Composed by Jan Dismas Zelenka (1679-1745). Edited by Vaclav Luks. Arranged by P...(+)
Composed by Jan Dismas
Zelenka (1679-1745).
Edited by Vaclav Luks.
Arranged by Pablo
Kornfeld. This edition:
urtext edition.
Paperback. Vocal score.
ZWV 12. Published by
Baerenreiter Verlag
(BA.BA9594-90).
Chorus (with soloists) and orchestra (solo: S - choir: SATB - 0.2.0.0. - 0.0.0.0...(+)
Chorus (with soloists)
and orchestra (solo: S -
choir: SATB - 0.2.0.0. -
0.0.0.0. - str - bc)
SKU: BR.PB-5594
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Matthias Hutzel
and Thomas Kphlhaase.
Arranged by Wolfgang
(Cont.) Horn. Choir;
stapled.
Partitur-Bibliothek
(Score Library).
The
Miserere in C minor
ZWV 57 is one of the
late works of the
Bohemian composer Jan
Dismas Zelenka, it was
the only one to be
reprised in Dresden's
Hofkirche after his
death.
Baroque
period. Full score. 64
pages. Duration 18'.
Breitkopf and Haertel #PB
5594. Published by
Breitkopf and Haertel
(BR.PB-5594).
ISBN
9790004214046. 10 x 12.5
inches.
Very
Expressive, Please! Jan
Dismas Zelenka's musical
setting of Psalm 50,
Miserere mei Deus, was
presumably intended for
the 1738 Holy Week. Thus,
the composition is
situated chronologically
between the Missa
Sanctissimae Trinitatis
(1736)* and the Missa
votiva (1739), two
compositions from the
cycle of Zelenka's five
late masses, considered
the culmination of his
sacred-music work. Strong
contrasts are a
conspicuous stylistic
feature of the Miserere
c-moll, which Zelenka
moderates by embedding
them within the entire
work's cyclic arch form.
The score and parts of
this new edition are
based on volume 108 of
the series Das Erbe
deutscher Musik, which
was comprehensively
revised by Wolfgang Horn
in 2018, especially the
preface and the critical
report. Zelenka's
artistic personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
By Jan Dismas Zelenka (1679-1745). Edited by Thomas Kohlhase. This edition: pape...(+)
By Jan Dismas Zelenka
(1679-1745). Edited by
Thomas Kohlhase. This
edition: paperbound.
Occasions: Mourning,
Death; Use during chuch
year: Holy Week. Score.
20 pages
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 48
pages. Duration 50'.
Breitkopf and Haertel #OB
5565-11. Published by
Breitkopf and Haertel
(BR.OB-5565-11).
ISBN
9790004342695. 12.5 x 10
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Set of
parts. 52 pages. Duration
50'. Breitkopf and
Haertel #OB 5565-30.
Published by Breitkopf
and Haertel
(BR.OB-5565-30).
ISBN
9790004342763. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 28
pages. Duration 50'.
Breitkopf and Haertel #OB
5565-15. Published by
Breitkopf and Haertel
(BR.OB-5565-15).
ISBN
9790004342718. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Baroque. Full score. 136
pages. Duration 50'.
Breitkopf and Haertel #PB
5565. Published by
Breitkopf and Haertel
(BR.PB-5565).
ISBN
9790004213759. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 20
pages. Duration 50'.
Breitkopf and Haertel #OB
5565-27. Published by
Breitkopf and Haertel
(BR.OB-5565-27).
ISBN
9790004342756. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 26
pages. Duration 50'.
Breitkopf and Haertel #OB
5565-19. Published by
Breitkopf and Haertel
(BR.OB-5565-19).
ISBN
9790004342732. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 24
pages. Duration 50'.
Breitkopf and Haertel #OB
5565-23. Published by
Breitkopf and Haertel
(BR.OB-5565-23).
ISBN
9790004342749. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 28
pages. Duration 50'.
Breitkopf and Haertel #OB
5565-12. Published by
Breitkopf and Haertel
(BR.OB-5565-12).
