Orchestra Study Score. Composed by Franz Joseph Haydn (1732-1809). Edited by ...(+)
Orchestra Study Score.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Andreas Friesenhagen.
Henle
Study Scores. Classical.
Softcover. 52 pages. G.
Henle #HN9056. Published
by
G. Henle
By Florida State University Wind Orchestra. By Various. Mark Records. Classical....(+)
By Florida State
University Wind
Orchestra. By Various.
Mark Records. Classical.
2 Audio CDs. Duration
52:34. Published by Mark
Custom Music
(MK.4737-MCD).
Ships of Ireland Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
By Soon Hee Newbold. Arranged by Soon Hee Newbold. Intermediate String Orchestra...(+)
By Soon Hee Newbold.
Arranged by Soon Hee
Newbold. Intermediate
String Orchestra. FJH
Developing Strings. Score
for this title: ST6060S.
Extra part for this
title: ST6060P. String
Orchestra. Level: 2.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Time Trial Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
Composed by Andrew H. Dabczynski. Orchestra. Part(s); Score; String Orchestra. B...(+)
Composed by Andrew H.
Dabczynski. Orchestra.
Part(s); Score; String
Orchestra. Belwin
Beginning String
Orchestra. Form: Rondo.
Grade 2. 138 pages.
Published by Belwin Music
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Orchestra SKU: HL.49019910 Composed by John Casken. This edition: Saddle ...(+)
Orchestra
SKU:
HL.49019910
Composed
by John Casken. This
edition: Saddle
stitching. Sheet music.
Study Score. Softcover.
Composed 2007. 76 pages.
Duration 20'. Schott
Music #ED13617. Published
by Schott Music
(HL.49019910).
ISBN
9790220134395. UPC:
888680089528.
8.25x11.75x0.25
inches.
My Concerto
for Orchestra (2007) is a
twenty-minute work in
which different sections
of the orchestra, as well
as individual solos and
duos from within the
orchestra, are
highlighted as the music
unfolds. The work
continues my interest in
two-movement forms that
began with my Cello
Concerto (1991), and was
later developed in
Sortilege (1996) and
Symphony (Broken Consort)
(2004). In these works,
and in the Concerto for
Orchestra, each movement
is given equal weight and
importance with the
second developing earlier
material and taking it in
new directions.The
two-movement form of the
Concerto for Orchestra
derives from a symphonic
sonata structure,
reshaping the traditional
four-movement form and
combining this with
aspects of sonata form, a
tradition that goes back
to Liszt, Schoenberg and
Sibelius:1st movement (i)
exposition of ideas -
dramatic and sudden (ii)
scherzo and development 1
- resolute2nd movement
(iii) adagio - calm and
unhurried (iv)
development 2 with
recapitulation - intense
and energeticThe Concerto
for Orchestra was
commissioned by the
Musikalische Akademie des
Nationaltheatre-Orchester
s Mannheim with the
support of Die Landesbank
Baden-Wurttemberg for its
first two performances on
31st March and 1st April
2008 conducted by
Friedemann Layer. The
score is dedicated in
friendship and admiration
to Ronald Zollman.John
Casken
For Violin, Viola (or
optional Violin II), and
Cello with String
Orchestra. Composed
by David O'Fallon.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Concerto; Rondo. Score.
28 pages. Highland/Etling
#00-38487S. Published by
Highland/Etling
(AP.38487S).
UPC:
038081434667.
English.
In an
animated and spirited
showcase, the concertino
group is challenged to
show what they can do
with a number of vividly
contrasting styles. Solo
parts are provided for
violin, viola or violin
2, and cello. The
orchestra will enjoy the
accompaniment parts and
learn about accompanying
in this original
work.
For Violin, Viola (or
optional Violin II), and
Cello with String
Orchestra. Composed
by David O'Fallon.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Concerto; Rondo. Score
and Part(s). 140 pages.
Highland/Etling
#00-38487. Published by
Highland/Etling
(AP.38487).
UPC:
038081434650.
English.
In an
animated and spirited
showcase, the concertino
group is challenged to
show what they can do
with a number of vividly
contrasting styles. Solo
parts are provided for
violin, viola or violin
2, and cello. The
orchestra will enjoy the
accompaniment parts and
learn about accompanying
in this original
work.
Orchestra string orchestra - Grade 2.5 SKU: KJ.SO232C Composed by Mary Al...(+)
Orchestra string
orchestra - Grade 2.5
SKU: KJ.SO232C
Composed by Mary Alice
Rich. String Tracks.
Score and parts. Neil A.
Kjos Music Company
#SO232C. Published by
Neil A. Kjos Music
Company (KJ.SO232C).
ISBN 9788402701664.
UPC:
8402701663.
Set in
D Major, this lively and
jovial work includes just
a bit of 3rd position in
the 1st violin part and
some extension work in
the viola and cello
parts. Ms. Rich's
artistic writing style
features each section of
the orchestra.
