Performed by Irving Berlin. For voice, piano and guitar chords. Format: piano/vo...(+)
Performed by Irving
Berlin. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Standards
and traditional pop. 104
pages. 9x12 inches.
Published by Hal Leonard.
Edited by Gayle Kowalchyk and E. L. Lancaster. Book; Graded Standard Reperto...(+)
Edited by Gayle Kowalchyk
and E. L. Lancaster.
Book;
Graded Standard
Repertoire;
Method/Instruction; Piano
-
Alfred's Premier
Piano
Course. Premier Piano
Course. Children;
Recital.
40 pages. Published by
Alfred Music
SKU: WD.080689594878 Edited by Ken Barker. Arranged by Billy Payne, Dave ...(+)
SKU:
WD.080689594878
Edited by Ken Barker.
Arranged by Billy Payne,
Dave Williamson & David
Winkler, Mark Cole, and
Paul Nelson. Eastertide.
Complete file library.
Word Music #080689594878.
Published by Word Music
(WD.080689594878).
UPC:
080689594878.
More
Songs for Praise and
Worship 4 is a
best-selling selection
from the Songs for Praise
and Worship series that
represents the very best
praise and worship songs
that the body of Christ
is singing throughout
much of the world. Awash
in the inspiration of the
Holy Spirit, the
transforming power of
modern worship is
reaching across
traditional boundaries to
joyfully proclaim God's
glory. More Songs for
Praise and Worship 4
delivers a timeless
message of faith with a
dynamic collection
complete with 51 of the
latest praise and worship
songs selected to
energize your worship
programming.
Congregation-friendly
songs are sensibly
arranged at the
moderately difficult
level, and include chords
for guitar and piano
accompaniment. The
Piano/Guitar/Vocal
Edition from More Songs
for Praise & Worship 4 is
ideal to use for Bible
study groups, cell
groups, and other small
group worship settings,
enabling the vocalist and
instrumentalist to sing
the same songs and
arrangements used in
Sunday services. The
heavy-duty 9x 12
spiral-bound book
includes all 51 songs
with an easy piano
arrangement featuring the
melody in the right hand
with lyrics and guitar
chord symbols
included.
Ihr habt nun Traurigkeit Orchestre d'harmonie, Chorale-Voix [Conducteur et Parties séparées] - Intermédiaire/avancé Baton Music
(from Ein deutsches Requiem). By Johannes Brahms (1833-1897). Arranged by Martin...(+)
(from Ein deutsches
Requiem). By Johannes
Brahms (1833-1897).
Arranged by Martin
Baumgartner. For Soprano
and Choir ad libitum and
Concert Band. Grade 4.
Full score and set of
parts. Duration 8:30.
Published by Baton Music
For Clarinet. Jazz/RandB. Includes printed musical score and compact disc: you h...(+)
For Clarinet. Jazz/RandB.
Includes printed musical
score and compact disc:
you hear both parts
played in stereo, then
each duet is repeated
with the first part
omitted and then the
second part, so you can
play along. Published by
Music Minus One.
A Tale So Tall Orchestre d'harmonie - Intermédiaire Alfred Publishing
Concert Band - Grade 3.5 SKU: AP.50880 Composed by Anthony O'Toole. Conce...(+)
Concert Band - Grade 3.5
SKU: AP.50880
Composed by Anthony
O'Toole. Concert Band;
Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Score and Part(s).
Duration 4:50. Alfred
Music #00-50880.
Published by Alfred Music
(AP.50880).
ISBN
9781470668624. UPC:
038081587509.
English.
Written to
honor the life and work
of beloved educator and
conductor Dr. Stephen L.
Gage, A Tale So Tall is a
vibrant and powerful
composition by Anthony
O'Toole that exudes the
tremendous spirit and
boundless energy of a man
who dedicated his life to
loving music and his
students. The piece is a
tour-de-force for the
modern concert band that
explodes from the first
downbeat with endless
momentum and zeal before
reaching its triumphant
and eventually peaceful
conclusion. (4:50).
Performed by Gloria Gaither, Bill Gaither. Piano/Vocal/Chords Songbook (Arrangem...(+)
Performed by Gloria
Gaither, Bill Gaither.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. Size 9x12
inches. 128 pages.
