String Orchestra (STRING ORCHE) SKU: HL.50487318 (Late Message to my N...(+)
String Orchestra (STRING
ORCHE)
SKU:
HL.50487318
(Late
Message to my Native
Village) for string
orchestra. Composed
by Istvan Vantus. 20th
Century. EMB. Score.
Duration 8'. Editio
Musica Budapest #Z12833.
Published by Editio
Musica Budapest
(HL.50487318).
ISBN
9790080128336. K/4
(23,5x31) inches. Istvan
Vantus.
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Sanctuary Ensemble de cuivres - Intermédiaire Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-479-130 Composed by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-479-130
Composed by Philip
Sparke. Anglo Music
Midway Series. Hymns &
Chorals. Score Only.
Composed 2019. Anglo
Music Press #AMP 479-130.
Published by Anglo Music
Press (BT.AMP-479-130).
English-German-French-
Dutch.
Sanctuary
was commissioned by
Eastern Bay of Plenty
Brass from New Zealand
and was performed as an
own choice piece at the
2018 New Zealand National
Brass Band Championships.
It opens with an
expressive cornet solo,
hymn-like in mood. A
slightly faster central
section builds to a
change of key and an
expansive return of the
opening melody, this time
scored for full band.
After an emotional climax
the mood subsides,
leading to a quiet close.
Sanctuary
werd geschreven in
opdracht van Eastern Bay
of Plenty Brass uit
Nieuw-Zeeland en werd
uitgevoerd als
zelfgekozen werk tijdens
de New Zealand National
Brass Band Championships
van 2018. Het werk opent
met een expressieve
kornetsolo, die qua
atmosfeer veel weg heeft
van een hymne. Een iets
sneller middengedeelte
werkt toe naar een
verandering van toonsoort
en een grootse terugkeer
van de openingsmelodie,
deze keer getoonzet voor
de complete band. Na een
emotioneel hoogtepunt
wordt de muziek kalmer
van sfeer en mondt ze uit
in een rustig
slot.
Sanctuary
wurde von der
Eastern Bay of Plenty
Brass aus Neuseeland in
Auftrag gegeben und als
Selbstwahlstück bei
den New Zealand National
Brass Band Championships
2018 aufgeführt. Das
Stück beginnt mit
einem ausdrucksvollen
Kornett-Solo in der Art
eines Kirchenliedes. Ein
etwas schnellerer
Mittelteil führt zu
einem Tonartwechsel und
einer ausführlichen
Rückkehr der
Anfangsmelodie, die nun
von der gesamten Brass
Band gespielt wird. Nach
einem emotionalen
Höhepunkt beruhigt
sich die Stimmung und
mündet in einen
ruhigen
Schluss.
Up From Earth's Center Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4257-01 Composed by Romeyn. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4257-01
Composed by Romeyn.
Concert Band. Concert
Band Series. Audio
recording available
separately (items
CL.WFR381 & CL.WFR387).
Extra full score.
Composed 2014. Duration 8
minutes, 13 seconds. Opus
III Wind Orchestra
Publications
#012-4257-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4257-01).
This brilliant
programmatic work from
the pen of Rob Romeyn is
an incredible display of
beauty, sensitivity,
emotion and vigorous
intensity. The journey
begins on the morning of
the great 1868 Hawaii
earthquake. Peaceful and
beautiful sounds of the
black sand beach of
Punalu’u are heard
as the sun rises. The
music then develops,
first with a statement of
the traditional melody
The Earth Is Our Mother
to remind us to respect
Mother Earth and be
mindful of her incredible
powers. As the tempo
quickens we are musically
transported into the
events of the fateful
day, as the earthquake
and resulting Tsunami
ensued. As the movement
of the earth subsides, we
return to the beach of
Punalu’u as Mother
Earth begins her renewal
of new life. Certain to
become a classic for
concert and festival use,
this is music of highest
quality!
Young concert band - Grade 1 SKU: CL.023-4085-01 Composed by Romeyn. Youn...(+)
Young concert band -
Grade 1
SKU:
CL.023-4085-01
Composed by Romeyn. Young
Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR377). Extra full
score. Composed 2012.
