By Franz Schubert (1797-1828). Arranged by Peter A. Eklund. For SATB choir, with piano (organ). Peter A. Eklund Choral Series. Concert, Choral. Medium. Octavo. Published by Santa Barbara Music Publishing

By Elaine Hagenberg. For SATB choir and piano. Capital University Choral Series. Traditional Shaker Hymn. Sacred. Octavo. 8 pages. Published by Beckenhorst Press

Band Concert Band - Grade 2

SKU: CF.YPS250

Concert March. Composed by Joseph Compello. Yps. Set of Score and Parts. 2+16+4+8+8+8+4+4+10+4+4+8 +8+8+4+4+6+6+6+4+6+1+1+4+ 1+24 pages. Duration 2 minutes, 43 seconds. Carl Fischer Music #YPS250. Published by Carl Fischer Music (CF.YPS250).

ISBN 9781491161333. UPC: 680160919925.

Mount Vernon Square derives its title from the location of the Peabody Conservatory of Music in Baltimore, Maryland. It was here that the composer Joseph Compello took his first classes in Music Theory from Professor Haven Hensler, to whom this march is dedicated. After hearing this march performed on piano as part of final exam requirements in a Music Theory course, Professor Hensler encouraged further exploration of music composition, leading Compello into a prolific career writing pieces like this theme, now years later arranged for full band as a concert march. Performance Notes The form of the march is a standard A-BB-Trio-C-A. Melodically, much of the march is based on the figure contained in mm. 8 and 9. Tempo, articulation, and dynamics in a standard march style are essential to a successful interpretation. Pay particular attention to dynamics in the second strain at m. 41. Strive for a legato diminuendo at the transition in mm. 63-65. The melody in the Trio (m. 70) will also require smooth articulation from low brass and woodwinds. The Euphonium counter-melody will be played only during the repeat of the Trio. The Breakup Strain (m. 87) is, of course, powerfully marcato as is the reprise of the first theme at m. 109.
Mount Vernon Square derives its title from the location of the Peabody Conservatory of Music in Baltimore, Maryland. It was here that the composer Joseph Compello took his first classes in Music Theory from Professor Haven Hensler, to whom this march is dedicated. After hearing this march performed on piano as part of final exam requirements in a Music Theory course, Professor Hensler encouraged further exploration of music composition, leading Compello into a prolific career writing pieces like this theme, now years later arranged for full band as a concert march.Performance NotesThe form of the march is a standard A-BB-Trio-C-A. Melodically, much of the march is based on the figure contained in mm. 8 and 9. Tempo, articulation, and dynamics in a standard march style are essential to a successful interpretation. Pay particular attention to dynamics in the second strain at m. 41. Strive for a legato diminuendo at the transition in mm. 63-65. The melody in the Trio (m. 70) will also require smooth articulation from low brass and woodwinds. The Euphonium counter-melody will be played only during the repeat of the Trio. The Breakup Strain (m. 87) is, of course, powerfully marcato as is the reprise of the first theme at m. 109.

Band Concert Band - Grade 2

SKU: CF.YPS250F

Concert March. Composed by Joseph Compello. Yps. Full score. 24 pages. Duration 2 minutes, 43 seconds. Carl Fischer Music #YPS250F. Published by Carl Fischer Music (CF.YPS250F).

ISBN 9781491161890. UPC: 680160920570.

Mount Vernon Square derives its title from the location of the Peabody Conservatory of Music in Baltimore, Maryland. It was here that the composer Joseph Compello took his first classes in Music Theory from Professor Haven Hensler, to whom this march is dedicated. After hearing this march performed on piano as part of final exam requirements in a Music Theory course, Professor Hensler encouraged further exploration of music composition, leading Compello into a prolific career writing pieces like this theme, now years later arranged for full band as a concert march. Performance Notes The form of the march is a standard A-BB-Trio-C-A. Melodically, much of the march is based on the figure contained in mm. 8 and 9. Tempo, articulation, and dynamics in a standard march style are essential to a successful interpretation. Pay particular attention to dynamics in the second strain at m. 41. Strive for a legato diminuendo at the transition in mm. 63-65. The melody in the Trio (m. 70) will also require smooth articulation from low brass and woodwinds. The Euphonium counter-melody will be played only during the repeat of the Trio. The Breakup Strain (m. 87) is, of course, powerfully marcato as is the reprise of the first theme at m. 109.
Mount Vernon Square derives its title from the location of the Peabody Conservatory of Music in Baltimore, Maryland. It was here that the composer Joseph Compello took his first classes in Music Theory from Professor Haven Hensler, to whom this march is dedicated. After hearing this march performed on piano as part of final exam requirements in a Music Theory course, Professor Hensler encouraged further exploration of music composition, leading Compello into a prolific career writing pieces like this theme, now years later arranged for full band as a concert march.Performance NotesThe form of the march is a standard A-BB-Trio-C-A. Melodically, much of the march is based on the figure contained in mm. 8 and 9. Tempo, articulation, and dynamics in a standard march style are essential to a successful interpretation. Pay particular attention to dynamics in the second strain at m. 41. Strive for a legato diminuendo at the transition in mm. 63-65. The melody in the Trio (m. 70) will also require smooth articulation from low brass and woodwinds. The Euphonium counter-melody will be played only during the repeat of the Trio. The Breakup Strain (m. 87) is, of course, powerfully marcato as is the reprise of the first theme at m. 109.

