| Basic Fingering Chart for Cello Violoncelle - Débutant Santorella Publications
Cello - beginning SKU: SP.TS558 Composed by Tony Santorella. Reference; E...(+)
Cello - beginning SKU:
SP.TS558 Composed by
Tony Santorella.
Reference; Educational.
Reference, Educational.
Chart. 4 pages.
Santorella Publications
#TS558. Published by
Santorella Publications
(SP.TS558). ISBN
9781585609185. Due
to the success of our
Instrumental Fingering
Posters, we thought it
would be helpful to
create a smaller version
that could be tucked
comfortably into any
method book as a
reference guide.
Unbeknownst to us after
days of research, we were
left with countless
questions, much
confusion, and a slew of
poorly crafted images
from contradicting
publications. That being
said, we realized that
there weren't truly any
trustworthy resources in
print and decided to
address the void. We
consulted experts in
every category asking
questions until both we
and they and we were
satisfied. Finally, a
guide to fingering for
beginners that even the
experienced players will
find beneficial.
Santorella's Basic
Fingering Charts are
essential for anyone that
picks up an instrument.
Initially intended for
beginners but after
understanding the
importance of false
fingerings or more
appropriately called,
alternate fingerings
their necessity is vital
for playing certain
musical passages on a
particular instrument. In
addition, after observing
the difficulties that
students had in
identifying key
signatures, we decided to
include the Circle of
Fifths diagram and every
major scale in two
octaves in every key
including their
enharmonic counterparts.
After all was said in
done, we now know, we now
have the best educational
products available for
fingering in the
industry. Our Basic
Fingering Charts are
perfect for private
students, classroom
study, or simply for a
quick and easy reference
guide while practicing at
home. These graphic
reference guides for
assorted brass, reeds,
woodwinds, and orchestral
strings are specifically
available for Clarinet,
Bass Clarinet, Trumpet,
Flute, Piccolo, Recorder,
Baritone Horn, Trombone,
Bass Trombone, Alto Sax,
Soprano Sax, Tenor Sax,
Baritone Sax, French
Horn, Euphonium, Tuba,
Oboe, Bassoon, Violin,
Viola, Cello, and Bass.
Every chart displays the
entire range of each
instrument by clearly
depicting the fingering
for each note including
all their enharmonic
substitutions. Each chart
includes a diagram
identifying the levers,
valves, keys, slides,
frets and more of each
and every instrument.
Learn where, when, and
why to place your
fingers. Now is the time
to truly start playing
with assured
confidence. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jigs for Hammer Dulcimer, Fiddle, Etc. Dulcimer Kitchen Musician Books
| | |
| Psalm 150 Chorale SATB SATB, Clavier [Octavo] Carl Fischer
For Chorus of Mixed Voices with Piano or Organ. By Louis Lewandowski. Arranged b...(+)
For Chorus of Mixed
Voices with Piano or
Organ. By Louis
Lewandowski. Arranged by
Lorrain Kingsley. Choir
(SATB, keyboard). For
SATB Chorus, Piano,
Organ. Carl Fischer
Choral Repertoire.
Choral. Piano/Vocal
Score. 12 pages.
Published by Carl
Fischer.
$2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Basic Fingering Chart for Euphonium Euphonium - Débutant Santorella Publications
Euphonium - beginning SKU: SP.TS543 Composed by Tony Santorella. Referenc...(+)
Euphonium - beginning
SKU: SP.TS543
Composed by Tony
Santorella. Reference;
Educational. Reference,
Educational. Chart. 4
pages. Santorella
Publications #TS543.
Published by Santorella
Publications (SP.TS543).
ISBN
9781585609031. Due
to the success of our
Instrumental Fingering
Posters, we thought it
would be helpful to
create a smaller version
that could be tucked
comfortably into any
method book as a
reference guide.
Unbeknownst to us after
days of research, we were
left with countless
questions, much
confusion, and a slew of
poorly crafted images
from contradicting
publications. That being
said, we realized that
there weren't truly any
trustworthy resources in
print and decided to
address the void. We
consulted experts in
every category asking
questions until both we
and they and we were
satisfied. Finally, a
guide to fingering for
beginners that even the
experienced players will
find beneficial.
Santorella's Basic
Fingering Charts are
essential for anyone that
picks up an instrument.
Initially intended for
beginners but after
understanding the
importance of false
fingerings or more
appropriately called,
alternate fingerings
their necessity is vital
for playing certain
musical passages on a
particular instrument. In
addition, after observing
the difficulties that
students had in
identifying key
signatures, we decided to
include the Circle of
Fifths diagram and every
major scale in two
octaves in every key
including their
enharmonic counterparts.
