Chamber Music
Mezzo-soprano, Piano,
baritone voice soprano
voice, tenor voice
SKU: PR.411411980
Sung Monologues for
Solo Voices and Piano
Inspired by Classic
Literature. Composed
by Nkeiru Okoye. Theodore
Presser Company
#411-41198. Published by
Theodore Presser Company
(PR.411411980).
High Flyers Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000495-030 Composed by Andrew R. Mackere...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000495-030
Composed by Andrew R.
Mackereth. Set (Score &
Parts). 22 pages. Gobelin
Music Publications #GOB
000495-030. Published by
Gobelin Music
Publications
(BT.GOB-000495-030).
From the
composer:
High
Flyers are regarded as
people with promise and
potential.They are
winners. This is
music for
winners.
The
title, as well as being a
play-on-words, implies
the nature of the work.
It is a bright,
optimistic, and upbeat
piece attempting to
depict an exhilarating
ride on flying
carpet. The opening
rising chords immediately
suggest the gentle
elevation of the carpets'
ascent towards unknown
heights, leading to a
hint of a first theme in
the horns at Fig. B.
The first four notes
provide the thematic
material for the whole
work: C F G A. A
perpetual sense of
movement is achieved
through accented quaver
chords punctuating the
melodicmaterial of the
first main theme.
Fig. E sees the music of
the opening bars fully
realised, with flourishes
from the euphonium and
baritones representing
swirling clouds, shooting
stars, or passing birds
in flight. The same
subject is developed into
a lyrical second theme
with a new lush harmonic
treatment, evocative of
gliding over an expanse
of sparse
countryside.This section
ends with a note of
serenity but is shattered
by the urgent insistence
of the percussion
rhythms. The third
section introduces a new
idea with a slightly
distorted fanfare in the
cornets and
trombones. This
figure suggests for the
first time that there may
be trouble ahead. In
fact, there is no need to
fear and the journey can
continue without
aggravation. This fanfare
returns near the end to
signal a final note of
triumph. A new
rhythmic variant of the
cell motif emerges as the
third theme now
transformed by the
addition of a triplet
figure. The music
steadily gains momentum
before moving inexorably
towards the climactic
return of the music and
tonality of the opening
bars of the piece.
High Flyers Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000495-130 Composed by Andrew R. Mackere...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000495-130
Composed by Andrew R.
Mackereth. Score Only. 22
pages. Gobelin Music
Publications #GOB
000495-130. Published by
Gobelin Music
Publications
(BT.GOB-000495-130).
From the
composer:
High
Flyers are regarded as
people with promise and
potential.They are
winners. This is
music for
winners.
The
title, as well as being a
play-on-words, implies
the nature of the work.
It is a bright,
optimistic, and upbeat
piece attempting to
depict an exhilarating
ride on flying
carpet. The opening
rising chords immediately
suggest the gentle
elevation of the carpets'
ascent towards unknown
heights, leading to a
hint of a first theme in
the horns at Fig. B.
The first four notes
provide the thematic
material for the whole
work: C F G A. A
perpetual sense of
movement is achieved
through accented quaver
chords punctuating the
melodicmaterial of the
first main theme.
Fig. E sees the music of
the opening bars fully
realised, with flourishes
from the euphonium and
baritones representing
swirling clouds, shooting
stars, or passing birds
in flight. The same
subject is developed into
a lyrical second theme
with a new lush harmonic
treatment, evocative of
gliding over an expanse
of sparse
countryside.This section
ends with a note of
serenity but is shattered
by the urgent insistence
of the percussion
rhythms. The third
section introduces a new
idea with a slightly
distorted fanfare in the
cornets and
trombones. This
figure suggests for the
first time that there may
be trouble ahead. In
fact, there is no need to
fear and the journey can
continue without
aggravation. This fanfare
returns near the end to
signal a final note of
triumph. A new
rhythmic variant of the
cell motif emerges as the
third theme now
transformed by the
addition of a triplet
figure. The music
steadily gains momentum
before moving inexorably
towards the climactic
return of the music and
tonality of the opening
bars of the piece.
