Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Amanda Babington.
Arranged by Andreas Kohs.
For alto voice solo,
tenor voice solo, bass
voice solo, SSATB choir,
piano reduction. This
edition: urtext edition.
Paperback. Level 3. Vocal
score. HWV 283. Published
by Baerenreiter Verlag
Lullaby Time Ukulele [Partition + Accès audio] - Débutant Faber Music Limited
Classroom/Pre-School; Early Childhood. Multicultural; Traditional. Book and Di...(+)
Classroom/Pre-School;
Early
Childhood. Multicultural;
Traditional. Book and
Digital
Download. 72 pages. Faber
Music #12-0571542549.
Published by Faber Music
Solo voices, mixed choir, orchestra Urtext based on the new Complete Edition. ...(+)
Solo voices, mixed choir,
orchestra
Urtext based on the new
Complete Edition.
Composed by
Johannes Brahms
(1833-1897).
Edited by Michael
Musgrave
and Michael Struck.
Breitkopf
and Haertel #OB 16109-30.
Published by Breitkopf
and
Haertel
Three traditional snare solos for the rudimental drummer. Composed by Dan...(+)
Three traditional
snare solos for the
rudimental drummer.
Composed by Danny
Raymond. Score. 16 pages.
Published by Tapspace
Publications
(TA.TSPCS-68).
A violin method for children. By Egon Sassmannshaus; Kurt Sassmannshaus. Ameri...(+)
A violin method for
children. By Egon
Sassmannshaus; Kurt
Sassmannshaus. American
English translation: Kurt
Sassmannshaus;
Illustrations: Charlotte
Panowsky. For Violin.
Take advantage of our
exclusive introductory
offer now and save 25%
off the regular price -
this special price is
available for a limited
time only. Baerenreiter's
Sassmannshaus. Original
German title: Fruher
Anfang auf der Geige -
Band 2; Eine Violinschule
fur Kinder. Instructional
Method. Method book. Text
language: English. 64
pages. Published by
Baerenreiter Verlag
(German import).
A violin method for children age four and older. By Egon Sassmannshaus; Kurt Sa...(+)
A violin method for
children age four and
older. By Egon
Sassmannshaus; Kurt
Sassmannshaus. American
English translation: Kurt
Sassmannshaus and Melissa
Lusk; Illustrations:
Charlotte Panowsky. For
Violin. Take advantage of
our exclusive
introductory offer now
and save 25% off the
regular price - this
special price is
available for a limited
time only. Baerenreiter's
Sassmannshaus. Original
German title: Fruher
Anfang auf der Geige -
Band 1; Eine Violinschule
fur Kinder ab 4 Jahren.
Instructional Method.
Method book. Text
language: English. 64
pages. Published by
Baerenreiter Verlag
(German import).
20 iconic pieces of British classical music specially arranged for intermediat...(+)
20 iconic pieces of
British
classical music specially
arranged for intermediate
piano solo, plus a
pull-out
print of the striking
cover
artwork. Graded Standard
Repertoire; Piano
Collection.
The Piano Player Series.
Classical; Masterwork
Arrangement; Traditional.
Book. Faber Music #12-
0571541690. Published by
Faber
Music
Oalla Mohololi Chorale SATB SATB - Intermédiaire Faber Music Limited
(Three Songs from Africa). Arranged by Mike Brewer. Choir Secular. SATB choir. B...(+)
(Three Songs from
Africa). Arranged by Mike
Brewer. Choir Secular.
SATB choir. Book; Choral
Collection. Faber
Edition: Mike Brewer's
Choral World Tour.
Multicultural;
Traditional; World.
Intermediate. Published
by Faber Music
Orchestra Solo STB, Coro
SATB (auch Mannerchor
TTTBB), 2 Fl, 2 Ob, 2
Clt, 2 Fg, 2 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb
SKU: CA.2302007
Composed by Ludwig van
Beethoven. Edited by
Clemens Harasim.
Innovative practice aids,
Sacred vocal music,
Oratorios. Study score.
Op. 85. Duration 54
minutes. Carus Verlag #CV
23.020/07. Published by
Carus Verlag
(CA.2302007).
ISBN
M-007-24884-0.
German/English. Text:
Franz Xaver
Huber.
