(P/V/G). By Various. Songbooks and Methods. Music Sales America. Patriotic, Sacred. Softcover. 320 pages

Performed by Muddy Waters. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, performance notes, introductory text, guitar notation legend and black and white photos. Blues and chicago blues. Series: Hal Leonard Guitar Recorded Versions. 184 pages. 9x12 inches. Published by Hal Leonard.

SATB choir

SKU: WD.080689645174

Composed by Marty Hamby. Book. Word Music #080689645174. Published by Word Music (WD.080689645174).

UPC: 080689645174.

Featu ring 10 of the newest and best Southern Gospel hit songs, with a variety of arrangements to meet all your southern gospel choir needs; songs and arrangements full of grit and attitude, like Gotta Be Saved; songs that celebrate being sons and daughters of the Most High like We Are God’s Children; songs that express the promise of eternal life and declare a longing to go home like I Know I’ll Be There, and Resurrection Morn; songs that speak to the depth of God’s love for us and the lengths to which He will go to rescue us like Lost and Just When You Thought; songs that tell of His faithfulness to us and songs that speak of our desire to be found faithful; songs that will bring a smile to your face, a tear to your eye, and a spring to your step, that will make your heart soar to think of how much He loves us! No sound this side of heaven rivals the sound of a spirited choir raising their voices together to sing an emotion-filled Southern Gospel song of testimony, deliverance, victory, promise, and forgiveness. Gather your choir together soon to let them experience the joy and blessing of ministering to people through the message and sounds of a Southern Gospel song!

C Instruments). Composed by Various. For C Instruments. Fake Book. Softcover. 536 pages. Published by Hal Leonard

B-Flat Instruments. Composed by Various. Fake Book. RandB, Jazz. Softcover. 536 pages. Published by Hal Leonard

Performed by Hank Williams. Piano/Vocal/Chords (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 48 pages. Published by Hal Leonard.

Performed by Hank Williams. E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 56 pages. Published by Hal Leonard.

To Sing, Read and Play. By Katalin Komlos. Arranged by Peter Erdei. (JOS Elementary Edition). Boosey and Hawkes Kodaly. Softcover. Size 7x10.5 inches. 136 pages. Published by Boosey and Hawkes.

The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Composed by Hagood Hardy Weve Got Tonight Composed by Bob Seger Song From M*a*s*h (Suicide Is Painless) Composed by Johnny Mandel, Mike Altman Misty Composed by Erroll Garner, Johnny Burke Other Side Of Midnight Composed by Michel Legrand The Rose Composed by Amanda Mc Broom Tears In Heaven Composed by Eric Clapton, Will Jennings Theme From New York, New York Composed by Fred Ebb, John Kander Heart Composed by Richard Adler, Jerry Ross Hey There Composed by Richard Adler, Jerry Ross Colors Of My Life Composed by Cy Coleman, Michael Stewart Over The Rainbow Composed by Harold Arlen, E.y. Harburg Separate Lives Love Theme From "white Nights" Theme From Ice Castles Composed by Marvin Hamlisch, Carole Bayer Sager Tonight I Celebrate My Love Composed by Michael Masser, Gerry Goffin In This Life Composed by Mike Reid, Allen Shamblin Up Where We Belong Composed by W Jennings, B Sainte, Marie, J Nitzsche From A Distance Composed by Julie Gold I Will Always Love You Composed by Dolly Parton Oh! What It Seemed To Be Composed by Bennie Benjamin, George David Weiss, Frankie I Believe I Can Fly Composed by R. Kelly Valentine Composed by Jim Brickman, Jack Kugell How Do I Live Composed by Diane Warren Colors Of The Wind Composed by Stephen Schwartz, Alan Menken A Dream Is A Wish Your Heart Makes Composed by Mack David, Al Hoffman, Jerry Livingston see less... Tell Him Composed by Linda Thompson, David Foster Con Te Patiro / Time To Say Goodbye Composed by Lucio Quarantotto, Francesco Sartori Karen's Theme Composed by Richard Carpenter The Prayer Composed by Carole Bayer Sager, David "babyface" Foster My One True Friend Composed by Carole Bayer Sager, Carole King Love Solo Composed by Dan Coates I Don't Want To Miss A Thing Composed by Diane Warren As Time Goes By Composed by Herman Hupfeld La Vie En Rose Composed by Louiguy, Piaf (French), David (Eng.) What's New? Composed by Bob Haggart, Johnny Burke Summer Me, Winter Me Composed by Michel Legrand, Alan, Marilyn Bergman Evergreen Composed by Barbra Streisand, Paul Williams Arthur's Theme (Best That You Can Do) Composed by Burt Bacharach, Carole Bayer Sager Can You Read My Mind Composed by John Williams, Leslie Bricusse Love And Marriage Composed by Jimmy Van Heusen, Sammy Cahn Desperado Composed by Don Henley, Glenn Frey The Wind Beneath My Wings Composed by Jeff Silbar, Larry Henley How Do You Keep The Music Playing? Composed by Michel Legrand, Alan Bergman Anywhere The Heart Goes Composed by Henry Mancini, Will Jennings Once Before I Go Composed by Dean Pitchford, Peter Allen Star Wars - Main Theme Composed by John Williams Open Arms Composed by Steve Perry, Jonathan Cain Canon In D Composed by Johann Pachelbel That's What Friends Are For Composed by Burt Bacharach, Carole Bayer Sager Friends Or Lovers Both To Each Composed by Paul Gordon, Jay Gruska Forever Composed by Kenny Loggins, Eva Loggins, David Foster Saving All My Love For You Composed by Gerry Goffin, Michael Masser Miss Celie's Blues Composed by Quincy Jones, Rod Temperton, And Anne's Theme Composed by Hagood Hardy One Moment In Time Composed by Albert Hammond, John Bettis Kei's Song Composed by David Benoit I Say A Little Prayer Composed by Burt Bacharach, Hal David Happy Birthday To You Composed by Mildred J. Hill, Patty S. Hill May You Always Composed by Larry Marks, Dick Charles If My Friends Could See Me Now Composed by Cy Coleman, Dorothy Fields You Can Always Count On Me Composed by Cy Coleman, David Zippel Ashokan Farewell Composed by Jay Ungar Everything I Do I Do It For You Composed by Bryan Adams, Robert Lange, Michael Kamen Send In The Clowns Composed by Stephen Sondheim She Loves Me Composed by Sheldon Harnick, Jerry Bock How Could I Ever Know? Composed by Marsha Norman, Lucy Simon My Unknown Someone Composed by Cy Coleman, Adolph Green, Betty Comden Favorite Son Composed by Cy Coleman, Adolph Green, Betty Comden I Swear Composed by Gary Baker, Frank Myers I Can Love You Like That Composed by S Diamond, M Derry, J Kimball Beauty And The Beast Composed by Howard Ashman, Alan Menken Angel Eyes Composed by Jim Brickman If You Believe Composed by Jim Brickman Because You Loved Me Composed by Diane Warren Un-break My Heart Composed by Diane Warren Ragtime Composed by Stephen Flaherty, Lynn Ahrens Complete Advanced Piano Solos (Music for All Occasions). Arranged by Dan Coates. For solo piano. Piano - Intermediate / Advanced Collection; Piano Supplemental. The Professional Touch Series. Contemporary Instrumental and Pop. SMP Level 9 (Advanced). Collection. Standard notation (does not include words to the songs). 304 pages. Published by Alfred Music Publishing