In the Heights * Breathe * Carnaval del Barrio. Composed by Lin-Manuel Miran...(+)
In the Heights * Breathe
*
Carnaval del Barrio.
Composed
by Lin-Manuel Miranda
(1980-). Arranged by Lisa
DeSpain. This edition:
SoundTrax CD. Choral
Octavo;
Performance Music
Ensemble;
Single Titles. Alfred Pop
Choral Series. Form:
Medley.
Broadway; Secular. CD.
Alfred
Music #00-48969.
Published by
Alfred Music
In the Heights * Breathe * Carnaval del Barrio. Composed by Lin-Manuel Miran...(+)
In the Heights * Breathe
*
Carnaval del Barrio.
Composed
by Lin-Manuel Miranda
(1980-). Arranged by Lisa
DeSpain. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Secular. Choral Octavo.
Alfred Music #00-48967.
Published by Alfred Music
In the Heights * Breathe * Carnaval del Barrio. Composed by Lin-Manuel Miran...(+)
In the Heights * Breathe
*
Carnaval del Barrio.
Composed
by Lin-Manuel Miranda
(1980-). Arranged by Lisa
DeSpain. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Secular. Choral Octavo.
Alfred Music #00-48968.
Published by Alfred Music
In the Heights * Breathe * Carnaval del Barrio. Composed by Lin-Manuel Miran...(+)
In the Heights * Breathe
*
Carnaval del Barrio.
Composed
by Lin-Manuel Miranda
(1980-). Arranged by Lisa
DeSpain. Performance
Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Secular. Choral Octavo.
Alfred Music #00-48966.
Published by Alfred Music
Guitar (classical and lute) SKU: MB.30105M Composed by Tom Bills. Saddle-...(+)
Guitar (classical and
lute)
SKU:
MB.30105M
Composed by
Tom Bills.
Saddle-stitched,
Contemporary, Technique,
Theory and Reference.
Style. Book and online
video. 56 pages. Mel Bay
Publications, Inc
#30105M. Published by Mel
Bay Publications, Inc
(MB.30105M).
ISBN
9780786691692. 8.75 x
11.75 inches.
The
Art Of Lutherie offers a
glimpse into the mind and
craft of luthier Tom
Bills, whom many consider
to be one of the most
talented luthiers today.
In this beautifully
written and enjoyable
read, Tom elegantly and
clearly shares his
best-kept secrets and
methods of custom guitar
making - those which make
his guitars favorites
among top collectors and
players. Toms unique
approach to The Art Of
Lutherie will empower and
inspire you to create
more than just a guitar,
but a truly unique work
of art. The information
that is generously shared
within this insightful
and timeless work is both
practical and applicable.
It contains the same
hard-won wisdom that only
comes from years of
experience and
experimentation that Tom
uses in creating his
inspiring instruments.
Over the years, he has
produced instruments
considered to be some of
the best sounding guitars
ever made. Learning the
steps of how to build a
guitar is important, but
understanding why master
luthiers take those steps
and make those decisions
can empower you to make
your own educated
choices. This will allow
you to create unique
guitars, and the world
needs your art, your
guitars - your important
contribution. The Art Of
Lutherie, a truly unique
and inspiring guide, can
prepare you to reach new
heights when designing
and creating unique
guitars.It is not often I
heap such lavish praise
on people; however, Tom
is in this case more than
deserving: I know of no
other luthier whose work
I respect more. Tom knows
his craft inside and out;
he pours his soul into
every guitar he makes; he
uses cutting-edge science
to guide his work, and it
shows...as head of Artist
Relations and Product
Development at Mel Bay,
it gives me great
pleasure to publish Toms
work, which will no doubt
take the art of lutherie
to a new level. I hope
youll spend some time
soaking in this book - it
will certainly augment
your musicality - Collin
Bay. Includes access to
online video.