ISBN
9790004342701. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Paul und
Wolfgang Horn. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 24
pages. Duration 50'.
Breitkopf and Haertel #OB
5565-16. Published by
Breitkopf and Haertel
(BR.OB-5565-16).
ISBN
9790004342725. 10 x 12.5
inches.
Jan Dismas
Zelenka's Missa Dei Filii
is the second of three
transmitted Missae
ultimae, but consists,
like other short masses
of the 18th century,
solely of a Kyrie and
Gloria. Nevertheless, it
is an extensive work, and
the lengthy, multipartite
Gloria is considered as
the most impressive
Gloria setting that
Zelenka created in his
over 20 masses. What
remains to be answered is
whether Zelenka had
originally planned a
complete mass
composition.The full
score and the piano vocal
score are based on volume
100 of the Denkmaler
edition Das Erbe
deutscher Musik, in which
the gaps in the musical
text found in the
autograph towards the end
of the Gloria were
cautiously supplemented.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Missa Divi Xaverii ZWV 12 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Avancé Barenreiter
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed ch...(+)
Solo soprano voice, solo
alto voice, solo tenor
voice, solo bass voice,
Mixed choir-SATB,
orchestra (Soprano solo,
Alto solo, Tenor solo,
Bass solo, Mixed choir
(SATB), Orchestra) -
Level 5
SKU:
BA.BA09594
Composed
by Jan Dismas Zelenka.
Edited by Václav Luks.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. ZWV 12.
Baerenreiter Verlag
#BA09594_00. Published by
Baerenreiter Verlag
(BA.BA09594).
ISBN
9790260107526. 31 x 24.3
cm inches. Text language:
Czech, English, German.
Preface: Stockigt, Janice
B. / Luks,
Václav.
The
â??Missa Divi
Xaveriiâ? ZWV 12, an
expansive and unusually
richly scored work, marks
a highlight in the uvre
of Jan Dismas Zelenka
(1679-1745). It was
composed in 1729 while he
was working at the
Dresden court.
The
principal source of this
first edition is the
damaged autograph score
which had long been kept
under lock and key.
Passages missing because
of its damaged condition
have been supplemented
using secondary sources
or reconstructed by
Václav Luks, clearly
marked as such in the
musical text.
The
first performance to use
the present new edition
took place in the summer
of 2014, when it was
performed at the Utrecht
Early Music Festival. A
CD recording by Collegium
1704, conducted by
Václav Luks, has been
released by the label
Accent (ACC
24301).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 60
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-11. Published by
Breitkopf and Haertel
(BR.OB-5589-11).
ISBN
9790004344170. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 36
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-16. Published by
Breitkopf and Haertel
(BR.OB-5589-16).
ISBN
9790004344200. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 28
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-27. Published by
Breitkopf and Haertel
(BR.OB-5589-27).
ISBN
9790004344231. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 36
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-12. Published by
Breitkopf and Haertel
(BR.OB-5589-12).
ISBN
9790004344187. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Set of
parts. 108 pages.
Duration 60'. Breitkopf
and Haertel #OB 5589-30.
Published by Breitkopf
and Haertel
(BR.OB-5589-30).
ISBN
9790004344248. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 36
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-15. Published by
Breitkopf and Haertel
(BR.OB-5589-15).
ISBN
9790004344194. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). Mass;
Baroque. Full score. 316
pages. Duration 60'.
Breitkopf and Haertel #PB
5589. Published by
Breitkopf and Haertel
(BR.PB-5589).
ISBN
9790004213995. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 32
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-23. Published by
Breitkopf and Haertel
(BR.OB-5589-23).
ISBN
9790004344224. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 32
pages. Duration 60'.
Breitkopf and Haertel #OB
5589-19. Published by
Breitkopf and Haertel
(BR.OB-5589-19).
ISBN
9790004344217. 10 x 12.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive.Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0...(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB - 2.2.0.0. -
0.0.0.0. - str - bc)
SKU: BR.EB-8909
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Matthias (KlA) Grunert.
