CD-ROM (Windows and Mac) for clarinet. Series: The Orchestra Musician's CD-ROM Library. 8 pages. Published by CD Sheet Music, LLC.

Orchestra Study Score. Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. Henle Study Scores. Classical. Softcover. 52 pages. G. Henle #HN9056. Published by G. Henle

By Florida State University Wind Orchestra. By Various. Mark Records. Classical. 2 Audio CDs. Duration 52:34. Published by Mark Custom Music (MK.4737-MCD).

By Soon Hee Newbold. Arranged by Soon Hee Newbold. Intermediate String Orchestra. FJH Developing Strings. Score for this title: ST6060S. Extra part for this title: ST6060P. String Orchestra. Level: 2. Score and Set of Parts. Published by The FJH Music Company Inc.

Composed by Andrew H. Dabczynski. Orchestra. Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Form: Rondo. Grade 2. 138 pages. Published by Belwin Music

Score and Parts. By Aaron Copland. (Set). Boosey and Hawkes Orchestra. Size 9x12 inches. Published by Boosey & Hawkes.

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.

Orchestra

SKU: HL.49019910

Composed by John Casken. This edition: Saddle stitching. Sheet music. Study Score. Softcover. Composed 2007. 76 pages. Duration 20'. Schott Music #ED13617. Published by Schott Music (HL.49019910).

ISBN 9790220134395. UPC: 888680089528. 8.25x11.75x0.25 inches.

My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilege (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions.The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius:1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energeticThe Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchester s Mannheim with the support of Die Landesbank Baden-Wurttemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman.John Casken

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Orchestra string orchestra - Grade 2.5

SKU: KJ.SO232C

Composed by Mary Alice Rich. String Tracks. Score and parts. Neil A. Kjos Music Company #SO232C. Published by Neil A. Kjos Music Company (KJ.SO232C).

ISBN 9788402701664. UPC: 8402701663.

Set in D Major, this lively and jovial work includes just a bit of 3rd position in the 1st violin part and some extension work in the viola and cello parts. Ms. Rich's artistic writing style features each section of the orchestra.

Orchestra string orchestra - Grade 2.5

SKU: KJ.SO232F

Composed by Mary Alice Rich. String Tracks. Score. Neil A. Kjos Music Company #SO232F. Published by Neil A. Kjos Music Company (KJ.SO232F).

Set in D Major, this lively and jovial work includes just a bit of 3rd position in the 1st violin part and some extension work in the viola and cello parts. Ms. Rich's artistic writing style features each section of the orchestra with melodic material.

Orchestra

SKU: HL.14028044

For Large Orchestra. Composed by Poul Ruders. Music Sales America. Classical. Score. 234 pages. Edition Wilhelm Hansen #KP00693. Published by Edition Wilhelm Hansen (HL.14028044).

ISBN 9788759850640. 12.0x16.5x0.605 inches. Danish.

The full score of Ruders' Solar Triology for large orchestra.

Orchestra (0.2.0.0/2.0.0.0,str,horn solo)

SKU: TM.00826XSC

Composed by Wolfgang Amadeus Mozart. Edited by Damm. Score. Lucks Music Library #A8774. Published by Lucks Music Library (TM.00826XSC).

Ed. Peter Damm., Fragment-Completed by Speiss. Sc in set. Solo/pf. aka Concet Rondo.

Orchestra (0.2.0.0/2.0.0.0,str,horn solo)

SKU: TM.00826SET

Composed by Wolfgang Amadeus Mozart. Edited by Damm. Set Type: C. Set of parts. Lucks Music Library #A8774. Published by Lucks Music Library (TM.00826SET).

Ed. Peter Damm., Fragment-Completed by Speiss. Sc in set. Solo/pf. aka Concet Rondo.

Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.PB-15155

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 40 pages. Duration 9'. Breitkopf and Haertel #PB 15155. Published by Breitkopf and Haertel (BR.PB-15155).