Band concert band - Grade 3 SKU: CF.CPS250 Composed by Peter Sciaino. Set...(+)
Band concert band - Grade
3
SKU: CF.CPS250
Composed by Peter
Sciaino. Set of Score and
Parts.
27+12+12+6+12+12+12+6+6+6
+6+4+4+8+8+8+4+4+6+6+6+4+
12+4+2+6+10 pages.
Duration 4 minutes, 40
seconds. Carl Fischer
Music #CPS250. Published
by Carl Fischer Music
(CF.CPS250).
ISBN
9781491159576. UPC:
680160918164.
Kalei
doscope Sky is inspired
by the breathtaking
pastime of hot-air
ballooning and the
glorious festivals around
the world that honor the
practice. A sky full of
colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight--heights are not
my thing--I have to
marvel at how gently and
easily these vessels
float among the clouds.
It truly is an image of
exquisite freedom. This
piece reflects the view
and experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line. Melodic
lines should soar with
attention being paid to
phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not cloud the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse. Kaleidoscope
Sky is inspired by the
breathtaking pastime of
hot-air ballooning and
the glorious festivals
around the world that
honor the practice. A sky
full of colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight—heights are
not my thing—I
have to marvel at how
gently and easily these
vessels float among the
clouds. It truly is an
image of exquisite
freedom. This piece
reflects the view and
experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line.Melodic lines
should “soarâ€
with attention being paid
to phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not
“cloud†the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse.
Composed by
Travis Weller. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
2+8+8+4+8+16+16+4+4+4+4+4
+4+8+8+8+4+2+6+6+6+2+2+8+
2+2+3+6+6+24 pages.
Duration 3 minutes, 1
seconds. Carl Fischer
Music #CPS200. Published
by Carl Fischer Music
(CF.CPS200).
ISBN
9781491152355. UPC:
680160909858.
Altho
ugh some stories in Greek
mythology reveal a
different side to his
character, Apollo was
widely regarded to hold a
cheerful personality and
communicating joy through
the music he played on
his lyre. Apollo Arise is
an energetic and spirited
work for band ideal for
opening a concert. The
uplifting and exuberant
melodic material lead the
group on a sonic journey
to capture the joy and
light music can bring to
both the audience and the
performer. Program
NotesAmong the many
stories in Greek
mythology, Apollo holds a
unique place as a complex
Olympian god known for
truth, prophecy, healing,
poetry, plague,
knowledge, light and
music. Although some
stories reveal a
different side to his
character, Apollo was
widely regarded to hold a
cheerful personality and
communicated joy through
the music he played on
his lyre. Apollo Arise is
an energetic and spirited
work for band, ideal for
opening a concert. The
uplifting and exuberant
melodic material lead the
group on a sonic journey
to capture the joy and
light music can bring to
both the audience and
performer. From the
dynamic opening fanfare
to the soaring motifs and
rhythms that follow,
Apollo Arise provides a
wonderful opportunity for
the ensemble to reach for
new musical heights in
their performance! Â
 Rehearsal Notes and
SuggestionsThe opening
twenty-four measures of
the work are important
for the rest of the work
to unfold successfully.
Encourage the ensemble to
play with a unified
articulation style,
maintain a proper
balance, and establish a
consistent tempo through
this section as several
recurring rhythms must be
performed consistently.
Measure 38 features a
trumpet solo, so be sure
that the rest of the
ensemble balances their
line to support the solo
instrument. In the
section that begins at m.
67, there is an optional
solo opportunity for
trumpet and trombone.
Both of these sections
provide nice contrast
against the full ensemble
sections that are present
in the work. The section
at m. 81 includes a
call-and-response section
between woodwind, brass
and percussion groups. Be
sure that as groups
enter, the tempo remains
consistent and that the
winds articulation style
is unified and
complimentary to the
percussion. As the
opening fanfare returns
at m. 101, remind the
ensemble to play with
consistent style, balance
and tempo as they did in
the opening. As the
ensemble begins the part
of the journey with
Apollo at m. 110, the
music contains unique
layers that must work
together to be effective
and set up the material
that begins at m. 127.