After all was said in
done, we now know, we now
have the best educational
products available for
fingering in the
industry. Our Basic
Fingering Charts are
perfect for private
students, classroom
study, or simply for a
quick and easy reference
guide while practicing at
home. These graphic
reference guides for
assorted brass, reeds,
woodwinds, and orchestral
strings are specifically
available for Clarinet,
Bass Clarinet, Trumpet,
Flute, Piccolo, Recorder,
Baritone Horn, Trombone,
Bass Trombone, Alto Sax,
Soprano Sax, Tenor Sax,
Baritone Sax, French
Horn, Euphonium, Tuba,
Oboe, Bassoon, Violin,
Viola, Cello, and Bass.
Every chart displays the
entire range of each
instrument by clearly
depicting the fingering
for each note including
all their enharmonic
substitutions. Each chart
includes a diagram
identifying the levers,
valves, keys, slides,
frets and more of each
and every instrument.
Learn where, when, and
why to place your
fingers. Now is the time
to truly start playing
with assured
confidence. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Basic Fingering Chart for Viola Alto seul - Débutant Santorella Publications
Viola - beginning SKU: SP.TS557 Composed by Tony Santorella. Reference; E...(+)
Viola - beginning SKU:
SP.TS557 Composed by
Tony Santorella.
Reference; Educational.
Reference, Educational.
Chart. 4 pages.
Santorella Publications
#TS557. Published by
Santorella Publications
(SP.TS557). ISBN
9781585609178. Due
to the success of our
Instrumental Fingering
Posters, we thought it
would be helpful to
create a smaller version
that could be tucked
comfortably into any
method book as a
reference guide.
Unbeknownst to us after
days of research, we were
left with countless
questions, much
confusion, and a slew of
poorly crafted images
from contradicting
publications. That being
said, we realized that
there weren't truly any
trustworthy resources in
print and decided to
address the void. We
consulted experts in
every category asking
questions until both we
and they and we were
satisfied. Finally, a
guide to fingering for
beginners that even the
experienced players will
find beneficial.
Santorella's Basic
Fingering Charts are
essential for anyone that
picks up an instrument.
Initially intended for
beginners but after
understanding the
importance of false
fingerings or more
appropriately called,
alternate fingerings
their necessity is vital
for playing certain
musical passages on a
particular instrument. In
addition, after observing
the difficulties that
students had in
identifying key
signatures, we decided to
include the Circle of
Fifths diagram and every
major scale in two
octaves in every key
including their
enharmonic counterparts.
After all was said in
done, we now know, we now
have the best educational
products available for
fingering in the
industry. Our Basic
Fingering Charts are
perfect for private
students, classroom
study, or simply for a
quick and easy reference
guide while practicing at
home. These graphic
reference guides for
assorted brass, reeds,
woodwinds, and orchestral
strings are specifically
available for Clarinet,
Bass Clarinet, Trumpet,
Flute, Piccolo, Recorder,
Baritone Horn, Trombone,
Bass Trombone, Alto Sax,
Soprano Sax, Tenor Sax,
Baritone Sax, French
Horn, Euphonium, Tuba,
Oboe, Bassoon, Violin,
Viola, Cello, and Bass.
Every chart displays the
entire range of each
instrument by clearly
depicting the fingering
for each note including
all their enharmonic
substitutions. Each chart
includes a diagram
identifying the levers,
valves, keys, slides,
frets and more of each
and every instrument.
Learn where, when, and
why to place your
fingers. Now is the time
to truly start playing
with assured
confidence. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Basic Fingering Chart for Bass Trombone Trombone basse - Débutant Santorella Publications
Composed by Tony Santorella. Reference; Educational. Chart. Santorella Publica...(+)
Composed by Tony
Santorella.
Reference; Educational.
Chart.
Santorella Publications
#TS553. Published by
Santorella Publications
$4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Basic Fingering Chart for Violin Violon - Débutant Santorella Publications
Violin - beginning SKU: SP.TS556 Composed by Tony Santorella. Reference; ...(+)
Violin - beginning
SKU: SP.TS556
Composed by Tony
Santorella. Reference;
Educational. Reference,
Educational. Chart. 4
pages. Santorella
Publications #TS556.
Published by Santorella
Publications (SP.TS556).
ISBN
9781585609161. Due
to the success of our
Instrumental Fingering
Posters, we thought it
would be helpful to
create a smaller version
that could be tucked
comfortably into any
method book as a
reference guide.
