria in excelsis
deo 4. Joy to the
world! 5. The first
Noel 6. We wish you a
MerryChristmas
David Well
componeerde ‘X-mas for
Three’ voor drie
jeugdige leerlingen die
een Kerstconcert wilden
geven. Hij bewerkte
zes bekende kerstliederen
voor hen en zij oogsten
veel succes met hun
eerste optreden. Dit was
de reden voorde componist
om het stuk geschikt te
maken voor ‘orkest’
en voegde daarom
percussie toe. De
titel is gelijk gebleven
en het stuk kan nog
steeds met z’n drieën
gespeeld worden maar met
meer mag ook en dat is
natuurlijk nog
veelleuker.
‘X-m
as for Three’ bestaat
uit de volgende
delen: 1. Oh du
fröhliche 2. Kling,
Glöckchen, kling 3.
Gloria in excelsis
deo 4. Joy to the
world! 5. The first
Noel 6. We wish you a
MerryChristmas
By Antonio Vivaldi. Teaching Singer: Michael Steinberger. For Tenor voice. Chora...(+)
By Antonio Vivaldi.
Teaching Singer: Michael
Steinberger. For Tenor
voice. Choral learning
aid. SingleParts.
Classical; Choral. Level:
Novice to semi
professional. Choral
Practice CD. Duration
0:20:48. Published by
Rehearsal Arts, LLC.
By Antonio Vivaldi. Teaching Singer: Aaron Engebreth. For Bass voice. Choral lea...(+)
By Antonio Vivaldi.
Teaching Singer: Aaron
Engebreth. For Bass
voice. Choral learning
aid. SingleParts.
Classical; Choral. Level:
Novice to semi
professional. Choral
Practice CD. Duration
0:20:47. Published by
Rehearsal Arts, LLC.
By Antonio Vivaldi. Teaching Singer: Deborah Rentz-Moore. For Alto voice. Choral...(+)
By Antonio Vivaldi.
Teaching Singer: Deborah
Rentz-Moore. For Alto
voice. Choral learning
aid. SingleParts.
Classical; Choral. Level:
Novice to semi
professional. Choral
Practice CD. Duration
0:20:49. Published by
Rehearsal Arts, LLC.
By Antonio Vivaldi. Teaching Singer: Gail Abbey. For Soprano voice. Choral learn...(+)
By Antonio Vivaldi.
Teaching Singer: Gail
Abbey. For Soprano voice.
Choral learning aid.
SingleParts. Classical;
Choral. Level: Novice to
semi professional. Choral
Practice CD. Duration
0:20:50. Published by
Rehearsal Arts, LLC.
Composed by Kevin Memley. For Choral, Percussion, Brass Quintet (BRASS/PERCUSSIO...(+)
Composed by Kevin Memley.
For Choral, Percussion,
Brass Quintet
(BRASS/PERCUSSION PARTS).
Pavane Choral. Pavane
Publishing #P9063.
Published by Pavane
Publishing
Fanfare Band - Grade 3 SKU: BT.DHP-1094718-020 Les Anges dans nos camp...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1094718-020
Les Anges dans nos
campagnes. Arranged
by Roland Kernen.
Christmas Collection.
Christmas. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094718-020. Published by
De Haske Publications
(BT.DHP-1094718-020).
9x12 inches.
The
title of this clever
arrangement reveals the
Christmas song it is
based on. The melody can
be traced back to a
French folksong from the
18th century which is now
known around the world.
In France it is called
Les anges dans nos
campagnes, in Germany
it is most widely known
as Engel auf den
Feldern singen and in
England it was originally
called Angels From the
Realms of Glory but
it often known as
Angels We Have Heard
on High. Everyone
will rejoice upon hearing
the ‘Gloria in
excelsis Deo’
refrain!
Hinter
diesem Titel verbirgt
sich eine neue
Bearbeitung des alten
französischen
Weihnachtsliedes Les
anges dans nos
campagnes aus dem
Frankreich des 18.
Jahrhunderts. In
Deutschland kennt man es
(u. a.) als Engel auf
den Feldern singen,
in England existiert
neben dem oben genannten
Titel auch die Version
Angels We Have Heard
on High. Allen
gemeinsam ist der
markante Refrain Gloria
in excelsis Deo“
der dem Lied seinen
besonders erhabenen,
festlichen Charakter
verleiht.m ist der
markante Refrain Gloria
in excelsis Deo“
der dem Lied seinen
besonders erhabenen,
festlichen Charakter
verleiht.
Angel
s from the realms of
Glory è uno dei
più celebri e dei
più bei canti
natalizi. Questo
splendido arrangiamento
inizia su
un’introduzione
festiva che accompagna
verso
l’esposizione del
tema in forma di corale.
Segue un intermezzo dalle
sonorit ampie e generose,
che precede le riprese
del corale di apertura
dagli accenti gioiosi. Il
brano si conclude in modo
maestoso per
rappresentare
l’atmosfera
meravigliosa e incantata
che caratterizza il
Natale.
