Unison/2-part choir - Easy SKU: LP.765762128620 An Easter Presentation...(+)
Unison/2-part choir -
Easy
SKU:
LP.765762128620
An
Easter Presentation of 5
Songs in
Unison/2-Part.
Arranged by Dennis & Nan
Allen, Marty Parks & J.
Daniel Smith. Musical.
Worship in Unison.
Multicultural and Sacred.
Stereo CD. Duration 20
minutes. Published by
Lillenas Publishing
Company
(LP.765762128620).
UPC:
765762128620.
Jesus
Christ, Forever, Amen is
a huge blessing in a
small package. From our
Worship in Unison series,
this compact and fully
orchestrated narrated
musical is just 20
minutes in length, making
is an ideal choral
presentation for Easter
Sunday that still leaves
time for all the other
traditional elements your
congregation loves to see
in your Easter
celebration. Specifically
designed for unison and
2-part choirs, it is
ideal for choirs of any
size. The entire work can
be sung in unison, but
includes maximum
flexibility built into
the 2-part vocal
arrangements, allowing
you to assign the
optional vocal divisions
to fit your choir's skill
level. The light-handed
orchestral accompaniment
is richly satisfying
without overpowering a
smaller choir. Join in
the celebration and
promise this Easter as we
proclaim together, Jesus
Christ, Forever,
Amen!.
Unison/2-part choir - Easy SKU: LP.765762128828 An Easter Presentation...(+)
Unison/2-part choir -
Easy
SKU:
LP.765762128828
An
Easter Presentation of 5
Songs in
Unison/2-Part.
Arranged by Dennis & Nan
Allen, Marty Parks & J.
Daniel Smith. This
edition: Paperback.
Musical. Worship in
Unison. Multicultural and
Sacred. Bulk CDs (10
pack). Duration 20
minutes. Published by
Lillenas Publishing
Company
(LP.765762128828).
UPC:
765762128828.
Jesus
Christ, Forever, Amen is
a huge blessing in a
small package. From our
Worship in Unison series,
this compact and fully
orchestrated narrated
musical is just 20
minutes in length, making
is an ideal choral
presentation for Easter
Sunday that still leaves
time for all the other
traditional elements your
congregation loves to see
in your Easter
celebration. Specifically
designed for unison and
2-part choirs, it is
ideal for choirs of any
size. The entire work can
be sung in unison, but
includes maximum
flexibility built into
the 2-part vocal
arrangements, allowing
you to assign the
optional vocal divisions
to fit your choir's skill
level. The light-handed
orchestral accompaniment
is richly satisfying
without overpowering a
smaller choir. Join in
the celebration and
promise this Easter as we
proclaim together, Jesus
Christ, Forever,
Amen!.
Unison/2-part choir - Easy SKU: LP.765762128729 An Easter Presentation...(+)
Unison/2-part choir -
Easy
SKU:
LP.765762128729
An
Easter Presentation of 5
Songs in
Unison/2-Part.
Arranged by Dennis & Nan
Allen, Marty Parks & J.
Daniel Smith. Musical.
Worship in Unison.
Multicultural and Sacred.
Split-Channel & Stereo
Accompaniment CD.
Duration 20 minutes.
Published by Lillenas
Publishing Company
(LP.765762128729).
UPC:
765762128729.
Jesus
Christ, Forever, Amen is
a huge blessing in a
small package. From our
Worship in Unison series,
this compact and fully
orchestrated narrated
musical is just 20
minutes in length, making
is an ideal choral
presentation for Easter
Sunday that still leaves
time for all the other
traditional elements your
congregation loves to see
in your Easter
celebration. Specifically
designed for unison and
2-part choirs, it is
ideal for choirs of any
size. The entire work can
be sung in unison, but
includes maximum
flexibility built into
the 2-part vocal
arrangements, allowing
you to assign the
optional vocal divisions
to fit your choir's skill
level. The light-handed
orchestral accompaniment
is richly satisfying
without overpowering a
smaller choir. Join in
the celebration and
promise this Easter as we
proclaim together, Jesus
Christ, Forever,
Amen!.
Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
300 Sacred Songs Piano, Voix et Guitare [Fake Book] - Facile Creative Concepts
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Sacred. 182 pages.
9x12 inches. Published by
Creative Concepts
Choir SKU: HP.8366 Arranged by Lloyd Larson. This edition: Complete. Lent...(+)
Choir
SKU: HP.8366
Arranged by Lloyd Larson.
This edition: Complete.
Lent/Easter, choral
cantata. Lent & Easter
Musicals. Hymntune, Lent,
Easter Sunday, Sacred. CD
Value Pack (10 CDs). Hope
Publishing Company #8366.
Published by Hope
Publishing Company
(HP.8366).
UPC:
763628183660. Galatians
6:14, John 3:14-15, John
12:32, Numbers 21:8-9,
Revelation 5:9,
Revelation 14:1,
Revelation
22:4.