Encourage the group to
play so they can hear all
other lines, and allow
their energy to grow into
a focused musical
celebration by the final
note. Thank you in
advance for your support
of this music, and I wish
you and your ensemble
well as Apollo Arise
welcomes the audience to
your concert hall.
Kaleidoscope Sky Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band concert band - Grade 3 SKU: CF.CPS250F Composed by Peter Sciaino. Fu...(+)
Band concert band - Grade
3
SKU: CF.CPS250F
Composed by Peter
Sciaino. Full score. 27
pages. Carl Fischer Music
#CPS250F. Published by
Carl Fischer Music
(CF.CPS250F).
ISBN
9781491159583. UPC:
680160918171.
Kalei
doscope Sky is inspired
by the breathtaking
pastime of hot-air
ballooning and the
glorious festivals around
the world that honor the
practice. A sky full of
colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight--heights are not
my thing--I have to
marvel at how gently and
easily these vessels
float among the clouds.
It truly is an image of
exquisite freedom. This
piece reflects the view
and experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line. Melodic
lines should soar with
attention being paid to
phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not cloud the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse. Kaleidoscope
Sky is inspired by the
breathtaking pastime of
hot-air ballooning and
the glorious festivals
around the world that
honor the practice. A sky
full of colorful spheres
elegantly floating at the
Albuquerque International
Balloon Fiesta,
International Balloon
Festival of
Saint-Jean-sur-Richelieu,
Bristol International
Balloon Fiesta, Mondial
Air Ballons and more draw
thousands of people to
witness awe-inspiring
scenes full of passionate
balloonists. Traditional
hot-air balloons mix with
creatively designed
balloons to thrill the
tens of thousands of
spectators below. While I
personally am not a
person who dreams of
taking my own
flight—heights are
not my thing—I
have to marvel at how
gently and easily these
vessels float among the
clouds. It truly is an
image of exquisite
freedom. This piece
reflects the view and
experience of the
onlooker taking in an
elegantly shifting scene
reminiscent of
kaleidoscope patterns.
Spectators like me can
appreciate the beauty and
vibrancy associated with
a horizon full of
adventurous balloonists
and their wondrous
aircrafts. Kaleidoscope
Sky starts in a
triumphant and
celebratory fashion and
continues to conjure
images reminiscent of the
wide variety of soaring
colors on display at a
hot-air balloon event.
Ultimately, the piece
appropriately concludes
with a suspenseful, yet
graceful, run to the
finish line.Melodic lines
should “soarâ€
with attention being paid
to phrase markings and
assigned articulations.
Encourage musicians to
allow room for the
melodic material to be
heard in thicker textures
where supporting
harmonies are often
rhythmic in nature. These
harmonies should support,
and not
“cloud†the
melodies. The meter
changes should sound
effortless, and the
continuous figures in the
percussion will help to
achieve this effect. The
snare drum, in
particular, should bring
accented notes to the
foreground while
maintaining a steady
textural effect with
non-accented notes as a
rhythmic background. This
will go a long way in
finding a cohesive
subdivision and ensemble
pulse.
In The Heights Piano, Voix et Guitare Alfred Music - Digital Sheet Music
Music from the Original Motion Picture Soundtrack. Composed by Lin-Manuel Mir...(+)
Music from the Original
Motion Picture
Soundtrack.
Composed by Lin-Manuel
Miranda (1980-). This
edition:
Piano/Vocal/Guitar.
P/V/C Mixed Folio;
Piano/Vocal/Chords.
Broadway;
Movie; Pop. Book. Alfred
Music #00-49405.
Published by
Alfred Music
Composed
by Travis Weller. Concert
Band (CPS). Full score.