(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Pop rock, rock and pop. Series: Hal Leonard Fake Books. 584 pages. 9x12 inches. Published by Hal Leonard.

(C Instruments). By Various. Arranged by Robert Rawlins. Fake Book. Softcover. 380 pages. Published by Hal Leonard

(B-Flat Instruments). Composed by Various. Arranged by Robert Rawlins. For B-flat Instruments. Fake Book. Softcover. 380 pages. Published by Hal Leonard

Eb Instruments. Composed by Various. Arranged by Robert Rawlins. Fake Book. Dixieland, Jazz. Softcover. Published by Hal Leonard

By Various. For Guitar. Guitar Chord Songbook. Softcover. 1024 pages. Published by Hal Leonard

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

by William Bay. For Harmonica (Diatonic). solos. All Styles. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 80 pages. Published by Mel Bay Publications, Inc

By Duck Baker. For Guitar (Fingerpicking). Solos. Complete. Gospel-Old Time. Level: Intermediate-Advanced. Book/CD Set. 168 pages. Published by Mel Bay Publications, Inc

Budget Books. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. 320 pages. Published by Hal Leonard.

Orchestra - Grade 2.5

SKU: AP.45842S

Recorded by American Authors. Composed by Aaron Accetta, David Rublin, James Shelley, Jonnie Davis, Matthew Sanchez, Michael Goodman, and Zachary Barnett. Arranged by Victor Lopez. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Pop/Rock. Score. 12 pages. Duration 2:40. Alfred Music #00-45842S. Published by Alfred Music (AP.45842S).

UPC: 038081524115. English. Zachary Barnett; James Shelley; Matthew Sanchez; David Rublin; Aaron Accetta; Jonnie Davis; Michael Goodman [American Authors].

Go big and get your audience excited with this bright and energetic sing-along hit arranged by Victor López. American Authors, an indie rock band based in Brooklyn, New York, wrote Go Big or Go Home---a Top 20 hit on Billboard charts and featured in promos for the 2016 NBA Playoff Finals. Given the catchy melody and vibrant rhythms, this song is the hair-raising anthem you have been looking for to complete your program. Great tune for a recruiting demonstration! (2:40).

Concert Band - Grade 2

SKU: AP.45799S

Recorded by American Authors. Composed by Aaron Accetta, David Rublin, James Shelley, Jonnie Davis, Matthew Sanchez, Michael Goodman, and Zachary Barnett. Arranged by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Pop. Score. 16 pages. Duration 2:45. Alfred Music #00-45799S. Published by Alfred Music (AP.45799S).

UPC: 038081523989. English. Zachary Barnett; James Shelley; Matthew Sanchez; David Rublin; Aaron Accetta; Jonnie Davis; Michael Goodman [American Authors].

With an electronic dance beat and a hint of Latin flavor, the American Authors anthem, Go Big or Go Home, is a perfect fit for enthusiastic school concerts. Go big and get your audience excited with this bright and energetic sing-along hit. (2:45).

Arranged by Peter Skellern. For Choral (UNIS). Music Sales America. Gospel. 70 pages. Chester Music #CH61671. Published by Chester Music

Choral (SSATB choir)

SKU: HL.291713

Composed by Antonin Dvorak. Arranged by Rollo Dilworth. Festival Choral. Classical, Concert, Festival, Gospel, Memorial. Octavo. 16 pages. Published by Hal Leonard (HL.291713).

UPC: 888680927936. 6.75x10.5 inches.

Anton&iacut e;n Dvorák wrote his 9th Symphony From the New World while he was the director of the National Conservatory of Music of America. He was directly influenced by Harry T. Burleigh, a student at the National Conservatory at the time. The musical theme from the Largo movement was adapted into the spiritual-like “Goin' Home” by Dvorák pupil William Arms Fisher. This beautiful melody along with the powerful lyrics are here set in an African American gospel style, including a quote from the spiritual “Deep River.&rdquo.

(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords. Standard. 564 pages. Published by Alfred Music Publishing