Jazz Solos For Drum Set, Volume 2 by Dave Mancini. For drum set solo. Drum Set Solo (Unaccompanied). Grade 3-6. Published by Kendor Music Inc

String Quartet

SKU: PR.16400222S

Composed by Dan Welcher. Full score (study). With Standard notation. Duration 11 minutes. Theodore Presser Company #164-00222S. Published by Theodore Presser Company (PR.16400222S).

UPC: 680160037841.

This work follows my Quartet No. 1 by five years. In terms of style and aesthetic aim, however, it seems light years away. Where the first work, a 28-minute, four-movement piece, took aim at cosmic conflicts and heroic resolutions, the present work is intended as a kind of divertissment. Harbor Music lasts a mere eleven minutes, is cast in a single movement with six sections, and should leave both performers and listeners with a feeling of good humor and affection.   The title comes from my experience as a guest in the magnificent city of Sydney, Australia. One of its most attractive features is its unique system of ferry boats: the city is laid out around a large, multi-channeled harbor, with destinations more easily approached by water than by land. Consequently, inhabitants of Sydney get around on small, people-friendly boats that come and go from the central docks at Circular Quay. During a week's visit in 1991, I must have boarded these boats at least a dozen times, always bound for a new location - the resort town of Manley, or the Zoo at Taronga Park, or the shopping district at Darling Harbour.   In casting about for a form for my second string quartet, a kind of loose rondo came to mind. Each new destination would be approached from the same starting-out point (although there are subtle variations in the repeating theme; it's always in a new key, and the texture is never the same). The result, I hope, is a sense of constant new information presented with introductory frames of a more familiar nature.   The embarkation theme, which begins the piece, is a sort of bi-tonal fanfare in which the violins are in G major and the viola and cello are in B-flat major. It is bold, eager, and forward-looking. The first voyage maintains this bi-tonality, beginning as a 9/8 due for second violin and viola in a kind of rocking motion -much as a boat produces when reaching the deeper water in the harbor. A sweet, nostalgic theme emerges over this rocking accompaniment. This music is developed somewhat, then transforms quickly into a much faster and lighter episode, filled with rising and falling scales (again, in differing keys). A scherzando interlude in short notes and changing meters provides contrast, and the episode ends with a reprise of the scales.   The second embarkation follows, this time in A major/C major. It leads quickly into a very warm and slow theme, in wide-leaping intervals for the viola. This section is interrupted twice by solo cadenzas for the cello, suggesting distant boat-horns in major thirds. The end of the episode becomes a transition, with boat-horns leading into the final appearance of the embarkation music, this time in trills and tremolos instead of sharply accented chords. The nostalgic theme of the first episode makes a final appearance, serving now as a coda. The rocking motion continues, in a lullaby fashion, leaving us drowsy and satisfied on our homeward journey.   Harbor Music was written for the Cavani Quartet, and is dedicated to Richard J. Bogomolny. Commissioned by his employees at First National Supermarkets as a gift, it represents a thank you from many of the people (including this composer) who have benefitted from his vision and generosity. An ardent advocate of chamber music (and a cellist himself), Mr. Bogomolny has for many years been Chairman of the Board of Chamber Music America. -- Dan Welcher.

(Baritone/Bass Voice). For Voice (Bass voice). Vocal Collection. Singer's Library of Musical Theatre. Broadway. Book and 2 CDs. 224 pages

By Johann Sebastian Bach (1685-1750). Arranged by Sondra K. Tucker. For handbells. Thanksgiving. Grade 1-2. Organ score. Published by MorningStar Music Publishers . organ score. Thanksgiving.

Composed by Adoniram J. Gordon. Arranged by Emily Lund. For SATB choir. Text: Song of Solomon 5:16|Luke 7:47|John 14:1-4|John 15:12|John 17:10|John 21:15-19|2 Timothy 4:8|James 1:12|1 Peter 1|1 Peter 5:4|1 John 4:10-19. Choral octavo. Published by Hope Publishing Company

Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01964. Published by Jackman Music Corporation

SATB chorus and piano - Medium

SKU: JK.01569

Composed by Charles V. Standford. Arranged by Brent Jorgensen. Choral SATB, Difficulty Medium, Piano Choir, Seasonal Music Pioneer Day, Book of Mormon, Eternal Life, Jesus Christ - Savior, Praise and Worship, Prophets, Restoration, Scriptures, Testimony, Truth. Christian, Inspirational. Duration 2:45. Jackman Music Corporation #01569. Published by Jackman Music Corporation (JK.01569).

Matthew 3:16-17, 3 Nephi 11:6-8, Joseph Smith--History 1:17, Doctrine and Covenants 18:34-36.

