Starshine Chorale SATB SATB, Cordes - Facile GIA Publications
By Michael; Harris Mahler. For Voices: SATB. Instruments: C instrument, string q...(+)
By Michael; Harris
Mahler. For Voices: SATB.
Instruments: C
instrument, string
quartet (2 violins,
viola, cello)
(instruments optional).
Keyboard accompaniment.
Christmas Sacred. Level:
easy. 7 pages. Published
by GIA Publications.
By Gustav Mahler (1860-1911). Edited by Lauer, Hermann. Full score available sep...(+)
By Gustav Mahler
(1860-1911). Edited by
Lauer, Hermann. Full
score available
separately - see item
CA.4071400. Romantic
Choral Music; Secular
Choral Music. Choral
score. 12 pages
Auferstehn Chorale SSATB SSATB A Cappella - Avancé Schott
Choral (SSATB a cappella) - advanced SKU: HL.49019492 SSATB a cappella...(+)
Choral (SSATB a cappella)
- advanced
SKU:
HL.49019492
SSATB
a cappella, German.
Composed by Heinrich
Poos. This edition:
Saddle stitching. Sheet
music. Choral. Classical,
Contemporary. Octavo. 8
pages. Schott Music
#C55501. Published by
Schott Music
(HL.49019492).
ISBN
9790001192699.
7.75x11.0x0.039 inches.
German.
Heinrich
Poos is not the first
composer inspired by
Friedrich Gottlieb
Klopstock's poem 'Die
Auferstehung', as even
Gustav Mahler had already
used these verses in the
fifth movement of his
Second Symphony
'Auferstehung'. Mahler
was inspired to use a
choral movement at the
end of his symphony at
the funeral of the
conductor Hans von
Bülow where a choir
sang a chorale based on
said text by Klopstock.
Heinrich Poos wrote his
deeply moving choral
piece in remembrance of
the organist Hubert
Schoonbrodt.
For
Soloists, Satb Choir and
Orchestra. Composed
by Gustav Mahler. Edited
by Reinhold Kubik. This
edition: German language.
Score. With Standard
notation. Composed 1880.
76 pages. Universal
Edition #UE030425.
Published by Universal
Edition (PR.UE030425).
ISBN 9783702469856.
UPC: 803452066965. Text:
Gustav Mahler. Gustav
Mahler.
Composed by
Michael Mahler and Tony
Alonso S.J. Celebration
Series. Sacred. Octavo.
With guitar chord names.
4 pages. GIA Publications
#5609. Published by GIA
Publications (GI.G-5609).
English. Text Source:
Alonso, Tony, Mahler,
Michael.
Any
combination of flute,
oboe and cello may be
used. .
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9740
Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740).
ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson.
Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done.
SATB choir, voice solo,
assembly, piano
accompaniment - Beginning
SKU: GI.G-5553
Composed by Michael
Mahler. Pentecost, OT 2
A. Leavensong Series.
Sacred. Octavo. With
guitar chord names. 12
pages. GIA Publications
#5553. Published by GIA
Publications (GI.G-5553).
SATB choir, voice solo, assembly, piano accompaniment, trumpet in B-flat, alto s...(+)
SATB choir, voice solo,
assembly, piano
accompaniment, trumpet in
B-flat, alto saxophone -
Beginning
SKU:
GI.G-5554
Composed by
Michael Mahler. Advent.
Leavensong Series.
Sacred. Octavo. With
guitar chord names. GIA
Publications #5554.
Published by GIA
Publications (GI.G-5554).
Composed by Michael
Mahler. Celebration
Series. Sacred. Octavo.
With guitar chord names.
8 pages. GIA Publications
#6048. Published by GIA
Publications (GI.G-6048).
English. Text Source:
Based on Psalm 10. Text
by Ruth Duck. Scripture:
Psalm 10.
Come and See Chorale SATB SATB, Piano GIA Publications
By Michael Mahler. For Solo, SATB Chorus, Keyboard accompaniment, and 2 Bb Instr...(+)
By Michael Mahler. For
Solo, SATB Chorus,
Keyboard accompaniment,
and 2 Bb Instruments.
Leavensong. Includes
guitar chord names.
Sacred. Easy/Medium. 16
pages
Composed by
Michael Mahler. OT 24 A,
OT 24 C, Lent 4 A, Lent 4
C. Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#6043. Published by GIA
Publications (GI.G-6043).
By Gustav Mahler. Arranged by Stanley Hoffman. Text: Friedrich Ruckert. For SATB...(+)
By Gustav Mahler.
Arranged by Stanley
Hoffman. Text: Friedrich
Ruckert. For SATB Choir,
piano or orchestra.
(Mixed Voices). Secular.
Choral. Published by E.C.
Schirmer Publishing.
(In 5 Movements). By Gustav Mahler (1860-1911). Edited by Renate Stark-Voit, Gil...(+)
(In 5 Movements). By
Gustav Mahler
(1860-1911). Edited by
Renate Stark-Voit,
Gilbert Kaplan. For SATB
Choir, Orchestra. This
edition: revised version
Stark/Kaplan. World
Premiere: in Royal Albert
Hall London / Great
Britain by the Royal
Philharmonic
Orchestra/Philharmonia
Chorus conducted by
Gilbert Kaplan. Standard
notation. Composed
1888-1894
Im Abendrot Chorale SATB SATB [Conducteur] Carus Verlag
(Adagietto aus der 5. Sinfonie). By Gustav Mahler (1860-1911). Arranged by Clytu...(+)
(Adagietto aus der 5.
Sinfonie). By Gustav
Mahler (1860-1911).
Arranged by Clytus
Gottwald. For
SSSSAAAATTTTBBBB Choir.
Score. Language: German.
24 pages
SATB choir, voice solo, assembly, piano accompaniment, guitar - Early intermedia...(+)
SATB choir, voice solo,
assembly, piano
accompaniment, guitar -
Early intermediate
SKU: GI.G-6039
Composed by Michael
Mahler. Easter Vigil.
Leavensong Series.
Sacred. Octavo. With
guitar chord names. 12
pages. GIA Publications
#6039. Published by GIA
Publications (GI.G-6039).
English. Text Source:
Exodus 15, adapt. MM.
Scripture: Exodus
15.
SATB choir, voice solo, assembly, piano accompaniment, guitar, C instrument 1, C...(+)
SATB choir, voice solo,
assembly, piano
accompaniment, guitar, C
instrument 1, C
instrument 2 - Early
intermediate
SKU:
GI.G-6040
Composed by
Michael Mahler. Ordinary
Time 28 B. Leavensong
Series. Sacred. Octavo.
With guitar chord names.
16 pages. GIA
Publications #6040.
Published by GIA
Publications (GI.G-6040).
English, Spanish. Text
Source: Based on Luke
12:16–21, Matthew
19:21–23, Mark
10:21–27.
Scripture: Luke
12:16–21, Matthew
19:21–23, Mark
10:21–27.
Composed by Gustav Mahler and Stanley M. Hoffman. Romantic. Octavo. Duration...(+)
Composed by Gustav Mahler
and
Stanley M. Hoffman.
Romantic.
Octavo. Duration 2
minutes, 50
seconds. E.C. Schirmer
Publishing #8739.
Published by
E.C. Schirmer Publishing
Composed by Jenny Mahler.
Voice Junction. Vocal
score.
12 pages. Duration
2.5'.
Oxford University Press
#9780193544062. Published
by
Oxford University Press