Choir SKU: CA.212000 Composed by Various. Edited by Reiner Schuhenn, Rich...(+)
Choir
SKU:
CA.212000
Composed by
Various. Edited by Reiner
Schuhenn, Richard
Mailander, Walter
Sengstschmid, and
Winfried Bonig. Hymns by
Martin Luther: Ausgaben
mit mehreren
Luther-Liedern; Choral
collections for Coro SAM.
Chorbuch A Tre. Edition
Fur Den Chorleiter.
Sacred vocal music, Hymn
settings, Whole church
year / Omni tempore,
Daily hours. Choir Book.
Carus Verlag #CV
02.120/00. Published by
Carus Verlag (CA.212000).
ISBN
9790007094393.
Toda
y an increasing number
church choirs are
lamenting the lack of
male voices. The present
Chorbuch a tre (choir
book a tre), anticipated
by many, addresses this
situation. It contains
160 three-part settings
for two female voices and
one male voice (some with
accompaniment). The
collection, designed for
ecumenical use, offers a
broad selection of choral
settings for the church
year, times of the day,
praise and thanks, the
Ordinary, etc. It
includes works from from
the 17th century to the
present, and presents a
range of various styles
(including gospel and
sacred pop). About 50
settings were written for
this choir book by
renowned composers and
church musicians.
Choirmasters can now
enjoy having a current,
comprehensive collection
of three-part choral
settings with a variety
of ideas for singing and
making music in worship
services.
(Score) SKU: HL.49042437 For the Celebration of the Fiftieth Anniversa...(+)
(Score)
SKU:
HL.49042437
For
the Celebration of the
Fiftieth Anniversary of
the Reign of King
Friedrich August I of
Saxony. Composed by
Carl Maria von Weber.
Edition Schott.
Classical. Hardcover. 312
pages. Schott Music
#WGA1024. Published by
Schott Music
(HL.49042437).
ISBN
9783795794507.
Carl
Maria von Weber's fame
rests mainly on Der
Freischutz. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was notconducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer,ritic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (68 vols.)
are edited in Berlin and
the letters (810 vols.)
and other writings (2
vols.) in Detmold.This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Webers
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based
on.
Petersborough Sleighride Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4724-01 Galop. Composed by Richard Eilenberg. ...(+)
Grade 3
SKU:
CL.012-4724-01
Galop. Composed by
Richard Eilenberg.
Arranged by Glover.
Concert Band. Extra full
score. Composed 2019.
Opus III Wind Orchestra
Publications
#012-4724-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4724-01).
Are you tired
of the same old sleigh
ride? Then jump aboard
the Petersborough
Sleighride, a delightful
work which depicts a
horse-drawn trek through
the wintry backroads. A
noted favorite of
European salon music,
this charming piece will
be a favorite of your
winter concert - or even
summer concerts, to help
cool off your audience!
Listeners will smile and
tap their feet as this
music paints a picture of
a wintery romp through
the snow.
Irresistible!
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orche...(+)
Orchestra; Piano (Score)
SKU: HL.49042455
Concerto for piano and
orchestra No. 2 E flat
major. Composed by
Carl Maria von Weber.
Edited by Markus Bandur.
This edition: Full-cloth
binding. Sheet music.
Edition Schott.
Classical. Hardcover. Op.
32. 206 pages. Schott
Music #WGA1054-20.
Published by Schott Music
(HL.49042455).
ISBN
9783795794828.
10.0x13.25x0.845 inches.
German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Petersborough Sleighride Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4724-00 Galop. Composed by Richard Eilenberg. ...(+)
Grade 3
SKU:
CL.012-4724-00
Galop. Composed by
Richard Eilenberg.
Arranged by Glover.
Concert Band. Score and
set of parts. Composed
2019. Opus III Wind
Orchestra Publications
#012-4724-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4724-00).
Are you tired
of the same old sleigh
ride? Then jump aboard
the Petersborough
Sleighride, a delightful
work which depicts a
horse-drawn trek through
the wintry backroads. A
noted favorite of
European salon music,
this charming piece will
be a favorite of your
winter concert - or even
summer concerts, to help
cool off your audience!
Listeners will smile and
tap their feet as this
music paints a picture of
a wintery romp through
the snow.
Irresistible!
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB)
SKU:
HL.49042462
No.
1-4. Composed by Carl
Maria von Weber. Edited
by Markus Bandur. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. Op.
24+39+49+70. 372 pages.
Schott Music #WGA1071.
Published by Schott Music
(HL.49042462).
ISBN
9783795794637. German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