In his
Passion oratorio Christus
am Olberge [The Mount of
Olives], Beethoven
succeeded firstly in
building on the 18th
century tradition, and
secondly in putting his
own personal stamp on the
nascent genre of
German-language oratorio
- the Vienna performances
of Haydn's Die Schopfung
and Die Jahreszeiten had
only taken place a few
years earlier. In
composing the work he
looked towards
contemporary opera, using
a text by an opera
librettist to depict in
music the dramatic
situation of the doubting
Jesus in the Garden of
Gethsemane and his
arrest. Yet we do not do
justice to Beethoven's
work if we simply regard
it as a successor work to
Graun's Der Tod Jesu or
even Bach's St Matthew
Passion. Beethoven's
Christus am Olberge is
characterized less by
religious devotion and
much more by the dramatic
realization of a specific
situation in the Passion
story in deeply-felt
musical scenes. With its
magnificent, almost
operatic music, this is a
different Passion
oratorio which is
definitely worth hearing
and experiencing - and in
this form it is without
doubt unique in the
history of
vocal-instrumental sacred
music. The edition
follows the first printed
edition in music and
text; differences in the
text in the libretto
originally set by
Beethoven are given as a
second text, and a
singable English
translation is underlaid.
Score available
separately - see item
CA.2302000.
Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc)
SKU:
CA.5165219
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165219.
Published by Carus Verlag
(CA.5165219).
ISBN
9790007313883. Key: D
minor. Latin.
The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press.
Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203).
ISBN
9790007294243. Key: D
minor. Latin.
The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press.
SATB. Edited by Gwyn Arch and Ben Parry. Arranged by Gwyn Arch and Ben Parry. Ch...(+)
SATB. Edited by Gwyn Arch
and Ben Parry. Arranged
by Gwyn Arch and Ben
Parry. Choral (Sacred);
Choral Worship
Collection; Collections;
Performance Music
Ensemble; Worship
Resources. Faber Edition.
Christmas; Sacred;
Winter. Book. Faber Music
#12-0571521274. Published
by Faber Music
73 Traditional Pieces for Violin. Composed by Vicki Swan. Edited by Vicki Swan. ...(+)
73 Traditional Pieces for
Violin. Composed by Vicki
Swan. Edited by Vicki
Swan. Arranged by Vicki
Swan. This edition:
Saddle stitching. Sheet
music with CD. String.
Folk, Scandinavian.
Edition with CD. 76
pages. Schott Music #ED
13565. Published by
Schott Music
Arranged by Nigel Hess. For Keyboard; Piano. Piano Collection; Piano Supplementa...(+)
Arranged by Nigel Hess.
For Keyboard; Piano.
Piano Collection; Piano
Supplemental; Solo. Faber
Edition. Christmas;
Traditional; Winter. 6 ;
Advanced; Early Advanced;
Grade 5; Grade 5.5;
Intermediate; Late
Intermediate. Published
by Faber Music
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - ...(+)
(Soli SAATBB, Coro SATB
(auch SSAATB), 2 Bfl, 2
Ob, 2 Tr, Timp, 2 Vl, Va,
Bc) - Grade 3
SKU:
CA.1025009
Composed
by Henry Purcell. Edited
by Julia Rosemeyer. Set
of Orchestra Parts.
Composed 1692. Z 328.
Duration 55 minutes.
Carus Verlag #1025009.
Published by Carus Verlag
(CA.1025009).
ISBN
9790007329815. Key: D
major.
English.
âHail
! bright Cecilia, hail to
thee. Great patroness of
us and harmony!â
â this exclamation
opens the final chorus of
Henry Purcellâs
eponymous Ode to St.
Cecilia from 1692. A
paean to the power of
music, the work is one of
the undoubted
masterpieces of English
choral odes of that time.
A resolution of
the Musical Society of
London in 1683 launched
the great tradition of
annual celebrations for
St. Ceciliaâs Day
(November 22), featuring
a church service followed
by performances of
specially composed music.
Over the years, Purcell
wrote several odes for
the occasion, of which
this example from 1692 is
one of the most popular.
Four decades later,
Handel would also
contribute to the
celebrations with his
Alexanderâs Feast,
HWV 75 (Carus 55.075),
and his Ode for St.
Ceciliaâs Day, HWV
76 (Carus
55.076).
Purcellâ
s magnificent music,
which features a huge
range of tonal color and
form, offers delightful
parts for a variety of
solo, ensemble, and
choral settings. With its
richly expressive
palette, the Ode to St.
Cecilia is an extremely
rewarding work by the
âOrpheus
Britannicusâ, as
Purcell was admiringly
called by
contemporaries.
-
Festive, rousing ode to
music - Highlight of
the choral ode genre in
the 17th century .
Score and parts available
separately - see item
CA.1025000.
