Composed by Rhian Samuel.
Chamber music. For High
Voice, String Quartet and
Piano. Score (2 copies
supplied) and parts.
Score and parts. Stainer
& Bell Ltd. #Y296.
Published by Stainer &
Bell Ltd. (ST.Y296).
ISBN
9790220223525.
Natu
re and landscape have
been the dominant themes
of much of Rhian Samuel's
vocal music of the last
ten years, projected
chiefly through the
poetry of Anne Stevenson,
and in her most recent
song-settings, the
writings of the
Pakistan-born Texas-based
poet Zulfikar Ghose. His
poem 'Conspiracy of the
Clouds' describes how,
the clouds having chosen
to become invisible,
'Even the astronauts on
the space shuttle /
looked down on a
cloudless America' as
hurricanes ravage
Louisiana and storms
engulf Nebraska. An
intriguing conceit in the
tradition of magic
realism, the text is
presented as a scena
lasting around 16
minutes, with
interpolations from
'Haze' by the
nineteenth-century New
England transcendentalist
Henry David Thoreau. Thus
modern fable and romantic
nature-description are
juxtaposed, and their
interaction becomes the
source of musical
contrasts too. Thoreau's
words are assigned
predominantly to the
vocalist's highest
register, those of Ghose
to her lower tessitura;
and the suggestive and
dramatic accompaniment
builds tension steadily
to the final ironic
response of an
incredulous American
public: not one of awe
and wonder, but the
question 'Why weren't we
told about it?
Cello (Violoncello) SKU: BA.BA07671-82 Cantata for the Second Advent(+)
Cello (Violoncello)
SKU: BA.BA07671-82
Cantata for the Second
Advent. Composed by
Georg Philipp Telemann.
Edited by Ute Poetzsch.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. VWV 1. 6
pages. Baerenreiter
Verlag #BA07671_82.
Published by Baerenreiter
Verlag (BA.BA07671-82).
ISBN 9790006531790.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Piano, Orchestra (Viola) SKU: BA.BA09024-79 Composed by Ludwig van Beetho...(+)
Piano, Orchestra (Viola)
SKU: BA.BA09024-79
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
58. 11 pages.
Baerenreiter Verlag
#BA09024_79. Published by
Baerenreiter Verlag
(BA.BA09024-79).
ISBN
9790006558377. 32.5 x
25.5 cm inches. Key: G
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Choir SKU: ST.EC51 Composed by Various. Edited by David Mateer. Library V...(+)
Choir
SKU: ST.EC51
Composed by Various.
Edited by David Mateer.
Library Volumes.
Transcribed and Edited by
David Mateer. First
published in 2009. Pages:
280. Format: Hardback.
Dimensions (mm): 324 x
246 x 27. Choral Score.
Stainer & Bell Ltd.
#EC51. Published by
Stainer & Bell Ltd.
(ST.EC51).
ISBN
9790220222344.
This
volume, the second of two
devoted to the
16th-century 'Gyffard'
partbooks, typifies the
collection as a whole in
the wide variety of
liturgical types and
compositional procedures
on display. There are
Jesus Mass propers built
on plainsong cantus
firmi, Mass
ordinaries based on
'squares', Magnificat
settings freely composed
or using the canticle
tone or its faburden,
antiphons in honour of
Jesus and the Virgin
Mary, the setting of a
tract (virtually
unprecedented in the
history of English
polyphony), prayers, and
even office responds
masquerading as votive
antiphons. The composers
include Alcock, Bramston,
Hoskins, Johnson, Knyght,
Mundy, Sheppard, Henry?
Stoning, Tallis,
Whytbroke, Van Wilder,
Wright and Anon.
Individual titles
from this volume are
available as Adobe PDF
files...
Scottish Songs for William Whyte. By Franz Joseph Haydn. This edition: HN5932. H...(+)
Scottish Songs for
William Whyte. By Franz
Joseph Haydn. This
edition: HN5932. Henle
Complete Edition. With
critical report.
Hardcover, clothbound.
218 pages. Published by
Hal Leonard.
Arranged for solo marimba. Composed by Isaac Albeniz (1860-1909). Arranged by ...(+)
Arranged for solo
marimba.
Composed by Isaac Albeniz
(1860-1909). Arranged by
Tyler Tolles. Solos:
Marimba
and Xylophone. Printed
Folio.
Tapspace Publications
#TSPCS19-004. Published
by
Tapspace Publications
By The Suntones. Arranged by Various. Barbershop Harmony Society. A Cappella, ...(+)
By The Suntones. Arranged
by
Various. Barbershop
Harmony
Society. A Cappella,
Barbershop. Octavo. 52
pages.
Contemporary A Cappella
Publishing #211535.
Published
by Contemporary A
Cappella
Publishing
Discovery Level 2.
Composed by Michael D'Abo
and Tony MacAuley.
Arranged by Roger
Emerson. Discovery
Choral. Pop. CD. Duration
180 seconds. Published by
Hal Leonard (HL.299897).
UPC: 888680959142.
5.0x5.0x0.15
inches.
All
together now:
“Whyyy do you build
me up...â€! The
Foundations' signature
'60s tune is finally
present in the Discovery
Series for Mixed and
Treble choirs, giving
your youngsters the
chance to groove in the
style of the Motown
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