Composed by Dennis Alexander. This edition: 2 copies included. Duet or Duo; Piano Duo (2 Pianos, 4 Hands). Book. 16 pages. Alfred Music #00-47854. Published by Alfred Music

Accordion (AKK)

SKU: HL.49040932

Composed by Goetz. Edited by Adolf Goetz. This edition: Saddle stitching. Sheet music. Edition Schott. 72 pages. Schott Music #MH 999022. Published by Schott Music (HL.49040932).

ISBN 9783920468228. 8.25x11.75x0.212 inches.

Bereits seit 1857 produziert HOHNER Musikinstrumente wie Mundharmonikas, Akkordeons, Blockfloten, Melodicas, Gitarren und Ukulelen auf hochstem Niveau. Was in kleinen Werkstatten begann, entwickelte sich im Lauf der Jahrzehnte zu einer festen Grosse der globalen Musikkultur. Legendare Instrumente und Kooperationen mit Weltstars setzten unvergessliche Meilensteine in der Welt der Musik.

3-5 octave handbell choir; brass; organ - Level 3

SKU: HP.2063

Composed by Mcfadden. Arranged by Jane McFadden and Janet Linker. General Worship, Sacred. Brass Parts. 15 pages. Hope Publishing Company #2063. Published by Hope Publishing Company (HP.2063).

UPC: 763628120634.

Piece from Water Music by G.F. Handel G. F. Handel's masterpiece resounds in this setting for bells and organ or brass. Full chordal ringing with various techniques call for precision throughout the work. A more flowing section for bells only occurs highlighted by thumb damps in upper and lower registers. Brass ensemble consists of 2 trumpets, French Horn, Trombone, Tuba and Timpani. Set in the keys of D Major and b minor, this work is 76 measures without repeats.

Der Partitur beigelegt sind Stimmen f!r Altblockfl!te und Vc(Bc). By Georg Philipp Telemann. Edited by Ruitz, Manfred. For Alto recorder (f,g)/ Violin/ Flute, Harpsichord/ Piano, Basso continuo. Hortus Musicus. Playing Score; Single Part. TWV 42:B4. Published by Hortus Musicus (German import).

Composed by Darmon Meader. Sws. Octavo. 20 pages. Duration 4 minutes, 7 seconds. Carl Fischer Music #CM9649. Published by Carl Fischer Music

For violin and piano. Format: set of performance parts (includes separate pull out violin part). With solo part and piano accompaniment. Baroque, classical period and romantic period. Series: Whole World Series, No. 5. 304 pages. 9x12 inches. Published by Music Sales.

By Edvard Grieg. Edited by Einar Steen-Nokleberg. Piano (Harpsichord), 2-hands. Pages: VI and 17. Urtext edition-paper bound. Published by G. Henle.

(Theory Book 1). By Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Theory. Softcover. 64 pages. Faber Music #FF1206. Published by Faber Music

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1115227-010

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Hymns & Chorals. Set (Score & Parts). Composed 2012. De Haske Publications #DHP 1115227-010. Published by De Haske Publications (BT.DHP-1115227-010).

9x12 inches. English-German-French-Dut ch.

2011 was a disastrous year for Japan: on March 11 the northeast of the country suffered a violent earthquake, which triggered a huge tsunami and caused massive damage to people and the environment. The ensuing problems with the nuclear reactor atFukushima only increased the misery: a black day in the country's history...
One almost inevitable consequence of such dramatic circumstances is the particular damage suffered by the cultural arts. And so it was in Japan: various high school wind orchestras in the effected areas lost their practice rooms and/or instruments.It will take a long time before the damage suffered is repaired - and it will take great effort to overcome the psychological effects, too. Focusing on the latter, Yutada Nishida (director of The Bandwagon radio program) asked a few composers fora simple work that could be played by many orchestras. It just so happened that the Osakan Philharmonic Winds (with whom Jan Van der Roost had conducted a concert exclusively of his own works on September 25th) had had a similar idea. This concert saw the baptism of Song of Hope. This pieceimmediately struck a chord with musicians and audience alike: it begins bleakly in the low register and evolves to a more open, optimistic close. There really is hope for better times!