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - ...(+)
(Soli SAATBB, Coro SATB
(auch SSAATB), 2 Bfl, 2
Ob, 2 Tr, Timp, 2 Vl, Va,
Bc) - Grade 3
SKU:
CA.1025003
Composed
by Henry Purcell. Edited
by Julia Rosemeyer. Vocal
score. Composed 1692. Z
328. Duration 55 minutes.
Carus Verlag #1025003.
Published by Carus Verlag
(CA.1025003).
ISBN
9790007251833. Key: D
major.
English.
âHail
! bright Cecilia, hail to
thee. Great patroness of
us and harmony!â
â this exclamation
opens the final chorus of
Henry Purcellâs
eponymous Ode to St.
Cecilia from 1692. A
paean to the power of
music, the work is one of
the undoubted
masterpieces of English
choral odes of that time.
A resolution of
the Musical Society of
London in 1683 launched
the great tradition of
annual celebrations for
St. Ceciliaâs Day
(November 22), featuring
a church service followed
by performances of
specially composed music.
Over the years, Purcell
wrote several odes for
the occasion, of which
this example from 1692 is
one of the most popular.
Four decades later,
Handel would also
contribute to the
celebrations with his
Alexanderâs Feast,
HWV 75 (Carus 55.075),
and his Ode for St.
Ceciliaâs Day, HWV
76 (Carus
55.076).
Purcellâ
s magnificent music,
which features a huge
range of tonal color and
form, offers delightful
parts for a variety of
solo, ensemble, and
choral settings. With its
richly expressive
palette, the Ode to St.
Cecilia is an extremely
rewarding work by the
âOrpheus
Britannicusâ, as
Purcell was admiringly
called by
contemporaries.
-
Festive, rousing ode to
music - Highlight of
the choral ode genre in
the 17th century .
Score available
separately - see item
CA.1025000.
Organ (Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, ...(+)
Organ (Soli SAATBB, Coro
SATB (auch SSAATB), 2
Bfl, 2 Ob, 2 Tr, Timp, 2
Vl, Va, Bc) - Grade 3
SKU: CA.1025049
Composed by Henry
Purcell. Edited by Julia
Rosemeyer. Composed 1692.
Z 328. Duration 55
minutes. Carus Verlag
#1025049. Published by
Carus Verlag
(CA.1025049).
ISBN
9790007329808. Key: D
major.
English.
âHail
! bright Cecilia, hail to
thee. Great patroness of
us and harmony!â
â this exclamation
opens the final chorus of
Henry Purcellâs
eponymous Ode to St.
Cecilia from 1692. A
paean to the power of
music, the work is one of
the undoubted
masterpieces of English
choral odes of that time.
A resolution of
the Musical Society of
London in 1683 launched
the great tradition of
annual celebrations for
St. Ceciliaâs Day
(November 22), featuring
a church service followed
by performances of
specially composed music.
Over the years, Purcell
wrote several odes for
the occasion, of which
this example from 1692 is
one of the most popular.
Four decades later,
Handel would also
contribute to the
celebrations with his
Alexanderâs Feast,
HWV 75 (Carus 55.075),
and his Ode for St.
Ceciliaâs Day, HWV
76 (Carus
55.076).
Purcellâ
s magnificent music,
which features a huge
range of tonal color and
form, offers delightful
parts for a variety of
solo, ensemble, and
choral settings. With its
richly expressive
palette, the Ode to St.
Cecilia is an extremely
rewarding work by the
âOrpheus
Britannicusâ, as
Purcell was admiringly
called by
contemporaries.
-
Festive, rousing ode to
music - Highlight of
the choral ode genre in
the 17th century .
Score and part available
separately - see item
CA.1025000.
Solo voices, Mixed choir, Orchestra SKU: BA.BA11971-90 Composed by Wolfga...(+)
Solo voices, Mixed choir,
Orchestra
SKU:
BA.BA11971-90
Composed by Wolfgang
Amadeus Mozart. Edited by
Monika Holl. Arranged by
Andreas Kohs.
Bärenreiter Urtext.
Replaces BA 4880-90.
Piano reduction.
Baerenreiter Verlag
#BA11971-90. Published by
Baerenreiter Verlag
(BA.BA11971-90).
ISBN
9790006578795. 27 x 19 cm
inches.
- Vocal
score based on the New
Mozart Edition - With
an easy-to-play piano
part and spacious
layout - Compatible
with the full score
(BA04880) and performance
material
The
richly orchestrated Missa
in C minor K. 317 was
probably one of the first
church music works that
Mozart composed at the
beginning of 1779 as the
newly appointed Salzburg
court organist. With a
large orchestra, choir
and four soloists, the
composer impressively
demonstrates his skills.
