Par BOULESTREAU GEORGES. Une pièce facile pour les petites (ou grandes) harmonies, en deux parties : les rythmes, les mélodies, les gammes utilisées, d?abord mélancoliques et déchirants, deviennent dansants, joyeux et exhubérants. Ils feront passer le public du rire aux larmes et lui donneront l?envie de danser et de sourire à la vie / Date parution : 2017-07-25/ Répertoire / Petite orchestre d'harmonie

'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Contrebasse

Par TURNAGE MARK-ANTHONY. This work was composed in 2017–18 and first performed on 20 September 2019 at Milton Court, Barbican, London, by Allan Clayton (tenor) with the Britten Sinfonia, conducted by Andrew Gourlay. This 22 minute work comprises of five movements and contains texts by Emily Dickinson, Benjamin Zephaniah, W.H. Auden, and Brian Bilston. It was commissioned by Britten Sinfonia and supported by the generosity and vision of donors to Britten Sinfonia’s Musically Gifted campaign. This orchestral song cycle is set to four poems, displaying elements of jazz, soul and gospel. Suitable for advanced standard performers. / Date parution : 2022-10-12/ Répertoire / Ténor et Orchestre de Chambre

Par HAENDEL GEORG FRIEDRICH. ?Giulio Cesare in Egitto? is by far Handel?s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel?s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations ? essentially four versions ? on the basis of a meticulous study of the sources within the framework of the ?Halle Handel Edition?. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini. The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically. In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in ?Giulio Cesare?. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel?s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions./ Répertoire / Chant et Orchestre

Par HANNICKEL MIKE. Avec Attack of the Slide Trombones (“L’attaque des coulisses”), Mike Hannickel met à l’honneur l’un des plus anciens instruments à vent : le trombone. Glissandi et autres effets accompagneront vos jeunes trombonistes. La musique développe un charme et une ingéniosité très authentiques. Une oeuvre plaisante pour les interprètes et leurs auditeurs. / Niveau : 1 / Musique légère originale / Répertoire / Concert Band ou Harmonie et 3 Trombones

Forte d'un succès critique et populaire, la comédie musicale La La Land se distingue par des chansons fraîches et une bande originale primée. Ce medley, finement orchestré, est parfaitement adapté à votre orchestre et les chansons Another Day of Sun, City of Stars, Mia and Sebastion's Theme et Audition (The Fools Who Dream) donneront envie à votre public de fredonner et danser. / Orchestre D'Harmonie

'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Alto

Add some spice to your next concert with this flavorful mash-up of ingredients. Start with one part catchy tune, toss in a generous portion of djembe beats, and of course, sauté additional percussion rhythms over medium heat. Add a pinch of seasoning, stir as needed, and what do you have? A recipe for fun your band and audiences will savor for some time. Just try to sit still for this one! (2:25) / Concert Band

Par VAN DER ROOST JAN. In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan’s twentieth anniversary as a conductor of the top Dutch brass band, “Soli Deo Gloria” (Leeuwarden). To mark the occasion, the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Saëns organ symphony was chosen, a piece with which Jan de Haan has a special bond. Apart from this chorale, Homage is also based on the names of notes taken from ‘Jan de Haan’ and ‘Soli Deo Gloria’, resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Saëns’ theme. / Niveau : 5 / Musique pour célébration / Répertoire / Brass Band

Par MOREN BERTRAND. En 1998, Bertrand Moren compose cette oeuvre festive pour le Concours de Composition de l’Association Européenne des Brass Bands. Le jury et le public lui décerneront le Premier Prix. La structure unique de cette oeuvre permet de décliner toutes les possibilités d’un Orchestre d’Harmonie au travers d’un ensemble de passages contrastants et contrastés. Riche en couleurs sonores, European Overture (“Ouverture Européenne”) offre aux auditeurs un grand plaisir d’écoute. / Niveau : 4 / Pièce de concert / Répertoire / Brass Band

'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon II

Arr. Steven Verhaert. Par ROZSA MIKLOS. / TV, Film, Comédie musicale / Répertoire / Concert Band ou Harmonie

Par SCIARRINO SALVATORE. Italian / Musique contemporaine / Date parution : 1905-06-23/ Répertoire / Opéra

Arr. Steven Verhaert. Par ROZSA MIKLOS. / Répertoire / Concert Band ou Harmonie