Unbeknownst to us after
days of research, we were
left with countless
questions, much
confusion, and a slew of
poorly crafted images
from contradicting
publications. That being
said, we realized that
there weren't truly any
trustworthy resources in
print and decided to
address the void. We
consulted experts in
every category asking
questions until both we
and they and we were
satisfied. Finally, a
guide to fingering for
beginners that even the
experienced players will
find beneficial.
Santorella's Basic
Fingering Charts are
essential for anyone that
picks up an instrument.
Initially intended for
beginners but after
understanding the
importance of false
fingerings or more
appropriately called,
alternate fingerings
their necessity is vital
for playing certain
musical passages on a
particular instrument. In
addition, after observing
the difficulties that
students had in
identifying key
signatures, we decided to
include the Circle of
Fifths diagram and every
major scale in two
octaves in every key
including their
enharmonic counterparts.
After all was said in
done, we now know, we now
have the best educational
products available for
fingering in the
industry. Our Basic
Fingering Charts are
perfect for private
students, classroom
study, or simply for a
quick and easy reference
guide while practicing at
home. These graphic
reference guides for
assorted brass, reeds,
woodwinds, and orchestral
strings are specifically
available for Clarinet,
Bass Clarinet, Trumpet,
Flute, Piccolo, Recorder,
Baritone Horn, Trombone,
Bass Trombone, Alto Sax,
Soprano Sax, Tenor Sax,
Baritone Sax, French
Horn, Euphonium, Tuba,
Oboe, Bassoon, Violin,
Viola, Cello, and Bass.
Every chart displays the
entire range of each
instrument by clearly
depicting the fingering
for each note including
all their enharmonic
substitutions. Each chart
includes a diagram
identifying the levers,
valves, keys, slides,
frets and more of each
and every instrument.
Learn where, when, and
why to place your
fingers. Now is the time
to truly start playing
with assured
confidence. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| MTP 440 DM Dynamic Instrument Mic Aucune valeur Hal Leonard
SKU: HL.1117979 Lewitt Audio. Microphone. Hal Leonard #MTP440DM. Publishe...(+)
SKU: HL.1117979
Lewitt Audio. Microphone.
Hal Leonard #MTP440DM.
Published by Hal Leonard
(HL.1117979). UPC:
847986000163.
8.0x10.0x4.25
inches. Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Fantastic
sound on snare The MTP
440 DM features a
high-performance capsule
that delivers remarkably
lively sound. Perfect for
miking your snare drum.
Made for guitar amp
recording The MTP 440 DM
reproduces high-SPL
sources like guitar
amplifiers with high
clarity and full details.
The slight bass roll-off
and defined midrange
provide a punchy and
unique sound that works
like a charm with cabs of
any size. Amazing sound
on wind instruments Wind
instruments produce high
sound pressure levels,
not every microphone is
capable of handling. The
MTP 440 DM has proven
itself on countless
stages and gives your
instrument the clear
sound quality it needs to
stand out in the mix.
What's in the box? The
MTP 440 DM comes with a
snap-in mic clip, a
windscreen and a
transport bag. $99.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Triton for solo trumpet Trompette Fennica Gehrman
Trumpet SKU: FG.55011-772-3 Composed by Lara Poe. Classical, contemporary...(+)
Trumpet SKU:
FG.55011-772-3
Composed by Lara Poe.
Classical, contemporary.
Folder. Fennica Gehrman
#55011-772-3. Published
by Fennica Gehrman
(FG.55011-772-3). ISBN
9790550117723. The
name of Lara Poe’s
solo trumpet work Triton
(2019) alludes both the
sea god Triton and the
shell named after him.
The
6’30’â€â
„¢ long piece is
constructed of two types
of material: the
combination of a fanfare
like trumpet call with a
meandering line, and more
undulating material. Have
a look inside by clicking
sample.
This
product is a folder with
sheet music as loose
pages.
Lara Poe
is a Finnish-American
composer who is currently
based in London. Her
works have been performed
across a wide range of
venues throughout the US,
Europe, and Asia. Her
piece Kaamos, which she
wrote for the Lahti
Symphony Orchestra, was
recently nominated for a
Ivors Composer Award in
the Large Scale
Composition category.
Kaamos also was selected
by YLE Radio Finland to
represent Finland at the
International Rostrum of
Composers 2021 in
Belgrade, Serbia. Poe was
the 2019 Tanglewood Music
Patricia Plum Wilde
Fellow and represented
Finland at Ung Nordisk
Musik 2019 in Piteå.