Duration 2 minutes, 43
seconds. C.L. Barnhouse
#023-4085-01. Published
by C.L. Barnhouse
(CL.023-4085-01).
Look no further
for an outstanding
lyrical selection for
young band! When the Wind
Whispers has musicality,
sophistication and
maturity uncommon at this
grade level. Beginning
softly, it invokes the
feeling of a cool spring
breeze. The memorable
melody is presented in a
variety of textures and
colors building and
subsiding like the
whispering wind. As it
develops, it builds to a
wonderful emotional
climax. The intensity
then subsides, ending as
it began, with the
softest touch of morning
breeze. Outstanding for
concert and festival
use.
Concert band - Grade 4 SKU: CL.012-4434-75 Composed by Romeyn. Concert Ba...(+)
Concert band - Grade 4
SKU:
CL.012-4434-75
Composed by Romeyn.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR388). Oversized,
spiral-bound score.
Composed 2016. Duration 6
minutes, 8 seconds. Opus
III Wind Orchestra
Publications
#012-4434-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4434-75).
An epic
programmatic work that
captures the fight
between good and evil.
The work opens with a
heroic fanfare that
commands attention. From
here the music subsides
into a beautifully lyric
chorale section. Our
musical story begins to
unfold as the demons
theme is introduced. The
theme is developed and
expanded, creating a
feeling of unresolved
conflict, ultimately
leading to a thunderous
conclusion. From here,
the heroic theme returns,
stronger and more
developed this time as
our battle between good
and evil comes to its
conclusion, but not
before a brief final
battle creating a
dramatic end to the piece
that will have your
audiences on their feet.
Destined to be a classic
for concert and festival
use, cross cueing is used
to insure success in most
performance settings.
Don't miss this
exceptional addition to
the concert band
repertoire.
Organ SKU: SU.80200202 For Organ. Composed by Daniel E. Gawthrop. ...(+)
Organ
SKU:
SU.80200202
For
Organ. Composed by
Daniel E. Gawthrop.
Keyboard, Organ. Score.
Subito Music Corporation
#80200202. Published by
Subito Music Corporation
(SU.80200202).
Atmospheric
beginning builds to grand
climax, subsides to quiet
ending 8 page book
Duration: 4'55 Published
by: Dunstan House.
Concert band - Grade 4 SKU: CL.012-4434-00 Composed by Romeyn. Concert Ba...(+)
Concert band - Grade 4
SKU:
CL.012-4434-00
Composed by Romeyn.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR388). Score and set
of parts. Composed 2016.
Duration 6 minutes, 8
seconds. Opus III Wind
Orchestra Publications
#012-4434-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-4434-00).
An epic
programmatic work that
captures the fight
between good and evil.
The work opens with a
heroic fanfare that
commands attention. From
here the music subsides
into a beautifully lyric
chorale section. Our
musical story begins to
unfold as the demons
theme is introduced. The
theme is developed and
expanded, creating a
feeling of unresolved
conflict, ultimately
leading to a thunderous
conclusion. From here,
the heroic theme returns,
stronger and more
developed this time as
our battle between good
and evil comes to its
conclusion, but not
before a brief final
battle creating a
dramatic end to the piece
that will have your
audiences on their feet.
Destined to be a classic
for concert and festival
use, cross cueing is used
to insure success in most
performance settings.
Don’t miss this
exceptional addition to
the concert band
repertoire.
Composed by Romeyn.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR395). Extra full
score. Composed 2018.
Duration 4 minutes, 44
seconds. Opus III Wind
Orchestra Publications
#012-4642-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4642-01).
An epic
programmatic piece,
Forged In Fire is a work
of vibrant energy, vivid
color and immense power.
It draws inspiration from
the immense power and
uses of fire, and its
effect on early
civilization and
industrialization. A calm
and sensitive
introductions leads to a
new theme at a quickening
tempo. This theme, stated
simply at first, is then
embellished by a driving
rhythm multi-meter
effect, and further
developed with layered
contemporary harmonies,
changing textures and
variations on the theme.
After a breathtaking
climax, the original
theme is restated, more
powerfully this time. It
then subsides, before
building to a shimmering,
red hot ending that will
leave your audience
breathless. Certain to
become a mainstay for
concert and festival use.
Not to be missed!