ISBN 9790004215609. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Orchestra (Orchestra)

SKU: HL.48188488

Composed by Henri Dutilleux. Leduc. Classical. Softcover. 104 pages. Heugel & Cie #HE32608. Published by Heugel & Cie (HL.48188488).

UPC: 888680866952. 8.5x11.75x0.543 inches.

“Comp osed in 1978 by Henri Dutilleux, Timbres, Space, Movement is a work for Orchestra, also named ?The starry night? after a painting by Van Gogh. It was commisioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Münch. This great orchestral work lasts approximately 20 minutes and depicts the content of the painting. It is written for a full orchestra without Violins or Violas. A sketch of the placement of the instruments is given in the book as its disposition differs from a full orchestra: The Cellos placed in a half-circle in front of the conductor. The Cellos represents the space with twirling solos and more stagnant sections while the lack of Violins and Violas is for the quiet and motionless part of the painting. The solo of the Winds and Drums characterizes the clouds and the light of the moon and the stars. It is divided in two parts: 1. Nébuleuse (Nebula) and 2.Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, amongst many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'arbre des songes' (The tree of dreams) and the Cello concerto 'Tout un monde lointain' (A whole distant word).”.

By Almon C. Bock II. Orchestra. Part(s); Score; String Orchestra. Highland String Orchestra. Form: Dance; Rondo. Light Concert. Grade 4. 124 pages. Published by Alfred Music Publishing

Composed by Aaron Copland (1900-1990). For orchestra. Format: miniature score (seperate performance parts are not available for this edition). With full score notation. 20th century. 153 pages. Published by Boosey and Hawkes.

By Fritz Kreisler (1875-1962). For String Orchestra. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Full Score. Standard notation. Published by Carl Fischer

Arranged by Michael Story. Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Christmas; Light Concert; Winter. Grade 2.5. Conductor Score and Parts. 54 pages. Duration 1:43. Published by Belwin Music

Composed by John Bull (1562-1628). Arranged by Vernon Leidig. Orchestra. Score; SmartMusic; String Orchestra. Highland String Orchestra. Form: Rondo; Transcription. Baroque; Masterwork Arrangement; Renaissance. Grade 2.5. 12 pages. Published by Highland/Etling

Stompin' the Bayou. Composed by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Rondo. Jazz. Part(s); Score. 124 pages. Duration 4:00. Highland/Etling #00-45875. Published by Highland/Etling (AP.45875).

String Orchestra - Grade 4

SKU: HL.35022586

Score and Parts. Arranged by Seymour Rubinstein. String orchestra 5/5/3/3/3. Shawnee Press. Print on demand - publisher prints this title after order is received. Classical. Score and Parts. Shawnee Press #J0154. Published by Shawnee Press (HL.35022586).

UPC: 888680039004. 8.5x11.0x1.089 inches.

Arrangement s by Seymour Rubinstein Includes: Gopak (Mussorgsky) • Rondo (Andante and Rondo for Cello) (Mozart) • Corrente (Viola Sonata in A Major) (Vivaldi) • Allegro (Sonata No. 8) (Handel) • La Plus Que Lente (Debussy) • Adagio (Cello Concerto No. 2) (Haydn) • Spanish Dance (Granados) • Gigue (Suite in F Major) (Corelli) • Canzonetta (Concerto for Violin) (Tchaikovsky) • Gigue (Violin Sonata in A Major) (Vivaldi).

Orchestra

SKU: HL.48188353

Composed by Marcel Mihalovici. Leduc. Classical. Softcover. Heugel & Cie #HE32441. Published by Heugel & Cie (HL.48188353).

UPC: 888680859794. 7.0x10.5x0.316 inches.

Marcel Mihalovici: Rondo (PH301) (Orchestra).

Composed by Girolamo Frescobaldi (1583-1643). Edited by J. Cameron Law. Arranged by John Beeman. For string orchestra. Grade 2. Score and set of parts. Duration 2 minutes. Published by Grand Mesa Music

Composed by Rob Grice. Arranged by J. Cameron Law. For String Orchestra. Grade 2. Score. Published by Grand Mesa Music