She was also a 2018-2019
participant in the London
Symphony
Orchestra’s
Panufnik Scheme, where
she worked under the
guidance of Colin
Matthews and Christian
Mason. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Lieder mit Klavierbegleitung Op. 10 Bis Op. 29 Schott
Piano; Voice (Score) SKU: HL.49045562 Strauss Werke Complete Edition B...(+)
Piano; Voice (Score)
SKU: HL.49045562
Strauss Werke Complete
Edition Band 2.
Composed by Richard
Strauss. Edited by
Andreas Pernpeintner.
This edition:
Hardback/Hard Cover.
Sheet music. Edition
Schott. Classical.
Hardcover. Composed
1885-1895. 336 pages.
Schott Music #RSW202.
Published by Schott Music
(HL.49045562). ISBN
9783901974052.
German. Richard
Strauss (1864–1949),
the composer of
large-scale operas and
tone poems, also wrote
lieder throughout his
life. His entire oeuvre
stretching over a period
of 78 years is framed by
lied compositions: the
Weihnachtslied dating
from December 1870 (the
secondentry in the
chronological catalogue
of Strauss's works) and
the lied Malven written
in November 1948
(StraussÂ’s last
completed composition).
His lied compositions
include lieder with piano
accompaniment, genuine
orchestral lieder and
subsequent
orchestrationsof original
lieder with piano.
Strauss frequently
conducted his own operas
and orchestral works and
also gave public
performances ofhis lieder
both as pianist and
conductor. As was
customary in the concert
practice of the time, he
combined lieder with
larger-scaleworks: it was
not uncommon for tone
poems and lieder to
appear on the same
programme. Music
publishing houses were
active in the
dissemination of Strauss
lieder across the world:
in the first prints, the
early lieder were
published in their
original register, mostly
only with German texts,
but numerous editions
were subsequently issued
for other vocal registers
or with additional texts
in English, later also in
French, Italian and
Russian translations. The
broad spectrum was
rounded off by
arrangements of lieder
(such as purely
instrumental piano
arrangements by Max Reger
and Walter Gieseking),
arrangements and
orchestrations by other
composers andlieder
albums containing
collections of Strauss
lieder not ordered
chronologically according
to their opus numbers.
The fact that Strauss is
to this day one of the
most frequently performed
composers is not only due
to his operas and tone
poems, but also his
lieder, particularly the
most treasured
favourites. A number of
these pieces are
contained in this volume:
Zueignung op. 10 No.
1,Nichts op. 10 No. 2,
Die Nacht op. 10 No. 3,
Allerseelen op. 10 No. 8,
Ständchen op. 17 No.
2, Ruhe, meine Seele! op.
27 No. 1, Cäcilie op.
27 No. 2, Heimliche
Aufforderung op. 27 No.
3, Morgen! op. 27 No. 4
and Traum durch die
Dämmerung op. 29 No.
1. $338.00 - Voir plus => Acheter | | |
| Daily Warm-Up Exercises for Jazz Ensemble, Volume I Alfred Publishing
Jazz Ensemble 4th Trumpet SKU: AP.SJ8610 Composed by Jack Bullock and Mik...(+)
Jazz Ensemble 4th Trumpet
SKU: AP.SJ8610
Composed by Jack Bullock
and Mike Lewis. Jazz
Ensemble Method;
Method/Instruction;
Warm-Ups. Jazz. Book. 16
pages. Alfred Music
#00-SJ8610. Published by
Alfred Music (AP.SJ8610).
UPC: 029156634129.
English. Daily
Warm-Up Exercises for
Jazz Ensemble was written
as a series of studies to
aid the jazz group in
performance. It is
published in two volumes,
Volume I for the young or
beginning ensemble, and
Volume II for the more
advanced group. All
musical groups need a
short period of time
during the beginning of a
rehearsal to reacquaint
their body functions with
the needs of making
music. Even though
individuals warm-up by
themselves in preparation
for performance, the
group as a whole needs to
experience basic musical
qualities---blend,
balance, precision,
intonation---together to
ensure good ensemble
performance. Hopefully,
this series will provide
the jazz ensemble with
materials organized in a
logical manner to
accomplish these
goals. $4.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Wandering Scholar Opéra [Conducteur] Faber Music Limited
(A Chamber Opera in One Act). By Gustav Holst (1874-1934). For Voice. Masterwork...(+)
(A Chamber Opera in One
Act). By Gustav Holst
(1874-1934). For Voice.
Masterworks; Score; Vocal
(Opera) Score. Faber
Edition. 20th Century;
Masterwork; Romantic.