Gloria by Antonio Vivaldi (1678-1741). Arranged by Elmer Thomas. For SATB choir ...(+)
Gloria by Antonio Vivaldi
(1678-1741). Arranged by
Elmer Thomas. For SATB
choir (with optional
orchestration). Major
Work, Christmas, Sacred.
Choral octavo. Published
by Roger Dean Publishing
By K. Lee Scott. For organ, brass quintet (SATB choir). Choral. Christmas. Moder...(+)
By K. Lee Scott. For
organ, brass quintet
(SATB choir). Choral.
Christmas. Moderately
Difficult. Preview Pack.
Published by MorningStar
Music Publishers
Composed by Jasper
Randall. Pavane Choral.
Christmas. Octavo. 20
pages. Duration 195
seconds. Pavane
Publishing #P3020.
Published by Pavane
Publishing (HL.1412169).
UPC: 196288195627.
6.75x10.5x0.045
inches.
At the
Christmas season,
“Gloria in Excelsis
Deo” is one of the most
popular texts to sing.
Los Angeles studio
musician Jasper Randall
brings us a truly
spirited rendition to
liven any holiday
program. Following its
dynamic opening it breaks
into a flowing melody and
toggles back again.
Randall breaks from the
traditional liturgical
text and surprises us
with the English
statement “For Unto Us
...” then returns to
the opening theme which
culminates in an
exhilarating
conclusion.
By Johann Sebastian Bach (1685-1750). Edited by Johann Sebastian Bach. For Sopra...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Johann Sebastian Bach.
For Soprano voice and
Tenor voice (Soli), SATB
Choir / Piano (Chorus and
piano). Baroque;
Sacred/Hymns; Christmas.
Vocal Score. Text
Language: Latin. Composed
1740. 48 pages. Duration
15 minutes
Level 2 Mixed, Teacher. By Michael O'hern, Janice Killian, Linda Rann. (Mixed/T...(+)
Level 2 Mixed, Teacher.
By Michael O'hern, Janice
Killian, Linda Rann.
(Mixed/Teacher Edition).
Essential Elements Choir.
Size 8.5x11 inches. 312
pages. Published by Hal
Leonard.
Level 2 Mixed, Performance/Accompaniment CD. By Michael O'hern, Janice Killian, ...(+)
Level 2 Mixed,
Performance/Accompaniment
CD. By Michael O'hern,
Janice Killian, Linda
Rann. (Mixed Perf/Acc
CDs (2)). Essential
Elements Choir. CD only.
Size 5x5.5 inches. 312
pages. Published by Hal
Leonard.
A Charles Dickens Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional Engl...(+)
Concert band - Grade 3
SKU:
MH.1-59913-050-5
Composed by traditional
English carols. Arranged
by William Ryden.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 6:30. Published
by Manhattan Beach Music
(MH.1-59913-050-5).
ISBN
9781599130507.
Char
les Dickens certainly
would have known the
three carols in A CHARLES
DICKENS CHRISTMAS. They
were among the best-known
and best-loved carols of
the Victorian Era, and
were a staple of the
repertoire of roving
waits, or carollers, that
appear in his novels.
Today this music is as
familiar as Santa Claus
and Tiny Tim. THE FIRST
NOWELL was first
collected in Christmas
Carols, Ancient and
Modern by William Sandys
in 1833. It is most
probably 200 years older
than that. The Oxford
Book of Carols contains
nine verses, which makes
it an ideal processional
for Christmas or Epiphany
(the feast commemorating
the coming of the Magi).
COVENTRY CAROL, or Lully,
Lullay, comes from the
medieval tradition of
mystery and miracle
plays. In 1534 the
Pageant of the Shearman
and Tailors Guild
included a scene in which
the mothers of Jewish
children sang this
haunting lullaby after
hearing the horrifying
order: Herod the king, In
his raging, All young
children to slay. The
music is anonymous; the
text believed to be by
Robert Croo. ANGELS WE
HAVE HEARD ON HIGH is
probably of French
origin, but the English
long ago adopted it as
their own. Besides the
French text, Les Anges
dans nos compagnes, it is
known in several versions
and by several titles,
including Angels from the
Realms of Glory, When the
Crimson Sun Had Set, and
Westminster Carol. It
belongs to a category
known as macaronic
carols, which mix
vernacular verses with
Latin refrains - in this
instance, Gloria in
Excelsis Deo (Glory be to
God on High). Ensemble
instrumentation: 1
Piccolo, 8 Flute, 2 Oboe,
1 Bassoon 1, 1 Bassoon 2,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 1 Eb Alto Clarinet, 3
Bb Bass Clarinet & Bb
Contrabass Clarinet, 2 Eb
Alto Saxophone 1, 2 Eb
Alto Saxophone 2, 1 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1, 2 F Horn 2, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(Bass Clef), 2 Euphonium
(Treble Clef), 5 Tubas, 1
Timpani, 2 Bells &
Chimes, 3 Percussion 1:
small triangle, suspended
cymbal, crash cymbal,
snare drum, bass drum, 2
Percussion 2: large
triangle, finger
cymbals.
