By Bruce Neswick. For SATB choir, Brass quartet, timpani and organ. Choral, Easter. Medium Difficult. Choral octavo. Published by Paraclete Press

Piano. Composed by Johann Sebastian Bach (1685-1750). Edited by Alfred Kreutz. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. 40 pages. Schott Music #ED9002. Published by Schott Music

(Wayfaring Stranger/Guide My Feet). By Ruth Elaine Schram. For SATB or SAB Choir and Piano. Sacred Anthem: Easter, General, Lent, Spiritual. Octavo. 8 pages. Published by Lorenz Publishing Company

Women's Choir - SSAA or SSA or SA choir, organ accompaniment - Early intermediate

SKU: GI.G-009604

Composed by William Ferris. Advent, Advent 3 C, Advent 3 B, Advent 3 A. Tune Name: Laudario Di Cortona, 13Th Century Medieval Processional. Sacred. Octavo. GIA Publications #009604. Published by GIA Publications (GI.G-009604).

This inventl y interpreted and cherished prayer is set simply for two-part women's voices and organ. Reminiscent of an art song, the organ's supporting harmonies create a rich tonal background under the treble voices. A worthy affirmation of our devotion to the Blessed Virgin.

By Johann Sebastian Bach. String ensembles without piano. Published by International Music Co.

For Piano Solo, Harpsichord, Organ. Music Sales America. Baroque. 70 pages. Edition Wilhelm Hansen #WH17388. Published by Edition Wilhelm Hansen . Baroque.

Edited by Denes Agay. For piano. Format: piano solo book. With fingerings, glossary of musical terms, performance notes, introductory text and biographical sketches of composers. Baroque. 232 pages. 9x12 inches. Published by Yorktown Music Press.

Edited by Maurice Hinson. For Piano. Piano Collection. Masterwork. Level: Early Intermediate / Early Advanced (grade 3/4/5/6/6 ). Book. 248 pages. Published by Alfred Publishing.

By Lauren Bernofsky (1967-). For narration and string orchestra. FJH Beginning Strings. Full set (score and parts). Score only also available: ST6192S. Halloween. Grade 1. Score and set of parts. Composed 2009

By Lauren Bernofsky (1967-). For narrator and string orchestra. FJH Beginning Strings. Score only. Full set (score and parts) also available: ST6192. Halloween. Grade 1. Score. Composed 2009

17 pieces for flexible ensemble. Composed by David Blackwell; Kathy Blackwell. String Time Ensembles. Teacher's book CD. 96 pages. Oxford University Press #9780193518254. Published by Oxford University Press (OU.9780193518254).

Composed by Jason Eckardt (1971-). For violin, piano. Score and parts. 30 pages. Published by Carl Fischer

(John Thompson's Modern Course Compiled and edited by Philip Low, Sonya Schumann and Charmaine Siagian). Composed by Various. For Piano. Willis. Early to Later Elementary. Softcover. Published by Willis Music

(For the Later Beginner). Arranged by Tom Gerou. For Piano. Book; Graded Standard Repertoire; Method/Instruction; Piano - Alfred's Basic Piano Library. Alfred's Basic Piano Library. Broadway; Children; Movie; Pop. Beginner. 40 pages. Published by Alfred Music

Composed by Johann Sebastian Bach (1685-1750). Arranged by Erika Feuchtner Macris. For piano. This edition: Paperback. Collection. Classical Composer Series. Classical. Intermediate to Advanced. Book. Text Language: English. 64 pages. Published by Santorella Publications

By Alexandra Shealy (Editor). For Piano. Classical. 192 pages. Published by Music Sales.

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

By Nancy Faber, Randall Faber. Arranged by Edwin Mclean. For Piano. Level: Primer. CD. Published by The FJH Music Company, Inc.

For Piano. Faber Piano Adventures®. Methods. Primer. Softcover. 72 pages. Faber Piano Adventures #FF1075. Published by Faber Piano Adventures (

Band Concert Band

SKU: PR.465000130

For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130).

ISBN 9781598064070. UPC: 680160600144. 9x12 inches.

Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’.
In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,” for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,” and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Spring”) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

106 Graded Pieces from Baroque to the 20th C. Compiled and Edited by P. Low, S. Schumann, C. Siagian. Composed by Various. Edited by Charmaine Siagian. Willis. Classical, Recital, Solos. Softcover. Published by Willis Music