Orchestra string orchestra - Grade 2.5 SKU: KJ.SO232F Composed by Mary Al...(+)
Orchestra string
orchestra - Grade 2.5
SKU: KJ.SO232F
Composed by Mary Alice
Rich. String Tracks.
Score. Neil A. Kjos Music
Company #SO232F.
Published by Neil A. Kjos
Music Company
(KJ.SO232F).
Set in D Major,
this lively and jovial
work includes just a bit
of 3rd position in the
1st violin part and some
extension work in the
viola and cello parts.
Ms. Rich's artistic
writing style features
each section of the
orchestra with melodic
material.
Orchestra SKU: HL.14028044 For Large Orchestra. Composed by Poul R...(+)
Orchestra
SKU:
HL.14028044
For
Large Orchestra.
Composed by Poul Ruders.
Music Sales America.
Classical. Score. 234
pages. Edition Wilhelm
Hansen #KP00693.
Published by Edition
Wilhelm Hansen
(HL.14028044).
ISBN
9788759850640.
12.0x16.5x0.605 inches.
Danish.
The full
score of Ruders' Solar
Triology for large
orchestra.
Orchestra (0.2.0.0/2.0.0.0,str,horn solo) SKU: TM.00826SET Composed by Wo...(+)
Orchestra
(0.2.0.0/2.0.0.0,str,horn
solo)
SKU:
TM.00826SET
Composed
by Wolfgang Amadeus
Mozart. Edited by Damm.
Set Type: C. Set of
parts. Lucks Music
Library #A8774. Published
by Lucks Music Library
(TM.00826SET).
Ed. Peter
Damm., Fragment-Completed
by Speiss. Sc in set.
Solo/pf. aka Concet
Rondo.
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Tarantelle Orchestre à Cordes - Intermédiaire/avancé Alfred Publishing
By Almon C. Bock II. Orchestra. Part(s); Score; String Orchestra. Highland Strin...(+)
By Almon C. Bock II.
Orchestra. Part(s);
Score; String Orchestra.
Highland String
Orchestra. Form: Dance;
Rondo. Light Concert.
Grade 4. 124 pages.
Published by Alfred Music
Publishing
Composed by Aaron Copland (1900-1990). For orchestra. Format: miniature score (s...(+)
Composed by Aaron Copland
(1900-1990). For
orchestra. Format:
miniature score (seperate
performance parts are not
available for this
edition). With full score
notation. 20th century.
153 pages. Published by
Boosey and Hawkes.
By Fritz Kreisler (1875-1962). For String Orchestra. Carl Fischer Concert String...(+)
By Fritz Kreisler
(1875-1962). For String
Orchestra. Carl Fischer
Concert String Orchestra
Series. Grade 3 and up.
Full Score. Standard
notation. Published by
Carl Fischer
Arranged by Michael Story. Orchestra. Full Orchestra. Belwin Intermediate Full O...(+)
Arranged by Michael
Story. Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Christmas;
Light Concert; Winter.
Grade 2.5. Conductor
Score and Parts. 54
pages. Duration 1:43.
Published by Belwin Music
Swamp Thang Orchestre à Cordes [Conducteur et Parties séparées] Highland/Etling
Stompin' the Bayou. Composed by Richard Meyer. Performance Music Ensemble...(+)
Stompin' the
Bayou. Composed by
Richard Meyer.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form: Rondo.
Jazz. Part(s); Score. 124
pages. Duration 4:00.
Highland/Etling
#00-45875. Published by
Highland/Etling
(AP.45875).
Score and Parts.
Arranged by Seymour
Rubinstein. String
orchestra 5/5/3/3/3.
Shawnee Press. Print on
demand - publisher prints
this title after order is
received. Classical.
Score and Parts. Shawnee
Press #J0154. Published
by Shawnee Press
(HL.35022586).
UPC:
888680039004.
8.5x11.0x1.089
inches.
Arrangement
s by Seymour Rubinstein
Includes: Gopak
(Mussorgsky) •
Rondo (Andante and Rondo
for Cello) (Mozart)
• Corrente (Viola
Sonata in A Major)
(Vivaldi) • Allegro
(Sonata No. 8) (Handel)
• La Plus Que Lente
(Debussy) • Adagio
(Cello Concerto No. 2)
(Haydn) • Spanish
Dance (Granados) •
Gigue (Suite in F Major)
(Corelli) •
Canzonetta (Concerto for
Violin) (Tchaikovsky)
• Gigue (Violin
Sonata in A Major)
(Vivaldi).
Composed by Girolamo Frescobaldi (1583-1643). Edited by J. Cameron Law. Ar...(+)
Composed by Girolamo
Frescobaldi (1583-1643).
Edited by J. Cameron Law.
Arranged by John Beeman.
For
string orchestra. Grade
2.
Score and set of parts.
Duration 2 minutes.
Published
by Grand Mesa Music