With Standard notation.
24 pages. Carl Fischer
Music #CPS200F. Published
by Carl Fischer Music
(CF.CPS200F).
ISBN
9781491153031. UPC:
680160910533.
Altho
ugh some stories in Greek
mythology reveal a
different side to his
character, Apollo was
widely regarded to hold a
cheerful personality and
communicating joy through
the music he played on
his lyre. Apollo Arise is
an energetic and spirited
work for band ideal for
opening a concert. The
uplifting and exuberant
melodic material lead the
group on a sonic journey
to capture the joy and
light music can bring to
both the audience and the
performer. Program
NotesAmong the many
stories in Greek
mythology, Apollo holds a
unique place as a complex
Olympian god known for
truth, prophecy, healing,
poetry, plague,
knowledge, light and
music. Although some
stories reveal a
different side to his
character, Apollo was
widely regarded to hold a
cheerful personality and
communicated joy through
the music he played on
his lyre. Apollo Arise is
an energetic and spirited
work for band, ideal for
opening a concert. The
uplifting and exuberant
melodic material lead the
group on a sonic journey
to capture the joy and
light music can bring to
both the audience and
performer. From the
dynamic opening fanfare
to the soaring motifs and
rhythms that follow,
Apollo Arise provides a
wonderful opportunity for
the ensemble to reach for
new musical heights in
their performance! Â
 Rehearsal Notes and
SuggestionsThe opening
twenty-four measures of
the work are important
for the rest of the work
to unfold successfully.
Encourage the ensemble to
play with a unified
articulation style,
maintain a proper
balance, and establish a
consistent tempo through
this section as several
recurring rhythms must be
performed consistently.
Measure 38 features a
trumpet solo, so be sure
that the rest of the
ensemble balances their
line to support the solo
instrument. In the
section that begins at m.
67, there is an optional
solo opportunity for
trumpet and trombone.
Both of these sections
provide nice contrast
against the full ensemble
sections that are present
in the work. The section
at m. 81 includes a
call-and-response section
between woodwind, brass
and percussion groups. Be
sure that as groups
enter, the tempo remains
consistent and that the
winds articulation style
is unified and
complimentary to the
percussion. As the
opening fanfare returns
at m. 101, remind the
ensemble to play with
consistent style, balance
and tempo as they did in
the opening. As the
ensemble begins the part
of the journey with
Apollo at m. 110, the
music contains unique
layers that must work
together to be effective
and set up the material
that begins at m. 127.
Encourage the group to
play so they can hear all
other lines, and allow
their energy to grow into
a focused musical
celebration by the final
note. Thank you in
advance for your support
of this music, and I wish
you and your ensemble
well as Apollo Arise
welcomes the audience to
your concert hall.
Score and Parts String Orchestra (Score and Parts) - Grade 1 SKU: HL.4493045<...(+)
Score and Parts String
Orchestra (Score and
Parts) - Grade 1
SKU:
HL.4493045
Composed
by John Williams.
Arranged by Robert
Longfield. Easy Music For
Strings. Movies.
Softcover. Published by
Hal Leonard (HL.4493045).
UPC:
196288156482.
Eleva
te your orchestra's
performance to new
heights with the
â??Flying Theme from
E.T.â? by John
Williams, brilliantly
arranged for string
orchestra by Robert
Longfield. Let the
enchanting melody and
soaring strings take your
audience through the
skies, capturing the
magic and wonder of this
iconic Spielberg
masterpiece. Perfect for
young orchestras seeking
to create a memorable
musical experience. Bring
the magic of E.T. to your
stage with this exquisite
arrangement, where the
music truly takes
flight!
Choir Secular SKU: AP.48969 In the Heights * Breathe * Carnaval del Ba...(+)
Choir Secular
SKU:
AP.48969
In the
Heights * Breathe *
Carnaval del Barrio.