Choir; Softbound. Edition
Breitkopf. Mass; Baroque.
Piano/Vocal Score. 108
pages. Duration 60'.
Breitkopf and Haertel #EB
8909. Published by
Breitkopf and Haertel
(BR.EB-8909).
ISBN
9790004185759. 7.5 x 10.5
inches.
Prelude to
Mastery The Missa
Sanctissimae Trinitatis
was probably composed
within a few weeks in the
late fall of 1736, an
occasion for the
composition is not
recorded. With this mass,
the first in a series of
five late masses, Jan
Dismas Zelenka entered
upon the phase of his
masterful late works. Its
spacious conception
abundant in numbers,
stylistic and
compositional wealth, as
well as its vehement,
musical expressive power
clearly differentiate
this work from Zelenka's
previous masses. This new
edition is based on the
corresponding volume of
the series Das Erbe
deutscher Musik, from
which the preface and
critical report also
derive. Have a look into
the piano vocal score.
Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung) Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 32
pages. Duration 70'.
Breitkopf and Haertel #OB
5556-27. Published by
Breitkopf and Haertel
(BR.OB-5556-27).
ISBN
9790004342893. 10 x 12.5
inches.
The Missa
Dei Patris ZWV 19 was
composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae.The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik. The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0...(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB - 0.2.0.1. -
0.0.0.0. - str - bc)
SKU: BR.EB-8051
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Arranged by Andreas (KlA)
(KA) Kohs. Choir;
Softbound. Edition
Breitkopf.
The Missa
Dei Patris is the first
of three transmitted
Missae ultimae. The piano
vocal score is based on
the score published by
Reinhold Kubik in volume
93 of the series Das Erbe
deutscher Musik, now
available as PB 5556.
Mass; Baroque.
Piano/Vocal Score. 128
pages. Duration 70'.
Breitkopf and Haertel #EB
8051. Published by
Breitkopf and Haertel
(BR.EB-8051).
ISBN
9790004185070. 7.5 x 10.5
inches.
The Missa
Dei Patris ZWV 19 was
composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae. The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik . The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung) Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt)
The
Missa Dei Patris is the
first of three
transmitted Missae
ultimae.
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 32
pages. Duration 70'.
Breitkopf and Haertel #OB
5556-23. Published by
Breitkopf and Haertel
(BR.OB-5556-23).
ISBN
9790004342886. 10 x 12.5
inches.
The Missa
Dei Patris ZWV 19 was
composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae.The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik. The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Arranged by Paul (B.c.)
Horn. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 72
pages. Duration 70'.
Breitkopf and Haertel #OB
5556-11. Published by
Breitkopf and Haertel
(BR.OB-5556-11).
ISBN
9790004342831. 12.5 x 10
inches.
The Missa
Dei Patris ZWV 19 was
composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae.The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik. The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).
Urtext. Composed
by Jan Dismas Zelenka.
Edited by Reinhold Kubik.
Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Set of
parts. 84 pages. Duration
70'. Breitkopf and
Haertel #OB 5556-30.
Published by Breitkopf
and Haertel
(BR.OB-5556-30).
ISBN
9790004342909. 10 x 12.5
inches.
The Missa
Dei Patris ZWV 19 was
composed in 1740 and
ranks among the later
works of the Bohemian
composer Jan Dismas
Zelenka. It opens an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae.The musical text
of the present
conductor's score is
based on that of Volume
93 of the Denkmaler
edition Das Erbe
deutscher Musik. The new
piano vocal score has
been edited by the
reputable expert Andreas
Kohs. Zelenka's artistic
personality, his
biography and his
compositional style are
utterly distinctive. His
style is highly
experimental. Was Zelenka
really one of the
greatest composers of the
18th century, or only one
of the most interesting?
I think that he still has
several surprises for us.
(Schweizerische
Musikzeitung)Zelenka's
Masses - fine specimens
of Baroque choral
literature, some parts of
which are set even more
colorfully than in the
corresponding
compositions by Bach.
(Die Welt).