Choral (SATB) SKU: HL.35007834 Eartraining. Composed by Tomá...(+)
Choral (SATB)
SKU:
HL.35007834
Eartraining.
Composed by Tomá
and s Luis de Victoria.
Arranged by James
McKelvy. Mark Foster.
Advent, Christmas Sacred,
Christmas/Advent Sacred,
Classical, Concert.
Octavo. 8 pages. Shawnee
Press #MF0404. Published
by Shawnee Press
(HL.35007834).
UPC:
747510051954.
7.0x10.5x0.016 inches.
French.
Avoir
une bonne oreille
musicale fait
indéniablement
partie des
éléments
requis pour être ou
devenir un bon pianiste.
C’est bien
simple... tout part de
là ! Et tout passe
par là !Mais
à l’instar
des doigts qui sont au
contact du clavier,
l’oreille doit
aussi être
formée et
entraînée
pour devenir performante.
Et cela passe
inévitablement par
des
exercicesspécifiqu
es, tels que ceux qui
vous sont proposés
dans cette
méthode. Savoir
reconnaître les
intervalles entre les
notes est la base de la
formation auditive (ear
training, en anglais).
C’estpourquoi un
premier grand chapitre
est consacré ici
à leur
étude approfondie.
Dans les suivants, vous
serez alors en mesure
d’aborder, pas
à pas, les
arpèges et accords
de 3 et 4 sons,ainsi que
les gammes... qui sont
autant d’outils
indispensables pour
identifier à
l’oreille les
mélodies et
accompagnements
joués par le
piano. Chaque
étape de
l’apprentissage
estponctuée
d’un quiz musical,
permettant
d’évaluer
vos acquis, vos
progrès... mais
aussi votre aptitude
à passer à
la suite. Vous trouverez
sur le disque MP3 joint
tous lesenregistrements
audios (au format mp3)
correspondant aux
multiples exercices et
autres quiz de la
méthode.
Avoir une bonne oreille
musicale fait
indeniablement partie des
elements requis pour etre
ou devenir un bon
pianiste. C'est bien
simple... tout part de la
! Et tout passe par la !
Mais a l'instar des
doigts qui sont au
contact du clavier,
l'oreille doit aussi etre
formee et entrainee pour
devenir performante. Et
cela passe inevitablement
par des exercices
specifiques, tels que
ceux qui vous sont
proposes dans cette
methode. Savoir
reconnaitre les
intervalles entre les
notes est la base de la
formation auditive (ear
training, en anglais).
C'est pourquoi un premier
grand chapitre est
consacre ici a leur etude
approfondie. Dans les
suivants, vous serez
alors en mesured'aborder,
pas a pas, les arpeges et
accords de 3 et 4 sons,
ainsi que les gammes...
qui sont autant d'outils
indispensables pour
identifier a l'oreille
les melodies et
accompagnements joues par
le piano. Chaque etape de
l'apprentissage est
ponctuee d'un quiz
musical, permettant
d'evaluer vos acquis, vos
progres... mais aussi
votre aptitude a passer a
la suite. Vous trouverez
sur le disque MP3 joint
tous les enregistrements
audios (au format mp3)
correspondant aux
multiples exercices et
autres quiz de la
methode.
By Francis Poulenc. Teaching Singer: Michael Steinberger. For Tenor voice. Chora...(+)
By Francis Poulenc.
Teaching Singer: Michael
Steinberger. For Tenor
voice. Choral learning
aid. SingleParts.
Classical; Choral. Level:
Novice to semi
professional. Choral
Practice CD. Duration
0:22:18. Published by
Rehearsal Arts, LLC.
By Francis Poulenc. Teaching Singer: Deborah Rentz-Moore. For Alto voice. Choral...(+)
By Francis Poulenc.
Teaching Singer: Deborah
Rentz-Moore. For Alto
voice. Choral learning
aid. SingleParts.
Classical; Choral. Level:
Novice to semi
professional. Choral
Practice CD. Duration
0:22:21. Published by
Rehearsal Arts, LLC.
By Francis Poulenc. Teaching Singer: Aaron Engebreth. For Bass voice. Choral lea...(+)
By Francis Poulenc.
Teaching Singer: Aaron
Engebreth. For Bass
voice. Choral learning
aid. SingleParts.
Classical; Choral. Level:
Novice to semi
professional. Choral
Practice CD. Duration
0:22:18. Published by
Rehearsal Arts, LLC.
By Francis Poulenc. Teaching Singer: Gail Abbey. For Soprano voice. Choral learn...(+)
By Francis Poulenc.
Teaching Singer: Gail
Abbey. For Soprano voice.
Choral learning aid.
SingleParts. Classical;
Choral. Level: Novice to
semi professional. Choral
Practice CD. Duration
0:22:19. Published by
Rehearsal Arts, LLC.