Composed by Lin-Manuel
Miranda. Arranged by Lisa
DeSpain. This edition:
SoundTrax CD. Choral
Octavo; Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Form: Medley. Broadway;
Secular. CD. Alfred Music
#00-48969. Published by
Alfred Music (AP.48969).
UPC: 038081562933.
English.
An
incredible celebration of
community, culture,
diversity, and
self-discovery! This high
energy 4-minute medley
anticipates the film
adaptation of Lin-Manuel
Miranda's breakout
Broadway hit, which won
four Tony Awards
including Best Musical.
The hopeful and relevant
story involves characters
from the largely Latino
Washington Heights
neighborhood in NYC. This
combination of Latin
musical styles and
Miranda's world-famous
hip-hop and rap scoring
is irresistible.
Publication includes a
phonetic and IPA guide
for a few empowering
lyrics in Spanish. Don't
miss the voicings created
with smaller and younger
groups in mind.
Choral SA choir and piano SKU: CF.CM9707 Composed by Austin Hunt. 8 pages...(+)
Choral SA choir and piano
SKU: CF.CM9707
Composed by Austin Hunt.
8 pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9707.
Published by Carl Fischer
Music (CF.CM9707).
ISBN 9781491160121.
UPC: 680160918720. Key:
Db major. John Gillespie
Magee. Poem by John
Gillespie Magee,
Jr.
Just weeks
after his nineteenth
birthday, John Gillespie
Magee, Jr. wrote the poem
High Flight while serving
in the Royal Canadian Air
Force. The year was 1941,
and World War II was
culminating toward its
darkest chapters. Magee
had just completed his
seventh flight in the
iconic Spitfire Mk I
fighter plane, soaring to
heights well above 30,000
feet. These high altitude
exercises supplied his
inspiration for the poem,
which describes the long,
delirious, burning blue
and having touched the
face of God. Tragically,
Magee died in a training
exercise just months
after writing High
Flight. His words,
however, live on to lift
our hearts and stir the
imagination. After you
have learned High Flight,
ask yourself the
following questions: Are
you singing the text
clearly and articulately?
Are you properly
stressing the important
syllables and backing off
of non-stressed
syllables? Is there a
sense of energy
throughout the piece, in
both the lyrical, flowing
sections and the
up-tempo, faster
sections? Are you also
singing with a sense of
energy no matter what the
dynamic marking? Are you
singing phrases with
proper breath support and
a sense of rise and fall
to the phrase?. Just
weeks after his
nineteenth birthday, John
Gillespie Magee, Jr.
wrote the poem High
Flight while serving
in the Royal Canadian Air
Force. The year was 1941,
and World War II was
culminating toward its
darkest
chapters. Magee had
just completed his
seventh flight in the
iconic Spitfire Mk
IÂ fighter plane,
soaring to heights well
above 30,000 feet. These
high altitude exercises
supplied
his inspiration for
the poem, which describes
“the long,
delirious, burning
blue†and having
“touched the face
of God.â€Tragically,
Magee died in a training
exercise just months
after writing High
Flight. His words,
however, live on to lift
our hearts and stir the
imagination. After you
have learned High Flight,
ask yourself the
following questions: Are
you singing the text
clearly and articulately?
Are you properly
stressing the important
syllables and backing off
of non-stressed
syllables? Is there a
sense of energy
throughout the piece, in
both the lyrical, flowing
sections and the
up-tempo, faster
sections? Are you also
singing with a sense of
energy no matter what the
dynamic marking? Are you
singing phrases with
proper breath support and
a sense of rise and fall
to the phrase?
Composed by
Carlos Lalonde. Set of
Score and Parts. Duration
3:30. Carl Fischer Music
#YAS230. Published by
Carl Fischer Music
(CF.YAS230).
ISBN
9781491162781. UPC:
680160921539. Key: E
minor.
