Piano/Vocal Piano; Voice SKU: HL.148619 Composed by Bob Cole, James Weldo...(+)
Piano/Vocal Piano; Voice
SKU: HL.148619
Composed by Bob Cole,
James Weldon Johnson, and
John Rosamond Johnson.
E.B. Marks. Vaudeville.
Softcover. 180 pages.
Edward B. Marks Music
#EBM148619. Published by
Edward B. Marks Music
(HL.148619).
ISBN
9781495029684. UPC:
888680078515.
9.0x12.0x0.492 inches.
With a Foreword by Thomas
Riis.
Late in his
life, composer J.
Rosamond Johnson (Lift
Ev'ry Voice and Sing)
submitted to his longtime
publisher, E.B. Marks, a
list of songs that would
comprise a volume of his
best early popular songs
written with his pre-1910
partner Bob Cole and his
brother, James Weldon
Johnson (Autobiography of
an Ex-Colored Man). That
list was never put into
print...until now.
Featuring an
introductionby Dr. Thomas
Riis (Just Before Jazz)
and several rare photos,
this new compilation is
the latest legacy
offering from the Marks
archive, which contains a
rich heritage of
turn-of-the-century
African-American, and
thus distinctly American,
pre-jazz-era popular
song. Includes: Ain't Dat
Scan'lous * Big Indian
Chief * The Big Red Shawl
* The Bleeding Moon *
Congo Love Song * The
Countess of Alagazam *
Fishing * I Don't Want to
Be No Actor Man No Mo' *
I'll Always Love Old
Dixie * I'll Keep a Warm
Spot in My Heart for You
* I've Got Troubles of My
Own * The Katy-Did, the
Cricket and the Frog *
Lazy Moon * Lit'l Gal *
Louisiana Lize * Lovely
Daughter of Allah * Ma
Mississippi Belle * The
Maiden with the Dreamy
Eyes * Mudder Knows * My
Heart's Desiah is Miss
Mariah * My Castle on the
Nile * Nobody's Lookin'
but de Owl an' de Moon *
Oh, Didn't He Ramble *
The Old Flag Never
Touched the Ground * On
the Road to Monterey *
The Pathway of Love *
Roll Them Cotton Bales *
Save It for Me! * The
Spirit of the Banjo! *
Sugar Babe * Two Eyes *
Under the Bamboo Tree *
When de Jack O'Lantern
Starts to Walk About *
When It's All Goin' Out,
and Nothin' Comin' In *
Who Do You Love?
(The Music of James Bond, Part 3). Arranged by Victor L�³pez, perc. arr. An...(+)
(The Music of James Bond,
Part 3). Arranged by
Victor L�³pez, perc.
arr. Anthony M. Falcone
and Victor López,
perc. arr. Anthony M.
Falcone. Marching Band.
Marching Band; Part(s);
Score. Mega Sounds for
Marching Band. Form:
Medley. Jazz; Movie.
Grade 3. 2
Choral (teacher with SGR PDF access) SKU: HL.232651 A New Take on a Cl...(+)
Choral (teacher with SGR
PDF access)
SKU:
HL.232651
A New
Take on a Classic Road
Trip. Composed by
John Higgins and John
Jacobson. ExpressiveArts.
Elementary, Musicals.
Softcover Media Online.
52 pages. Published by
Hal Leonard (HL.232651).
ISBN 9781495092893.
UPC: 888680678425. 8.5x11
inches. By John Jacobson
and John
Higgins.
Join a
pair of modern day
Brothers Grimm and a
delightful re-telling of
their famous take on the
classic tale, the Bremen
Town Musicians. In this
musical version, you will
meet the same lovable
characters from the
original story, a Donkey
named Chocolate and his
friends the hound, cat
and rooster as they make
their way to Bremen Town
to join other musicians
in an unforgettable JAM
session. Along the way,
they'll meet a ridiculous
room of rascally robbers
who need to be taught a
lesson. In the end, all
will learn the value of
sticking together with
your friends and
ultimately making
beautiful music together.