Resto ration anthem for mixed chorus (SATB) and piano accompaniment.
Whose is that voice declaring truth at last?
A prophet speaks, a blessing unsurpassed...
...Sinc e Jesus all our sins and sorrows bore,
Death is rebuked and rules the earth no more.
Eternal life awaits beyond that door. Alleluia!

Composer : Charles V. Standford
Arranger: Brent Jorgensen
Lyricist: Jan Underwood Pinborough
Difficulty: Medium
Performance time: 2:45
Reference: Matthew 3:16-17, 3 Nephi 11:6-8, Joseph Smith--History 1:17, Doctrine and Covenants 18:34-36.

By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. This edition: paperbound. Sacred, Motets, Psalms, German; Choral Collections, SAM Choir, Choral Collections, Women's Choir, Stuttgart Urtext editions; Occasions: Praise and thanks, Psalms; Use during church year: Special Days, End of the church year, Easter and Eastertide. Score. 104 pages

SATB Chorus & Organ

SKU: SU.91740320

For SATB Chorus & Organ. Composed by Paul Moravec. Vocal/Choral, Secular Choral. Accompanied by organ. Choral Octavo. Subito Music Corporation #91740320. Published by Subito Music Corporation (SU.91740320).

Anthem No. 3 of Three Thanksgiving Anthems 1. Come Ye Thankful People (91740300) 2. I Thank Thee (91740310) 3. A Grateful Heart (91740320)SATB Chorus & Organ Duration: 2'30 Composed: 2018 Published by: Subito Music Publishing Minimum order quantity: 8 copies. To order quantities fewer than 8.

Arranged by Wesley Hanson. For C Instrument. Sacred. Print Music Collection (Book 2 - Part 1 - C Instrument). Published by Hope Publishing Company.

Band concert band - Grade 1

SKU: CF.BPS135

March. Composed by Joseph Compello. Folio. Bps. Set of Score and Parts. 8+2+8+2+5+2+2+8+3+6+2+3+1 +1+2+1+12 pages. Duration 1 minute, 56 seconds. Carl Fischer Music #BPS135. Published by Carl Fischer Music (CF.BPS135).

ISBN 9781491158074. UPC: 680160916672. 9 x 12 inches.

Cuckoo for Quarter Notes is intended for first-year band students. The pun on the familiar phrase Cuckoo for Cocoa Puffs will convey the lighthearted nature of the music. The familiar cuckoo bird call consisting of a descending third is the basis for the melodies. The percussion interludes are intended to give young wind players an opportunity to rest. These interludes may be omitted or repeated as the director sees fit. Additionally, directors may wish to add eighth notes to the percussion interludes. Eighth notes have not been included in order to keep the meaning of the title intact. At m. 47 students will have an excellent opportunity to begin the study of dynamics. Thank you for choosing this composition. Joseph Compello.
Cuckoo for Quarter Notes is intended for first-year band students. The pun on the familiar phrase Cuckoo for Cocoa Puffs will convey the lighthearted nature of the music. The familiar cuckoo bird call consisting  of a descending third is the basis for the melodies. The percussion interludes are intended to give young wind players an opportunity to rest. These interludes may be omitted or repeated as the director sees fit. Additionally, directors may wish to add eighth notes to the percussion interludes. Eighth notes have not been included in order to keep the meaning of the title intact. At m. 47 students will have an excellent opportunity to begin the study of dynamics.Thank you for choosing this composition.Joseph Compello.

Band concert band - Grade 1

SKU: CF.BPS140

Composed by Joseph Compello. Set of Score and Parts. 12+8+2+8+2+5+2+2+8+3+6+2+ 3+1+1+2+1 pages. Duration 2 minutes, 21 seconds. Carl Fischer Music #BPS140. Published by Carl Fischer Music (CF.BPS140).

ISBN 9781491159750. UPC: 680160918348.

6-Not e Parade is intended for bands currently in the first year of lessons. It should be performed in a traditional march style and played at a tempo deemed suitable by the director. All wind instruments and bells have a passage containing the six-note melody. Measure 45 will introduce young students to independent part playing as the upper winds play a countermelody above the main melody played by the lower wind instruments. A percussion section solo occurs at m. 41. Thank you for choosing this composition.
6-Note Parade  is intended for bands currently in the first year of lessons. It should be performed in a traditional march style and played at a tempo deemed suitable by the director. All wind instruments and bells have a passage containing the six-note melody. Measure 45 will introduce young students to independent part playing as the upper winds play a countermelody above the main melody played by the lower wind instruments.  A percussion section solo occurs at m. 41.Thank you for choosing this composition. .