The phoenix
is a mythical symbol that
dates back to ancient
times, representing the
idea of rebirth and being
born again out of the
ashes. This piece
explores the idea of
taking a rhythmic motive
and developing it in such
a way that it gains
momentum, then dies away
before rising to even
greater heights. Set in E
minor, this piece works
in particular on the
finger pattern for
D-sharp accidentals in
all parts. The fiery
theme builds slowly using
accented accompaniments
and dramatic dynamics to
build intensity. A brief
lull reveals a lyrical
melody, allowing players
to perfect four-note
slurs with optional
shifting in first violin.
Then the opening theme
returns with even greater
fire, growing to a
glorious finale.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed
by Carlos Lalonde. Full
score. 8 pages. Duration
3:30. Carl Fischer Music
#YAS230F. Published by
Carl Fischer Music
(CF.YAS230F).
ISBN
9781491163122. UPC:
680160921874. Key: E
minor.
The phoenix
is a mythical symbol that
dates back to ancient
times, representing the
idea of rebirth and being
born again out of the
ashes. This piece
explores the idea of
taking a rhythmic motive
and developing it in such
a way that it gains
momentum, then dies away
before rising to even
greater heights. Set in E
minor, this piece works
in particular on the
finger pattern for
D-sharp accidentals in
all parts. The fiery
theme builds slowly using
accented accompaniments
and dramatic dynamics to
build intensity. A brief
lull reveals a lyrical
melody, allowing players
to perfect four-note
slurs with optional
shifting in first violin.
Then the opening theme
returns with even greater
fire, growing to a
glorious finale.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
SATB choir - Easy SKU: WD.080689444777 An Easter Musical for Senior Ad...(+)
SATB choir - Easy
SKU:
WD.080689444777
An
Easter Musical for Senior
Adult Choir. Composed
by Marty Parks. Choral,
cantatas. Simply Word.
Eastertide. Bulletins
(100-pak). Duration 30
minutes. Word Music
#080689444777. Published
by Word Music
(WD.080689444777).
UPC:
080689444777.
Theme
s are an important part
of our lives. They give
us connectivity and
consistency. They provide
focus. They offer common
ground with like-minded
people. Good themes are
recurring
themes...especially in
regard to redeeming
love!
Word Music
Church Resources is proud
to be a part of a theme
which we share with many
of you...Senior Adult
Choirs! And as a
theme-within-a-theme,
Senior Adult Choirs are
synonymous with veteran
church musician and
arranger Marty Parks! On
the heels of his
best-selling Christmas
release, When Earth
Received Her King, Marty
brings us another
well-crafted, heartfelt,
joy-filled musical for
Easter Redeeming Love Has
Been My Theme.In
addition to the
Large-Print-No-Repeats
format, Marty Parks has
thoughtfully crafted this
newest inspired gem that
begs to be sung and is
guaranteed to make your
Senior Adults eager to
minister at your next
Easter service! Filled
with great songs,
Redeeming Love Has Been
My Theme features
singable arrangements
easily mastered by your
volunteer choir. Not only
will you meet your
group's easy
accessibility
requirements, this work
will make your volunteer
choir sound bigger than
life! It will leave them
with a feeling of great
accomplishment at having
delivered an inspired
performance while being a
part of such an important
ministry opportunity. And
while created for Senior
Adult Choirs, Redeeming
Love Has Been My Theme is
perfect for any SATB
choir with limited
rehearsal time or
ease-of-performance
needs.New with this
release are Stem Mixes
and a dynamic DVD
Accompaniment Track,
designed to revolutionize
your performance and take
your presentation to new
heights. Your Senior
Adult Choir will stand
out from the rest with
the use of this high
definition, specialized
asset - a
visually-engaging new
product enhancement!
Then Come the Heroes Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
Composed by Douglas E. Wagner. Concert Band. Belwin Beginning Band. Conductor Sc...(+)
Composed by Douglas E.
Wagner. Concert Band.
Belwin Beginning Band.
Conductor Score and
Parts. 122 pages.
Duration 2:15. Published
by Belwin Music
(AP.BD9902).