This 25-minute musical
features five original
songs and easy-to-learn
rhyming dialog with over
50 speaking parts
adaptable to various cast
sizes. The Teacher
Edition includes
piano/vocal arrangements
with choreography,
helpful production guide
and digital access to
PDFs of melody sheets,
lyric sheets and dialog.
For cost-saving value,
the Performance Kit/Audio
Access includes the
Teacher Edition and
digital access to
performance/accompaniment
audio recordings. Dialog
not recorded. Approx. 25
minutes. Suggested for
grades 1-3.
The 1848 Edition Plus A Master Class by James Galway. By Theobald Boehm. Arrange...(+)
The 1848 Edition Plus A
Master Class by James
Galway. By Theobald
Boehm. Arranged by James
Galway. For Flute. Opus
15. Published by Theodore
Presser Company.
Unison/2-part children's choir, piano accompaniment SKU: WD.080689580390 ...(+)
Unison/2-part children's
choir, piano
accompaniment
SKU:
WD.080689580390
11
Cool Tunes for Kidz
Worship Choir!.
Composed by Brian Hitt.
Choral, cantatas.
WordKidz. Christmas. DVD
preview pak. Word Music
#080689580390. Published
by Word Music
(WD.080689580390).
UPC:
080689580390.
Relev
ant songs, innovative
sounds, and a signature
style are just some of
the reasons your Kidz
Worship Choir will love
this new project from
WORDKIDZ and creator
Brian Hitt. Singable,
accessible, fun, and full
of great ministry
opportunities, Praize
Jamz is a cutting-edge
worship project for
children's choir
guaranteed to
revolutionize and raise
your expectations for
your children's music
ministry.
Praize Jamz
takes your kids' choir
experience and turns it
up a notch! While perfect
for any children's choir
ministry and performance
opportunity, it can also
be used as a soundtrack
for worship in children's
church, camps, or any
time and place kids
gather to worship their
God and Savior. Use
Praize Jamz as the ideal
resource to help train
the next generation of
worship leaders and
instill in them a love
and passion to lead
others into the presence
of the Lord through song,
as they lift their hearts
and voices in worship.
Turn things up yet
another notch with the
use of the high-wattage,
visually-explosive DVD
Accompaniment Track.
Praize Jamz... a new
experience and fresh
sound for Kidz Worship
Choirs everywhere!
Unison/2-part children's choir, piano accompaniment SKU: WD.080689512094 ...(+)
Unison/2-part children's
choir, piano
accompaniment
SKU:
WD.080689512094
11
Cool Tunes for Kidz
Worship Choir!.
Composed by Brian Hitt.
Choral, cantatas.
WordKidz. Praise &
worship. Accompaniment
video. Word Music
#080689512094. Published
by Word Music
(WD.080689512094).
UPC:
080689512094.
Relev
ant songs, innovative
sounds, and a signature
style are just some of
the reasons your Kidz
Worship Choir will love
this new project from
WORDKIDZ and creator
Brian Hitt. Singable,
accessible, fun, and full
of great ministry
opportunities, Praize
Jamz is a cutting-edge
worship project for
children's choir
guaranteed to
revolutionize and raise
your expectations for
your children's music
ministry.
Praize Jamz
takes your kids' choir
experience and turns it
up a notch! While perfect
for any children's choir
ministry and performance
opportunity, it can also
be used as a soundtrack
for worship in children's
church, camps, or any
time and place kids
gather to worship their
God and Savior. Use
Praize Jamz as the ideal
resource to help train
the next generation of
worship leaders and
instill in them a love
and passion to lead
others into the presence
of the Lord through song,
as they lift their hearts
and voices in worship.
Turn things up yet
another notch with the
use of the high-wattage,
visually-explosive DVD
Accompaniment Track.
Praize Jamz... a new
experience and fresh
sound for Kidz Worship
Choirs everywhere!