Published by Faber Music
$15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tricky Sticks Ensemble Jazz [Conducteur et Parties séparées] Kendor Music Inc.
Composed by Greg Yasinitsky. For jazz ensemble (9-17 players) with optional flut...(+)
Composed by Greg
Yasinitsky. For jazz
ensemble (9-17 players)
with optional flute,
clarinet, F horn, tuba
and vibes. Kendor
Konvertible. Jazz Gateway
Series. Swing. Easy.
Score and set of parts.
Duration 4 minutes, 50
seconds. Published by
Kendor Music Inc
$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Moonlight Serenade Ensemble de saxophones [Conducteur] - Intermédiaire Jazz Lines Publications
By Terry Gibbs on More Vibes on Velvet. Edited by Dylan Canterbury, Rob DuBoff, ...(+)
By Terry Gibbs on More
Vibes on Velvet. Edited
by Dylan Canterbury, Rob
DuBoff, and Rob DuBoff.
Arranged by Manny Albam.
For Jazz Saxophone
Ensemble with Featured
Soloist and Rhythm
Section. Ballad. Medium.
Full score and parts.
Published by Jazz Lines
Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tricky Sticks (Full Score) Ensemble Jazz - Facile Kendor Music Inc.
Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with ...(+)
Jazz Ensemble standard
Jazz ensemble (Kendor
Konvertible for 9-17
players) with opt. flute,
clarinet, F horn, tuba
and vibes - Grade 2
SKU: KN.60830S
Composed by Greg
Yasinitsky. Jazz Gateway.
Kendor Music Inc #60830S.
Published by Kendor Music
Inc (KN.60830S). UPC:
822795608304. Here
is a fun chart that
provides the perfect
vehicle to spotlight the
unsung hero of the big
band - the drummer.
Mindful of the traditions
established by such
legends as Mel Lewis,
Louis Bellson, Sonny
Payne, Buddy Rich, and
Harold Jones, great
learning material is
presented for developing
groups by including a
variety of textures and
making effective use of
softer dynamics, roaring
ensemble work, and
saxophone soli passages.
Each set includes a
guitar chord chart by Jim
Greeson. Duration 4:50.
Available in
SmartMusic. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Good Time Was Had By All, A Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Kendor Music Inc.
Jazz Ensemble standard jazz ensemble with SATTB saxes - Grade 5 SKU: KN.52350...(+)
Jazz Ensemble standard
jazz ensemble with SATTB
saxes - Grade 5 SKU:
KN.52350 Composed by
Thad Jones. Kendor Jazz
Archive Series. Bright
Swing. Score and set of
parts. Duration 5
minutes, 30 seconds.
Kendor Music Inc #52350.
Published by Kendor Music
Inc (KN.52350).
As recorded by
the Thad Jones-Mel Lewis
Orchestra on their 1972
album Suite For Pops,
soprano sax gets the
lion's share of solo
action in this bright
swinger, with additional
solos for tenor, trumpet
and drums added for good
measure. Plenty of bold
tutti writing keeps the
overall energy (and
volume) level high,
making this a great
program opener or closer.
Duration 5:30. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Good Time Was Had By All, A (Full Score) Ensemble Jazz - Intermédiaire Kendor Music Inc.
Jazz Ensemble standard jazz ensemble with SATTB saxes - Grade 5 SKU: KN.52350...(+)
Jazz Ensemble standard
jazz ensemble with SATTB
saxes - Grade 5 SKU:
KN.52350S Composed by
Thad Jones. Kendor
Archive Editions. Kendor
Music Inc #52350S.
Published by Kendor Music
Inc (KN.52350S).
As recorded by
the Thad Jones-Mel Lewis
Orchestra on their 1972
album Suite For Pops,
soprano sax gets the
lion's share of solo
action in this bright
swinger, with additional
solos for tenor, trumpet
and drums added for good
measure. Plenty of bold
tutti writing keeps the
overall energy (and
volume) level high,
making this a great
program opener or closer.
Duration 5:30. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lowdown - The Story of Wire Livre - Pas de partitions Biographie [Livre] Omnibus Press
| | |
| Us Ensemble Jazz [Conducteur et Parties séparées] Kendor Music Inc.
Us by Thad Jones. For jazz ensemble; S(A)ATTB saxes. Standard jazz ensemble; S(A...(+)
Us by Thad Jones. For
jazz ensemble; S(A)ATTB
saxes. Standard jazz
ensemble; S(A)ATTB saxes.
Jazz Summit Series. Funky
Rock. Advanced. Score and
Set of Parts. Published
by Kendor Music Inc
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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