Lloyd Larson
has crafted this
versatile cantata to be
sung during the Lenten
Season, highlighting Palm
Sunday through the Easter
resurrection, in this
30-35 minute musical
journey. Options to omit
either the Palm Sunday
selection or the Easter
anthem are provided. This
journey to the cross is
filled with passionate
and intimate worship
moments using texts by
contemporary hymn and
song writers. It conveys
a powerful message filled
with eternal hope and the
challenge to Lift high
the cross, the love of
Christ proclaim! The
accompaniment may be
provided by piano alone,
chamber orchestra or an
accompaniment CD. The
instrumentation, arranged
by Mark Kellner, contains
a Conductor's Score and
parts for: Flute, Oboe,
Horn in F, Trumpet in
B-flat, Percussion,
Violin, Cello, Bass
Guitar, and Synthesizer
String Reduction.
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald....(+)
(Leadsheets for
Performance and Personal
Enjoyment). Composed by
David Mcdonald. For voice
solo. Sacred Vocal.
Published by Lillenas
Publishing Company
Composed by John Parker. Arranged by Mark Hayes. For choir and full orchestra. S...(+)
Composed by John Parker.
Arranged by Mark Hayes.
For choir and full
orchestra. Sacred Anthem.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/3206L. Published by
Lorenz Publishing Company
Composed by John Parker. Arranged by Mark Hayes. For choir and full orchestra. S...(+)
Composed by John Parker.
Arranged by Mark Hayes.
For choir and full
orchestra. Sacred Anthem.
Orchestral score and
parts. Lorenz Publishing
Company #30/3180L.
Published by Lorenz
Publishing Company
(18 Expressive Suites Arranged for Solo Piano Correlated with Scriptural Themes)...(+)
(18 Expressive Suites
Arranged for Solo Piano
Correlated with
Scriptural Themes). For
Piano. Piano Suite.
Sacred Performer Worship
Suites. Sacred. Late
Intermediate / Advanced.
Book. 196 pages.
Published by Alfred Music
Publishing
(An Easter Presentation of 5 Songs in Unison/2-Part). By Marty Parks and Smit De...(+)
(An Easter Presentation
of 5 Songs in
Unison/2-Part). By Marty
Parks and Smit Dennis and
Nan Allen. Arranged by
Dennis and Nan Allen,
Marty Parks and J. Daniel
Smith. For Unison choir.
This edition: Paperback.
Musical. Worship in
Unison. Adult Easter
Musical. Multicultural
and Sacred. Easy. Book.
44 pages. Duration 22
minutes. Published by
Lillenas Publishing
Company
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
(253 of the finest praise and worship songs). Composed by Various. For voice, pi...(+)
(253 of the finest praise
and worship songs).
Composed by Various. For
voice, piano and guitar
(chords only). Sacred
Folio. Gospel and
Worship. Difficulty:
medium. Songbook (spiral
bound). Vocal melody,
piano accompaniment,
lyrics and chord names.
420 pages. Hal Leonard
#080689006395. Published
by Hal Leonard
For Piano. By Adoniram J. Gordon; Anonymous; Arthur Seymour Sullivan; Charles C....(+)
For Piano. By Adoniram J.
Gordon; Anonymous; Arthur
Seymour Sullivan; Charles
C. Converse; George J.
Webb; H.Cutler Fall; John
Baptiste Calkin; Oliver
Holden; Robert Lowry;
Samuel Sebastian Wesley;
Samuel Webbe; William B.
Bradbury; William H.
Doane; Wm. R. Fischer.
Edited by Clarence
Kohlmann. Arranged by
Clarence Kohlmann. Solo
piano. For Piano Solo.
Collection. 51 pages.
Published by Theodore
Presser Company
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano,
flute
SKU:
CF.CM9583
Composed by
Christopher Gabel. Sws.
Performance Score. 20
pages. Duration 4
minutes, 9 seconds. Carl
Fischer Music #CM9583.
Published by Carl Fischer
Music (CF.CM9583).
ISBN 9781491154052.
UPC: 680160912551. 6.875
x 10.5 inches. Key: Eb
major. English. Thomas
Moore
(1779-1852).
Thomas
Moore (17791852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Filld with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when pleasures
dream is gone, Its memory
lives in Musics breath.
Music, oh, how faint, how
weak, Language fades
before thy spell! Why
should Feeling ever
speak, When thou canst
breathe her soul so well?
Friendships balmy words
may feign, Loves are even
more false than they; Oh!
tis only musics strain
Can sweetly soothe, and
not betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779a1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music a
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fillad with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasureas dream is gone,
Its memory lives in
Musicas breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendshipas balmy
words may feign, Loveas
are even more false than
they; Oh! atis only
musicas strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779–1852)
was an Irish poet,
singer, songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song.We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life?On Music
– Thomas MooreWhen
through life unblest we
rove,Losing all that made
life dear,Should some
notes we used to love,In
days of boyhood, meet our
ear,Oh! how welcome
breathes the
strain!Wakening thoughts
that long have
slept,Kindling former
smiles againIn faded eyes
that long have wept.Like
the gale, that sighs
alongBeds of oriental
flowers,Is the grateful
breath of song,That once
was heard in happier
hours.Fill’d with
balm the gale sighs
on,Though the flowers
have sunk in death;So,
when pleasure’s
dream is gone,Its memory
lives in Music’s
breath.Music, oh, how
faint, how weak,Language
fades before thy
spell!Why should Feeling
ever speak,When thou
canst breathe her soul so
well?Friendship’s
balmy words may
feign,Love’s are
even more false than
they;Oh! ’tis only
music’s strainCan
sweetly soothe, and not
betray.Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece.