Composed by Jan Dismas Zelenka (1679-1745). Edited by Vaclav Luks. Arranged by Pablo Kornfeld. This edition: urtext edition. Paperback. Vocal score. ZWV 12. Published by Baerenreiter Verlag (BA.BA9594-90).

Chorus (with soloists) and orchestra (solo: S - choir: SATB - 0.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.PB-5594

Urtext. Composed by Jan Dismas Zelenka. Edited by Matthias Hutzel and Thomas Kphlhaase. Arranged by Wolfgang (Cont.) Horn. Choir; stapled. Partitur-Bibliothek (Score Library).

The Miserere in C minor ZWV 57 is one of the late works of the Bohemian composer Jan Dismas Zelenka, it was the only one to be reprised in Dresden's Hofkirche after his death.

Baroque period. Full score. 64 pages. Duration 18'. Breitkopf and Haertel #PB 5594. Published by Breitkopf and Haertel (BR.PB-5594).

ISBN 9790004214046. 10 x 12.5 inches.

Very Expressive, Please! Jan Dismas Zelenka's musical setting of Psalm 50, Miserere mei Deus, was presumably intended for the 1738 Holy Week. Thus, the composition is situated chronologically between the Missa Sanctissimae Trinitatis (1736)* and the Missa votiva (1739), two compositions from the cycle of Zelenka's five late masses, considered the culmination of his sacred-music work. Strong contrasts are a conspicuous stylistic feature of the Miserere c-moll, which Zelenka moderates by embedding them within the entire work's cyclic arch form. The score and parts of this new edition are based on volume 108 of the series Das Erbe deutscher Musik, which was comprehensively revised by Wolfgang Horn in 2018, especially the preface and the critical report. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

By Jan Dismas Zelenka (1679-1745). Edited by Thomas Kohlhase. This edition: paperbound. Occasions: Mourning, Death; Use during chuch year: Holy Week. Score. 20 pages

By Jan Dismas Zelenka. Use during church year: Lent and Passiontide, Holy Week. Score. 104 pages. Published by Carus Verlag (German import).

Continuo realization (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-11

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 48 pages. Duration 50'. Breitkopf and Haertel #OB 5565-11. Published by Breitkopf and Haertel (BR.OB-5565-11).

ISBN 9790004342695. 12.5 x 10 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Woodwinds (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-30

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Folder. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Set of parts. 52 pages. Duration 50'. Breitkopf and Haertel #OB 5565-30. Published by Breitkopf and Haertel (BR.OB-5565-30).

ISBN 9790004342763. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violin 1 (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-15

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 28 pages. Duration 50'. Breitkopf and Haertel #OB 5565-15. Published by Breitkopf and Haertel (BR.OB-5565-15).

ISBN 9790004342718. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.PB-5565

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Choir; Softbound. Partitur-Bibliothek (Score Library). Mass; Baroque. Full score. 136 pages. Duration 50'. Breitkopf and Haertel #PB 5565. Published by Breitkopf and Haertel (BR.PB-5565).

ISBN 9790004213759. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Double bass (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-27

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 20 pages. Duration 50'. Breitkopf and Haertel #OB 5565-27. Published by Breitkopf and Haertel (BR.OB-5565-27).

ISBN 9790004342756. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Viola (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-19

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 26 pages. Duration 50'. Breitkopf and Haertel #OB 5565-19. Published by Breitkopf and Haertel (BR.OB-5565-19).

ISBN 9790004342732. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violoncello (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-23

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 24 pages. Duration 50'. Breitkopf and Haertel #OB 5565-23. Published by Breitkopf and Haertel (BR.OB-5565-23).

ISBN 9790004342749. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Continuo (figured) (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-12

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 28 pages. Duration 50'. Breitkopf and Haertel #OB 5565-12. Published by Breitkopf and Haertel (BR.OB-5565-12).

ISBN 9790004342701. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violin 2 (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-16

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 24 pages. Duration 50'. Breitkopf and Haertel #OB 5565-16. Published by Breitkopf and Haertel (BR.OB-5565-16).

ISBN 9790004342725. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed choir-SATB, orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra) - Level 5

SKU: BA.BA09594

Composed by Jan Dismas Zelenka. Edited by Václav Luks. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. ZWV 12. Baerenreiter Verlag #BA09594_00. Published by Baerenreiter Verlag (BA.BA09594).

ISBN 9790260107526. 31 x 24.3 cm inches. Text language: Czech, English, German. Preface: Stockigt, Janice B. / Luks, Václav.

The â??Missa Divi Xaveriiâ? ZWV 12, an expansive and unusually richly scored work, marks a highlight in the uvre of Jan Dismas Zelenka (1679-1745). It was composed in 1729 while he was working at the Dresden court.

The principal source of this first edition is the damaged autograph score which had long been kept under lock and key. Passages missing because of its damaged condition have been supplemented using secondary sources or reconstructed by Václav Luks, clearly marked as such in the musical text.

The first performance to use the present new edition took place in the summer of 2014, when it was performed at the Utrecht Early Music Festival. A CD recording by Collegium 1704, conducted by Václav Luks, has been released by the label Accent (ACC 24301).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Continuo realization (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-11

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 60 pages. Duration 60'. Breitkopf and Haertel #OB 5589-11. Published by Breitkopf and Haertel (BR.OB-5589-11).