Unison/2-part children's choir, piano accompaniment SKU: WD.080689799723 ...(+)
Unison/2-part children's
choir, piano
accompaniment
SKU:
WD.080689799723
11
Cool Tunes for Kidz
Worship Choir!.
Composed by Brian Hitt.
Choral, cantatas.
WordKidz. Praise &
worship. Bulk CD
(10-pak). Word Music
#080689799723. Published
by Word Music
(WD.080689799723).
UPC:
080689799723.
Relev
ant songs, innovative
sounds, and a signature
style are just some of
the reasons your Kidz
Worship Choir will love
this new project from
WORDKIDZ and creator
Brian Hitt. Singable,
accessible, fun, and full
of great ministry
opportunities, Praize
Jamz is a cutting-edge
worship project for
children's choir
guaranteed to
revolutionize and raise
your expectations for
your children's music
ministry.
Praize Jamz
takes your kids' choir
experience and turns it
up a notch! While perfect
for any children's choir
ministry and performance
opportunity, it can also
be used as a soundtrack
for worship in children's
church, camps, or any
time and place kids
gather to worship their
God and Savior. Use
Praize Jamz as the ideal
resource to help train
the next generation of
worship leaders and
instill in them a love
and passion to lead
others into the presence
of the Lord through song,
as they lift their hearts
and voices in worship.
Turn things up yet
another notch with the
use of the high-wattage,
visually-explosive DVD
Accompaniment Track.
Praize Jamz... a new
experience and fresh
sound for Kidz Worship
Choirs everywhere!
Unison/2-part children's choir, piano accompaniment SKU: WD.080689874222 ...(+)
Unison/2-part children's
choir, piano
accompaniment
SKU:
WD.080689874222
11
Cool Tunes for Kidz
Worship Choir!.
Composed by Brian Hitt.
Choral, cantatas.
WordKidz. Praise &
worship. Listening CD.
Word Music #080689874222.
Published by Word Music
(WD.080689874222).
UPC:
080689874222.
Relev
ant songs, innovative
sounds, and a signature
style are just some of
the reasons your Kidz
Worship Choir will love
this new project from
WORDKIDZ and creator
Brian Hitt. Singable,
accessible, fun, and full
of great ministry
opportunities, Praize
Jamz is a cutting-edge
worship project for
children's choir
guaranteed to
revolutionize and raise
your expectations for
your children's music
ministry.
Praize Jamz
takes your kids' choir
experience and turns it
up a notch! While perfect
for any children's choir
ministry and performance
opportunity, it can also
be used as a soundtrack
for worship in children's
church, camps, or any
time and place kids
gather to worship their
God and Savior. Use
Praize Jamz as the ideal
resource to help train
the next generation of
worship leaders and
instill in them a love
and passion to lead
others into the presence
of the Lord through song,
as they lift their hearts
and voices in worship.
Turn things up yet
another notch with the
use of the high-wattage,
visually-explosive DVD
Accompaniment Track.
Praize Jamz... a new
experience and fresh
sound for Kidz Worship
Choirs everywhere!
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231).
ISBN
9781491153314. UPC:
680160910816.
Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley.
(9 anthems for mixed voices). By Mack Wilberg (1955-). For SATB choir and organ/...(+)
(9 anthems for mixed
voices). By Mack Wilberg
(1955-). For SATB choir
and
organ/orchestra/unaccompa
nied. Mixed Voices.
Sacred, Choral
Collection. Vocal score.
64 pages. Published by
Oxford University Press
Volume 96 - Latin Quarter With Dave Samuels and The Caribbean Jazz Project by Ja...(+)
Volume 96 - Latin Quarter
With Dave Samuels and The
Caribbean Jazz Project by
Jamey Aebersold. For any
C, Eb, Bb, bass
instrument or voice.
Play-Along series with
accompaniment CD. Jamey
Aebersold Play-A-Long
series. Intermediate,
advanced. Book and CD. 90
pages. Published by Jamey
Aebersold Jazz