From The Greatest Showman. Composed by Justin Paul, Benj Pasek, and Justin Paul. Arranged by Mark A. Brymer. Pop Choral Series. Movies, Show Choir. Octavo. 20 pages. Published by Hal Leonard

Arranged by Howard Helvey. SATB A Cappella. Mark Foster. 8 pages. Published by Mark Foster Music

By James Taylor and Marvin Gaye. Arranged by Kirby Shaw. Jazz Chorals. Vocal Jazz, A Cappella, Show Choir, Soul, Pop. Octavo. Published by Hal Leonard

Composed by Howard Helvey. Sacred octavos. Octavo. Beckenhorst Press #BP2230. Published by Beckenhorst Press

By Rascal Flatts. Arranged by Roger Emerson. Pop Choral Series. Country, Graduation, Inspirational, Pop, Show Choir. Octavo. 12 pages. Duration 225 seconds. Published by Hal Leonard

From Schmigadoon!. Composed by Cinco Paul. Arranged by Roger Emerson. Pop Choral Series. Graduation, Musicals, Pop, Show Choir, Tv. Octavo. Duration 195 seconds. Published by Hal Leonard

How About You? arranged by Doug Andrews. For SATB Choir (SATB). Shawnee Press. Choral. 12 pages. Shawnee Press #A2166. Published by Shawnee Press

Composed by Benj Pasek, Justin Paul, and Ryan Lewis. Arranged by Ed Lojeski. Pop Choral Series. Medley, Movies, Show Choir, Concert, Pop. Octavo. Published by Hal Leonard

How Many Kings arranged by Mark McClure and Allan Douglas. For SATB Choir. Christmas. Choral octavo. Duration 3'47". Published by Word Music

How Do We Say Goodbye? by Mark A. Brymer. SATB. Choral. 8 pages. Published by Hal Leonard

(Choral Highlights). Composed by Alan Menken, Howard Ashman, Tim Rice. Arranged by Audrey Snyder. Disney Choral. Concert, Pop, Movies, Light Concert, Show Choir, Medley, Disney. Octavo. 32 pages. Published by Hal Leonard (HL.244742).

Choral (SATB)

SKU: HL.279345

(Choral Medley). Composed by Various. Arranged by Alan Billingsley. Disney Choral. Ballad, Classics, Disney, Medley, Movies, Pop, Rock, Show Choir. Octavo. Duration 375 seconds. Published by Hal Leonard (HL.279345).

UPC: 888680755942. 6.75x10.5x0.062 inches.

Show your mettle and embrace your inner hero with this medley of Disney songs of bravery and adventure. Whatever the task, your choirs will be up to it as they are taught lessons of valor as only Disney movies can. Includes: How Far I'll Go, Touch the Sky, Reflection, When Will My Life Begin? and Zero to Hero.

Choral (SATB)

SKU: HL.1216159

Composed by Lin-Manuel Miranda. Arranged by Mark A. Brymer. Disney Choral. Broadway, Disney, Medley, Movies, Musicals, Show Choir. Octavo. Duration 470 seconds. Published by Hal Leonard (HL.1216159).

UPC: 196288140146. 6.75x10.5x0.086 inches.

Lin-Manuel Miranda has slowly and surely become a musical theater icon of the modern era. Like Schwartz, Sondheim, Loesser, and Rodgers & Hammerstein, Miranda writes songs that are transcendent, singable, joyous, and worth the price of admission. This medley from show choir veteran Mark Brymer includes some of the most memorable highlights from an illustrious career: In the Heights, How Far I'll Go (from Moana), One More Song (from Vivo), We Don't Talk about Bruno (from Encanto) and My Shot (from Hamilton).

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002849

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Organ. Sacred concertos, Sacred vocal music, Advent. Single Part, Organ. 4 pages. Duration 4 minutes. Carus Verlag #CV 10.028/49. Published by Carus Verlag (CA.1002849).

ISBN 9790007189389. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and part available separately - see item CA.1002800.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002800

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Full score. 12 pages. Duration 4 minutes. Carus Verlag #CV 10.028/00. Published by Carus Verlag (CA.1002800).

ISBN 9790007171735. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002805

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Choral Score. 8 pages. Duration 4 minutes. Carus Verlag #CV 10.028/05. Published by Carus Verlag (CA.1002805).

ISBN 9790007181352. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score available separately - see item CA.1002800.

SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo

SKU: CA.1002819

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Separate instruments. Sacred concertos, Sacred vocal music, Advent. Set of Orchestra Parts. Duration 4 minutes. Carus Verlag #CV 10.028/19. Published by Carus Verlag (CA.1002819).

ISBN 9790007181420. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and parts available separately - see item CA.1002800.

By Andrew Lloyd Webber ; Barrie Carson Turner (Arranger) ; Charles Hart (Lyricist) ; Richard Stilgoe (Lyricist). For SATB Choir, Piano Accompaniment. Musicals, Choral. Sheet Music. 6 pages. Published by Novello & Co Ltd.

From The Greatest Showman. Composed by Benj Pasek and Justin Paul. Arranged by Mac Huff. Pop Choral Series. Concert, Pop, Movies, Show Choir, Graduation, Broadway. Octavo. 20 pages. Published by Hal Leonard

By Alan Menken, Howard Ashman, Tim Rice. Arranged by Ed Lojeski. (SATB). Choral. Size 6.8x10.5 inches. 56 pages. Published by Hal Leonard.

By Michael Isaacson, Marcia Hain Engle. (SATB). This edition: 993343. Transcontinental Music Choral. Jewish. 16 pages. Published by Transcontinental Music Publications.

Composed by Jason Robert Brown. Arranged by Ed Lojeski. Pop Choral Series. Festival, Show Choir, Pop, Inspirational. Octavo. 16 pages. Published by Hal Leonard

By Howard Hughes, SM. For Cantor, Assembly, and Unison or SATB Chorus. Mass. Sacred. 36 pages