The nickname Coronation
Mass has a long tradition
and is already mentioned
in the first edition of
the Köchel catalogue;
however, it does not go
back to the premiere,
which took place on one
of the Easter holidays in
April 1779. In all
probability, the mass was
performed in 1791 at the
coronation celebrations
in Prague for Leopold II
and â after his
unexpected death â
in 1792 for Franz I under
Antonio
Salieri.
For this
vocal score, Andreas
Köhs has provided an
improved orchestral
reduction which optimally
transfers the
instrumental parts to the
piano while ensuring
playability. The vocal
parts are based on the
Urtext of the New Mozart
Edition.
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - ...(+)
(Soli SAATBB, Coro SATB
(auch SSAATB), 2 Bfl, 2
Ob, 2 Tr, Timp, 2 Vl, Va,
Bc) - Grade 3
SKU:
CA.1025005
Composed
by Henry Purcell. Edited
by Julia Rosemeyer.
Choral Score. Composed
1692. Z 328. Duration 55
minutes. Carus Verlag
#1025005. Published by
Carus Verlag
(CA.1025005).
ISBN
9790007251840. Key: D
major.
English.
âHail
! bright Cecilia, hail to
thee. Great patroness of
us and harmony!â
â this exclamation
opens the final chorus of
Henry Purcellâs
eponymous Ode to St.
Cecilia from 1692. A
paean to the power of
music, the work is one of
the undoubted
masterpieces of English
choral odes of that time.
A resolution of
the Musical Society of
London in 1683 launched
the great tradition of
annual celebrations for
St. Ceciliaâs Day
(November 22), featuring
a church service followed
by performances of
specially composed music.
Over the years, Purcell
wrote several odes for
the occasion, of which
this example from 1692 is
one of the most popular.
Four decades later,
Handel would also
contribute to the
celebrations with his
Alexanderâs Feast,
HWV 75 (Carus 55.075),
and his Ode for St.
Ceciliaâs Day, HWV
76 (Carus
55.076).
Purcellâ
s magnificent music,
which features a huge
range of tonal color and
form, offers delightful
parts for a variety of
solo, ensemble, and
choral settings. With its
richly expressive
palette, the Ode to St.
Cecilia is an extremely
rewarding work by the
âOrpheus
Britannicusâ, as
Purcell was admiringly
called by
contemporaries.
-
Festive, rousing ode to
music - Highlight of
the choral ode genre in
the 17th century .
Score available
separately - see item
CA.1025000.
Edited by Paul de Keyser and Fanny Waterman. For Violin and Piano. Book; Method/...(+)
Edited by Paul de Keyser
and Fanny Waterman. For
Violin and Piano. Book;
Method/Instruction;
String - Violin Studies
or Collection. Faber
Edition. Published by
Faber Music
Edited by Peter Goodwin and Leslie Pearson. For Trombone and Piano. Book; Brass ...(+)
Edited by Peter Goodwin
and Leslie Pearson. For
Trombone and Piano. Book;
Brass - Trombone and
Baritone Method or
Collection;
Method/Instruction. Faber
Edition. Elementary;
Intermediate. Published
by Faber Music
(Very First Solos for Double Bass with Piano Accompaniment). Edited by Tony Osbo...(+)
(Very First Solos for
Double Bass with Piano
Accompaniment). Edited by
Tony Osborne. For String
Bass and Piano. Book;
Method/Instruction;
String - Bass Studies or
Collection. Faber
Edition. Elementary. 32
pages. Published by Faber
Music
A practical introduction to styles from England, Ireland, Scotland, and Wales...(+)
A practical
introduction to styles
from England, Ireland,
Scotland, and Wales.
Edited by Jane Griffiths.
Book and CD. 56 pages.
Published by Oxford
University Press
(OU.9780193392793).
24 Traditional Pieces. Composed by Various. Edited by Hugh Burns. This edition: ...(+)
24 Traditional Pieces.
Composed by Various.
Edited by Hugh Burns.
This edition: Saddle
stitching. Sheet music
with CD. Guitar. Die
Sammlung von
Bearbeitungen
traditioneller und
zeitgenossischer Weisen,
darunter Jigs, Reels,
Airs und vieles mehr. Die
meisten dieser Stucke
sind fur Sologitarre
bearbeitet; einige davon
werden auch mit
Begleitung angeboten.
Celtic, Folk, Irish.
Edition with CD. 52
pages. Schott Music #ED
13571. Published by
Schott Music