ISBN 9790004344170. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violin 2 (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-16

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 36 pages. Duration 60'. Breitkopf and Haertel #OB 5589-16. Published by Breitkopf and Haertel (BR.OB-5589-16).

ISBN 9790004344200. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Double bass (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-27

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 28 pages. Duration 60'. Breitkopf and Haertel #OB 5589-27. Published by Breitkopf and Haertel (BR.OB-5589-27).

ISBN 9790004344231. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Continuo (figured) (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-12

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 36 pages. Duration 60'. Breitkopf and Haertel #OB 5589-12. Published by Breitkopf and Haertel (BR.OB-5589-12).

ISBN 9790004344187. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Woodwinds (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-30

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Set of parts. 108 pages. Duration 60'. Breitkopf and Haertel #OB 5589-30. Published by Breitkopf and Haertel (BR.OB-5589-30).

ISBN 9790004344248. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violin 1 (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-15

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 36 pages. Duration 60'. Breitkopf and Haertel #OB 5589-15. Published by Breitkopf and Haertel (BR.OB-5589-15).

ISBN 9790004344194. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.PB-5589

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; Softbound. Partitur-Bibliothek (Score Library). Mass; Baroque. Full score. 316 pages. Duration 60'. Breitkopf and Haertel #PB 5589. Published by Breitkopf and Haertel (BR.PB-5589).

ISBN 9790004213995. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violoncello (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-23

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 60'. Breitkopf and Haertel #OB 5589-23. Published by Breitkopf and Haertel (BR.OB-5589-23).

ISBN 9790004344224. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Viola (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-19

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 60'. Breitkopf and Haertel #OB 5589-19. Published by Breitkopf and Haertel (BR.OB-5589-19).

ISBN 9790004344217. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Chorus (with soloists) and piano (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.EB-8909

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Matthias (KlA) Grunert. Choir; Softbound. Edition Breitkopf. Mass; Baroque. Piano/Vocal Score. 108 pages. Duration 60'. Breitkopf and Haertel #EB 8909. Published by Breitkopf and Haertel (BR.EB-8909).

ISBN 9790004185759. 7.5 x 10.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive. Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Double bass (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5556-27

Urtext. Composed by Jan Dismas Zelenka. Edited by Reinhold Kubik. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 70'. Breitkopf and Haertel #OB 5556-27. Published by Breitkopf and Haertel (BR.OB-5556-27).

ISBN 9790004342893. 10 x 12.5 inches.

The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae.The musical text of the present conductor's score is based on that of Volume 93 of the Denkmaler edition Das Erbe deutscher Musik. The new piano vocal score has been edited by the reputable expert Andreas Kohs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.EB-8051

Urtext. Composed by Jan Dismas Zelenka. Edited by Reinhold Kubik. Arranged by Andreas (KlA) (KA) Kohs. Choir; Softbound. Edition Breitkopf.

The Missa Dei Patris is the first of three transmitted Missae ultimae. The piano vocal score is based on the score published by Reinhold Kubik in volume 93 of the series Das Erbe deutscher Musik, now available as PB 5556.

Mass; Baroque. Piano/Vocal Score. 128 pages. Duration 70'. Breitkopf and Haertel #EB 8051. Published by Breitkopf and Haertel (BR.EB-8051).

ISBN 9790004185070. 7.5 x 10.5 inches.

The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae. The musical text of the present conductor's score is based on that of Volume 93 of the Denkmaler edition Das Erbe deutscher Musik . The new piano vocal score has been edited by the reputable expert Andreas Kohs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt)

The Missa Dei Patris is the first of three transmitted Missae ultimae.

Violoncello (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5556-23

Urtext. Composed by Jan Dismas Zelenka. Edited by Reinhold Kubik. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 70'. Breitkopf and Haertel #OB 5556-23. Published by Breitkopf and Haertel (BR.OB-5556-23).

ISBN 9790004342886. 10 x 12.5 inches.

The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae.The musical text of the present conductor's score is based on that of Volume 93 of the Denkmaler edition Das Erbe deutscher Musik. The new piano vocal score has been edited by the reputable expert Andreas Kohs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Continuo realization (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5556-11

Urtext. Composed by Jan Dismas Zelenka. Edited by Reinhold Kubik. Arranged by Paul (B.c.) Horn. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 72 pages. Duration 70'. Breitkopf and Haertel #OB 5556-11. Published by Breitkopf and Haertel (BR.OB-5556-11).

ISBN 9790004342831. 12.5 x 10 inches.

The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae.The musical text of the present conductor's score is based on that of Volume 93 of the Denkmaler edition Das Erbe deutscher Musik. The new piano vocal score has been edited by the reputable expert Andreas Kohs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Woodwinds (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5556-30

Urtext. Composed by Jan Dismas Zelenka. Edited by Reinhold Kubik. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Set of parts. 84 pages. Duration 70'. Breitkopf and Haertel #OB 5556-30. Published by Breitkopf and Haertel (BR.OB-5556-30).

ISBN 9790004342909. 10 x 12.5 inches.

The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae.The musical text of the present conductor's score is based on that of Volume 93 of the Denkmaler edition Das Erbe deutscher Musik. The new piano vocal score has been edited by the reputable expert Andreas Kohs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).