Published by
PraiseGathering Music
Group.
Violin, viola, violoncello SKU: FG.55011-761-7 Composed by Jennah Vainio....(+)
Violin, viola,
violoncello
SKU:
FG.55011-761-7
Composed by Jennah
Vainio. Classical,
contemporary. Score and
parts. Fennica Gehrman
#55011-761-7. Published
by Fennica Gehrman
(FG.55011-761-7).
ISBN
9790550117617.
Comp
oser Jennah Vainio sees
End Credits for string
trio (2016) as a
portrayal of a person's
inner mind: It is a
beautiful, tender and
introvert snapshot of a
moment, a journey into
the thoughts of a person.
The work can be
visualized by a video
edited by myself. It is
filmed shot by my father
on an 8-mm film during a
train trip in Germany in
1972. My grandfather
briefly appears on the
film, at the time the
same age as I am now. As
human beings and parts of
the nature we are a links
in an endless continuum -
the train
tracks reaching out to
an eternity symbolise all
this.
The video
file for projection
during the
performance can be
downloaded with the link
provided with the score.
This product includes the
full score and the
separate
parts.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Composed by Romeyn.
Concert Band. Concert
Band Series. Audio
recording available
separately (items
CL.WFR364 & CL.WFR387).
Extra full score.
Composed 2009. Duration 3
minutes, 21 seconds. Opus
III Wind Orchestra
Publications
#012-3784-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3784-01).
Fasten your
seatbelts and hang on;
you are about to go on
the most exciting Night
Ride of your life!
Rhythmic and full of
energy, this piece has a
fresh and innovative
sound. The stark musical
contrasts and the dark,
foreboding middle section
will make this work a
favorite for concert and
festival use. Solid
scoring will help ensure
success with smaller
ensembles. Lots of
interesting percussion
parts add to the effect.
Your audience will be
reaching for the grab
handles!
Organ SKU: SU.80101422 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101422
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101422.
Published by Zimbel Press
(SU.80101422).
Suite
circulaire (2018) for
organ is dedicated to
Elisa Williams Bickers.
The music takes a free,
contemporary approach to
the historical genre of
circulating (or
modulating) compositions,
where the basic material
moves through a variety
of keys before returning
home again. The goal is
not simply to play a
modulation game, but
rather to construct a
true musical discourse
where the varied keys are
an essential part of the
concept. The first
movement, Praeludium, is
bright in character.
Besides moving through
varied keys, the movement
is also animated with
various looping patterns
that provide another link
to the circulating
concept. The second
movement, Ricercare,
takes its content very
literally from the title,
which means to search
out. Instead of being a
proto-fugue, like many
ricercares from the late
Renaissance or early
Baroque, the music
searches through the keys
by means of a wandering
melody and a modulating
accompaniment. The third
movement, Toccata, is
slightly manic in
character. The syncopated
theme heard at the start
animates the movement as
it moves through both
tonal, modal, and
bitonal/modal harmonies
before reaching an
excited conclusion. (When
the suite is performed on
an organ tuned in an
unequal, circulating
temperament, there is an
additional circular
effect provided by the
quite varied key colors
that are heard as the
material moves through
them.)Organ Duration:
14’ Composed: 2018
Published by: Zimbel
Press.
Grade 3 SKU: CL.026-4876-01 Composed by Romeyn. Concert Band. Extra full ...(+)
Grade 3
SKU:
CL.026-4876-01
Composed by Romeyn.
Concert Band. Extra full
score. C.L. Barnhouse
#026-4876-01. Published
by C.L. Barnhouse
(CL.026-4876-01).
Fasten your
seatbelts and hang on;
you are about to go on an
exciting Night Ride
Through Metropolis.
Rhythmic and full of
energy, this music has a
fresh and innovative
sound. The stark musical
contrasts and the dark,
foreboding middle section
will make this work a
favorite for concert and
festival use. This
version, especially
tailored for the
Barnhouse Build-A-Band
series, guarantees
success with even the
most limited and awkward
of instrumentations. Your
audience will be reaching
for the grab handles! A
fantastic musical
ride!