2011 was een rampzalig jaar voor Japan: op 11 maart teisterde een hevige aardbeving het noordoosten van het land, bracht een enorme tsunami teweeg en veroorzaakte zeer grote schade aan mens en natuur. De daaruit voortvloeiende problemenmet dekernreactor van Fukushima maakten de ellende nog groter: een zwarte pagina in het bestaan van het land ...
Dat in dergelijke dramatische omstandigheden ook (en vooral) het culturele bestel een flinke knauw krijgt, ishelaas een haastonvermijdelijke consequentie. Zo ook in Japan: verschillende high school bands in de getroffen regio verloren hun repetitieruimte en/of instrumenten: het zal lang duren voordat de geleden schade is hersteld - enhet zal ook moeite kosten om er mentaalweer bovenop te geraken. Met het oog op dat laatste aspect verzocht Yutaka Nishida (samensteller van het radioprogramma The Bandwagon) een paar componisten om een eenvoudig werkje te schrijvendat speelbaar is door een groot aantal orkesten.
Alsbij toeval kwam een dergelijk verzoek eveneens van de kant van de OSAKAN Philharmonic Winds, waarmee Jan Van der Roost op 25 september een concert dirigeerde, uitsluitend gewijdaan eigen werken. Daar werd Song of Hope dan ook ten doop gehoudenen het werkje sloeg meteen aan bij uitvoerders en publiek: na een tamelijk donkere start in het lage register evolueert het tot een optimistischer en opener slot.Er is inderdaad hoop op betere tijden!

Am 11. März 2011 löste ein heftiges Erdbeben in Japan einen riesigen Tsunami mit desaströsen Folgen für Mensch, Natur auch das kulturelle Leben. Yutaka Nishida vom Radioprogramm The Bandwagon bat daher einige Komponisten, darunter Jan Van derRoost, ein einfaches, für viele Orchester spielbares Werk zu schreiben. Song of Hope beginnt düster im tiefen Register, um sich dann zu einem optimistischeren Schluss hin zu entwickeln. Es gibt sie, die Hoffnung auf bessere Zeiten... !

Le 11 mars 2011, un violent tremblement de terre secoua le Japon et déclencha un tsunami gigantesque, avec des conséquences désastreuses pour la population et l’environnement. Yutaka Nishida, animateur radio de lémission, The Bandwagon a doncdemandé plusieurs compositeurs, y compris Jan Van der Roost, d’écrire des pièces faciles interpréter, pour les orchestres locaux. Song of Hope (Chant de lespoir) s’ouvre par une ligne mélodique dans le registre grave, qui évoluera tout aulong de la pièce afin d’aboutir une conclusion pétillante d’optimisme. Des jours meilleurs se profilent l’horizon !

Il 2011 é stato un anno tragico per il Giappone, al devastante terremoto e al non meno catastrofico tsunami dell'11 marzo, sono seguiti i gravi problemi al reattore nucleare di Fukushima. Il settore della cultura in generale, e quellodella musica in particolare hanno sofferto immensamente a causa di questi nefasti eventi naturali. Song of Hope é un brano che ha profondamente commosso esecutori e pubblico.
Song of Hope inizia nel registro acuto con suoni oscuri e melanconici, ma si sviluppa in un clima di ottimismo, come a voler simboleggiare un futuro pié sereno.

By Antonio Vivaldi (1678-1741). Arranged by Frank Halferty. For 2 Baritone Horns and 2 Tubas. Baritone-Tuba Quartet. Grade 4. Score and Set of Parts. Duration 3:40

By PDQ Bach. Arranged by Peter Schickele. For 2 Piccolo, 8 Flute, 2 Oboe, 18 Clarinet, 4 A Saxophone, 2 Tenor Saxophone, 2 Baritone Saxophone, 2 Bassoon, 4 Horn, 9 Trumpet, 6 Trombone, 4 Baritone, 6 Tuba, Contrabass, 8 Percussion, Timpani. Full Score - Large. S. 1000. Duration 13:0. Published by Theodore Presser Company.

(Brass Solos & Ensemble/Trombone Or Baritone). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Powell, Richard. For Trumpet (Trumpet). Brass Solos & Ensembles - Trombone Or Baritone. Southern Music. Grade 2. 6 pages. Southern Music Company #SS842. Published by Southern Music Company

By Common and John Legend. For Piano/Vocal/Guitar. Piano Vocal. 8 pages. Published by Hal Leonard

By Antonio Vivaldi; Arcangelo Corelli; Francesco Maria Veracini; Georg Philipp Telemann; George Frideric Handel; Giovanni Battista Pergolesi; Tomaso Albinoni. Edited by Frederick F. Polnauer. For Flute Solo, Piano. Classical. Solo part with piano reduction. 44 pages. Published by Theodore Presser Company.

As Recorded by the WDR Big Band Cologne on Prism. Composed by Bill Dobbins. Jazz Ensemble; Performance Music Ensemble; Single Titles. Advance Music. Jazz. Score and Part(s). Advance Music #01- ADV31206. Published by Advance Music

Orchestra

SKU: PR.41641248A

Composed by Shulamit Ran. Large Score. With Standard notation. Duration 22 minutes. Theodore Presser Company #416-41248A. Published by Theodore Presser Company (PR.41641248A).

UPC: 680160092291. 13 X 19 inches.