Band concert band - Grade 0.5

SKU: CF.PPS55

Composed by Joseph Compello. Folio. Pps. Set of Score and Parts. 8+2+8+2+5+2+2+8+4+6+2+3+1 +1+2+1+12 pages. Duration 1:45. Carl Fischer Music #PPS55. Published by Carl Fischer Music (CF.PPS55).

ISBN 9781491158029. UPC: 680160916627. 9 x 12 inches.

Flight Cadets is intended for first-year band students. Tempo and articulation appropriate to the abilities of students may be determined by the director. The roll-offs are intended to allow young players some measures of rest. They may be omitted or repeated according to the endurance needs of young wind players. All cues are for endurance considerations. When cymbals are merely following the bass drum part, be certain that the player observes the proper balance. Notice that the third timpani tuned to C is optional. Thank you for choosing this composition. Joseph Compello.
Flight Cadets is intended for first-year band students. Tempo and articulation appropriate to the abilities of students may be determined by the director. The roll-offs are intended to allow young players some measures of rest. They may be omitted or repeated according to the endurance needs of young wind players. All cues are for endurance considerations. When cymbals are merely following the bass drum part, be certain that the player observes the proper balance. Notice that the third timpani tuned to C is optional.Thank you for choosing this composition.Joseph Compello.

Band concert band - Grade 1

SKU: CF.BPS138

Composed by Joseph Compello. Set of Score and Parts. 10+8+2+8+2+5+2+2+8+3+6+2+ 3+2+1+2+2 pages. Duration 1 minute, 59 seconds. Carl Fischer Music #BPS138. Published by Carl Fischer Music (CF.BPS138).

ISBN 9781491159491. UPC: 680160918089.

Woody Woodblocker is a novelty piece featuring the title instrument as a soloist. It is suitable for bands currently in the first year of lessons. It should be performed in a lively manner and played at a tempo deemed suitable by the director. While the typical woodblock is usually struck with a drumstick, the director may wish to explore other types of blocks and mallets which may prove more effective with bands of varying sizes. To overcome the issue of balance, the woodblock notes are primarily sounded while the winds have rests within a measure. Young bands, therefore, with more than a few players in the percussion section may use more than one woodblock player on the solo part without upsetting the balance between woodblock(s) and winds. Thank you for choosing this composition.
Woody Woodblocker  is a novelty piece featuring the title instrument as a soloist. It is suitable for bands currently in the first year of lessons. It should be performed in a lively manner and played at a tempo deemed suitable by the director. While the typical woodblock is usually struck with a drumstick,  the director may wish to explore other types of blocks and mallets which may prove more effective with bands of varying sizes. To overcome the issue of balance, the woodblock notes are primarily sounded while the winds have rests within a measure. Young bands, therefore, with more than a few players in the percussion section may use more than one woodblock player on the solo part without upsetting the balance between woodblock(s) and winds.Thank you for choosing this composition.

Band Concert Band - Grade 3

SKU: CF.CPS255

Composed by Mark Lortz. Set of Score and Parts. 17+4+4+2+4+4+4+2+2+2+2+2+ 2+4+4+4+2+2+3+3+3+2+4+1+2 +1+4+6 pages. Duration 2:10. Carl Fischer Music #CPS255. Published by Carl Fischer Music (CF.CPS255).

ISBN 9781491159835. UPC: 680160918423.

Ameri can Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4-12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble's texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition.
American Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4–12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble’s texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition. .

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3119211

Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/11. Published by Carus Verlag (CA.3119211).

ISBN 9790007210243. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910911

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/11. Published by Carus Verlag (CA.3910911).

ISBN 9790007215439. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910912

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 2. TVWV 1:1166. 4 pages. Duration 15 minutes. Carus Verlag #CV 39.109/12. Published by Carus Verlag (CA.3910912).

ISBN 9790007215446. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SSATB choir, 2 horn/cornet, 2 trumpets, bassoon, 2 violins, violone (violoncello), basso continuo

SKU: CA.3601609

Composed by Dietrich Buxtehude. 1x 36.016/21 bassoon, 1x 36.016/31 trumpet 1, 1x 36.016/32 trumpet 2, 1x 36.016/33 cornett 1, 1x 36.016/34 cornett 2. Nun Danket Alle Gott 79. Sacred vocal music, Cantatas. Set of Orchestra Parts. BuxWV 79. 16 pages. Duration 12 minutes. Carus Verlag #CV 36.016/09. Published by Carus Verlag (CA.3601609).

ISBN 9790007213749. Language: German.

This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score and parts available separately - see item CA.3601600.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.