By Jan Dismas Zelenka. Edited by Horn, Wolfgang. For Oboe (2), Bassoon, Basso co...(+)
By Jan Dismas Zelenka.
Edited by Horn, Wolfgang.
For Oboe (2), Bassoon,
Basso continuo. Hortus
Musicus. Playing Score;
Set of Parts. ZWV 181/5.
Published by Hortus
Musicus (German import).
Aus: Lamentationes pro
hebdomada sancta.
Composed by Jan Dismas
Zelenka. Edited by Thomas
Kohlhase. Arranged by
Paul Horn. German title:
Lamentatio 1
Grundonnerstag. Sacred
vocal music, Lent and
Passiontide, Holy Week.
Single Part, Violin/Oboe.
Composed 1722. ZWV 53,1.
4 pages. Carus Verlag #CV
40.762/12. Published by
Carus Verlag
(CA.4076212).
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Requiem; Baroque. Part.
16 pages. Duration 55'.
Breitkopf and Haertel
#EOS 8047-26. Published
by Breitkopf and Haertel
(BR.EOS-8047-26).
ISBN
9790004789766. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. German title:
Haec dies ZWV 169. Sacred
vocal music, Easter and
Eastertide, Whitsun,
Psalms. Single Part,
Viola. Composed 1730. ZWV
169. 4 pages. Duration 2
minutes. Carus Verlag #CV
40.460/13. Published by
Carus Verlag
(CA.4046013).
ISBN
9790007069056. Key: C
major. Language:
Latin.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. German title:
Haec dies. Sacred vocal
music, Easter and
Eastertide, Whitsun,
Psalms. Set of Orchestra
Parts. Composed 1730. ZWV
169. Duration 2 minutes.
Carus Verlag #CV
40.460/19. Published by
Carus Verlag
(CA.4046019).
ISBN
9790007139735. Key: C
major. Language:
Latin.
Score and
parts available
separately - see item
CA.4046000.
Composed by Jan Dismas
Zelenka. Edited by
Matthias Hutzel. Arranged
by Wolfgang Horn. German
title: Dixit in D. Sacred
vocal music, Psalms,
Latin, Epiphany, Psalms,
Daily hours. Single Part,
Violin 1. Composed 1726.
ZWV 68. 8 pages. Duration
14 minutes. Carus Verlag
#CV 40.065/11. Published
by Carus Verlag
(CA.4006511).
ISBN
9790007060190. Key: D
major. Language:
Latin/English.
Scor
e available separately -
see item CA.4006500.
By Jan Dismas Zelenka. Edited by Kohlhase, Thomas. For SATB Choir, 2 Violins, Vi...(+)
By Jan Dismas Zelenka.
Edited by Kohlhase,
Thomas. For SATB Choir, 2
Violins, Viola, Basso
continuo, [2 Oboes]. ZWV
169. Easter and
Eastertide, Pentecost.
Score. Language: Latin.
Composed 1730. 12 pages.
Duration 2 min. Published
by Carus Verlag (German
import).
Sonata in G minor (2 Oboes). By Jan Dismas Zelenka. Edited by Reich, Wolfgang. F...(+)
Sonata in G minor (2
Oboes). By Jan Dismas
Zelenka. Edited by Reich,
Wolfgang. For Oboe (2),
Bassoon, Basso continuo.
Hortus Musicus. Playing
Score; Set of Parts. ZWV
181/4. Published by
Hortus Musicus (German
import).
By Jan Dismas Zelenka. Edited by Kalisch, Volker. Arranged by Paul Horn. For Sol...(+)
By Jan Dismas Zelenka.
Edited by Kalisch,
Volker. Arranged by Paul
Horn. For Soli SSAB
(Choir SSAB), Basso
continuo, [2 Violins,
Viola, Cello/Contrabass].
ZWV 82. Full score
available separately -
see item CA.4007000.
Psalms, Latin; Occasions:
Praise and thanks,
Psalms, Daily hours.
Choral score. Language:
Latin. 8 pages. Duration
8 min. Published by Carus
Verlag (German import).
Magnificat in D Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Set de Parties séparées] Carus Verlag
Composed by Jan Dismas Zelenka (1679-1745). Edited by Wolfgang Horn. For SA voca...(+)
Composed by Jan Dismas
Zelenka (1679-1745).
Edited by Wolfgang Horn.
For SA vocal soli, SATB
choir, 2 oboes, bassoon,
2 violins, 2 violas,
basso continuo, [2
trumpets, timpani]. D-Dur
(D major). German title:
Magnificat in D.
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Level 3. Complete
orchestral parts.
Language: Latin. Composed
1725. ZWV 108. Duration
11 minutes. Published by
Carus Verlag